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The Discovery of a Lost Musical MasterpieceThe discovery of a new work by Ralph Vaughan Williams has set the world alight this week. In a box in the archives of London's Morley College, Elaine Andrews came across a previously unknown Vaughan Williams song titled "Before the Mirror," which sets a Swinburne poem inspired by a Whistler painting. The manuscript's workings, its crossings-out and corrections, offer a fascinating insight into Vaughan Williams's creative process, revealing music of surprising tonal adventure and expressive ambiguity written shortly after his marriage in 1897.The Vast Landscape of Lost Musical WorksBut a single song pales into comparison compared to the musical riches that may be lying dormant in libraries, archives and lofts all over the world. One of the most significant musical finds of all time was the treasure-trove of manuscripts by Florence Price found in a derelict house in Illinois in 2009, which included her two violin concertos, Fourth Symphony and dozens of other pieces. This discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians.The Systematic Erasure of Female ComposersThat discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians. The discovery of previous unknown manuscripts by the most familiar composers – a single page of Mozart, an exercise by Beethoven, a sketch by Haydn – often happen because historians know where to look for ephemera of lives whose every artefact has been combed over for centuries. But that had not been the case for Price, or for other composers who have been musicologically marginalised. Their work is supposed to be "lost" simply because no one had been looking for it.Rediscovering Forgotten Female VoicesThat's why some of the deepest holes in musical history – works that we know composers wrote and that were performed in their lifetimes, but which their biographies say are now "lost" – are by female composers. Francesca Caccini wrote more than 13 stage works in her lifetime in 17th-century Italy, but only one survives today. Caccini's dozen other operas may currently be "lost," but have researchers been looking for them as assiduously as they search for a page by Bruckner or a letter by Mahler?The Case of Joseph BologneThe same goes for at least three complete operas by Joseph Bologne, who lived an extraordinary life in 18th-century France, as composer, violinist, orchestral leader, fencer and soldier, becoming a colonel in the revolution's only all-black regiment. But Bologne's legacy suffered the prejudices of a culture that reinstated slavery and which erased his contribution to the revolution and to musical society after his death in 1799. Now that Bologne's work is at last finding its place there must be renewed focus on recovering these vital "lost" operas from the oblivion that they never deserved.Legendary Lost Works We Can Only Dream OfMind you, there is also lost music whose absence has been known of for centuries – we can only dream of what could be. Bach's St Mark Passion and scores of his cantatas, Monteverdi's Arianna and other stage works, the dozens of quartets and sonatas that Brahms threw out as unworthy, or Sibelius's Eighth Symphony, likely consigned to the flames by Sibelius himself.New Leadership in Classical MusicIn other classical music news, the Royal Scottish National Orchestra has announced that Lithuanian conductor Giedrė Šlekytė is to be their next music director, succeeding Thomas Søndergård from the 2027 season. The appointment comes after just two projects: a well-received week of Mahler's First Symphony, and a subsequent recording session. As the RSNO's chief executive Alistair Mackie said: "When she joined us last year, her musical ideas and the way she works with players spoke for themselves. Giedrė gives the orchestra room to breathe and to play."

