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The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.

Lead: A Bold Fusion of Realism and HorrorClaire Fuller returns with Hunger and Thirst, a novel that fuses the gritty texture of social realism with the unsettling atmosphere of gothic horror. Set in 1987, the story follows Ursula, a young woman haunted by the deaths of her mother and a later, more sinister companion, while the narrative oscillates between documentary‑style observation and nightmarish spectacle.Fuller Blends Social Realism with Gothic Horror in 'Hunger and Thirst'The novel opens with Ursula’s traumatic childhood—spending two days trapped in a Moroccan bathroom by her mother’s corpse after a dengue fever death. By sixteen, she drifts through seven children’s homes before landing a postroom job at Winchester School of Art, where she meets the volatile Sue and her boyfriend Vince. Their obsession with horror films like The Shining and The Stepford Wives steers the plot toward a derelict house, the Underwood, where a seance and a reenactment of a past murder blur the line between art and atrocity. Fuller’s prose captures the “porousness” of identity, as characters literally and figuratively inhabit each other’s bodies.Publication Details and PricingPublisher: Fig TreeRelease price: £18.99Publication year: 2026Previous award: Fuller’s 2021 Costa‑winning Unsettled GroundSocial Critique of Thatcher‑Era Care System Through HorrorThe novel uses its horror framework to expose the under‑resourced British care system of the 1980s, a period when Thatcher’s government prioritized nuclear families over community support. Ursula’s movement between children’s homes and a “halfway house” populated by addicts and ex‑prisoners illustrates the systemic neglect that left many youths adrift. By juxtaposing this social critique with visceral horror, Fuller argues that the genre can convey truths about societal failure more starkly than conventional realism.Potential Legacy and Reader ReceptionFuller’s “outrageous aesthetic gamble” may set a new benchmark for literary horror that does not sacrifice social urgency. If readers and critics embrace the novel’s dual narrative—documentary‑style observation paired with gothic terror—it could inspire a wave of fiction that treats horror as a vehicle for political commentary. The book’s blend of “intense feeling” and “intimate portrayal” positions it as a contender for future literary awards and a touchstone for authors exploring the intersection of genre and social critique.

The Big Winner at the 2026 Ivor Novello AwardsScottish singer-songwriter Jacob Alon emerged as the standout performer at the 2026 Ivor Novello Awards, which celebrate excellence in British and Irish songwriting and screen composition. The 25-year-old artist captivated audiences with their distinctive voice and imaginative alt-folk arrangements, winning two prestigious awards that solidify their place as one of the most promising talents in contemporary music.Alon's Double Victory: Rising Star and Best SongAlon's remarkable achievement includes winning the Ivor Novello award for Rising Star – the second major recognition for the artist this year, following their Critics' Choice award at the 2026 Brit Awards in February. Their second win came in the Best Song Musically and Lyrically category for "Don't Fall Asleep," a poignant ballad inspired by the death of Alon's cousin in an accidental drowning before they were born. The song imagines the cousin waking underwater after death and being guided by an angel to watch his unborn son enter the world. Judges hailed the track as "profoundly emotionally honest," recognizing its unique blend of personal tragedy and imaginative storytelling.Complete List of 2026 Ivor Novello Award WinnersThe 2026 ceremony recognized excellence across multiple categories in songwriting and composition:Best album: CMAT – Euro-CountryBest contemporary song: Kae Tempest – I Stand on the LineBest song musically and lyrically: Jacob Alon – Don't Fall AsleepMost performed work: Lola Young – MessyRising star: Jacob AlonBest original film score: Tom Hodge – TestimonyBest television soundtrack: David Holmes and Brian Irvine – TrespassesFellowship of the Ivors Academy: George Michael, Thom YorkeOutstanding song collection: Lily AllenIcon award: Calvin HarrisInternational songwriter of the year: RosalíaSongwriter of the year: Sam FenderSpecial international award: Linda PerryVisionary award: KanoIndustry Recognition and Career ImpactThe Ivor Novello Awards hold significant prestige in the music industry, often serving as indicators of long-term career potential. Jacob Alon's double victory, following their Mercury Prize nomination for debut album "In Limerence," suggests a trajectory similar to other critically acclaimed artists who have leveraged these early recognitions into sustained success. The awards also highlight the continued recognition of socially conscious songwriting, with Sam Fender honored as Songwriter of the Year for his social realist anthems and Kae Tempest recognized for giving voice to marginalized experiences through "I Stand on the Line."Future Prospects for Award WinnersLooking ahead, the 2026 Ivor Novello winners are positioned for increased industry attention and commercial opportunities. Jacob Alon's recent wins, particularly for the deeply personal "Don't Fall Asleep," may attract international audiences seeking authentic storytelling in an increasingly formulaic music landscape. Similarly, CMAT's Euro-Country album, which examines existential and romantic crises in recession-hit Ireland, could resonate with global audiences navigating similar economic uncertainties. The recognition of Rosalía as International Songwriter of the Year further validates the growing influence of European artists in shaping global music trends, suggesting continued cross-cultural exchange in the coming years.

