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World football’s governing body FIFA announced on Tuesday that it has initiated disciplinary proceedings against the Spanish Football Federation (RFEF) after anti‑Muslim chants were heard during a friendly match between Spain and Egypt on March 31.Spectators at Barcelona’s RCDE Stadium shouted the slogan “Whoever doesn’t jump is a Muslim,” prompting the federation to act. In a statement, FIFA said the incident violated its anti‑discrimination statutes and warranted a formal probe.The episode adds to a recent spate of abusive incidents targeting players in Spain, most notably the repeated racial abuse directed at Real Madrid forward Vinícius Júnior. Spanish police have opened an investigation into the “Islamophobic and xenophobic” chants, while Prime Minister Pedro Sánchez denounced the behaviour as “unacceptable” and warned that a “uncivil minority” would not be allowed to tarnish the nation’s reputation.The Spanish FA issued its own condemnation, and Muslim forward Lamine Yamal, who featured in the match, described the chants as a “lack of respect” from “ignorant and racist” fans. Yamal emphasized that, even though he was not personally targeted, the chants were “disrespectful and intolerable.”Real Madrid coach Álvaro Arbeloa echoed concerns, stating he does not believe Spain is a tolerant country and suggesting that if racism were pervasive, “we would have a problem every weekend at all of the stadiums.”FIFA’s disciplinary action underscores the governing body’s commitment to eradicating discrimination from the sport and signals that future infractions could attract sanctions against national federations.

Bayern Munich took a slender lead into the second leg of their Champions League quarterfinal against Real Madrid after a thrilling 2-1 win at the Bernabeu. Harry Kane and Luis Diaz scored the goals for the German champions, while Kylian Mbappe netted a late consolation for Real Madrid.The match lived up to its billing as a European classic, with both teams creating numerous chances. Bayern dominated the first half, with Konrad Laimer's rasping effort narrowly missing the target. The German champions should have taken the lead through Dayot Upamecano, but he fluffed his lines from point-blank range.Bayern's opening goal came through slick combination play, with Gnabry exchanging a one-two with Kane and pushing the ball in behind for Diaz to stroke home past Andriy Lunin in the 41st minute. Kane doubled Bayern's lead less than a minute into the second half, fizzing a curling effort into the bottom corner.Mbappe kept Real Madrid in the tie with a 74th-minute goal, smashing home off the crossbar after a low cross from Trent Alexander-Arnold. Despite the late goal, Bayern take a narrow lead into the second leg.Harry Kane told TNT Sports that he was delighted with the victory, saying: 'We played some really good stuff today, for sure. Some areas we could have done better as well, maybe the final ball and the final finish, we had some good chances there.'Real Madrid defender Antonio Rudiger lamented his side's defensive errors, saying: 'We came out after half-time and screwed up again; both goals we conceded were gifts.'

U.S. Vice President JD Vance touched down in Budapest on Tuesday for a two‑day series of bilateral meetings, a move the White House billed as a show of support for Prime Minister Viktor Orban ahead of Hungary’s April 12 parliamentary election. Orban’s Fidesz Party faces its toughest test in more than a decade, with recent polls indicating the opposition enjoys an 8‑12 percentage‑point advantage, and some surveys showing a lead as high as 20 points. Princeton sociologist Kim Lane Scheppele warned that Vance’s visit, while symbolically important, is unlikely to significantly alter the electoral math. “One visit by a relatively low‑profile American vice president is not going to change that,” she said. Nevertheless, the trip underscores the close ties between the Trump administration and Orban. Former President Donald Trump endorsed Orban in February, and Secretary of State Marco Rubio visited Hungary that same month, signaling U.S. backing for the right‑wing leader. Orban’s 16‑year rule has been marked by the erosion of judicial independence and media freedom, reforms that critics argue tilt the electoral system in Fidesz’s favour. Yet the opposition, led by 45‑year‑old former Fidesz insider Peter Magyar of the Tisza Party, is rallying around anti‑corruption and economic grievances. Magyar’s campaign promises a more constructive relationship with the European Union, hoping to restore billions of euros in funding suspended in 2022 over democratic backsliding. He positions himself as centre‑right, sharing many of Orban’s policy stances but rejecting the incumbent’s alleged corruption. “Magyar is centre‑right; he’s basically a believer in much of what Orban has done, minus the corruption,” Scheppele noted, adding that his eurosceptic leanings could still facilitate the return of EU money. The Hungarian‑U.S. connection extends beyond politics to financial incentives. Scheppele highlighted that Trump has hinted—though not formally promised—a fiscal safety net for Orban if he wins, reminiscent of U.S. aid pledges made to right‑wing allies in Argentina’s 2025 elections. “If Vance makes that kind of announcement, it could be a real game‑changer,” she warned, suggesting that a concrete U.S. financial commitment could bolster Orban’s standing in the final days of the campaign. Orban’s appeal to the U.S. far right has been evident since Hungary hosted the Conservative Political Action Conference (CPAC) in 2024, where Trump lauded him as a defender of “Western civilisation.” The personal rapport between Orban’s political director and Vance—evident in a 2024 photo captioned ‘A Trump‑Vance administration sounds just right’—further cements this transatlantic alliance. As the election approaches, the key question remains whether symbolic diplomatic support or a tangible financial pledge will prove decisive in a race where domestic issues—corruption, social services, and economic stagnation— dominate voter concerns.