As the US‑Israel war on Iran reaches its 12th week, the city of Tucson, Arizona, is quietly transforming its sports complex into the home base for Team Melli ahead of the 2026 FIFA World Cup, underscoring a stark contrast between battlefield headlines and the unifying promise of football. Training Camp Set Up at Kino Sports Complex The Kino Sports Complex, overseen by Sarah Hanna, director of the facility, is being pre‑pared to FIFA‑regulation standards. Grass is being watered and cut to exact height, weight rooms, ice‑baths and massage tables are readied, and meeting spaces have been booked for the team’s staff. Location: Tucson, Arizona – a desert oasis of ~540,000 residents. Facility: Kino Sports Complex, equipped with FIFA‑approved pitch. Key personnel: Sarah Hanna (facility director), Jon Pearlman (FC Tucson president). Logistics and Security Amid Geopolitical Tension Preparation intensity is high: Hanna reports averaging 12 to 20 meetings each week, ranging from food‑service contracts to FIFA inspections. Security measures have been tightened, and hotel rooms for the squad are locked in. Travel timeline: Arrival expected two weeks before opening match on June 15, 2026 in Los Angeles. Group‑stage venues: Los Angeles (vs New Zealand), Seattle (vs Egypt), and a match against Belgium six days after the opener. Political backdrop: Ongoing naval blockade of Iranian ports and a de‑facto closure of the Strait of Hormuz. Sport as a Diplomatic Bridge in a Conflict Zone Local leaders stress that football can transcend politics. Jon Pearlman said, “We welcome them with open arms… the game brings nations together, not drives them apart.” Residents echo this sentiment, despite President Donald Trump’s earlier social‑media doubts about the team’s safety. Community response: Positive, with local clubs and fans offering support. FIFA stance: The tournament will proceed with Iran’s participation as planned. Outlook for Iran’s World Cup Participation While visa and staff‑treatment demands remain under negotiation, the logistical groundwork in Tucson suggests a high probability that Iran will compete as scheduled. Should diplomatic friction intensify, contingency plans could involve neutral venues, but current momentum points to a full tournament presence. Potential risk: Escalation of hostilities could trigger travel restrictions. Best‑case scenario: Iran plays all group matches, using Tucson as a stable training hub.

Introducing Poppy's Proactive AI Assistant Poppy, a new app, aims to organize the chaos of digital life by combining calendar, email, messages, and other sources into a single dashboard. The app uses AI to guess what's important to users based on their data and provides proactive suggestions to help them manage their time. How Poppy Works Users can connect various services to Poppy's app, such as email, calendar, and location. Poppy then uses this data to provide suggestions, such as taking a break to go for a walk or suggesting restaurants based on a friend's food preferences. Key Features and Integrations Works with everyday apps like Apple Calendar, Google Calendar, Gmail, Outlook, and more Integrates with apps like Uber and Instacart Users can message Poppy with questions or requests Poppy can track flights and alert users to changes Security and Future Plans Poppy's maker, Sai Kambampati, emphasizes data security, with encryption and a zero-retention policy. The company plans to switch to local, on-device AI models in the future. Funding and Team Poppy's San Francisco-based team of four is backed by $1.25 million in pre-seed funding led by Kindred Ventures, with various angels participating, including DeepMind's Logan Kilpatrick.

The Lead Japan has suspended rugby coach Eddie Jones for four games and cut his salary for "verbal abuse directed at local officials" during an Australian tour. The Incident Details The Japan Rugby Football Union (JRFU) said on Wednesday that the 66-year-old Australian violated their ethics and disciplinary regulations during a Japan Under-23 team tour of Australia from April 1 to 15. "These measures relate to incidences of verbal abuse directed at local match officials," the JRFU said in a statement. The Disciplinary Response Jones will miss Japan's Nations Championship opener against Italy in Tokyo on July 4 and not be allowed to take any part in two games pitting a Japan select team against Hong Kong on May 22 and 29. He is also banned from the Japan XV game against the Maori All Blacks on June 27 in Nagoya and the full Japan side's Nations Championship opener against Italy. He is suspended from duty for six weeks between April 24 and June 5. The Coach's Response "I accept the disciplinary action of the JRFU relating to the U23 Japan national team tour of Australia," Jones said in a statement. "Some inappropriate remarks that I made caused discomfort to local match officials and other related parties. I would like to offer my sincere apologies to everyone involved. I deeply regret my behaviour and words and will make every effort to ensure that this doesn't happen again."

