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The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The Lead: Ritchie's Resilient Entertainment ValueWhile the actual quality might never threaten to float him above a three-star rating, I've grown an odd, outsized fondness for Guy Ritchie's recent run of solidly enjoyable lower-tier action films. Whether deadly serious (Wrath of Man), entirely unserious (Operation Fortune) or somewhere between the two (The Ministry of Ungentlemanly Warfare), there's been a real snap to them, one that's usually missing from other recent films of that ilk.The Event Details: Ritchie's Craft in 'In the Grey'Ritchie is more deeply invested in the thought-through craft of making a B-movie than many of his peers and there's a smooth sensuousness to how he moves, each of them looking, feeling and sounding like films he genuinely cares about. But, against all considerable odds, In the Grey might well be Ritchie's most purely entertaining film for years. Sure, it's messy in moments and nonsensically plotted at others, but it's also an incredibly, consistently fun time.The Plot Premise: A Debt Recovery ThrillerIt's his first sole writing credit since 2019's The Gentleman and hinges on a nifty, unusual premise. Rachel (Eiza González, reteaming with Ritchie after Ministry) is a lawyer tasked with trying to retrieve unpaid debts from dangerous figures, working on behalf of similarly shadowy financial firms. Her latest target Salazar (Carlos Bardem) owes $1bn and he's already dispatched the last lawyer who tried to get it back for sharp-edged exec Bobby (Rosamund Pike, devouring her few scenes).The Cast Dynamics: Chemistry and CharacterHis film is a tightly edited game with each moving part as thrilling as the other, whether it's González sparring with Pike (the pair trained well in 2020's nasty comedy I Care a Lot) or Gyllenhaal and Cavill enjoying the homoerotic motions of their boys-with-their-toys preparation. Ritchie's films have long toyed with queerness and here, the sexual chemistry and undefined dynamic between the two men isn't played for mean-spirited gay panic humour, they are for all intents and purposes playing a gay couple.The Action Craft: Ritchie's Signature StyleRitchie, as one has to come to expect, is an expert chaos-constructer and the action, along with another booming, seat-vibrating score from Christopher Benstead, is all seriously exciting to watch. Suspension of disbelief is of course required with our leads emerging as unscathed as superheroes, while also remaining as perfectly styled as models, but I was far too wrapped up to care.The Commercial Challenges: A Pattern of Mishandled ReleasesIf only audiences, and the companies releasing them, felt the same. While Wrath of Man, a more marketable Jason Statham revenge thriller yet containing more grit than one would expect, managed to make enough money overseas, he's otherwise struggled to justify his unusually high budgets. Operation Fortune was renamed, resold and pushed around the schedule before misfiring at the box office while The Ministry of Ungentlemanly Warfare couldn't even make half of its budget back after another botched release.The Future Outlook: Ritchie's Enduring AppealI fear for the day Ritchie will stop getting funding for his zippy and sleek yet commercially mishandled and criminally underseen larks but for now, with two more in the can, I'll happily live in a time when the cheques are still being written. The ending is at first satisfying and then a little abrupt, roughly yanking us out of what had been a smooth summer sojourn, the dust the film had been gathering on the shelf suddenly getting in our eyes.In the Grey is out now in US and Australian cinemas with a UK date to be announced

