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Danish cyclist Jonas Vingegaard has made an impressive start to the season, securing a dominant victory at the Volta a Catalunya. He led the general classification by 1 minute and 22 seconds over France's Lenny Martinez and a further eight seconds ahead of Germany's Florian Lipowitz. In a surprising turn of events on the final stage, Brady Gilmore of the NSN team, backed by retired football star Andrés Iniesta, claimed a stunning stage seven victory. Gilmore edged out Dorian Godon and Remco Evenepoel in a thrilling bunch sprint finale. The 95km final stage featured seven circuits of Montjuïc in Barcelona, a venue that will host the Tour de France start in July. Vingegaard, the pre-race favorite, asserted his dominance with solo victories in stages five and six in the Pyrenees. Earlier this month, he also won two stages and the overall title at Paris-Nice. The Dane is planning a challenging double assault on the Giro d'Italia and Tour de France later in the year. 'We won two stages and now the GC, it's been a really good week and we're super happy with it,' Vingegaard said. 'It's been an amazing start to the year for me and I hope I can keep it going.' Meanwhile, in the In Flanders Fields one-day cobbled classic race in Belgium, Jasper Philipsen secured victory after a breakaway effort by Mathieu van der Poel and Wout van Aert was caught just a kilometer from the finish. Philipsen out-sprinted Tobias Lund Andresen and Christophe Laporte for the win.

Scotland's journey to the World Cup has hit a snag after a lackluster 1-0 defeat to Japan in a recent international friendly. The match, which took place at Hampden Park, was marked by a passive performance from the Scottish team, leaving fans and manager Steve Clarke frustrated.The only goal of the game came courtesy of Junya Ito of Japan, who scored in the latter stages of the match. This victory for Japan contrasted sharply with Scotland's enthusiastic World Cup qualification from last November, where they secured a spot in the tournament with a win against Denmark.The defeat was met with booing from the Scottish fans at full-time, a reaction that left Clarke disappointed. He expressed his discontent with the modern trend of booing teams after a loss, emphasizing the need for more support during friendlies.Clarke has announced plans to make significant changes to the lineup for the upcoming friendly against Côte d'Ivoire, with at least half a dozen new players expected to feature. This move aims to inject fresh energy into the team ahead of the World Cup.The match itself was criticized for its lack of intensity, with both teams struggling to create clear-cut opportunities. Scotland's Scott McTominay had a chance to open the scoring early on but was thwarted by Japan's goalkeeper, Zion Suzuki.Japan's Daizen Maeda, who was given the captaincy despite a challenging season at Celtic, failed to make a significant impact. His performance was reflective of a lackluster display from both teams in the first half.The second half saw Japan gain momentum, with Ito eventually scoring the decisive goal following a well-worked move. Scotland's best chance to equalize came through George Hirst, but his shot into the side netting was not enough to change the outcome.

Michelle De Swarte's comedy career is a testament to her versatility, having worked as a model, actor, journalist, and now comedian. Her latest touring show, 'The Afters', is a hilarious and mouthy performance that leaves audiences in stitches. While the set may not break new ground in terms of comedy themes, De Swarte's confident and cavalier standup voice makes it a standout.From the outset, De Swarte's ability to turn crowd work into a fine set piece about cultural appropriation and Norfolk seafarers showcases her skill. She follows up with a number about a “poor-off” contest she had with a citizen of Bradford, whose salty tang of truth adds up to something far funnier than the usual comedy of class cliches. Her menopause material is distinguished by her pose of stroppy denial, making it a refreshing take on a commonly tackled topic.De Swarte's say-what-she-sees manner seems wholly unaffected, as she arches eyebrows at various aspects of modernity. Her resistance to touchy-feeliness is evident, and her background – poor, queer, and ruthlessly unsentimental – provides context for her personality and comedic style. The show's later stages feature rough-hewn comic effect as De Swarte recalls her forebears and their attitudes.The show's final section, in which De Swarte recalls her encounters with Jeffrey Epstein and P Diddy, leaves the audience wanting more. Perhaps there's a whole show or book to come from this cheerfully incautious comic voice. For now, 'The Afters' is a must-see for fans of comedy and those looking for a fresh voice in the industry.