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The Carrick Appointment at Manchester UnitedManchester United is on the verge of confirming Michael Carrick as their permanent head coach, with the former midfielder being offered a two-year contract that includes the option of a further 12 months. This move comes after Carrick's impressive interim spell that transformed the team's fortunes and secured a return to the Champions League.Contract Details and TimelineThe deal could be concluded before United face Nottingham Forest on Sunday, providing the clarity the club desire going into a busy summer transfer period. Carrick admitted on Friday that his future would become clear "pretty soon," with his achievements earning recognition from chief executive Omar Berrada and director of football Jason Wilcox, who want him to stay on.Performance Under Carrick's LeadershipSince taking over as interim coach, Carrick has overseen 10 wins in 15 Premier League matches. When Ruben Amorim was sacked, United were sixth in the table, but performances and results improved significantly under Carrick. The team now sits third, six points above Liverpool with two games remaining, ensuring Champions League qualification for next season.Impact on Club Culture and DirectionCarrick emphasized his connection to the club as both a supporter and former player, stating: "It's a unique football club, a special club. Immensely proud to have come back and been a part of it." His appointment represents a shift toward a more stable, homegrown approach to leadership after a period of instability. The 42-year-old has reportedly impressed with his tactical acumen and man-management skills, particularly in helping the team find consistency after a difficult start to the season.Future Outlook for United and CarrickRegardless of whether the contract has been signed, Carrick will address the supporters after Sunday's match, highlighting the importance of the fan base to the club. His appointment suggests a more measured approach to rebuilding the team, focusing on developing existing talent while making strategic additions. With Champions League football secured, Carrick will have the opportunity to compete at the highest level and potentially build a long-term project at Old Trafford, with the backing of the club's leadership.

The high‑profile meeting between Donald Trump and Xi Jinping in Beijing ended with little evidence of a new diplomatic path to halt the war that has ravaged Iran for over two months. Despite intensive U.S. pressure on China to mediate, the summit produced only parallel statements that reaffirmed existing positions.Summit Talks and Stalled Diplomatic ProgressDuring more than 40 hours of negotiations, the two leaders issued statements that highlighted their shared desire for a ceasefire but offered no concrete mechanisms. The Chinese Ministry of Foreign Affairs reiterated its four‑point peace plan, emphasizing dialogue, shared security, and development‑driven cooperation, while the White House stressed that the Strait of Hormuz must stay open and that Iran must never acquire a nuclear weapon.Both sides agreed on the strategic importance of keeping the Strait of Hormuz open for global energy flow.China pledged to support ongoing ceasefire efforts mediated by Pakistan.The U.S. reiterated its stance against Iran’s nuclear ambitions without conceding to Chinese proposals.Casualties and Economic Stakes: Numbers Behind the ConflictAccording to Iranian government figures, the war has claimed the lives of more than 3,000 Iranians. The conflict has also strained global supply chains, with the Strait of Hormuz handling roughly 20% of the world’s oil and LNG shipments before restrictions began in early March.Iran has limited passage through the strait, allowing only vessels from select countries after IRGC negotiations.The U.S. announced a naval blockade in April, further disrupting oil flows.China, a major buyer of Iranian oil, faces heightened exposure to these supply shocks.Regional and Global Repercussions of the StalemateThe lack of a breakthrough deepens uncertainty across the Middle East and global markets. Energy prices remain volatile, and the prolonged conflict threatens regional stability, with Pakistan continuing its mediation role and other powers watching closely.Global economic growth faces pressure from disrupted trade routes and higher energy costs.Both the U.S. and China claim leverage over Iran, yet their diplomatic approaches remain divergent.U.S. officials, including Treasury Secretary Scott Bessent and Secretary of State Marco Rubio, continue to urge Beijing to play a more active role.What Comes Next for US‑China‑Iran Relations?Analysts anticipate a continued diplomatic tug‑of‑war. While the U.S. maintains that it does not need Chinese assistance, it also acknowledges Beijing’s influence over Tehran. Future negotiations are likely to focus on:Finding a mutually acceptable framework for reopening the Strait of Hormuz.Balancing U.S. demands for a nuclear‑free Iran with China’s broader peace‑building agenda.Potential escalation or de‑escalation depending on battlefield developments in the coming weeks.Without a clear shift in policy from either side, the war is poised to extend beyond its 77th day, keeping global energy markets and regional security in a precarious balance.