Anna Wintour, the legendary global editorial director of Vogue, has graced the cover of the fashion magazine alongside her Hollywood counterpart, Meryl Streep. The striking image, captured by renowned photographer Annie Leibovitz, features Wintour and Streep, who is famously known for her portrayal of Miranda Priestly in The Devil Wears Prada.In a candid interview with Greta Gerwig, Wintour expressed her admiration for Streep, calling it 'such an honour to be played by Meryl.' However, she noted that the character of Priestly was 'distant' from her real self, describing it as an 'extraordinary gift.'Wintour also shared her thoughts on aging, stating, 'I like my age. I feel as alive, excited and aware as ever, and I like to learn from my children and from all my teams around the world. It’s always exciting.'When asked about swapping roles with Streep, Wintour humbly replied, 'There’s no way. I have no gifts. I have absolutely no gifts at all.' The film The Devil Wears Prada, based on the novel by Lauren Weisberger, was a critical success and cemented Streep's portrayal of the ruthless fashion editor.Interestingly, a genealogy report by Ancestry claims that Wintour and Streep are sixth cousins, adding a fascinating twist to their long-standing connection.

Bayern Munich survived a fierce Real Madrid comeback to win 2‑1 in the Champions League first‑leg at the Bernabéu, marking their first victory in Madrid in 24 years. The decisive moments came from Luis Díaz and Harry Kane, who scored before halftime.The opening goal arrived when Díaz finished a swift Bayern attack, followed shortly by Kane’s volley that doubled the lead. Real Madrid rallied when Kylian Mbappé reduced the deficit with a strike sixteen minutes from time, sparking a frantic final period.Goalkeeper Manuel Neuer, at 40, made nine crucial saves, including a low dive to deny Mbappé and a fingertip stop on Vinícius Júnior. Despite a flurry of chances – the match featured 39 shots – Bayern’s defence held firm.Real Madrid’s efforts were hampered by the suspension of Aurélien Tchouaméni and the inability to convert several clear opportunities, such as a chance for Vinícius that hit the side‑netting after Neuer’s intervention.Post‑match, Bayern captain Vincent Kompany praised his side’s fearlessness, while former Real defender Álvaro Arbeloa warned that Madrid would return to Munich with renewed determination.The result sets up a high‑stakes second leg at the Allianz Arena, where Bayern will look to capitalize on their historic win, and Real Madrid will aim to overturn the deficit.

The highly anticipated Champions League quarter-final match between Real Madrid and Bayern Munich is set to kick off at 8pm. This is their 29th meeting and 14th two-legged tie, both UEFA records, and all have taken place in the European Cup or Champions League.In eight of the previous 13 ties, the winner went all the way that season. However, it's noted that Bayern Munich are favorites, having finished second in the league phase, seven places ahead of Real Madrid, and are leading in the Bundesliga title.Real Madrid, on the other hand, lost to Mallorca at the weekend and are seven points behind Barcelona in La Liga. Despite this, form and logic often take a backseat when Real Madrid plays in the Champions League.Harry Kane, who was doubtful for the game, has been confirmed to start for Bayern Munich.The match promises to be an exciting contest between two giant teams, with anything possible.

