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The Artemis moon mission is a landmark international project that embodies the spirit of unity and cooperation. Over 50 years ago, the Apollo astronauts' photographs of Earth from the moon had a profound impact on society, highlighting our planet's fragility and finiteness.This new mission, involving 11 nations and 61 countries that have signed the Artemis accords, aims to revive that sense of unity and shared purpose. The crew of Artemis II, comprising calm, curious, kind, and thoughtful individuals, will fly around the moon and take photographs of Earth from a distance, potentially streaming the experience live.The mission's commander, Reid Wiseman, emphasizes that "we are going as humanity," while astronaut Christina Koch notes that "any country that's interested in exploring, come, come along, be a part of this." Victor Glover, set to be the first African American to fly to the moon, adds that space exploration teaches us that "we're all brothers and sisters."As the Artemis astronauts prepare to experience the profound view of Earth from the moon, they are accompanied by a tiny silicon disc of goodwill messages from world leaders, placed on the lunar surface by the Apollo 11 crew. This message, from Eric Williams, then prime minister of Trinidad and Tobago, reads: "It is our earnest hope of mankind that while we gain the moon, we shall not lose the world."The Artemis mission has the potential to inspire a new generation and promote global cooperation, serving as a reminder that we are "riders on the Earth together."

The Guardian’s newest photo feature puts the spotlight on Finnish photographer Claire Aho, whose recent work erupts in vivid hues, heralding what many describe as a colour revolution in the nation’s visual culture.Through a series of carefully composed shots, Aho captures everyday Finnish scenes transformed by bold palettes, inviting viewers to reconsider familiar landscapes through a more expressive lens.Critics note that the images not only celebrate aesthetic innovation but also reflect a broader cultural momentum toward brighter, more optimistic artistic expressions across Finland.

Dozens of professional clowns paraded through the streets of La Paz on Monday, demanding the repeal of a government decree that would restrict extracurricular activities in schools and jeopardise their earnings.Clad in full face paint and their trademark red noses, the performers gathered outside the Ministry of Education to denounce a February‑issued mandate that obliges schools to deliver 200 days of instruction annually. The rule effectively bans holiday parties and other special events—the primary venues where clowns are hired to entertain children.“This decree will economically affect all of us who work with children,” warned Wilder Ramírez, a union leader known as Zapallito. He added that “children need to laugh,” questioning whether the education minister had ever experienced a childhood.The decree, signed by President Rodrigo Paz, stipulates that celebrations may no longer be authorised on regular school days, though they could be organised voluntarily on weekends. Officials said they would consider the clowns’ feedback when drafting the 2027 school‑year regulations, but the promise offered little consolation to the protesters.Elías Gutiérrez, spokesperson for the Confederation of Artisanal Workers of Bolivia, stressed that the measure will shrink their income at a time when the country faces its worst economic crisis in decades. Revenues from natural‑gas exports have plummeted, and a shortage of US dollars has driven up import costs, deepening the financial strain on informal workers.Joining the clowns were tailors who create costumes for children’s events, photographers who cover school festivities, and other artisans dependent on the seasonal market. The demonstrators marched through central La Paz, blowing whistles and setting off small fireworks, while one participant brandished a sign accusing the government of “taking away smiles, and taking work away.”

