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Five‑Day Berlin Blackout: A Sabotage UnveiledOn 3 January 2026, a fire set on five high‑voltage cables under a bridge over the Teltow Canal plunged large parts of Berlin into darkness for five days, marking the longest outage since World War II. The attack was claimed by a self‑styled “Volcano Group”, linking the sabotage to broader anti‑fossil‑fuel activism. Arson on High‑Voltage Cables Triggers Citywide OutageApproximately 12 km from the Immanuel Hospital, the cables—each 10 cm thick and supplying power to about 45,000 homes, 2,200 businesses and four hospitals—were set ablaze. The fire was captured on video by Stromnetz Berlin, the city’s state‑owned grid operator, showing the cables burning above a pile of debris. Scale of the Outage: Numbers and Immediate Consequences10,000 homes restored electricity by the next day.35,000 homes remained without power for the full five days.Hospitals relied on emergency generators; Immanuel Hospital’s diesel tank held 3,000 L and burned ≈550 L/day.Hospitals faced cancelled surgeries, heating failures, and patient evacuations. Human Toll and Hospital Operations Under StrainTechnicians at Immanuel Hospital rerouted power to gas pumps, averting a heating crisis. At the nearby Hubertus Hospital, director Michael Schmidt evacuated 150 patients and postponed operations. Residents endured a “dystopian” atmosphere, with makeshift community support emerging around hospital canteens. Future Security Measures and Threat LandscapeThe confession, posted on left‑wing platforms, framed the act as “shutting down fossil fuel power stations”. The Volcano Group has a history of at least seven attacks since 2011, often referencing Icelandic volcanoes. Authorities now face pressure to harden vulnerable infrastructure points—especially above‑ground crossings like the Teltow Canal bridge—and to monitor anonymous activist channels for similar threats.

Handshake Standoff Sparks IPL TensionDuring the post‑match ceremony of the IPL clash, Virat Kohli walked past Travis Head without the customary handshake, turning a routine gesture into a headline‑grabbing moment. The refusal followed a heated exchange on the field when Kohli, opening for Royal Challengers Bengaluru, gestured at Head to bowl after the Australian’s dismissal of a Hyderabad batsman.Match Recap: Hyderabad's Dominant 55-Run VictorySunrisers Hyderabad posted a formidable total of 256, forcing RCB into a chase that quickly unraveled. Kohli’s early dismissal for 15 off 11 balls set the tone, and despite a brief resurgence from the Hyderabad bowlers, RCB fell short by 55 runs.Stat Sheet: Numbers That Shaped the ClashTarget set: 256 runsRCB’s margin of defeat: 55 runsVirat Kohli scored 15 off 11 ballsTravis Head bowled an over later, claiming the wicket of RCB captain Rajat PatidarBoth teams now sit on equal points, with RCB retaining the top spot on net‑run‑rateImplications for IPL Playoff Race and Player ConductThe result leaves Hyderabad and RCB tied on points, but RCB’s superior net‑run‑rate secures the league‑lead heading into the playoffs. Off the field, Kohli’s refusal to engage in the traditional handshake raises questions about sportsmanship standards in high‑pressure IPL fixtures and may prompt the league’s disciplinary committee to review conduct guidelines.Looking Ahead: What This Means for RCB and HyderabadBoth franchises have already qualified for the upcoming playoff stage, but the psychological edge could shift. Hyderabad’s confidence is bolstered by a decisive win against a top‑ranked side, while RCB must manage the fallout from the handshake incident to maintain team cohesion. Observers will watch whether the league issues any formal comment before the knockout rounds begin on Wednesday.

The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.

The Match OverviewMexico secured a convincing 2-0 victory over Ghana in a World Cup warm-up match held at Cuauhtemoc Stadium in Puebla. The match provided a glimpse of the excitement building less than three weeks before Mexico opens the tournament as a cohost. Despite Puebla not being among Mexico's World Cup host cities, fans created an electric atmosphere throughout the night.Key Match MomentsThe Mexican team set the tone early with Brian Gutierrez curling home from the edge of the box just two minutes into the match. Teenage Liga MX sensation Gil Mora, making his first appearance since November after returning from injury, struck the post in the first half. Alexis Vega had a header ruled out for offside before the break. Substitute Guillermo Martinez sealed the victory in the 54th minute, finishing off a counterattack to double Mexico's lead.FIFA Sanctions and Fan ResponseThe match was notable for the visible empty sections in the stadium, closed under FIFA sanctions linked to discriminatory chants at previous national team matches. Despite these restrictions, Mexican fans in green shirts created an electric atmosphere, with repeated Mexican waves rolling around the stadium throughout the match.Team Preparation and Coach's PerspectiveCoach Javier Aguirre used the friendly to continue evaluating players ahead of naming Mexico's final World Cup squad on June 1. Europe-based players Luis Chavez, Edson Alvarez and Jorge Sanchez made second-half appearances after recently joining training camp. Aguirre praised the effort shown by players battling for places in the final squad, acknowledging the complexity of selecting the team.World Cup OutlookThe victory provides a confidence boost for Mexico as they prepare to host the World Cup. The performance showcased the team's attacking potential and defensive solidity. With Aguirre continuing to fine-tune his squad, Mexico appears to be building momentum heading into the tournament where they will face the pressure of cohosting responsibilities.