Bryson DeChambeau, a two-time major winner, has taken an unconventional approach to improving his game: he's started making his own golf clubs. The decision was revealed during pre-tournament media duties at the Masters, showcasing his commitment to innovation and self-improvement. DeChambeau emphasized that his drive for innovation is a key aspect of his personality, stating, “I think it’s the willingness to always try to improve… There’s this nature that I have about myself where innovation is a habit of mine and I really find and take pride in that ability to learn, even through failure.” He has been experimenting with various clubs, including wedges and irons, and is also working on building his own driver. “Then I am working on irons, building irons, building a driver. So we’ll see where it goes, we’ll see where it takes me. All I could say is, if I don’t put them in the bag, it’s my fault now.” This move comes after a public feud with Cobra, a manufacturer he previously used, where he criticized their driver, leading to a heated exchange. DeChambeau's new approach allows him to have full control over his equipment, “It’s my own personal clubs I’m building. With myself.” DeChambeau returns to Augusta National with a desire to redeem himself after a disappointing performance in 2025, where he was outplayed by Rory McIlroy in the final round. A potential rivalry between DeChambeau and McIlroy could add excitement to the tournament, with DeChambeau expressing his respect for McIlroy while also highlighting his competitive drive: “Do I respect him as an individual? 100%. Do I want to beat him every time I see him? Absolutely.”

Tens of thousands of people have been hired by Scale AI – a firm 49% owned by Meta – to train artificial‑intelligence models by scraping Instagram accounts, harvesting copyrighted artwork and transcribing pornographic soundtracks, according to the Guardian.Scale AI promotes its Outlier platform as a flexible, expert‑driven marketplace, recruiting professionals from medicine, physics and economics to "become the expert that AI learns from."Workers, however, say the reality diverges sharply from high‑level model refinement. They describe tasks that involve massive personal‑data scraping and content that many find morally uncomfortable.Outlier is managed by Scale AI, which holds contracts with the U.S. Pentagon and other defense companies. Its chief executive, Alexandr Wang, is hailed by Forbes as the world’s youngest self‑made billionaire, while former managing director Michael Kratsios served as science adviser to former President Donald Trump.One contractor noted that users of Meta platforms would be shocked to learn their photos and friends’ images are being harvested for AI training, with workers manually reviewing profiles to extract data.The Guardian interviewed ten Outlier contributors – many also journalists, graduate students, teachers or librarians – who took the gig work out of economic desperation. One said, "A lot of us were really desperate" and felt compelled to accept the unstable, low‑pay assignments.These gig workers, dubbed “taskers,” often feel they are training their own replacements, expressing “internalised shame and guilt” over contributing to the automation of creative professions.Law firm Clarkson, representing AI gig workers, estimates that hundreds of thousands of people worldwide now labor on platforms like Outlier. Taskers report bait‑and‑switch recruitment tactics, where advertised high salaries are replaced by lower‑paid projects after onboarding.All contributors are monitored through a tool called Hubstaff, which can screenshot browsers to verify work. While Scale AI claims the software is only for accurate payment, workers describe it as constant surveillance.Assignments have ranged from transcribing pornographic audio and labeling photos of dead animals or dog faeces, to annotating diagrams of infant genitalia and violent police scenarios. One doctoral student recounted being promised “no nudity” only to receive explicit porn clips.Scale AI says it shuts down any task flagged as inappropriate and does not accept projects involving child sexual‑abuse material or pornography, though workers note that publicly available images of minors have been used for training.Social‑media scraping tasks required workers to tag individuals by name, location and age, sometimes pulling data from accounts of users under 18. One task asked contributors to order Facebook photos by the subject’s age, prompting ethical unease.In addition to personal data, taskers were asked to harvest copyrighted artwork, with strict instructions to avoid AI‑generated images and select only hand‑drawn pieces. Scale AI maintains it does not ask workers to violate copyright standards.Scale AI’s client list includes major tech firms such as Google, Meta and OpenAI, as well as the U.S. Department of Defense and the government of Qatar, highlighting the growing demand for labelled data as AI models scale.Some workers reported interacting with ChatGPT and Claude, and speculated they might be training Meta’s upcoming model, code‑named “Avocado.”OpenAI announced it ended its partnership with Scale AI in June 2025, citing its supplier code of conduct that mandates ethical treatment of all workers.Despite irregular pay, occasional mass layoffs and the unsettling nature of many tasks, many taskers remain on the Outlier platform, hoping the AI future will eventually improve conditions. One said, "I have to be positive about AI because the alternative is not great."In response, a Scale AI spokesperson stated, "Outlier provides flexible, project‑based work with transparent pay. Contributors choose when and how they participate, and we regularly hear from highly skilled contributors who value the flexibility and opportunity to apply their expertise on the platform."

