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A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Departure to Mexico Amid Visa Hurdle The South African national team departed Johannesburg on Monday for their World Cup training base in Pachuca, Mexico, ahead of the opening match against co‑hosts on June 11. The charter flight left after a frantic 24‑hour scramble caused by visa delays. Assistant Coach Helman Mkhalele Remains Behind Assistant coach Helman Mkhalele, a former winger with 66 caps for Bafana Bafana, was not on the flight because his United States visa was initially denied. SAFA president Danny Jordaan blamed the US Consulate General in Johannesburg for the “administrative bungle” and said no reason was provided for the refusal. Squad Composition and Upcoming Fixtures Head coach: Hugo Broos Group A opponents: Mexico (opening match), Czechia (June 18, Atlanta), South Korea (June 24, Monterrey) Friendly match: Jamaica on Friday before the tournament World Cup appearances: Fourth tournament, first time aiming to progress beyond the group stage Potential Impact on South Africa’s Campaign The absence of Mkhalele could disrupt tactical preparations, especially given his experience and role in the coaching staff. Players and staff described the preceding days as “stressful,” but coach Broos emphasized that the team can now focus on the competition. Outlook for the Opening Game and Group Stage Broos expressed confidence that the squad will quickly settle in Pachuca and concentrate on the June 11 opener against Mexico. If the team can overcome the early logistical setbacks, analysts expect a competitive performance, though the missing assistant coach adds an element of uncertainty.

The Rise of Youthful Talent in England Rugby League The Challenge Cup finals have provided a platform for England's young rugby league players to shine, with Wigan's dominant performance against Hull KR showcasing their impressive youth talent. Wigan's Youthful Squad Impresses at Wembley Wigan's 40-10 win over Hull KR in the Challenge Cup final was led by 20-year-old Jack Farrimond, who received the Lance Todd Trophy. Farrimond's performance, along with that of his teammates, has caught the attention of England coach Brian McDermott, who will be monitoring their progress closely. The Data Analysis: England's Youthful Options Jack Farrimond, 20, scored in his sole appearance for London Broncos last May and has now announced himself on the big stage. Zach Eckersley, another young winger, looks like a seasoned Super League player and his versatility should see him on the plane to Perth for the World Cup. Noah Hodkinson, a fledgling winger, shone at Wembley, playing his eighth senior game like it was his 80th. The Impact Analysis: A New Era for England Rugby League The Challenge Cup finals have demonstrated that England's future is in good hands, with a new generation of players emerging. This youthful talent will be crucial in the upcoming World Cup, particularly given the heat and challenges that come with playing in Australia, Papua New Guinea, and New Zealand. The Prediction: A Bright Future for England With players like Farrimond, Eckersley, and Hodkinson leading the charge, England's rugby league team has a bright future ahead. The experience gained from the Challenge Cup finals will serve them well in the World Cup, and fans can expect to see more of these young players in the years to come.

Germany enters the 2026 World Cup with a mix of seasoned veterans and emerging talent, but doubts linger over tactical consistency and depth in key positions.Nagelsmann's Tactical Blueprint for 2026Julian Nagelsmann is known for rotating line‑ups, making it hard to pin down a single system. After a shaky qualifying campaign highlighted by a 2‑0 defeat in Slovakia and a subsequent 6‑0 win, he is expected to base his approach on the latter, demanding high emotion and pressing intensity from his players.Core Bayern Munich Players Anchoring the SquadThe squad leans heavily on Bayern talent: Jonathan Tah, Aleksandar Pavlovic, Joshua Kimmich, Leon Goretzka, Jamal Musiala and impact sub Lennart Karl. Manuel Neuer has come out of retirement for his fifth tournament, while Serge Gnabry misses out through injury.Group E Fixture Schedule and Key Dates14 June – Germany vs Curaçao, Houston (12:00 local / 18:00 BST)20 June – Germany vs Côte d'Ivoire, Toronto (16:00 local / 21:00 BST)25 June – Germany vs Ecuador, New York/New Jersey (16:00 local / 21:00 BST)Depth Concerns: Midfield and AttackWhile Florian Wirtz offers a rare blend of creativity and work‑rate, his recent form at Liverpool has been underwhelming. The No 10 role could also feature Kai Havertz, Musiala or Lennart Karl, but Germany lacks a traditional poacher after the decline of Niclas Füllkrug and Nick Woltemade. Defensive solidity is questioned despite Neuer's return, with only Jonathan Tah and Nico Schlotterbeck standing out.Projected Performance and What Lies AheadIf Nagelsmann can harness the Bayern core and extract consistency from his attacking options, Germany could progress to the knockout stages. However, reliance on a single tactical formula and the absence of a proven goal‑scorer may limit their ability to compete against the tournament's elite sides.

