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Lonely lives, falling between the gaps, are at the heart of this 1935 psychological thriller by Rodney Ackland, adapted from Hugh Walpole's novel. It's an atmospheric period piece, but isn't entirely a stretch to reflect on our own concerns about solitude in an ageing population.The three ladies in an English cathedral town are without partners, families or much of an income. They eke out their genteel poverty in a rickety boarding house. They weren't raised to work; Miss Beringer, in desperate need of a job, can only imagine becoming a paid companion or, possibly, flower arranging.In Brigid Larmour's finely etched production, irritable passions ferment beneath the frowsty knits and beads. The characters are prey to spite and greed, nerves and night terrors. Voices are tremulous; eyes glance at a fearful future.Beringer is the new lodger: Catherine Cusack, whittled by anxiety, timidly nibbles on a scallop-edged biscuit. She is welcomed by Julia Watson's Mrs Amorest, flustered but keeping up appearances. Down to her last £10, she writes into the void to a long-absent son.The third lady is Agatha. Fruitily overblown in the novel, that's how Edith Evans played her in 1935. Abigail Thaw makes her disconcertingly eccentric: forbidding in jet black, she mocks and snaps at quivering Miss Beringer. She covets Beringer's one cherished possession – a translucent chunk of amber from a beloved female friend.It's a play of cross-hatched conversations and melodramatic plotting. Larmour's design team help turn the screw: the dank-toned house and clothes in tones of moth and cobweb, a bitter wind blowing.Ackland's plays about rackety lives are increasingly revived. He, Walpole and John Gielgud, the play's original director, were all queer artists, and it's tempting to imagine them drawn to these lives on the margins of British society. Though these ladies don't so much rage against the dying of the light as wait, fearfully, to be snuffed out.

Female athletes are on the verge of a major breakthrough in insurance coverage, addressing critical gaps in support for pregnancy, contraception, menopause, and health conditions that disproportionately affect women. This development stems from the Carney review, an independent assessment of women's football led by former England international Karen Carney.The Women's Football Taskforce, established by the government to implement the Carney review's recommendations, has collaborated with Loughborough University and leading insurance providers to ensure female athletes receive appropriate insurance coverage. Loughborough University, ranked the world's No. 1 university for sports-related subjects for a 10th consecutive year, played a pivotal role in driving these changes.The changes aim to address 'blind spots' in insurance policies, particularly concerning pregnancy, contraception, menopause, and conditions like Relative Energy Deficiency in Sport (Red-S), a complex syndrome caused by low energy availability. Red-S can lead to metabolic, hormonal, and physiological changes, with indicators such as stress fractures and disruptions to the menstrual cycle.Karen Carney praised the development, stating, “Seeing the recommendations being taken seriously and resulting in tangible improvements is always amazing.” She emphasized the importance of the report and thanked those involved in making these changes a reality.Stephanie Peacock, the minister for sport and chair of the Women's Football Taskforce, welcomed the positive change, highlighting the collaborative effort with insurers and Prof Jo Maher of Loughborough University.The British Insurance Brokers’ Association is working with major brokers like Aon, Willis, and Marsh to revise policies. Aon has already extended its personal accident policies to include miscarriage as a result of a sporting accident as standard. Axis and Association for British Insurers are also reviewing their products to better support female athletes.Prof Jo Maher noted, “Developing products for female athletes marks an important step in ensuring we drive world-class and equitable standards in women’s sport.” She emphasized the collaborative effort to level the playing field and support the growing success of women's sports.

NASA is planning to send four astronauts on a 10-day loop around the moon on the Artemis II mission, marking a significant step towards returning humans to the lunar surface. The mission comes nearly 57 years after the last human visit to the moon during the Apollo 17 mission in 1972.The Apollo 11 moon landing, which took place on July 21, 1969, captivated the world as Neil Armstrong and Buzz Aldrin became the first humans to set foot on the moon's surface. Armstrong's iconic words, "That's one small step for man, one giant leap for mankind," echoed globally, symbolizing a historic achievement in space exploration.However, the current Artemis missions lack the same level of political and rhetorical urgency that drove the Apollo program. NASA has shifted its focus between the moon and Mars over the years, with Donald Trump justifying the mission in terms of "lunar economic development" and preparing for a future visit to Mars.Despite the challenges in replicating the excitement of the first moon landing, the moon remains a source of fascination throughout history, inspiring artistic expression and captivating the imagination of people worldwide. The Artemis missions, including the Artemis II crew, which includes Victor Glover, the first black astronaut, and Christina Koch, the first female astronaut, to reach the moon, may still spark public enthusiasm.As the world waits for the Artemis II mission to launch, it's clear that while it may not have the same world-historical importance as Armstrong's "giant leap," it still represents a significant step forward in space exploration and could potentially ignite a new wave of interest in lunar exploration.