The Lead: Parkinson's Praise for Female PerspectiveThe Bafta-winning actor Katherine Parkinson has lauded the television series Rivals for its "radical" depiction of sex from a woman's perspective. Speaking at a preview screening in Bristol, Parkinson emphasized the importance of showing a woman's view of sex on television.The Series: A New Take on Jilly Cooper's Rutshire ChroniclesThe award-winning Disney+ show follows the high-stakes world of British television with the backdrop of the Cotswolds countryside in the fictional county of Rutshire. Based on Jilly Cooper's Rutshire Chronicles, the series has become renowned for its frequent, racy sex scenes featuring a diverse cast of characters. The first three episodes of the second series landed on the streaming platform on Friday, continuing the show's reputation for bold content.The Regional Impact: Bristol's Role in Television ProductionThe series was filmed at Bristol's Bottle Yard Studios, which are owned by the city council, with many locations featured within a 30-mile radius around Bristol. The screening celebrated the role the region had played in creating the popular series and as a champion for moving film-making outside London's orbit. Mayor of the West of England, Helen Godwin, stated that "Rivals being made here has directly and indirectly helped add millions of pounds to the country's fastest-growing regional economy."The Industry Shift: Female Perspectives in Mainstream MediaParkinson, who won a Bafta last week for her role in Here We Go, highlighted the lack of female perspectives on sex in television. "The great thing that Rivals does is … there are truths being told that I don't feel that I've necessarily seen … there's a sort of bravery to that. And it sort of feels quite radical," she said. Parkinson noted that while Jilly Cooper wrote brilliantly from the female perspective about sex, "we still haven't seen a lot of that on television."The Future: Honoring Jilly Cooper's LegacyThe filming of the second series was overshadowed by the death of Jilly Cooper, who suffered a fatal head injury in a fall at her Gloucestershire home in October. The Bristol audience was asked to raise a glass in Cooper's memory before the screening of the first episode. As the series continues to gain popularity, it stands as a tribute to Cooper's work and a milestone for female representation in television storytelling.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Fatal EncounterA man has died from his injuries after being attacked by a great white shark in western Australia, authorities confirmed. The attack unfolded just before 10am local time Saturday (02:00 GMT) off Rottnest Island, west of the city of Perth, Western Australia police reported in a statement.Australia's ABC News reported that the 38-year-old victim was taken by boat to Geordie Bay Jetty, where paramedics and police performed CPR. He died at the scene despite emergency efforts. Images published by the outlet show ambulance and rescue crews gathered at the popular diving and fishing spot, Horseshoe Reef.The Shark's IdentityThe Department of Primary Industries and Regional Development confirmed that the shark measured four metres (13 feet) and was identified as a long great white. This species is known to inhabit the waters around Western Australia, particularly during certain seasons when they follow migratory patterns.Australia's Shark Attack StatisticsThe majority of shark attacks occur along the east and southeast seaboard of Australia, with an average of 20 such incidents a year, according to Australia's Institute of Health and Welfare. While fatal attacks are relatively rare, they have occurred with increasing frequency in recent years, prompting concerns from both authorities and beachgoers.Regional Impact and Safety MeasuresThe attack marked the first fatal shark attack in Western Australia since last March, when a man was mauled while surfing at Wharton Beach in a remote area. A string of attacks along the country's eastern coast earlier this year triggered the closure of several New South Wales beaches. Last September, a rare fatal attack unfolded off a Sydney beach, killing an experienced surfer in his 50s.Future Outlook and PreventionAuthorities are expected to review shark monitoring protocols and potentially increase aerial surveillance in popular recreational areas following this incident. Beachgoers may see enhanced warning systems and potentially more frequent drone patrols during peak seasons. Experts note that while shark encounters are traumatic, the overall risk remains statistically low compared to other beach-related dangers.

The Relegation Battle Fury. Grief. Embarrassment. Horror. Resignation. The emotions run hot for supporters of West Ham and Tottenham right now as the two grand old clubs stare at potential relegation from the Premier League. The Impact of Mismanagement With their spiritual homes demolished at the altar of progress and profit, first Upton Park in 2016 and then White Hart Lane in 2017, both clubs had visions of glory days ahead. Instead they have been consumed by greed, mismanagement and false promises. Key perpetrators such as Karren Brady at West Ham and Daniel Levy at Spurs have exited the scene, but David O’Sullivan is still the Hammers chairman and the damage remains. The Current State of Affairs The London Stadium – which West Ham now rent for a knock-down price – is universally panned as stale and unsuited to football, while the sparkling Tottenham Hotspur Stadium looks like a monument to hubris. One of these 60,000 seater stadiums will be hosting Championship football in August. The Fans' Perspective Defeats on the pitch this season have been calamitous and bruising (they’ve endured 34 league losses between them); protests have been loud and fuming. Two points separate the teams, with two games remaining. The equation now is very simple: it’s either them or us. The Future Outlook As the Tottenham Supporters Trust put it on their website: “The arithmetic is stark, the stakes unmistakable. This is no longer a conversation about style or long-term trajectory; it is a question of survival.”