The Misconceptions of Women's Sexuality in Ancient Times A recent study on women's pleasure has revealed that people around the world are having less sex. In Britain, the US, France, and Australia, the frequency of sex has been declining. However, this trend is not universal, with Denmark appearing to buck the trend. The Ancient Perception of Women's Sexuality In ancient Greece and Rome, women were often seen as 'nymphomaniacs' with a voracious sexual appetite. This perception was not a positive thing, but rather an illness that society needed to control. The Hippocratic Corpus, a body of medical texts from ancient Greece, believed that women's wombs were not fixed and could wander freely within the body, posing health risks. The Medical Theory of the Wandering Womb According to the Hippocratic Corpus, the womb required moisture to stay in place, and women needed to have regular sex to create moisture in their genitals. This theory was taken seriously, with the case of Apuleius, a Roman who argued that his wife had married him to cure her of a wandering womb. The Shift in Understanding Women's Sexuality Over time, the understanding of women's sexuality has changed. Today, women's desire is often seen as buried deep, in need of excavation. The sex historian Kate Lister has highlighted the 'lie back and think of England' euphemism, which exemplifies the modern historical idea that sex is purely for men and women must grin and bear it. The Impact on Women's Pleasure The article suggests that the portrayal of women as the more sexual sex in antiquity was not a good thing, but rather a manifestation of societal control. Women's pleasure was not prioritized, with ancient attitudes putting a dent in female pleasure. However, women still found opportunities to explore what felt good to them, with evidence of ancient dildos and love declarations. The Future of Women's Sexuality The article concludes that history offers two opposing understandings of women's sexuality, but both attitudes manifest the same thing: an ironing out of individuality and complexity of sexuality and desire. The future of women's sexuality remains uncertain, but it is clear that a more nuanced understanding of women's pleasure is needed.

Christopher Harborne has entered the top ten of the Sunday Times Rich List, ranking sixth with an estimated fortune of £18.177bn. The latest list, published on 15 May 2026, records a modest 1.4% increase in the total wealth of the UK’s 350 richest individuals and families, now standing at £784bn. At the same time, the number of UK billionaires edged up by one to 157, even as many foreign‑born billionaires have left the country. The Rich List reveals a £784bn fortune pool and a modest rise in billionaire count The Sunday Times Rich List, compiled by Robert Watts, highlights two contrasting trends: a slight growth in overall wealth and a “tale of two exoduses” – one‑sixth of the previous list’s entrants are gone, and a wave of foreign billionaires have relocated abroad. Numbers that matter: Harborne’s £18.2bn stake and the broader wealth distribution Sanjay and Dheeraj Hinduja and family: £38bn David and Simon Reuben and family: £27.971bn Sir Leonard Blavatnik: £26.852bn Idan Ofer: £24.481bn Guy, George, Alannah and Galen Weston and family: £18.939bn Christopher Harborne: £18.177bn Nik Storonsky: £16.411bn Alex Gerko: £16.006bn Sir Jim Ratcliffe: £15.194bn Igor and Dmitry Bukhman: £14.26bn Harborne’s wealth is anchored by a 12% stake in Tether, valued at roughly £17.7bn, and a 14.2% holding in QinetiQ worth £357m. Additional assets include IFX Payments and Eclipse Aerospace. Why the exodus of foreign billionaires matters for UK fiscal policy Watts warns that the departure of foreign‑born billionaires – many moving to Dubai, Switzerland or Monaco – could shrink the domestic tax base. Their assets remain on the Rich List, but the shift reduces the likelihood of UK tax authorities extracting significant revenue, especially as many of their holdings sit in jurisdictions with lighter reporting requirements. What the next Rich List could signal for wealth taxes and offshore assets If the trend of offshore relocation continues, policymakers may face pressure to broaden wealth‑tax proposals or tighten anti‑avoidance rules. Conversely, the modest rise in total wealth suggests that, despite geopolitical shifts, the UK’s high‑net‑worth cohort remains resilient, potentially prompting a focus on transparency rather than outright taxation.