South African Olympic champion Caster Semenya has expressed her strong disapproval of the International Olympic Committee's (IOC) decision to reinstate gender verification tests for the 2028 Los Angeles Games. Semenya, a two-time Olympic 800-metres champion, described the move as 'a disrespect for women'.The IOC's new policy, announced under President Kirsty Coventry, will limit eligibility for women's events to 'biological females' determined through a one-time SRY gene screening. This decision comes after the organization previously abandoned chromosomal sex testing in 1999 due to scientific concerns and athlete backlash.Semenya, who has been a symbol of the struggle for hyperandrogenic athletes' rights, emphasized that such measures 'cause harm' and are unnecessary. She pointed out that the policy seems to imply that women need to prove their worthiness to participate in sports, which she finds disrespectful.The IOC's policy shift aligns with US President Donald Trump's executive order banning transgender athletes from women's sports. Trump took credit for the IOC's decision, stating it was influenced by his order.The new policy follows a gender row at the 2024 Paris Olympics, where Algerian fighter Imane Khelif and Lin Yu-ting of Taiwan were allowed to compete despite failing eligibility tests. The IOC's decision aims to create a unified approach across all Olympic sports regarding athlete eligibility.

Caster Semenya, the South African two-time Olympic 800m champion, has expressed strong disapproval of the International Olympic Committee's (IOC) decision to reinstate sex verification tests for the 2028 Los Angeles Games. Semenya, who has been a symbol of the struggle for hyperandrogenic athletes, described the move as 'a disrespect for women'.The IOC's new policy, announced on Thursday, limits eligibility for female category events to biological females, determined through a one-time SRY gene screening. This move effectively bans transgender athletes and a large number of intersex athletes from women's sports.Semenya, who has male XY chromosomes, is a well-known athlete with a difference in sex development (DSD). She has been a vocal advocate for the rights of athletes like herself, who are often subjected to sex verification tests and scrutiny.The IOC's decision has been met with criticism from Semenya and others, who argue that such tests are ineffective and discriminatory. Semenya stated, 'For you as a woman, why will you be tested to prove that you fit? You know, it's like now we need to prove that we are worthy as women to take part in sports. That's a disrespect for women.'The new policy is set to be implemented starting with the 2028 Olympics, and will be carried out through a saliva sample, cheek swab, or blood sample. This move has sparked controversy, with many arguing that it undermines the rights and dignity of transgender and intersex athletes.

For the first time, a team of researchers has successfully mapped out the intricate network of nerves within the clitoris, a crucial organ responsible for female sexual pleasure. This achievement comes almost 30 years after a similar mapping was completed for the penis. The 3D scans of two female pelvises, donated through a body donor program, have provided unprecedented detail on the five complex tree-like branching nerves running through the clitoris. The widest of these nerves measures 0.7mm across. Led by Ju Young Lee, a research associate at Amsterdam University Medical Center, the study challenges existing knowledge about the anatomy of the clitoris. For instance, previous research suggested that the dorsal nerve of the clitoris diminished as it approached the glans, but the new scans show that it continues strongly to the end. The clitoris, one of the least-studied organs in the human body, has been neglected by researchers for far too long, according to Melbourne urologist Helen O'Connell. She notes that cultural taboos around female sexuality have hindered scientific investigations, and it wasn't until 1995 that the clitoris was included in standard anatomy textbooks. The mapping of clitoral nerves is expected to inform reconstructive surgery after female genital mutilation, which affects over 230 million girls and women worldwide. A better understanding of the nerve pathways could reduce the number of women who experience a decline in orgasmic experience after surgery. This breakthrough also has implications for vulvar cancer treatment, gender reassignment surgery, and genital cosmetic surgeries. As Lee hopes to open a clitoris exhibition to expand knowledge about the organ, inspired by the Vagina Museum in London, the study marks a significant step forward in understanding female sexual function and anatomy.

House Republicans have shot down a bill passed by the Senate that would have resumed funding for federal agencies tasked with airport screenings, exacerbating a standoff that has resulted in chaos at airports as workers go without pay.In the early hours of Friday morning, the Senate unanimously passed a bill that would finance most agencies under the Department of Homeland Security (DHS), including the Transportation Security Administration (TSA), the US Coast Guard, and the Federal Emergency Management Agency (FEMA).However, Republican House Speaker Mike Johnson confirmed he would not bring the Senate-passed bill to the floor for a vote, slamming it as a “joke”. Johnson suggested that the House could advance its own bill fully funding all DHS agencies for two months.President Donald Trump signed an executive memo directing DHS to work with the White House budget director to find a way to pay TSA employees, who have gone without pay since the partial government shutdown began in mid-February.“America’s air travel system has reached its breaking point. This is an unprecedented emergency situation,” Trump wrote in the memo, blaming the impasse on Democrats.Democratic lawmakers have slammed Republicans for rejecting bills that would ensure that TSA employees are paid while continuing to withhold additional funds from immigration enforcement.

Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

The reintroduction of beavers in Dorset has shown promising results, with the animals building a 35-metre dam and creating a deep, wildlife-rich pool. By coppicing trees, they have allowed more light in and improved habitats for plants, insects, amphibians, birds, and bats.Trail cameras have captured footage of an otter fishing in the pond, as well as a barn owl hunting there. Volunteers have spotted birds including redpolls and water rails. The cameras also captured footage of two of the beavers mating, indicating they have settled in their new home and that there could be kits this summer.Despite some hitches, including the death of a male beaver and the relocation of a female, the western pair of beavers has been busy doing their engineering work. The National Trust, which is in charge of the project, said it was thrilled with the progress, highlighting the astonishing effect on the ecosystem in a relatively short time.Gen Crisford, the National Trust's wetlands project officer, said setbacks were inevitable but expressed hope for a 'happy ever after moment' with the western pair. The project allows for the release of 10 to 25 adult beavers, with the next release expected to take place this autumn.