Executive Summary: Reeves' Bid to Remain ChancellorRachel Reeves is mobilising backbench support to keep her chancellorship if Keir Starmer is replaced, arguing her credibility with bond markets is essential for the UK’s fiscal stability.Backbench Lobbying Intensifies as Labour Leadership ShiftsLabour MPs are being urged to back Reeves in the event that Andy Burnham wins the Makerfield by‑election and succeeds Starmer as prime minister. Allies warn that a switch to Ed Miliband would unsettle the bond market.Reeves’ supporters claim she is the only candidate who can safeguard the country’s finances.Burnham is reportedly considering Miliband for chancellor.MPs express concern over a “double change” in leadership.Economic Indicators Strengthen Reeves' PositionRecent data provide a factual backdrop to the political maneuvering:International Monetary Fund raised its UK growth forecast to 1% for 2026, up from 0.8%.Inflation fell to 2.8%, outpacing expectations.Government borrowing in April exceeded forecasts, highlighting fiscal pressure.Political Ramifications and Market PerceptionThe chancellor’s lobbying has sparked debate within Labour:Supporters stress the importance of fiscal predictability for bond‑market confidence.Critics argue Reeves bears responsibility for unpopular policies such as cuts to winter fuel payments.Analysts note her “Great British Summer Savings” plan and surprise VAT cut on family attractions as attempts to bolster public support.Bond‑market observers warn that a sudden leadership change could raise borrowing costs, while unions fear a shift toward a less market‑friendly chancellor.Looking Ahead: Scenarios for the TreasuryIf Burnham ascends to the premiership, the chancellor’s seat could become a focal point of intra‑party negotiation. Potential outcomes include:Reeves retains the role, providing continuity for markets.Ed Miliband is appointed, prompting a reassessment of fiscal strategy.A prolonged leadership contest that stalls key economic reforms.Analysts suggest that Reeves’ ability to navigate both economic data and internal party dynamics will determine whether the Treasury maintains its current course or pivots toward a new fiscal direction.

The Conversational Canvas of Roddy Doyle Acclaimed for his works that traverse books, films, TV shows, and plays, Roddy Doyle sits down to discuss his projects, particularly The Woman Who Walked Into Doors, which resonates deeply with readers, especially women. Unraveling The Woman Who Walked Into Doors Published in 1996, the book remains a significant work in Doyle's bibliography. It tells the story of a woman experiencing domestic violence, a theme that continues to evoke strong reactions from readers. Doyle recalls a recent book signing event in Auckland where two women shared how the book profoundly impacted their lives. The Genesis of The Women Behind the Door Doyle's protagonist, Paula Spencer, has been a long-standing character in his works, from the TV series to his trilogy of novels. The idea for The Women Behind the Door struck him during the Covid-19 pandemic when he reflected on Paula's character and her experiences. Paula Spencer's Enduring Presence Doyle shares anecdotes about how Paula's character has appeared in his everyday life, from a Facebook post of a woman dressed similarly to Paula to inspiring new storylines. He muses about her character's freedom and the significance of her plaid shirt. Reflections on Writing and Legacy As Doyle approaches his 70th birthday, he contemplates his legacy and future projects. He emphasizes the importance of having the 'itch' to write and expresses gratitude for his career, citing advice he received about replacing feelings of luck with gratitude. Literary Influences and Advice Doyle discusses his favorite book, Charles Dickens' Great Expectations, and shares advice for aspiring writers: be kind to yourself and focus on quantity before quality. He also humorously recounts his favorite swear words and a memorable anecdote about James Joyce. A Conversation with Dickens Doyle muses about having two pints with Charles Dickens, appreciating his creative energy and complex life. For his funeral, he requests the theme music from Match Of The Day to set the tone for a lighthearted farewell.