The LeadWhen producers of the revived Baywatch series hit unexpected permitting roadblocks on Venice Beach, the incident quickly morphed into a political flashpoint, with opponents of Mayor Karen Bass branding Los Angeles “not film friendly” and using the controversy to sharpen their mayoral campaigns. The Baywatch Production Standoff on Venice BeachAfter receiving a $21 million state tax credit, the Baywatch team arrived in February to film on Venice Beach. Within four days, the County Beaches and Harbors Department barred the use of camera drones, night shooting, and even limited the sand area and parking options, forcing production to halt. Tax credit: $21 million Restrictions: no drones, no night shoots, limited sand and parking Production downtime: four days before a full stop Financial Stakes and Shooting‑Day MetricsThe Baywatch dispute arrived at a moment when the city was trying to reverse a long‑term decline in film activity. Industry loss: nearly 50 % drop in shooting days since 2018 (cited by challenger Nithya Raman) Recent rebound: 10.7 % increase in total productions Q4 2025 → Q1 2026 Feature‑film surge: 45 % rise in shooting days over the same period Political Fallout in the 2026 Los Angeles Mayoral RaceOpponents seized the Baywatch saga to question Bass’s leadership. Right‑wing challenger Spencer Pratt called the incident “political fecklessness,” while left‑leaning councilmember Nithya Raman highlighted the broader decline in shooting days. Bass responded by coordinating with the state coastal commission, FilmLA, and city council to clear the bureaucratic hurdles. What the Next Months Hold for LA’s Film PolicyMayor Bass announced a series of reforms: streamlined permitting across agencies, accelerated sound‑stage certification, waived fees for “microshoots,” and a six‑month pilot by FilmLA to cover permits for low‑impact productions. If these measures sustain the recent 10.7 % production uptick, they could become a cornerstone of Bass’s re‑election narrative, while challengers will likely continue to press for faster, more transparent reforms.

The Lead: Ben-Gvir's Provocative VideoIsraeli Minister Itamar Ben-Gvir has published a video taunting detained flotilla activists, marking a significant escalation in tensions surrounding the maritime operation. The video, which has gone viral on social media platforms, shows Ben-Gvir making provocative gestures and statements toward the activists who were detained during an Israeli naval operation.The Event Details: Flotilla Confrontation and AftermathThe incident stems from a flotilla that attempted to breach Israeli naval blockades in the region. Israeli authorities detained the activists, citing security concerns. Ben-Gvir's video appears to be filmed at the detention facility, where he is seen addressing the detainees with what critics describe as humiliating and degrading language. The minister has defended the video as a necessary response to what he calls "provocative actions" by the flotilla participants.The Data Analysis: Social Media Impact and Public ReactionThe video has garnered significant attention across social media platforms, with millions of views within hours of publication. Public reaction in Israel has been divided, with supporters of Ben-Gvir praising his stance against what they perceive as hostile provocations, while critics condemn the video as inappropriate and damaging to Israel's international image. The incident has also trended globally, with hashtags related to the controversy gaining traction.The Impact Analysis: Diplomatic RamificationsThis incident has significant diplomatic implications for Israel. The video has drawn condemnation from several international organizations and foreign governments, potentially straining already fragile diplomatic relations. Human rights groups have called for investigations into the treatment of the detainees, while some neighboring countries have used the incident to criticize Israeli policies. The timing of the release, amid ongoing peace negotiations, adds another layer of complexity to the region's already tense political landscape.The Prediction: Future Consequences and Political FalloutLooking ahead, this incident is likely to have lasting consequences for both domestic Israeli politics and international relations. Ben-Gvir's actions may strengthen his political base but could further isolate Israel on the global stage. The detained activists may pursue legal action, and the video could become evidence in potential human rights cases. Additionally, this incident may embolden other right-wing figures to take similar provocative stances, potentially leading to a more confrontational approach in Israeli foreign policy.

