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The Surge in Tech Spending Tech billionaires have shelled out hundreds of millions of dollars ahead of the June 2 primary election in California, marking an unparalleled attempt to shape the state's political future. The tech industry's approach is comprehensive, funding candidates and ballot measures of all sizes, which is likely to make this the most expensive primary season in California's history. Key Players and Their Spending Google co-founder Sergey Brin has spent $66 million to fight a billionaire tax on the November ballot. Democratic gubernatorial candidate Matt Mahan has received the most donations, including from top executives at Google, Amazon, Snap, LinkedIn, Reddit, and Palantir. Crypto mogul Chris Larsen has funded three Super PACs with $26 million to influence campaigns across California. Google and Meta have collectively funded a Super PAC with $10 million to back assembly and senate candidates in local district races. The Impact on California Politics The influx of tech money has led to a barrage of TV ads, robotexts, and mailers promoting various issues and candidates. Experts warn that this spending will give tech companies political and regulatory leverage, allowing them to avoid stringent regulations and continue their rapid growth. The Tip of the Iceberg The disclosed spending likely represents only a fraction of the total, as some contributions are made through dark money entities that are not traceable. This has experts like Francesco Trebbi, a public policy professor at UC Berkeley, suggesting that the actual influence of tech money is far greater than what is publicly reported. Targeting State and Local Primaries The tech industry's influence extends beyond state-level races, with significant spending in local campaigns. Larsen, for example, has funded Super PACs aimed at various causes and candidates, including the state insurance commissioner race and state legislative primaries. The Future of Tech Influence in Politics The unprecedented spending by tech billionaires in California elections signals a new era of corporate influence in politics. As the tech industry continues to grow and shape the state's economy, its impact on the political landscape is likely to intensify, raising questions about the balance between economic power and democratic governance.

The Birth of a Classic The Bluetones' lead singer Mark Morriss and guitarist Adam Devlin share the story of their hit song 'Slight Return', from its humble beginnings to its massive success in the 90s. Mark Morriss' Vocals and the Song's Early Days We were still a three piece: Adam Devlin, my brother Scott and myself. We hadn’t met Eds Chesters yet, so we didn’t have a drummer. We were spending a lot of time writing songs, trying to hone this west coast, mid-60s, Crosby, Stills & Nash sound – even though it was the 90s and we were from Hounslow in London. Slight Return was the fourth or fifth song we wrote. Scott wrote the chord progressions and structure, but didn’t have any words or melody. He recorded guitar into a cassette player, then played that back on a second cassette player so he could record himself playing along to what he’d just recorded, in a very rudimentary way of four-tracking. We liked it, but we weren’t skipping around the room going: “My God, we’re going to be millionaires.” That came later. The Song's Rise to Fame It went down well at our early shows. It was catchy and memorable. We recorded a demo version and sold it on blue 7-inch vinyl at our gigs. When we got signed to A&M, they were keen for it to be a single, but we felt like it would be short-changing our fanbase, which was about 200 people, who had already bought it. We had to be talked around by the label, who said: “We can hear it being played on the radio.” But they wanted us to change the song’s name because Slight Return isn’t actually in the lyrics. The title in part refers to the last line of the song: “I’m coming home but just for a short while.” It’s also a kind of sideways tribute to Jimi Hendrix’s Voodoo Child (Slight Return). When we finally succumbed and let them release it as a single, lo and behold, it went ballistic. Adam Devlin's Perspective on the Band's Journey We thought we could write half-decent songs, so we cobbled together a set that would get us on the London circuit. I remember Scott bringing in a faster, simpler version of Slight Return. I fleshed out the guitar parts and put in a guitar solo. Mark worked out the vocal melodies, and we added a coda – the instrumental that fades out at the end, which originally had a sample from Tom Courtenay in Billy Liar, which was all very 60s. We had very different ideas from the record label and thought Can’t Be Trusted should have been the single. By then, I was living in another shared house in Wimbledon that didn’t have a washing machine. I was in the launderette when our manager phoned and said: “You’ve gone in at No 2.” I don’t think we were ready for it being so successful. The Legacy of Slight Return We've been playing it for 30 years. One tour, we’d got so bored with it, we didn’t even play it, which was a mistake because people thought we’d gone up our own arses. We learned our lesson: it’s the song everyone wants to hear. People get confused because Slight Return isn’t actually in the lyrics. I was at a farmers’ market recently when one of the stallholders said: “You were in that band who sang Where Did You Go?” I said: “Yes, but that’s not what it’s called.”

