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Egil Johansen, the landlord of the Kenton pub in Hackney, east London, describes recent incidents involving children as "like the wild west." He has now banned children entirely after a three-year-old fell down a cellar hatch while parents sat elsewhere, a five-year-old crashed into staff carrying drinks, and six parents brought 10 hyperactive children after a birthday party while ignoring their behavior."In every case, the parents blame us when something goes wrong or get really angry when we ask them to control their children," says Johansen, who has run the pub for 17 years. "I'm legally obliged to keep children safe on my premises and if the parents let their children run riot, the only answer is to not allow them in at all."Johansen initially tried banning children only after 5pm, but this interim measure failed to address the underlying issues. Despite online criticism framing him as the "baddie," he expresses sadness about the situation: "I'm a publican; I'm a people-person. It gives me no joy to ban anyone, but it's just not safe: parents don't control their children and our other customers were beginning to go elsewhere. I had no choice."The Kenton's decision reflects a growing trend among UK pubs seeking to differentiate themselves from establishments that "resemble soft play centres without the ball pit." While some welcome this shift, others view it as unwelcoming to families, creating a culture war in the pub industry.Lee Jones, landlord of the Brewers Arms in West Malvern, Worcestershire, reversed a previous child ban: "We're dog-friendly, child-friendly, adult-friendly. We're just friendly – we don't distinguish. Pubs are for the community and I don't see bans in the spirit of what we're here for." Jones reports that when children become rowdy, staff can address the issue with parents, though this is rarely needed.Stephen Boyd, who runs the Alma in south London, took a different approach after attempting to attract young families. He found families with children consumed disproportionate time and resources with special requests for diluted drinks, heated beverages, and customized meals, while adult customers waited longer for their orders."You just need a couple screaming, banging on a table or running up and down, and it dictates the whole atmosphere of the pub," Boyd says. "Parents would take massive umbrage if staff asked them to stop their children doing something." After implementing a child ban, he describes the change as "a fucking revelation" with staff retention improving and takings doubling.Despite the positive results, Boyd faced significant backlash: "I got a lot of online hate. Mainly from people who had never been to the pub but felt I was doing something morally hateful."Tom Stainer, chief executive of the Campaign for Real Ale, acknowledges the debate is "very live" but emphasizes: "But you do have to look at the responsibility of the parents in these situations, not just at the pubs. They're the ones responsible for making sure that their children behave."Financial considerations also drive some decisions. Mandy Keefe, landlady of the Wheel Inn in Ashford, banned children partly for behavioral reasons but also financial ones: "If a third of my Sunday customers were children eating from a reduced-rate child's menu and not drinking any alcohol, that wouldn't be financially viable."Across the UK, pubs are making individual decisions based on their specific circumstances, but as Johansen's experience demonstrates, it only takes one serious incident to settle the question for good.

The World Health Organization (WHO) has issued a dire warning about a health crisis unfolding in real time across the Middle East, emphasizing the urgent need for a complete cessation of hostilities to mitigate the humanitarian catastrophe.Dr. Hanan Balkhy, the WHO's regional director for the Eastern Mediterranean, stressed that hospitals and healthcare facilities must be treated as safe havens to protect patients and healthcare workers. The region, encompassing 22 countries and territories including Iran, Gulf states, Gaza, Sudan, Afghanistan, and Pakistan, is facing severe disruptions in healthcare services due to the ongoing conflicts.The violence has resulted in significant loss of life and displacement, with over 1,000 people killed in Lebanon, 1,500 in Iran, and 16 in Israel, alongside reports of numerous deaths in the West Bank and Gulf Arab states. Moreover, 3.2 million people have been displaced in Iran and over 1 million in Lebanon within a month, exacerbating the crisis.Balkhy expressed deep concern about the long-term impacts on maternal mortality, mental health, and the plight of orphaned children left without education. The WHO has verified dozens of attacks on healthcare facilities in Lebanon, Iran, and Israel since the conflict began, including a recent attack on a hospital in Sudan that killed at least 70 people.The organization is also preparing for potential attacks on nuclear sites and water desalination plants, which could have catastrophic health repercussions. Balkhy urged for a significant de-escalation or a permanent pause in hostilities to prevent further humanitarian disaster.