The LeadLast week came the news that Gen Z are big fans of going to the cinema. Now here's a Gen Z romcom from Working Title, the company behind Bridget Jones's Diary and Notting Hill. Directed by Alicia MacDonald from a script by Rachel Hirons, Finding Emily shares DNA with Richard Curtis's comedies – the same warm heart and charm, plus levels of cheesiness that some may find cringe. In the end, I found it impossible to hate, though one or two performances felt a bit lacking in comic flair.The Campus Romance UnfoldsIt's set in Manchester, where indie singer-songwriter Owen (Spike Fearn) meets undergraduate Emily (Sadie Soverall) at the student union. They click, but when Emily taps her number into his phone, she misses out a digit. Is it a drunken error, or has she wrong-numbered him? Owen is convinced it's a mistake and sticks up posters around campus to find her. After a tipoff, he waits outside a lecture hall for psychology student Emily (Angourie Rice). She's American, and not his Emily, but she offers to help, suggesting Owen emails every Emily enrolled at the university – all 318 of them. Owen accidentally sends the email to all rather than BCCing, creating an email group of Emilies who are divided in their reactions. Is he some kind of creepy virgin "incel"? Or a diehard romantic? Owen becomes a meme: "email guy".Social Media SatireSome of the funniest scenes are the reactions on social media after Owen appears on a college YouTube channel with a guitar playing a song he wrote for Emily. "It's like Ed Sheeran on Crimewatch," someone writes. Another coins the hashtag #ratboysummer. This is a very gentle, light-touch send-up of campus culture wars and social media pile-ons. In fact, psychology student Emily has an ulterior motive for helping Owen: she wants to use him as a case study for her thesis that being in love is temporary insanity. "He is just data," she says, protesting too much.Supporting Characters and PerformancesBut, like in Curtis's films, the supporting characters are the most fun. Prasanna Puwanarajah is very funny as Emily's professor, a celebrity psychologist with a rampant ego. Distractingly, Owen is the spitting image of the young Liam Gallagher and at certain angles, Rice's Emily is a dead ringer for Taylor Swift. In a couple of scenes of them together, the effect is plain weird.Release TimelineFinding Emily is out on 21 May in Australia, on 22 May in the UK and on 28 August in the US. The film's release strategy appears to be targeting international markets sequentially, with the UK release following closely after Australia but before the US market.

Mick Jagger's New Role Rolling Stones singer Mick Jagger is set to play a lighthouse keeper in Alice Rohrwacher's upcoming film, Three Incestuous Sisters. The film is an adaptation of Audrey Niffenegger's 2005 visual novel and marks Rohrwacher's English-language debut. Film Details The film is currently in production on the Italian island of Stromboli. Jagger joins a star-studded cast including Dakota Johnson, Jessie Buckley, Saoirse Ronan, and Josh O'Connor. Interestingly, O'Connor will play his character's son in the film. Rohrwacher's Previous Work Alice Rohrwacher received critical acclaim for her previous films, Happy as Lazzaro and La Chimera. Her adaptation of Three Incestuous Sisters is highly anticipated, given her track record of delivering unique storytelling. Jagger's Film Experience Mick Jagger has a history of appearing in films, including lead roles in Performance and Ned Kelly, as well as smaller roles in Freejack and The Man from Elysian Fields. He has also worked as a producer on projects like Enigma and Get on Up. The Future of the Film With a talented cast and a unique storyline, Three Incestuous Sisters is shaping up to be a compelling addition to Rohrwacher's filmography. The film's release is highly anticipated, and fans of Jagger and Rohrwacher will be eager to see the final product.