The Unbearable Loss I woke up beneath the rubble, surrounded by darkness, dust, collapsed concrete and the screams of my six-year-old son Nasser crying hysterically above the ruins, trying to reach my buried fingers. In those moments, I believed I was dying. What I did not yet know was that a part of me had already died. The Fate of My Children When I emerged, I discovered that my 51-day-old baby Ryan had been recovered lifeless after spending more than an hour trapped under the debris. His body was so small that I wrapped him in part of my own clothing, afraid he would feel cold. I was told Yaman, my seven-year-old, had suffered only minor injuries and had been taken to the hospital. The truth, however, was that my little boy had died before reaching it. A World That Failed Like countless mothers in Gaza, I had feared hunger for my children. I had feared displacement, terror and interrupted education. But despite everything, I never dared to think of death. Ryan never had the chance to grow up and enjoy his childhood. The Data of Loss 21,000 Palestinian children massacred Thousands of other Palestinian mothers have had to bury their children since January 2024 The Impact on Survivors My surviving son, Nasser, became an only child after losing both his brothers. He spends long hours staring silently at photographs of Yaman on a mobile phone as though he is trying to understand how a child can disappear so suddenly. A Call to Action Why have all of these special days, organisations and laws when they do nothing to stop the massacres of children? Ryan and Yaman were taken away from me in January 2024. Thousands of other Palestinian mothers have had to bury their children since then.

Cool Roof Paint Lowers Indoor Temperatures Across African HouseholdsReflective roof paint applied to asbestos roofs in Khayelitsha, a township on the outskirts of Cape Town, has made summer evenings noticeably cooler, allowing residents to sleep better and stay indoors during scorching days.Study Shows 3‑4°C Temperature Drop in Painted RoofsTemperature data collected over three summers from 240 houses across Africa reveal a consistent cooling effect in homes with painted roofs.240 houses monitored in total30 painted roofs and 30 unpainted controls in KhayelitshaAverage indoor temperature reduction of 3‑4°C during the hottest time of dayIn 2024, South Africa experienced 13 heatwave days (80% attributed to climate change)Health Benefits Linked to Cooler HomesResearchers Lara Dugas (epidemiologist) and Mark New (climate scientist) report that the cooler indoor environment improves sleep quality, which in turn mitigates mental‑health risks and reduces the severity of conditions such as hypertension, diabetes and cardiovascular disease.Implications for Climate‑Adaptation Policy in Low‑Income CommunitiesThe pilot, called Habvia, is one of nine projects under the Wellcome Trust‑funded HeatNexus programme. It demonstrates that locally manufactured, infrared‑reflective paint (Rhinoluxe Heat Reflect) can be a cost‑effective adaptation tool where existing solutions are lacking. Scaling the approach could address heat‑related health inequities in both urban and rural settings across Africa.Future Outlook: Scaling Up Cool‑Roof InterventionsThe research team aims to “paint millions of roofs,” emphasizing price, local supply chains and community engagement as critical factors for broader rollout. Continued monitoring will assess long‑term health outcomes and inform policy recommendations for heat‑resilient housing in low‑ and middle‑income regions.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