Solar panel sales have surged dramatically since the onset of the Iran war, according to Octopus Energy, with British households increasingly opting for larger rooftop installations to achieve energy independence.The company reported a 54% increase in sales this month compared to the same period last month, marking a significant shift in consumer behavior amid global energy uncertainty.Rebecca Dibb-Simkin, Octopus Energy's chief product officer, observed: "We are seeing a massive shift as people stop just asking and start acting. British families are tired of being held hostage by global fossil fuel prices. By switching to solar and heat pumps, they are becoming their own power stations, locking in low costs and protecting their wallets for the long term."Octopus noted that many customers are choosing "supersize" systems with 12 panels instead of the typical 10-panel arrays. Additionally, heat pump sales have increased by more than 50%, while electric vehicle charger systems have seen a 20% rise in sales.Greg Jackson, Octopus Energy's chief executive, described a "huge jolt" in solar sales compared to February. On March 17, the company reported a 27% increase in solar sales inquiries since the start of the Iran war.Good Energy, another green electricity supplier, confirmed this trend, reporting a doubling of interest in solar panels over the past three months.Nigel Pocklington, Good Energy's chief executive, emphasized: "The most effective way to bring bills down over the long term is to double down on renewables, alongside storage and flexibility, so more of our power comes from predictable, homegrown sources. We should be putting solar on any building that can take it. That's how we cut costs, strengthen energy security and give people real control over the energy they rely on every day."The market is poised for further growth with plug-in solar kits expected to become available from high street retailers and supermarkets in the coming months. The government recently announced that most new homes will likely have solar panels from 2028 and will lift a ban on sales of these kits.Andrew Dickinson, head of infrastructure at Heligan Group, explained: "Given the recent geopolitical events, the UK's reliance on global energy markets has become front and centre. The solution lies in a series of short-term initiatives to address the immediate impact of rising energy prices on homeowners. Plug-in solar is one of these solutions that is expected to lower the barriers to entry for homeowners. The previously lengthy process of roof assessment, design and installation by a specialist technician will no longer be necessary."A recent report from Electrify Britain, backed by Octopus, found that solar panels and heat pumps would significantly reduce vulnerability to fossil fuel price fluctuations. The report "Plug In, Pay Less" revealed that houses using these technologies would be almost immune to fossil fuel price rises: a 30% increase in wholesale gas and oil prices would translate into only a 1.7% rise in energy bills by 2035 for households using no gas or oil appliances.Energy bills are expected to rise by more than £300 this July, according to Cornwall Insight, a consultancy. Jess Ralston, head of energy at the Energy and Climate Intelligence Unit, commented: "Predictions of energy bills rising by hundreds of pounds will feel like deja vu to hard-working families as yet another gas price crisis pushes up the cost of living. Many are still saddled with debt from the last gas crisis while Putin and the oil and gas companies stand to benefit."Ralston added: "These wars and the global gas market are clearly beyond the UK's control, so the only way we have to permanently stabilise bills is to cut our use of gas and that means switching to electric heat pumps and renewables that squeeze gas power plants off the grid."Octopus Energy also noted a one-third increase in inquiries about leasing electric vehicles, further indicating a broader shift toward renewable energy solutions among British consumers.

OpenAI has announced the shutdown of its social media app Sora, which allowed users to share short-form videos generated by artificial intelligence. The decision comes amid growing concerns over the potential for deepfakes and nonconsensual content.The app, launched in September, aimed to capture the attention and advertising dollars of short-form video platforms like TikTok and Instagram. However, advocacy groups, academics, and experts raised alarms about the dangers of AI-generated videos, leading to proliferation of realistic deepfakes and "AI slop".OpenAI was forced to crack down on AI creations of public figures, including Michael Jackson, Martin Luther King Jr, and Mister Rogers, doing outlandish things, after an outcry from family estates and an actors' union.The shutdown affects a $1 billion deal between OpenAI and Disney, which was announced three months ago. The deal included Disney investing $1 billion in OpenAI and lending over 200 of its iconic characters for use in short, AI-generated videos. However, the transaction never closed, and no money changed hands.Disney stated that it respects OpenAI's decision to exit the video generation business and shift priorities elsewhere. The abrupt cancellation of Sora illustrates the messy process of streamlining as OpenAI prepares for a potential stock market debut later this year.

New Zealand football players have expressed their willingness to play their FIFA World Cup 2026 match against Iran outside the United States, citing the ongoing geopolitical tensions between the US and Iran. The match, scheduled for June 15 in Los Angeles, has been put into doubt due to Iran's threat to boycott fixtures on US soil.The Iranian Football Federation has raised concerns over the fixture, following the recent escalation of tensions between Iran and the US-Israel alliance. Despite this, New Zealand's players remain committed to the match and are prepared to adapt if necessary.Ryan Thomas, a Netherlands-based midfielder for New Zealand, emphasized that Iran has earned its spot in the World Cup and that the team would be able to manage the extra attention generated by the match. 'They deserve to be there as qualifiers,' he told Reuters. 'If we've got to play them in Mexico or Canada, then yeah, we play them there. It's not really a big deal for me.'New Zealand's team is set to be based in San Diego, California, which is close to the Mexican border. Mexican President Claudia Sheinbaum has indicated that her country would be open to hosting Iran's World Cup fixtures, should a venue switch be necessary.Kosta Barbarouses, an Australia-based winger for New Zealand, echoed Thomas's sentiments, stating that a venue switch would not disrupt the team's preparations. 'I don't think it would derail our preparation at all,' he told Reuters. 'We've got a base before our first game, anyway. So, yeah, I don't see why not.'FIFA has declined to comment on the possibility of switching venues for Iran's games but has stated that it is in contact with the Iranian Football Federation and looks forward to teams competing as per the current match schedule.