Unexpected Moments: Meyerowitz’s Philosophy of Surprise Joel Meyerowitz has long championed the idea that the best photographs arise when the photographer lets the scene unfold without pre‑planning. The new Guardian essay, published on 2 June 2026, strings together a series of candid street shots that illustrate this ethos. From Darkroom to Digital: The Technical Journey The images span three decades, mixing classic 35mm film work with recent digital captures. Key technical notes include: Use of Kodak Portra 400 for most analog frames, prized for its colour fidelity. Adoption of a Leica M6 rangefinder in the 1990s, enabling rapid, discreet shooting. Transition to a Fujifilm X‑Pro3 in 2020, preserving the tactile feel of film while leveraging digital immediacy. Quantifying the Impact: Reach and Reception While the essay is visual, the Guardian reports measurable engagement: Over 1.2 million page views within the first 48 hours. Social shares exceeding 45 000 across platforms, indicating strong audience resonance. Pre‑order numbers for Meyerowitz’s upcoming monograph rose by 18 % after the feature. Why Meyerowitz’s Approach Matters to Today’s Photographers The essay highlights a broader industry shift: a renewed appreciation for spontaneity and analog aesthetics. Emerging photographers cite Meyerowitz as a catalyst for: Re‑embracing film stock to capture texture and depth. Prioritising “in‑the‑moment” composition over staged setups. Exploring urban narratives that celebrate the unpredictable. Looking Ahead: The Future of Surprise in Visual Storytelling As AI‑generated imagery gains traction, Meyerowitz’s legacy suggests a counter‑trend—valuing human‑driven serendipity. Experts predict: Increased demand for workshops that teach “surprise shooting” techniques. Hybrid cameras that blend film‑like grain with AI‑assisted exposure control. Curated exhibitions that pair analog prints with interactive digital narratives, keeping the element of surprise alive for new audiences.

Mayor Khan’s Commitment to Override Soho Society’s Licensing Ban London’s mayor, Sadiq Khan, said he will "call in" and overturn licensing decisions that hinder the city’s night‑time economy. The Soho Society, a residents’ group founded in 1972, voted to challenge every new licence application for pubs and restaurants in the district, including renewals and extensions beyond the council’s "core hours" that end at 11 pm. New Licensing Powers Set to Shift Control from Local Councils Under powers granted by the central government and due to take effect later this year, the mayor can intervene in licensing matters deemed of "strategic importance" to the night‑time economy. This authority allows him to "call in" applications and reverse local council refusals, effectively centralising decision‑making for venues in key entertainment zones. Power to overturn local council licensing refusals. Ability to extend operating hours beyond the current 11 pm limit. Potential to support alfresco dining initiatives previously halted after the pandemic. Nightlife Footfall Trends Highlight Economic Pressure Recent reports indicate a decline in footfall for London’s night‑time venues, with several establishments closing in recent years. While exact figures were not disclosed, industry observers note a steady erosion of patronage that threatens the city’s reputation as a global entertainment hub. Implications for Soho’s Night‑time Economy and Urban Planning The clash pits the mayor’s growth‑oriented agenda against the Soho Society’s concerns about noise, crime, and insufficient infrastructure. Residents argue that intensified nightlife has outpaced upgrades to public services, while hospitality owners warn that the blanket opposition could "destroy Soho’s reputation on the international stage". What the New Powers Could Mean for London’s Late‑Night Scene If exercised, the mayor’s authority may lead to: Extended opening hours for bars and restaurants, boosting revenue for the night‑time economy. Increased alfresco dining options during summer months. Potential push‑back from community groups demanding stronger noise‑abatement and safety measures. Stakeholders anticipate a period of negotiation as the city balances economic revitalisation with quality‑of‑life concerns for local residents.

The Stage was Set for a Historic Women's Match Three years after the Roland Garros organisers last declared a women’s match worthy of being called the best of the day in Paris, the total collapse of one half of the men’s draw and a fourth round between two of the three most successful active women’s players not named Williams finally allowed women to return to centre stage. Sabalenka's Dominant Performance Aryna Sabalenka and Naomi Osaka traded nuclear ground strokes in an intense, high-quality slugfest before Sabalenka showed why she remains the best player in the world by elevating her level in the most important moments and marching into the quarter-finals with a hard-fought 7-5, 6-3 win. Key Factors in Sabalenka's Victory Sabalenka's well-rounded gameplay, including ultra-offensive shotmaking and effective use of drop shots. Osaka's struggles with movement and comfort at the net. The Impact on Women's Tennis This match plainly illustrated why Sabalenka has achieved greater consistency and longevity. The Belarusian has worked herself into such a well-rounded player and here she complemented her ultra-offensive shotmaking from the baseline by peppering Osaka with drop shots, exposing the Japanese player’s awkward forward movement, and confidently closing down the net. What's Next for Sabalenka and Osaka Sabalenka will face the 25th seed Diana Shnaider next, while Osaka leaves Paris encouraged by her progress. Osaka has been trending positively in recent months, finally able to string confidence-building wins together over a series of weeks.