Australian Cycling History Made at Giro d'ItaliaJai Hindley has roared again in the "pinnacle of cycling", making history as just the second Australian to enjoy three overall podium finishes in Grand Tours as he rode home for a valiant third place in the Giro d'Italia. As new champion Jonas Vingegaard confirmed his place among the sport's all-time elite in Rome by completing his set of the three Grand Tour triumphs and dominating the 109th Giro with five magnificent stage wins, Hindley underlined why he is one of Australia's greatest.Hindley's Remarkable Comeback JourneyThe 30-year-old had been ill during the race, needing to take antibiotics in the second of the three weeks, yet recovered spectacularly to complete his own set of Giro podium finishes, having won in 2022, been runner-up in 2021 and now third. Only the great former Tour de France winner Cadel Evans has had more Grand Tour podium finishes among Australians, with five.The often unsung Perth rider Hindley said on the eve of the race from Bulgaria that he and his Red Bull BORA-hansgrohe team "aren't here to lick stamps". That was his 2026 version of his famous but bewildering affirmation "we're not here to put socks on centipedes" in the year he won. The translation was that he and his team weren't once again there to mess around, and after he proved stronger over the race than his talented young co-team leader Giulio Pellizzari to assume the role of main man, Hindley lived up to his promise."The second week was very hard for me, I was really quite sick. I even had to take antibiotics, but I seem to be back in time," Hindley had smiled after a remarkable third-week resurgence saw him move into third place overall on the 19th of the 21 stages.Australian Cyclists Dominate Final StandingsOn Sunday, the largely processional ride into the capital ended with Italian Jonathan Milan winning the final-stage sprint and Vingegaard clinching his fourth Grand Tour, having twice won the Tour de France and last year's Vuelta, where Hindley had signalled he was recovering his best form with a fourth-place finish. Hindley did suffer a mechanical mid-race on Sunday but swiftly got back to the peloton. He ended 6 minutes 25 seconds behind Vingegaard, and 1:03 behind runner-up, Austrian Felix Gall."I haven't had a good result in a Grand Tour for a long time, and to be fighting for the podium again was really nice," said Hindley. "For me, the Grand Tours are the pinnacle of cycling, and being competitive in them is what I train for."It was only the second Giro in a decade in which there wasn't a stage won by an Australian, following the early abandonments of the luckless Kaden Groves and Jay Vine with crashes, but, impressively, there were four Australian finishers in the top 17. Michael Storer (Tudor Pro) finished a career-best seventh at 10:13 down, Ben O'Connor (Jayco AlUla) was 16th at 24:12 and Chris Harper (Pinarello Q36.5 Pro) 17th at 30:43.Elevating Australian Cycling on World StageHindley's achievement places him among the elite of Australian cycling history, with only Cadel Evans boasting more Grand Tour podium finishes. His consistent performances across multiple Grand Tours demonstrate the growing strength of Australian cycling on the international stage. The presence of four Australians in the top 17 of the Giro d'Italia further highlights the depth of talent coming from Australia.Future Prospects for Australian CyclingWith Hindley establishing himself as a consistent contender in Grand Tours and younger Australian riders like Pellizzari showing promise, the future looks bright for Australian cycling. The country's ability to produce multiple top-tier cyclists suggests that Hindley's historic achievement may be just the beginning of a new era for Australian cycling excellence on the world stage.

Lead: A Personal Tale of Shelter Amid a Militarised BorderThe Guest follows a Polish family who open their home to Alhyder, a 27‑year‑old Syrian refugee, illustrating the daily danger in the Poland‑Belarus “danger zone”. The film reveals how political decisions have turned a humanitarian corridor into a lethal exclusion area.Documentary Unveils the 3‑km Polish Exclusion ZoneSince 2021, the Polish government has enforced a 3‑km strip along the Belarus border where migrants are seized and deported back to Belarus. The documentary captures constant military patrols, the ban on NGOs, and the covert network of locals providing food, clothing, and translation.Location: Small town in Poland bordering BelarusKey figures: Zvika Gregory Portnoy and Zuzanna Solakiewicz (directors)Subject: Alhyder, Syrian refugeeNumbers that Frame the Crisis27‑year‑old refugee at the centre of the story3‑km exclusion zone established in 2021Film released on 5 June on True Story platformHumanitarian Impact and Ethical ConcernsThe film highlights the bravery of “good samaritans” but also raises ethical questions after showing a deceased refugee’s body without clear consent. By focusing mainly on victimhood, the documentary risks reducing displaced people to statistics rather than full human narratives.Looking Ahead: Policy and AwarenessAs the documentary reaches international audiences, it may pressure EU and Polish authorities to reconsider the exclusion zone policy and improve humanitarian access. Continued media attention could spur NGOs to negotiate limited access or push for legal challenges against forced deportations.

