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For weeks the fourth floor of an Oakland courthouse has hosted a clash of titans: Elon Musk versus Sam Altman and Greg Brockman over the structure and ownership of OpenAI. Beyond the spectacle of billionaire fanboys, stern judges, and protest banners, the case spotlights how the world’s most valuable AI venture is being contested in a public courtroom. The High-Stakes Showdown Between Musk and OpenAI The lawsuit alleges that Musk was misled when OpenAI, originally a 2015 non‑profit, was later re‑structured into a for‑profit entity that enriched its founders. Musk claims the founders “flipped the script” after receiving his investment, turning a charitable project into a multibillion‑dollar startup. The trial has featured dramatic moments – from the judge ordering Musk to “tell the jury you’re not a lawyer” to his quip about taking “Law 101,” and a series of technical glitches that forced the judge to call on the courtroom’s tech crowd for help. Financial Stakes and Legal Claims in Numbers Musk’s alleged investment: hundreds of millions of dollars (exact figure undisclosed in filings). OpenAI’s valuation: now exceeds $30 billion, making the dispute worth potentially billions of dollars. Legal fees: both sides have already incurred multi‑million‑dollar attorney costs, with the courtroom’s media liaison noting a “30‑person overflow room” filled each day. Trial timeline: began in early April 2026, expected to wrap up within a week after testimony from Microsoft CEO Satya Nadella and OpenAI co‑founder Ilya Sutskever. What the Trial Reveals About Power Dynamics in Silicon Valley The proceedings lay bare the clash between “altruistic” AI ambitions and profit‑driven entrepreneurship. Judge Yvonne Gonzalez Rogers has kept a tight ship, reprimanding both parties for media‑savvy antics and even limiting break times to keep jurors alert. The courtroom atmosphere – billionaire security details, fan‑boy crowds, and protestors with “STOP AI” banners – underscores how AI has become a cultural flashpoint as much as a business asset. Looking Ahead: Possible Outcomes and Their Ripple Effects If the jury finds OpenAI liable, the decision could force a restructuring of equity, trigger massive payouts to Musk, and set a precedent for how early‑stage AI investments are governed. Conversely, a verdict for OpenAI would reinforce the legitimacy of converting non‑profits into for‑profits, potentially encouraging more aggressive fundraising in the AI sector. Either way, the case will influence future venture‑capital contracts, regulatory scrutiny, and public perception of AI’s ethical stewardship.

The Rejected Media Credential The plan to fly to Las Vegas to cover what the Enhanced Games claims is the “next frontier of human performance” ended with a short email sent at 7.02pm on Friday. “After careful consideration, we are unable to approve your media credential request for this year’s event,” it said. “Due to the high volume of applications and limited media capacity, we could not accommodate all requests … thank you again for your interest and understanding.” The Concerns About the Enhanced Games Admittedly, the rejection didn’t come entirely out of the blue. Unlike most sports organisations, the Enhanced Games had a pre-screening process which led to a nice PR man calling me a few days beforehand. His opening gambit? To point out the Guardian’s negativity towards the event. The Questions I'd Ask Why, he then asked, weren’t we criticising others in the longevity space? Er, because they aren’t running an event dubbed the Steroid Olympics? What about the basics? Are the tracks legal, the timing devices reputable, the officials pulled off the streets? You claim that the athletes are leaving “the old system behind for a new era of honesty and science”. But do you really believe that steroids, human growth hormone and EPO are safe? Can athletes sue the Enhanced Games? Many of you have stressed the benefits of taking banned drugs. But have you experienced any side-effects? What is your response to former athletes who say you are a dangerous influence on kids? The Future of the Enhanced Games Personally, I believe such talk is nonsense. But I don’t dismiss the Enhanced Games out of hand. I spoke to one person in the health-tech space, who has dealt with its founders, and he pointed out they are smart people and billionaires who tend to get what they want.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