On Halloween night in 2022, the 33‑year‑old Los Angeles‑based musician Angelo De Augustine collapsed at home, experiencing a cascade of sensory failures that left him unable to see, hear or move properly. Family members rushed him to the hospital, where doctors ran extensive tests but could not pinpoint a diagnosis, ultimately sending him home with a warning to return only if he became completely deaf or blind. Faced with a semi‑incapacitated body, De Augustine’s sole focus became completing the album he had been crafting for the previous year, Toil and Trouble. He admits he believed he might not survive the illness, yet he pushed through the pain, hoping to finish the record before his presumed death. De Augustine’s career had been gaining momentum. After his 2014 debut Spirals of Silence, he joined Sufjan Stevens’ label Asthmatic Kitty for 2017’s Swim Inside the Moon and later co‑produced the acclaimed 2021 collaboration A Beginner’s Mind. A 2019 track, “Time,” from the album Tomb, amassed over 31 million streams after featuring in Zach Braff’s film A Good Person, but the artist was too ill to capitalize on its success. Recovery was gradual and arduous. Over three years De Augustine relearned basic functions—walking, speaking, hearing, and playing instruments. Those challenges informed his newest work, Angel in Plainclothes, an album that contemplates mortality and the fleeting nature of life through ethereal soundscapes. Musically, the record draws on influences ranging from Nick Drake’s wistfulness to early Paul Simon’s lyricism. Tracks such as “Spirit of the Unknown” celebrate simple joys, while the lead single “Mirror Mirror” uses a reflective metaphor to describe his feeling of being a ghost watching life from the sidelines. He records from a studio he calls “A Secret Place,” emphasizing the intimate, introspective tone of the project. Recent research, De Augustine notes, suggests that chronic stress can overload the central nervous system, causing the body to shut down—a possible explanation for his 2022 episode. He points to the relentless pressures of the music industry as a likely source of that prolonged anxiety. Born to musical parents—his mother Wendy Fraser sang on the Dirty Dancing soundtrack—De Augustine originally pursued soccer before injuries redirected him toward music. Largely self‑taught, he began writing original material without formal lessons, a factor he believes gives his songs a distinctive edge. During his convalescence he moved back in with his mother, unable even to prepare meals. A breakthrough came when he discovered that immersion in water alleviated his symptoms, prompting a deeper awareness of his stress levels. A disciplined regimen of physical and mental exercises helped rewire his nervous system, gradually restoring his ability to play guitar and sing. When his health permitted, De Augustine returned to the studio, this time enlisting collaborators such as string arranger Oliver Hill, harpist Leng Bian, producer Thomas Bartlett (aka Doveman), and his mother on percussion. Drummer Jonathan Wilson contributed drums and offered his Topanga Canyon studio for the track “The Cure,” a song that likens illness to addiction. The album’s sonic palette is enriched by antique instruments—a bowed psaltery, aquarion, Marxophone, bass recorder, train whistle, 1960s German guitaret, miniature accordion, and a 1990s synthesiser version of a Japanese koto harp—underscoring De Augustine’s penchant for unconventional textures. After a five‑year hiatus from live performance, he returned to the stage last year, describing the experience as “amazing” despite its challenges. Though he acknowledges he is not yet fully healed, he feels he is emerging as a blend of his former self and a newly humbled individual who no longer takes life for granted. Reflecting on his journey, De Augustine says, “For so long my only focus was to be a great songwriter, and perhaps I paid the price for that. Now I’m trying to live a good life rather than chase outcomes.” Angel in Plainclothes was released via Asthmatic Kitty on 24 April, offering listeners a glimpse into his renewed perspective and artistic resilience.