The Unexpected DepartureArne Slot has been sacked as Liverpool head coach just 12 months after leading the club to their first Premier League title in 30 years. The Dutchman's departure comes after a disappointing season that saw Liverpool finish in fifth place, with the club making the decision to part ways despite his recent success.A Season of Triumph and TurmoilSlot's tenure at Liverpool was marked by extraordinary highs and significant challenges. After winning the Premier League title in 2025, the team struggled to maintain their form in the following season. The Dutchman's achievements included overcoming the disappointment of Liverpool's previous title success during the pandemic in 2020, which had been marred by COVID-19 restrictions that prevented proper celebrations.Emotional Connection Beyond the PitchIn an open letter to Liverpool fans published in the Liverpool Echo, Slot expressed a profound emotional connection with the club that transcends football. He wrote: "The connection we share goes beyond football, beyond European nights under the Anfield lights or the sound of You'll Never Walk Alone being sung from The." This sentiment reflects the deep bond he formed with the club's supporters during his time in charge.Slot highlighted several significant moments that shaped his connection with Liverpool, including the tragic incident when 134 supporters were injured during celebrations after the title win. He praised the fans' "spirit of compassion and unity" in the aftermath of the attack, as well as their extraordinary response to the death of forward Diogo Jota in a car crash.Legacy and AppreciationThe departing manager took the opportunity to thank players, staff, and the club's owners for their support during his time at Anfield. He expressed pride in Liverpool's 20th league title, which he described as belonging to "all of us" and remaining "an important chapter in its history." Slot's letter emphasized the values upheld by the players and the foundations they have built for the club's future.What's Next for LiverpoolWith Slot's departure, Liverpool now faces the task of finding a new manager to lead the club forward. Reports suggest the club is set to hold talks with Andoni Iraola as they seek a swift appointment. The challenge will be to maintain the club's competitive edge while transitioning to a new leadership style, with Slot having established a strong foundation during his time in charge.

The Harsh Reality of Penalty Shootouts The greatest lie ever told about penalty shootouts is that they are a lottery. This is a recognisable and trainable footballing skill, a test not just of ball-striking and placement but research, psychology, mettle under pressure. Arsenal's Unfortunate Loss Were Arsenal unlucky in Budapest, then? Once we sieve out the righteous rage and endless counterfactuals, the minor quibbles over major refereeing calls, Arsenal probably got what they deserved. To lose on penalties after making the defending champions sweat and fluster for 120 minutes is undoubtedly harsh. The Data Analysis Arsenal's style of football is geared explicitly towards narrowing the range of realistic outcomes, and then catching the breaks that remain. The team's tactics and gameplan largely brought them to this point. Arsenal's recruitment in the last few windows has put a premium on bolstering the back line, adding depth, bringing up the overall level of the squad rather than signing the electrifying X-factor players who can win a big game with a moment of brilliance. The Impact Analysis The gulf in resources is obviously a factor here, but so too the gulf in priorities. Clubs who can rely on the largesse of a state have much fatter margins for error. An expensive misstep on the scale of the Neymar/Messi/Mbappé fiasco would derail most clubs for a decade. Paris, on the other hand, can simply shrug it off and go again. The Prediction Future generations may marvel at Arsenal's fortune in reaching a Champions League final by beating Bayer Leverkusen, Sporting Lisbon and Atlético Madrid. Will the circumstances really be any more favourable for them next time? The window of opportunity at the very highest level is vanishingly small, contingent on luck as well as skill, and has no guarantees of coming again.