Sawe shatters the two‑hour barrier in LondonIn April 2026, Sabastian Sawe crossed the London Marathon finish line in 1 hr 59 min 30 sec, becoming the first runner to officially break the two‑hour mark. The feat sparked worldwide media attention, largely focused on his carbon‑plated shoes.The Maurten hydrogel formula behind the recordBehind the scenes in Gothenburg, Maurten—co‑founded by Olof Sköld and led on nutrition by Tobias Christensson—provided Sawe’s team with a novel sports drink that encapsulates carbohydrates in a hydrogel matrix. This technology allows athletes to ingest larger carbohydrate loads without the gastrointestinal distress typical of conventional drinks, delivering rapid intestinal absorption during ultra‑endurance effort.Numbers that underline Maurten’s dominance in marathon recordsSince 2018, every men’s and women’s marathon world record has been set by athletes using Maurten products.At the 2026 London Marathon, 7 of the top 8 men and 5 of the top 6 women were officially linked to Maurten.Research cited by Maurten shows a runner would deplete glycogen after 85 minutes at two‑hour marathon pace without carbohydrate replenishment.Why elite nutrition is reshaping distance runningThe consistent presence of Maurten on elite podiums signals a shift from shoe‑centric narratives to a broader performance ecosystem. Athletes and coaches now view nutrition as a “game‑changing” factor, with hydrogel technology offering a competitive edge that is difficult to replicate without proprietary formulation.Future of marathon performance and the role of sports nutritionLooking ahead, Maurten plans to expand its research facilities into a custom‑built “innovation hangar,” aiming to refine hydrogel delivery and explore adjuncts such as sodium bicarbonate buffering. If these advances prove effective, the next barrier—perhaps a sub‑1 hr 55 min marathon—may be breached, cementing sports nutrition as a core pillar of elite endurance strategy.

Opening Verdict: A Darkly Comic Exploration of Dying in DevonThe Guardian’s review frames Eclipse as a stark departure from Morton’s TV work, swapping satirical bureaucracy for a family‑riven meditation on death. The play’s humor is deliberately muted, allowing the weight of an unseen cancer patient to dominate the conversation.Staging the Unseen: How Morton’s Play Brings an Off‑stage Cancer Patient to LifeSet in a convincingly lived‑in kitchen designed by Simon Higlett, the action revolves around siblings Jonathan (Rupert Penry‑Jones) and Sarah (Sarah Parish) and their husband Graham (Paul Thornley). Two nurses, Karen (Selina Cadell) and Linda (Lizzie Hopley), provide the only direct link to the off‑stage patient, Edward, whose presence is felt through dialogue rather than sight.Numbers on Stage: Cast Size, Run Length, and Box‑Office ImplicationsCast: 10 actors, with four appearing in only a single scene.Venue: Minerva Studio, Chichester Festival Theatre.Run: Until 6 June 2026 (approximately three weeks).Ticket pricing (average): £35‑£55, reflecting a mid‑range price point for a regional festival production.These figures illustrate a modest financial risk that pays off by delivering a densely populated emotional landscape within a limited budget.Why It Matters: Shifting the Tone of British Dark Comedy and Hospice NarrativeMorton pushes the envelope of British dark comedy, moving beyond the corporate satire of Twenty Twelve and W1A into a realm where laughter is eclipsed by mortality. By foregrounding the “unsaid” through hyper‑realistic speech patterns—ums, stumbles, and meaningless affirmations—the play forces audiences to confront the discomfort of hospice care and family denial.Looking Ahead: Prospects for Morton’s Theatrical Future and the Play’s Life Beyond ChichesterIf the Chichester run garners strong word‑of‑mouth, Eclipse could tour the UK regional circuit and potentially attract a West End transfer, positioning Morton as a playwright capable of handling both TV satire and serious stage drama. The production also sets a precedent for future works that blend realistic dialogue with existential themes, suggesting a broader shift in contemporary British theatre toward confronting uncomfortable social realities.

On 15 May 2026, a human‑rights activist was assaulted by an Israeli settler while participating in a tour that highlighted recent settler‑initiated attacks in the West Bank. The confrontation, captured by witnesses, has reignited debate over the protection of civil‑society workers in contested territories.Violent Confrontation on a Human Rights TourLocation: West Bank settlement area (specific site not disclosed)Victim: Unnamed human‑rights activist leading a tour on settler violencePerpetrator: Israeli settler, identified by witnesses but not formally namedImmediate outcome: Activist sustained minor injuries; police were called to the sceneLimited Casualty Data but Growing Incident ReportsNo fatalities or severe injuries were reported in this specific incidentHuman‑rights NGOs have documented a rise in settler‑initiated assaults over the past year, though exact numbers vary by sourceLocal authorities have not released an official statement on the incident as of the publication dateEscalating Tensions in the West BankThe attack illustrates the heightened risk for NGOs documenting settlement expansion and related violenceIt fuels criticism of Israeli security forces for perceived inadequate protection of activistsInternational observers have warned that unchecked settler aggression could undermine prospects for a negotiated peacePotential Policy and Security Shifts AheadHuman‑rights groups are likely to demand stricter enforcement measures and clearer accountability for settler attacksIsraeli officials may face diplomatic pressure to increase patrols and issue clearer guidelines for civilian‑settler interactionsContinued incidents could prompt broader international scrutiny, potentially influencing aid and diplomatic engagements with Israel