The destruction of a US E-3 Sentry airborne warning and control system (AWACS) aircraft in an Iranian strike on a Saudi Arabian airbase has raised significant questions about how a critical surveillance asset was left unprotected and how Iran managed to launch such a precise direct strike.The plane was one of only 16 operational E-3s, which first entered production in the 1960s and carry sophisticated monitoring equipment allowing them to detect airborne threats such as missiles while surveilling assigned battle spaces including communications, troop movements, and air defense sites.The attack that destroyed the aircraft on March 27, while it was parked at Prince Sultan airbase, demonstrated Iran's continuing ability to strike high-value targets in the region despite a month of US and Israeli air raids.Images from the scene show a direct strike on the E-3's radar dome near the tail, suggesting a high degree of accuracy in the attack. The strike also injured US servicemen and damaged several in-flight refuelling aircraft.Ukraine's president, Volodymyr Zelenskyy, stated that Ukrainian intelligence had information indicating a Russian spy satellite photographed the base three times before the attack—on March 20, 23, and 25. Zelenskyy explained that multiple satellite images typically indicate preparation for an imminent attack.Zelenskyy's comments follow reports that Moscow was providing intelligence to Iran on the location of US forces in the Middle East, a claim denied by Russia's foreign minister, Sergei Lavrov.The destroyed E-3 was one of six such aircraft deployed to the Saudi Arabian base. These aging aircraft have long suffered from maintenance issues, with the US Air Force's E-3s reportedly having a mission-capable rate of only about 56% in 2024.The E-3 can track up to 600 targets simultaneously over a large area, acting as the eyes and ears for fighter pilots. The loss of this particular E-3 is considered incredibly problematic, as these aircraft serve as crucial battle managers for airspace deconfliction, aircraft coordination, targeting, and providing other lethal effects needed for battlefield operations.While US and Israeli commanders have claimed a decrease in Iran's missile capabilities, experts had anticipated a reduction in Tehran's launch intensity as it conserves military resources. Some analysts suggest Iran may be targeting key enablers of US airpower as part of a deliberate campaign following initial successes by the US and Israel in controlling Iranian airspace.

The Bauhaus movement, renowned for its revolutionary approach to art and design, also played a pivotal role in empowering female photographers to explore and redefine the boundaries of the medium. During its existence, the Bauhaus school became a hub for creative experimentation, attracting talented individuals from diverse backgrounds. Among them were several women who made significant contributions to photography, often pushing against traditional norms and exploring new artistic expressions. Their work not only expanded the possibilities of photography but also left a lasting impact on the art form, influencing generations of photographers to come.

Photographer Alexander Meininger was inspired to create Playrise after seeing the destruction caused by the Ukraine war. He realized that children in disaster zones needed play equipment to help them cope with their situations. Meininger teamed up with UK architect firm OMMX and engineers Webb Yates to develop a prototype of modular play equipment. The Playrise prototype consists of iroko hardwood beams and planks fixed with metal bolts, which can be customized with add-ons like ropes, monkey bars, and basketball hoops. This system allows for easy reconfiguration to meet the needs of different locations and users. Research has shown that play is vital for child development, fostering motor skills, cooperation, teamwork, and social skills like sharing and communication. However, with close to 50 million children living in forced displacement globally, access to such opportunities is limited. The first Playrise set is set to be deployed to the Aysaita refugee camp in Ethiopia, where some children have lived their entire lives in the desert encampment. The equipment is designed to be easily assembled by the children themselves, providing them with hands-on experience with building and construction. Meininger's goal with Playrise is to scale the project and ensure that the play sets are available when needed by NGOs and young people. He emphasizes the importance of not imposing a Western perspective on what children should do but rather understanding that all children want to thrive and play, regardless of their circumstances.

A look back at the remarkable life of Mary Beth Hurt through a collection of photographs.

Iran-linked hackers have claimed responsibility for breaching the personal emails of Kash Patel, the director of the Federal Bureau of Investigation (FBI). The hackers, known as the Handala Hack Team, shared photographs and documents from Patel's emails online.The breach, confirmed by Reuters and CNN, appears to have released documents over a decade old, including Patel's travel and business correspondence and personal photos. The hacking group describes itself as pro-Palestinian hacking vigilantes and claimed the attack was in retaliation for a US-Israeli strike on a children's school in Minab, Iran, which killed over 170 people, mostly schoolgirls.Patel's leadership of the FBI has been marked by controversy, with critics accusing him of misusing the federal law enforcement agency for personal travel and to carry out President Donald Trump's priorities. The FBI and Department of Justice have yet to comment on the incident.The Handala Hack Team also claimed credit for a recent cyberattack on the medical device company Stryker. Iran has threatened to step up attacks on Western economic interests as a form of pressure amid the US-Israel war against the country.

The Wu-Tang Clan, a legendary hip-hop group, is being showcased in a stunning photo series by The Guardian. This rare visual collection offers fans a glimpse into the group's history like never before.Briana Ellis-Gibbs curates this photographic tribute, providing an intimate look at the artists who have shaped the hip-hop landscape. The images capture the essence of the Wu-Tang Clan's impact on music and culture.