Lead: From On‑Screen Heroine to Real‑World SurvivorIn a candid Guardian interview, Hannah Murray reflects on the paradox of feeling liberated after quitting acting, only to be drawn into a high‑priced wellness cult that jeopardised her mental health. The experience culminated in a psychotic break, a brief hospitalisation, and a subsequent bipolar diagnosis.The cult’s promise and Murray’s descent into its underbellyAt 27, Murray joined an organisation that marketed “wisdom and specialness” for a fee running into thousands of pounds. The group’s charismatic leader, identifiable by a symbolic necklace and a giant Starbucks cup, offered a quick fix for the emptiness Murray felt after years of fame‑driven validation.Initial attraction: desire for lasting “specialness” beyond acting roles.Practices: meditation, gratitude diaries, and “spiritual” workshops.Cost: substantial financial outlay combined with escalating mental strain.The hidden price tag and mental‑health falloutThe cult’s financial demands were matched by a severe psychological toll. Murray experienced a catastrophic psychotic episode, leading to a brief stay in an acute mental‑health unit where she was diagnosed with bipolar disorder.Impact: What Murray’s story reveals about the wellness industry’s lure for young creativesHer narrative underscores a broader vulnerability: young, high‑profile individuals often seek quick‑fix solutions to the pressures of fame, making them prime targets for exploitative “wellness” enterprises. Murray notes a lack of critical scrutiny surrounding the industry’s promises, which are frequently presented as universally benign.Future outlook: Growing calls for accountability and mental‑health advocacyAs more public figures share similar experiences, the wellness sector may face increased regulatory attention and a push for transparent, evidence‑based practices. Murray’s memoir adds momentum to a cultural conversation about protecting vulnerable talent from predatory self‑help movements.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The LeadIn an era of digital distractions, renowned authors and public figures have come together to share their most compelling book recommendations, aiming to reignite readers' passion for literature. From Nobel laureates to best-selling authors, these selections offer diverse perspectives and captivating stories designed to rekindle the joy of reading.The Literary SelectionsMalala Yousafzai, the activist and Nobel laureate, recommends Enter Ghost by Isabella Hammad. This British-Palestinian novel follows an actor who travels to the West Bank and becomes involved in a local production of Hamlet. Yousafzai was particularly moved by the rehearsal scenes that explore "arguments over translations, personal relationships, the question of whether a performance is even possible under Israeli occupation." She believes Hammad demonstrates that "theatre is capable of carrying weight that other art forms cannot hold."David Miliband, CEO of the International Rescue Committee, suggests Free: Coming of Age at the End of History by Lea Ypi. This memoir chronicles growing up in Albania, the last Stalinist country in Europe. Miliband describes the book as "at once hilarious and serious, appalling in its description of the lies and tentacles of the regime of Enver Hoxha and touching in its humanity." He notes that the author's journey from "Young Pioneer" in the Albanian Communist party to professor in the UK makes the book "more than a work of memory or history. It is also an engagement with the challenges of the present."Katherine Rundell, acclaimed author, enthusiastically recommends Luke Kennard's Black Bag. She admits to laughing "aloud dozens and dozens of times" while reading this novel about a young actor who takes a job dressing in a black bag during psychology lectures to gauge students' reactions to strangeness. Based on a real 1967 experiment, Rundell praises its "brilliant" and "inventive originality," calling it "a triumph of a book" that is "very powerfully worth your time."Jack Thorne, screenwriter, revisits Susan Cooper's classic The Dark Is Rising. As someone who identifies as "quite a weird kid," Thorne found that the book "found that weirdness and twisted it." He's holding off sharing it with his 10-year-old until the "perfect age" of 11, praising its exploration of "the battle between the Dark and the Light" that "weaves myth and history into a glorious concoction that uses language as a weapon."Margaret Busby, publisher and president of English PEN, recommends CLR James's The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. First published in 1938, this historical work documents "the only successful revolt of the enslaved in history." Busby, who had a personal connection to the author (her father was James's friend from schooldays in Trinidad), calls it an "uplifting example of how the personal and political connect" and notes its continuing relevance as "a defiant call to resisting oppression."The Reader ImpactThese diverse recommendations offer readers a pathway back to literary engagement by providing books that are not only entertaining but also intellectually stimulating. Each selection offers a unique perspective that can challenge readers' thinking while providing the pleasure of immersive storytelling. The variety of genres and styles represented ensures that there's something for every type of reader, whether they prefer contemporary fiction, historical accounts, or fantasy.The Cultural SignificanceIn an increasingly fragmented media landscape, these recommendations highlight the enduring power of books to connect us to different experiences and perspectives. The selections reflect both timeless themes and contemporary concerns, demonstrating how literature continues to evolve while addressing fundamental human questions. The fact that these recommendations come from diverse figures—activists, politicians, writers, and scholars—underscores the broad cultural relevance of reading across different professions and backgrounds.The Future of ReadingAs digital distractions continue to compete for our attention, curated recommendations from trusted voices may become increasingly important in guiding readers back to literature. These selections suggest a trend toward books that offer both entertainment and substance—works that can make us laugh while making us think. The enduring appeal of physical books, as evidenced by the care taken in describing these specific editions, indicates that despite digital alternatives, many readers still value the tangible experience of reading a well-crafted book.