Andriy Yermak, former chief of staff to Ukrainian President Volodymyr Zelenskyy, has been named an official suspect in a multi‑million‑dollar money‑laundering investigation linked to a luxury housing development near Kyiv. The probe, the largest since Russia’s 2022 invasion, also implicates other senior allies and raises fresh concerns for Ukraine’s EU bid.The Alleged $10.5 Million Money‑Laundering Scheme Tied to a Kyiv Luxury ProjectUkraine’s National Anti‑Corruption Bureau (NABU) and the Specialized Anti‑Corruption Prosecutor’s Office (SAPO) allege that Yermak participated in an organised criminal group that laundered roughly 460 million hryvnias ($10.5 m) through a high‑end real‑estate venture outside the capital. Yermak, who resigned in November, appeared before a Kyiv court on May 12, 2026 and denied the accusations, calling them “unfounded” in a Telegram post. His lawyer, Ihor Fomin, described the case as “groundless” and suggested it was provoked by public pressure.Other figures mentioned in the expanding probe include:Timur Mindich – businessman and former entertainment‑industry partner of Zelenskyy, now under investigation for a separate $100 m kick‑back scheme.Rustem Umerov – head of the National Security and Defence Council, interviewed as a witness in the same real‑estate case.Financial Stakes: 460 Million Hryvnias and $5.4 Million Bail DemandProsecutors are seeking preventive bail of about $5.4 million for the 54‑year‑old Yermak while the investigation continues. The alleged laundering amount of 460 million hryvnias underscores the scale of the alleged scheme and the potential financial exposure for the Ukrainian state.Political Repercussions for Zelenskyy's Administration and EU Accession ProspectsAlthough President Zelenskyy is not personally accused, the scandal arrives at a critical juncture as Kyiv pushes for deeper Western support and EU membership. U.S. senators Jeanne Shaheen and Lindsey Graham have warned that corruption narratives could erode aid. German Chancellor Friedrich Merz recently cautioned against a rapid EU accession, citing corruption among other concerns. Domestic opposition leader Oleksiy Goncharenko warned that the allegations have reached a point Zelenskyy “personally cannot ignore.”Public sentiment mirrors the political pressure: a May 6 survey by the Kyiv International Institute of Sociology found that 54 % of Ukrainians view corruption as a greater threat than the war itself.What Lies Ahead: Legal Outcomes and Ukraine’s Anti‑Corruption TrajectoryThe case is part of the broader “Midas” anti‑corruption operation launched by NABU and SAPO. If Yermak is convicted, it could set a precedent for the independence of Ukraine’s anti‑corruption institutions, which were briefly threatened by a July law aimed at curbing their autonomy. Anti‑corruption advocates, such as Olena Halushka of the Anti‑Corruption Action Centre, argue the investigation demonstrates that “checks and balances really work.” The next steps will likely include further court hearings, possible asset freezes, and continued scrutiny of other senior officials linked to the scheme.

Japan Rugby Football Union has suspended head coach Eddie Jones for four matches and reduced his salary after he admitted to verbally abusing local officials during an under‑23 tour of Australia.Details of the Disciplinary Action and Tour ContextThe sanction follows a tour of Australia by Japan’s Under‑23 side from 1–15 April.Jones, 66, was found to have breached the union’s ethics and disciplinary regulations.He publicly accepted the measures and apologized to officials and related parties.Scope of the Ban and Financial PenaltyFour‑game suspension covering:Japan Select vs Hong Kong – 22 MayJapan Select vs Hong Kong – 29 MayJapan XV vs Maori All Blacks – 27 June (Nagoya)Nations Championship opener vs Italy – 4 July (Tokyo)Salary reduction announced, though the exact amount was not disclosed.Implications for Japan’s Rugby Campaign and International RelationsThe absence of Jones for the opening Nations Championship match removes a key tactical voice at a crucial stage of the tournament, potentially affecting Japan’s preparation and performance. The incident also strains relations with Australian rugby officials, highlighting the importance of conduct standards on international tours.What Lies Ahead for Japan’s Rugby Team and Eddie JonesJapan will need to rely on assistant coaches to steer the side through the early championship fixtures while the union reviews its disciplinary framework. Jones’ future with the national program remains uncertain, and his reinstatement will likely depend on further internal assessments and his ability to rebuild trust with officials.