The Lead Imagine stepping into the colorful world of Something Special, a beloved children's TV show that has been entertaining and educating kids for over two decades. The show, specifically designed for children with delayed learning and communication skills, has become a staple on CBeebies and BBC iPlayer. At the heart of the show is Mr. Tumble, aka Justin Fletcher, a charismatic performer who has captured the hearts of children and parents alike. A Behind-the-Scenes Encounter We recently had the opportunity to visit Mr. Tumble's set, located in rural Oxfordshire, where we witnessed the filming of the latest series. As we arrived, we were greeted by the iconic Mr. Tumble in his signature orange shirt, stripy yellow trousers, and red nose. The set was filled with familiar props, including the Tumble Tapp and Spotty Bag. Our 11-year-old daughter, Molly, who has special educational needs and disabilities, was overjoyed to meet her hero. The Power of Makaton One of the key elements that makes Something Special so compelling is its use of Makaton, a sign language that replaces words with simple hand gestures. The show's creator, Allan Johnston, a former Send teacher, developed the show to cater to children with communication delays. Makaton has become an integral part of the show, making it accessible and enjoyable for children with special needs. The Impact on Families Raising a child with special educational needs and disabilities can be challenging, especially in the current political climate. The article highlights the struggles faced by families, including the soaring number of Send tribunals and the concerns about proposed reforms. Something Special provides a much-needed respite for these families, offering a sense of community and support. The Future of Something Special As we look to the future, Something Special continues to evolve, introducing new presenters, including Maddie Moate, Ben Cajee, and George Webster. The show's commitment to inclusivity and accessibility ensures that it will remain a beloved favorite among children and families for years to come.

The Emergence of Literary Nepo Babies The phenomenon of children of famous novelists becoming writers themselves is on the rise. Historically, there have been instances of literary families, such as Alexandre Dumas père and fils, Fanny and Anthony Trollope, and Arthur and Evelyn Waugh. However, the current trend seems to be gaining momentum. Following in the Footsteps of Famous Parents Kazuo Ishiguro's daughter, Naomi, is set to publish the first in her new fantasy series. Margaret Atwood's daughter, Jess Gibson, has published her fiction debut, and Patrick Charnley, son of poet and novelist Helen Dunmore, has published his first novel to critical acclaim. The Influence of Growing Up in a Writer's Household Nick Harkaway, son of John le Carré, shares his experience of growing up in a writer's household. He recalls that his father's work was ubiquitous, but he didn't realize the unusual nature of his childhood until later in life. Deborah Moggach, whose parents were both authors, notes that she thinks everyone must have writer parents, as it was all she knew. The Role of Parental Influence and Expectations Children of writers often have a unique perspective on their parents' work. Amanda Craig's daughter, Leon, notes that her mother's writing seemed like a way of life, and she didn't feel like she had a choice but to write. Aidan Cottrell-Boyce, son of Frank Cottrell-Boyce, didn't tell his father about his writing until it was discovered by someone else. The Future of Literary Dynasties As more children of famous novelists embark on writing careers, it's clear that the trend of literary nepo babies is here to stay. Whether this trend will lead to a new generation of talented writers or simply perpetuate a cycle of privilege remains to be seen.

The Forbidden Garden: A Modern Reinterpretation of the ClergyChannel 4's new drama Falling introduces a provocative twist on the traditional period piece by centering on a forbidden romance between a nun and a priest. Set in a convent garden within a community plagued by social issues, the series follows Anna, played by Keeley Hawes, a woman who entered the order at 18 and has never known the outside world, and David, played by Paapa Essiedu, a younger, worldly priest with his own demons.Breaking the Wall: Humanizing the FaithfulThe series distinguishes itself by moving beyond the stereotype of the fanatical religious leader. Both actors emphasize the humanity of their characters—discussing mundane realities like buying socks and the physical toll of the job. A key narrative device is the concept of "jumping the wall," the difficult decision for nuns to leave the order, which Hawes researched extensively with an ex-nun. The show subtly explores how menopause acts as a catalyst for Anna's sudden desire and departure from her vows, adding a layer of biological realism to the spiritual conflict.A Timeless Ethereal: The Future of British DramaDespite the modern themes of desire and identity, *Falling* maintains a timeless, almost ethereal atmosphere. The absence of smartphones and athleisure clothing contributes to a liminal setting where the struggle between the "now" and "eternal souls" feels universal. As the industry moves toward more grounded, gritty portrayals of modern life, *Falling* offers a counter-narrative: a drama that is "good but not wet," balancing wholesomeness with complex, ardent passion.