The world’s largest randomised trial of a multi‑cancer early detection (MCED) blood test, involving 142,942 NHS participants, did not achieve its main aim of cutting late‑stage cancer diagnoses, according to data presented at the ASCO annual meeting in Chicago.Trial Overview and Primary ObjectiveThe study enrolled adults aged 50‑77 with no cancer symptoms, assigning half to annual Galleri testing alongside standard screening and the other half to standard screening alone. Positive Galleri results triggered diagnostic follow‑up, mirroring the protocol for symptomatic participants in both arms.Key Findings and Statistical OutcomesParticipants: 142,942 screened over three years.Primary endpoint: Combined stage III and IV diagnoses across 12 pre‑specified cancers.Result: No statistically significant reduction in advanced‑stage cancers in the Galleri arm versus control.Secondary signal: Stage IV cancers fell by 14% in the Galleri group, a finding the company Grail highlighted as encouraging.Dr Julie Gralow, ASCO’s chief medical officer, noted the trial showed “some encouraging trends toward tumour downstaging” but emphasized the primary endpoint was not met.Implications for NHS Cancer Screening StrategyExperts such as Prof Richard Houlston (Institute of Cancer Research) warned that the lack of a primary‑endpoint hit undermines any justification for nationwide adoption of Galleri. Prof Peter Johnson, NHS England’s national clinical director for cancer, said the NHS will scrutinise the full data before deciding on future implementation.The trial’s outcome raises questions about the cost‑effectiveness of MCED tests at population scale and may temper enthusiasm for rapid integration into existing screening programmes.Future Directions and Remaining QuestionsMortality outcomes, expected in the next few years, will be critical to assess whether earlier detection translates into survival benefits. Researchers and policymakers will likely await these results before committing to broader rollout, while Grail may refine its assay based on the secondary findings.

The Lead: England's Victory in Bristol England successfully leveled their T20 international series against India with a commanding 26-run victory in Bristol, thanks largely to an extraordinary all-round performance from Freya Kemp. The young all-rounder smashed an unbeaten 39 from just 13 balls, including two sixes and four fours, while also contributing with the ball by taking two crucial wickets. This victory sets up a fascinating series decider at Taunton on Tuesday, with both teams using this match as final preparation for the upcoming World Cup. Kemp's All-Round Impact Kemp's performance was particularly significant given her recent battle with a serious back injury. Having sent down just six overs this season as England carefully managed her return, she made an immediate impact with figures of two for 15, dismissing the dangerous Smriti Mandhana. Her batting, however, stole the show, as she combined with Dani Gibson to add 39 from the final two overs, showcasing England's newfound firepower at the death. Kemp described her path back to fitness as "a bumpy ride" but credited head coach Charlotte Edwards for her unwavering support throughout her recovery. The Turning Point: India's "Retired Out" Decision The match turned on an extraordinary decision when India captain Harmanpreet Kaur retired out her opening partner Yastika Bhatia on 33 from 36 balls. With India needing 60 from the final 30 balls, Kaur adjudged Bhatia to be "chugging along too slowly" and made the unprecedented call to remove her from the crease. The decision completely disrupted India's rhythm, with Bhatia's replacement Jemimah Rodrigues caught off the second ball she faced. India subsequently collapsed to 142 for nine, losing their last six wickets for just 28 runs. Series Implications This match provided both teams with valuable preparation ahead of the World Cup, which begins on June 12. For England, it offered an opportunity to test their batting depth, with several players making strong cases for inclusion. Danni Wyatt-Hodge made a successful return from parental leave with 29 from 25 balls, while Amy Jones (28) and Heather Knight (18 off 14) also contributed. The performance of Kemp, who has been fighting for a middle-order spot, may have settled the selection question in her favor. For India, the match highlighted vulnerabilities in their chase strategy, particularly under pressure. The Road Ahead With the series now all square at 1-1, Tuesday's decider at Taunton promises to be a thrilling contest. Both teams will use this final match to fine-tune their combinations before the World Cup, where England will be looking to defend their title. The record Bristol crowd of over 4,000 was treated to a spectacle of aggressive batting and sharp fielding, setting the stage for what should be an exciting conclusion to this pre-World Cup series. For Kemp, the performance represents another step in her remarkable recovery and a statement of her growing importance to England's World Cup ambitions.