The Lead Swedish-Egyptian film-maker Tarik Saleh has long been a brilliant satirist of the corruption and shabby political compromises and conspiracies of post-Mubarak Egypt. Now he brings us the third of his “Cairo trilogy”, after The Nile Hilton Incident in 2017 and Cairo Conspiracy in 2022. This new film is a seductive black-comic political thriller set in Egypt of the present day, showing us that everyone in the glamorous world of the movies, infatuated as they are with made-up stories acted out by narcissists believing in their own publicity, can so easily be pressed into the service of political propaganda. The Event Details The result is a rackety, despairing, funny film with something of Billy Wilder, or István Szabó’s Mephisto, or Bertolucci’s fascism parable The Conformist. For me, it also had echoes of Daniel Kehlmann’s novel The Director, about 1930s Austrian movie director GW Pabst, fatally tempted by the blandishments of Goebbels. Saleh’s lead is his longtime leading man Fares Fares, playing an ageing Egyptian movie star; this is pampered matinee idol George Fahmy, a man comfortable doing cheesy crowd-pleasing potboilers, now bullied into playing the lead in a sinister government-sponsored biopic of the president (with news footage of the current president, Abdel Fatah al-Sisi, cheekily cut in). The Character Analysis Fares’s gaunt, handsome face so eloquently conveys vanity, but also a poignant emotional woundedness, anxiety and self-pity. George is notionally a Coptic Christian, which has made him an object of suspicion for the government, though he is hardly pious, and is separated from his wife (Donia Massoud) and grownup son Ramy (Suhaib Nashwan). The Impact Analysis It is at one of these events that a general smoothly assures the company that western bigots, who wish to efface Arab achievements, are in a conspiracy to conceal the fact that William Shakespeare was from the Arabic world and his name was “Sheikh Zoupir” – which explains, he adds, why he disliked Jews. This is an unimprovable bit of satirical mischief in Saleh’s script. George flies high with his eagles before a horrible and sickening descent. The Prediction Eagles of the Republic is in UK and Irish cinemas from 22 May.

The Symbolic SummitThe hopes and dreams of Palestinian children from Gaza have reached the top of the world as a kite bearing their handwritten messages was carried to the summit of Mount Everest by a team of mountaineers. The group summited the world's highest peak at 10:48am local time (05:03 GMT) on Thursday, Jordanian Palestinian mountaineer Mostafa Salameh, who was spearheading the expedition but did not summit, confirmed in a social media post.The Humanitarian MissionA team of Nepali Sherpas – led by Italian filmmaker and explorer Leonardo Avezzano – carried the kite to ensure that the dreams of children in the besieged Strip could make it "to the top of the world", Salameh told Al Jazeera from the Everest base camp last week. The 56-year-old climber launched this expedition to raise $10m towards medical aid for children in the Strip and draw global attention towards the difficulties they have faced during the Israeli genocide in Gaza.A Personal Connection to Palestine"After months of preparation, sacrifice, training, fear, hope, prayers, and carrying the weight of a message much bigger than themselves… the kite carrying the dreams of the children of Gaza is now flying above the highest point on Earth," Salameh said in a video posted to Instagram. "From the rubble and pain of Gaza … to the roof of the world. A dream refused to die," he wrote in the caption.The Climbers' JourneySalameh, who has previously summited Everest, stayed at the first base camp due to frostbite and a blood clot in his left hand. "Tonight, at 8,848 metres (29,029 feet) in the death zone where every step feels like a battle between life and exhaustion, Leonardo carried that kite with courage, heart, and purpose," Salameh added. "I am so proud of my brother Leonardo for believing in this mission and for carrying the voices, names, hopes, and dreams of children who deserve to be seen by the world."The Explorer's LegacySalameh is one of 20 people to have completed the Explorer's Slam – the accomplishment of reaching the North and South poles and climbing the highest peaks on all seven continents. He has summited Everest four times, the first being in 2008, the year he was honoured with knighthood by King Abdullah II of Jordan. "What I do best is climb mountains," he told Al Jazeera in an interview last week from the base camp. "I did promise lots of people in my life not to go back to Everest, but this is worth it. As a mountaineer, what I can do is bring the story and suffering of every Palestinian child all the way to the top of the world."From Darkness to LightSalameh acknowledged the immense risks – including death – that come with scaling Mount Everest at 8,000 metres with only 15 percent oxygen, but insisted it was "absolutely nothing" compared with what the Palestinians in Gaza have endured. "This time is very personal for me," Salameh said in another video. "This one hits home for the child in me, because I know what it feels like to be a child at a refugee camp, and I feel for the children of Gaza and what they go through."The Path ForwardSalameh said the "mission [was] not accomplished yet" since summiting Everest was only the halfway point; returning to base camp safely was the next goal for Leonardo and his team. "Tonight, the kite flies above Everest; tonight, the dreams of Gaza touched the sky," Salameh said, ending the video with a chant of "Free, Free Palestine". He emphasised that the summit was not only about climbing a mountain but about humanity, hope, and proving that "even from darkness, something beautiful can still rise into the sky."