The Power of Negative ExpectationIn her latest book, Helen Pilcher investigates the profound connection between the mind and the body, specifically focusing on the phenomenon where negative beliefs can cause physical illness. Drawing on Roald Dahl’s The Twits, Pilcher illustrates the age-old intuition that ugly attitudes deform the face. However, her work moves beyond fiction to explore the scientific reality of the nocebo effect—a Latin term meaning "I will harm"—which occurs when a person's negative expectations lead to symptoms.Deconstructing the Nocebo EffectThe nocebo effect operates on a simple yet powerful psychological principle: the more you are warned to expect a symptom, the more likely you are to experience it. This is often described as the psychological equivalent of the "pink elephant" paradox; if you are told not to think of a pink elephant, you inevitably do. Pilcher analyzes 231 placebo-controlled clinical trials, finding that 76% of people in experimental groups reported side-effects, compared to 73% of those on a placebo. This suggests that most of us experience bodily sensations, but the nocebo effect causes us to misattribute these harmless feelings to medication.Measurable Biological ShiftsPilcher argues that the impact of the nocebo effect is not merely subjective but measurable. She highlights a striking study from Stanford where participants were told they possessed a gene associated with either high or low obesity risk, regardless of their actual genetics. The results showed that those told they had the "skinny" gene experienced a significant increase in GLP-1 (a hormone that induces satiety) after a meal, while those told they had the "fat" gene showed no change. Furthermore, Pilcher discusses research where stimulating a specific area of a mouse's brain associated with positive emotion was found to curb cancer growth, while dampening it accelerated it. This challenges the boundary between mental processes and physical disease.From Mass Panic to Medical PracticeThe book delves into the history of mass psychogenic illness (MPI), where collective anxiety spreads symptoms through a population. Historically limited by geography, MPI today can go viral due to global communication and social media. A prime example cited is the 2014 outbreak in Colombia, where social media was thought to transmit symptoms among schoolgirls who had received the HPV vaccine. Despite health officials finding no link, public confidence collapsed, dropping immunization rates from over 90% to 5%. This case underscores the vulnerability of public health to the nocebo effect at scale.The Future of Mind-Body MedicinePilcher’s work raises central philosophical questions about the nature of mind and matter. While she cautions against drawing direct parallels between mouse brain stimulation and human thought, the evidence suggests that our internal narratives can significantly alter our biology. Ultimately, understanding the nocebo effect offers a path to mitigate its negative impacts, potentially allowing individuals to avoid self-fulfilling prophecies of illness. As Pilcher notes, avoiding the nocebo effect is a "pretty good one" side-effect to have.