The LeadJennie Garth, known for her role as Kelly Taylor in 'Beverly Hills, 90210,' opens up about the psychological impact of early fame and how she found new purpose in her 50s. The 54-year-old actress, who felt 'stuck' and unfulfilled as her daughters grew up, has launched a podcast and book titled 'I Choose Me,' sharing her journey of self-discovery and the lessons learned from her decades in Hollywood.Finding Purpose at 50Approaching her 50s, Garth experienced a classic midlife crisis, questioning her path and purpose after noticing potential acting jobs becoming 'few and far between.' The deaths of her 90210 co-stars Luke Perry in 2019 and Shannen Doherty in 2024 intensified her sense of urgency, prompting her to share what she's learned with other women experiencing similar standstills. Her new venture, 'I Choose Me,' named after an iconic line from her character on the show, combines memoir and self-help as Garth reflects on her journey from teenage star to mature woman finding her voice.The Price of Early FameGarth candidly admits that her early fame 'screwed with her mind,' describing how she spent 20 years 'trying to keep her head above water.' Starting on the hit show at just 18, she felt developmentally 'held back from the realities of the world,' watching peers experience normal milestones while she was 'slammed into' fame. The experience left her questioning how her unusual path affected her relationships and personal growth, as she struggled to form normal connections while constantly being judged and typecast in the industry.Hollywood's Changing LandscapeThe actress reflects on the sexism she faced in the 90s, noting how young female actors were 'exposed to far more than they should' in terms of sexualization and discrimination. She recalls unspoken expectations about appearance and the pressure to conform to certain standards, including her own decision to get breast enhancement at 24. Garth also discusses how the industry typecast her and her co-stars, keeping them in a 'sort of Aaron Spelling-nighttime-soapy category' that limited their growth opportunities, despite the quality of their work.A New ChapterNow in her 50s, Garth feels she's finally 'caught up' developmentally and is embracing her age with greater wisdom and resilience. Through therapy and self-help, she's found a new voice and purpose, sharing her experiences to help other women navigate similar challenges. Her journey from teenage star to empowered woman reflects both the lasting impact of early fame and the potential for reinvention later in life, as she continues to work while also focusing on personal growth and helping others find their own path to self-acceptance.

The Risks of Sharing Secrets with AI Chatbots The ongoing legal battle between Elon Musk and OpenAI has taken a dramatic turn with the revelation that OpenAI's president, Greg Brockman, kept a diary during the company's founding years. This diary has become central to the case, with one heavily cited extract reading: "Financially what will take me to $1B?" Another scrutinized passage states: "It'd be wrong to steal the non-profit from [Musk]. to convert to a b-corp without him. that'd be pretty morally bankrupt. and he's really not an idiot." The Implications of Chatbot Conversations in Court As millions of people use tools like ChatGPT as a digital confession box or therapist, experts warn that these conversations can be admissible in court. In fact, a lawyer told Axios that "within the next decade," the diary equivalent will be standard discovery in every major executive litigation in the country. This means that you shouldn't trust a chatbot with your secrets, as conversations with AI are not always private and may be retained indefinitely and shared with other humans. The Privacy Concerns of Chatbot Conversations Most chatbot conversations are not private, and users should be wary about sharing sensitive information. A recent case involving a former NFL player who allegedly asked ChatGPT for help after killing his girlfriend demonstrates the potential risks. As David Friedberg, a co-host of the All-In podcast, said: "You're just sitting here at home, like, let me write about the crime I'm committing … and by the way, let me never delete it." The Future of AI and Confidentiality As AI technology continues to evolve, it's essential to consider the implications of sharing sensitive information with chatbots. While chatbots like ChatGPT may seem like a safe space to share your thoughts, they are not a substitute for human therapists or lawyers. In fact, they can be a liability in court. As the use of AI chatbots becomes more widespread, it's crucial to prioritize confidentiality and consider the potential risks of sharing secrets with AI.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.