The V&A; Museum's lavish spring show, Schiaparelli: Fashion Becomes Art, is a surrealist's dream come true. The exhibition takes visitors on a journey through the life and work of Elsa Schiaparelli, a fashion designer who defied conventions and pushed the boundaries of art and fashion.Schiaparelli's designs are a whimsical and witty blend of art, culture, and fashion. From a shoe that becomes a hat to a telephone dial that transforms into a compact mirror, each piece is a testament to her innovative spirit and creative genius.The exhibition features collaborations with famous artists like Salvador Dalí and Jean Cocteau, showcasing iconic pieces such as the lobster telephone and the skeleton dress. These works demonstrate Schiaparelli's ability to merge fashion and art, creating something truly unique and groundbreaking.Elsa Schiaparelli was a trailblazer in her own right, launching her fashion career in Paris in the 1930s and quickly gaining recognition for her trompe l'oeil sweaters and shocking pink designs. Her legacy continues to inspire designers today, including Daniel Roseberry, who has been spearheading the brand's revival since 2019.The exhibition also features modern pieces that showcase the brand's continued commitment to innovative design and artistic collaboration. From a golden breastplate worn by Bella Hadid at Cannes to a robot baby made from old flip phones and circuit board shards, these works demonstrate the brand's ongoing dialogue with art and culture.Schiaparelli: Fashion Becomes Art is a must-see exhibition for anyone interested in fashion, art, and culture. It challenges visitors to think differently about the relationship between fashion and art, and showcases the enduring legacy of Elsa Schiaparelli's surrealist designs.

Lily Allen, known for her hit album West End Girl, is exploring the possibility of turning her music into a stage play. The album, which details her painful experience of discovering her husband's infidelity, has already been performed in its entirety during a recent tour of theatre venues, including a show at the London Palladium.The album's narrative is semi-autobiographical and features songs that showcase Allen's mastery of dialogue, characterisation, and storytelling. The plot revolves around her being cast in a West End production, mirroring her own debut in 2:22: A Ghost Story in 2021.A potential play adaptation could feature intimate monologues or a more elaborate production with supporting actors. The character of Madeline, the other woman involved in Allen's husband's affair, could be a key role in the play. Allen's fans have been closely following her personal life through her lyrics, and her Architectural Digest video showcasing her Brooklyn townhouse with her now-estranged husband David Harbour. The album's sardonic humour and raw realism could be effectively translated onto the stage.The set design for the tour, created by Anna Fleischle, featured a distinctive two-act structure with an interval and innovative videography. A stage adaptation could also incorporate performance art elements, making it a unique theatrical experience.

As the conflict drags on, Iranians are attempting to maintain a semblance of ordinary life in the face of constant explosions and airstrikes. The days following Nowruz, the Persian New Year, are usually a time of renewal and celebration, but this year, the atmosphere is tense."More and more, people are starting to normalise this war", said Farhad, a photography editor in Tehran. "It's difficult, but we're adapting and trying to return to our daily lives as much as possible. There's no alternative. We're tired. We just want peace."Despite the challenges, some Iranians are finding ways to cope. Aylar, a 39-year-old human rights worker, paid for an expensive VPN to circumvent the internet blackout imposed by Iranian authorities so she could stay in touch with relatives abroad. She also made time for a coffee date with friends, highlighting the complexity of life during conflict.The humanitarian toll is significant, with Iran's official death toll frozen at around 1,500, but the real figure may be more than 3,000, according to the Iranian Human Rights Activists News Agency. Many more have been injured, and the psychological impact is profound.As the situation continues to unfold, uncertainty and division within Iranian society are palpable. While most Iranians oppose the war, some have welcomed it as a potential catalyst for change. The future remains uncertain, with concerns that the conflict could become a recurring reality.

Lisa Kudrow reprises her role as Valerie Cherish in the third season of 'The Comeback', a character often compared to Steve Coogan's Alan Partridge. Both are narcissistic figures clinging to past showbiz successes. The show initially gained acclaim for its satirical take on the entertainment industry. This season, Cherish is offered a lead role in a new sitcom called 'How's That?', which is secretly written by an AI program. The use of AI in comedy writing is a key concern, especially following the 2023 US writers' strikes. However, the show fails to effectively satirize this concept, instead opting for a more sentimental approach. The Comeback's earlier seasons were praised for their meta approach, blending reality TV and mockumentary styles. However, the latest season struggles with its format, frequently switching between mock-doc and traditional sitcom modes without clear justification. Cherish, once portrayed as a sharp-elbowed has-been, has evolved into a reformed character. She is now universally praised by those around her, making her less relatable and less humorous. The show's attempts at humor fall flat, with the AI-generated scripts producing generic and unfunny gags. The season concludes as a heartfelt paean to traditional comedy, but its lack of humor and toothless satire leave little confidence in its future. The show's shift towards sentimentality over satire is a significant disappointment.