The Evolution of the Croisette: From Cinema to SpectacleThe Cannes Film Festival has transcended its original purpose as a cinematic showcase to become a premier global stage for fashion, luxury, and social status. For ten days, the Croisette transforms into a high-stakes runway where the pursuit of exclusivity outweighs the actual film screenings. The event is no longer just about watching movies; it is about gaining entry to an exclusive club where the 'jet set' culture reigns supreme.The New Celebrity Class: Influencers and the Digital GatekeepersA significant shift in the festival's demographic is the rise of a new type of celebrity: the influencer. Unlike traditional actors or directors, these individuals often start from unconventional paths and gain entry through digital clout rather than acting credits. From dawn to dusk, the streets are filled with 'flashy, jazzy, and tacky' displays of wealth, creating a fashion show minus the red carpet. This influx has blurred the lines between traditional media and social platforms, as magazines and digital influencers collaborate to promote brands and showcase the celebrities who wear them.Digital Fame vs. Traditional Credentials: Figures like Yingying A-tupho, a model and classical Thai dancer, represent the new wave of attendees who may not have access to the official red carpet but are still central to the festival's visual economy.Brand Endorsement: The presence of influencers has solidified the festival's role as a marketing hub for luxury houses, turning every outfit into a potential advertisement.Brand Power and the Economics of DesireThe festival operates on an 'image-driven economy' where luxury is embodied right down to the skin. Whether it is Chanel jewellery or a Louis Vuitton leather bag, genuine or otherwise, logos have become synonymous with glamour and power. The media plays a central role in creating desire, curating the narrative that these brands are essential for social acceptance at the festival.Visual Consumption: The festival serves as a laboratory for luxury brands to test new products and styling concepts in a high-pressure, high-visibility environment.The 'Tacky' Aesthetic: The text notes a trend towards 'excessive Botox' and dazzling jewellery, suggesting a culture where the pursuit of perfection and visibility is paramount.Strict Codes and Social StratificationThe atmosphere on the Croisette is defined by rigid social codes and strict dress requirements that reinforce the festival's exclusivity. At the Grand Théâtre Lumière, strict evening wear rules apply: women must wear a 'long dress or little black dress,' while men require a 'black or navy blue tuxedo with a bow tie or dark tie.' Trainers are strictly prohibited, and entry may be refused for those who fail to adhere to these sartorial standards.Physical Barriers: The separation of entrances for film crews, official guests, and the public creates a tangible barrier between the elite and the general public.Performance of Status: The requirement to change outfits multiple times a day and the jostling for position at the exit of screenings highlight the performative nature of the festival experience.The Future of the Festival: A Hybrid Entertainment HubAs the festival continues to prioritize fashion and social spectacle over pure cinema, it will likely evolve into a hybrid entertainment hub. The line between the red carpet and the streets will continue to blur, with influencers playing an increasingly central role in defining the festival's cultural impact. The 'society of the spectacle' is not just a backdrop; it is becoming the primary product being sold to the world.

The 'Night Blooms' Tour and New Album Release Jeff Goldblum is set to release his new album Night Blooms on 5 June, marking a significant milestone in his musical career. This release follows a period of intense activity, as Goldblum embarks on a major tour spanning 28 May to 30 June. The tour kicks off in Wolverhampton, offering fans a chance to experience his unique blend of jazz and theatrical performance live. Musical Influences and the 57-Piece Orchestra Goldblum’s musical identity is deeply rooted in jazz, a genre he has cultivated since childhood. His journey began with piano lessons from Tommy Emil, who initially struggled to teach him classical pieces like Beethoven’s Für Elise before Goldblum discovered his love for jazz arrangements of Alley Cat and Stairway to the Stars. Early Inspiration: His father introduced him to Errol Garner, whose block chords and rhythmic style captivated the young pianist. Signature Sound: Goldblum currently performs with a 57-piece orchestra, a massive ensemble that elevates his renditions of classics like Close to You by the Carpenters. Defining Moment: His performance of Mona Lisa with Gregory Porter on The Graham Norton Show in 2017 was pivotal, directly leading to his record contract. Crossover Appeal: Acting and Jazz in the Spotlight The intersection of Goldblum’s acting career and his musical endeavors creates a unique market niche. His persona, often characterized by a quirky, intellectual charm, translates seamlessly into his stage presence. Songs like his humorous rendition of the Jurassic Park theme demonstrate his ability to engage audiences through humor and musicality. His choice of songs—ranging from Stevie Wonder to Fats Waller—reflects a broad appreciation for American jazz standards that resonates with a diverse demographic. Future Outlook: Expanding the Musical Legacy With the success of his recent collaborations and the critical reception of his jazz interpretations, Goldblum is poised to solidify his status as a serious jazz artist. The upcoming tour and album suggest a long-term commitment to music beyond his acting roles. Fans can expect continued experimentation with orchestral arrangements and a focus on jazz classics that have personal significance to him, potentially expanding his reach into the broader jazz community.