The Core Question: Does Britain Need Labour?The piece opens by asking a simple but profound question: if the Labour Party vanished tomorrow, would anyone invent a replacement? It frames the debate around recent turmoil – Wes Streeting’s cabinet resignation, Andy Burnham’s hinted ambition, and Angela Rayner’s tax‑stamp‑duty controversy – to explore why the party still matters.Internal Turmoil: Streeting’s Resignation and Leadership UncertaintyStreeting’s abrupt exit, delivered in a “blistering statement” that did not confirm he had the numbers for a leadership contest, underscores the factional deadlock around Keir Starmer. The column notes the lack of a clear successor, the difficulty of securing an MP willing to step aside for Burnham, and Rayner’s recent financial misstep, all of which amplify doubts about Labour’s cohesion.Polling Shifts: Labour Voters Moving to Plaid Cymru and the GreensPersuasion think‑tank analysis shows 62% of Labour‑to‑Plaid Cymru switchers were motivated by a desire to beat Reform.In England, voters dissatisfied with Labour are drifting toward the Greens or Reform, depending on social‑liberal or conservative leanings.Former Labour voters cite the party’s “Tory‑lite” image and cost‑of‑living concerns as reasons for abandoning it.These numbers illustrate a crumbling monopoly on left‑wing votes.Implications for the UK Left and Future ElectionsThe column warns that Labour’s traditional “floor” – the lowest realistic vote share – is becoming the baseline for the entire left. If Labour ceases to be the primary left‑of‑centre party, smaller parties could fill the gap, forcing Labour to either adapt to coalition politics or risk irrelevance.What the Next Labour Leader Must DeliverTo survive, the next leader needs a clear, distinct vision that goes beyond personal competence. The article suggests a focus on long‑term investment, pragmatic economic policies (as outlined by Louise Haigh), and a renewed stance on immigration and cost‑of‑living issues. Without such a narrative, the party may continue to lose voters to the Greens, Plaid Cymru and Reform.

The Return of Smoggie QueensPhil Dunning's Middlesbrough-set LGBTQ+ comedy returns to BBC Three tonight at 10pm, promising more endearingly lo-fi hijinks at Keith's World of Carpets. The gang are throwing a coming-out party for Stewart, but after Keith busts out his terrifying homebrew ("fermented for 37 years"), everything gets a bit psychedelic. The timing isn't great for Dickie (Dunning) when his ex turns up. While the show never quite manages to be uproarious, viewers can expect to snigger happily throughout.Other Notable TV TonightBeyond Smoggie Queens, tonight's television lineup offers a diverse range of programming:Unreported World (7.30pm, Channel 4) - Explores faith-based treatments in the Philippines amid soaring healthcare costsHidden Treasures of the National Trust (9pm, BBC Two) - A literary-themed opener exploring Agatha Christie's Greenway Estate in DevonHacks (9pm, Sky Atlantic) - Final season focuses on legacy and the stories celebrities tell about themselvesFirst Dates (10pm, Channel 4) - Fred Sirieix hosts another batch of hopeful romanticsSt Denis Medical (10.40pm, BBC One) - Nurse Pam takes temporary charge with surprising consequencesThe Running Man (7am, 8pm, Sky Cinema Premiere) - Edgar Wright's new adaptation of Stephen King's dystopian thrillerThe Cultural Significance of LGBTQ+ RepresentationSmoggie Queens represents an important example of authentic LGBTQ+ representation in mainstream television. The show's setting in Middlesbrough, a working-class northern English town, provides a refreshing counterpoint to the more common metropolitan portrayals of LGBTQ+ life. Its return to BBC Three demonstrates the channel's continued commitment to diverse programming that reflects the full spectrum of British experience.The Evolution of Drag Comedy on TelevisionDrag comedy has evolved significantly from its early appearances on television, moving from novelty acts to nuanced character studies. Shows like Smoggie Queens contribute to this evolution by placing drag performers at the center of narratives that explore identity, community, and belonging. The show's lo-fi aesthetic and focus on character-driven comedy rather than spectacle represents a maturation of the genre.The Future of Regional Comedy ProgrammingThe return of Smoggie Queens highlights a growing trend toward regionally specific comedy programming that moves beyond London-centric narratives. By setting the show in Middlesbrough and embracing local dialects, cultural references, and landscapes, the program offers viewers an authentic representation of northern English life. This approach not only provides refreshing diversity but also challenges the traditional power dynamics in British television production.

The Caribbean Twist on a Victorian ClassicNicholai La Barrie’s production at the Lyric Hammersmith delivers a distinct, gleefully camp reinterpretation of Oscar Wilde’s 1895 masterpiece. By utilizing an all-Black cast, the play moves beyond simple color-blind casting to infuse the text with a vibrant Caribbean identity. The production draws clear inspiration from the National Theatre’s recent campy interpretations, elevating the aesthetic with West Indian inflected accents, colorful headscarves, and flamboyant costumes designed by Rajha Shakiry.Key Cast Performances: Jamael Westman is cast as the louche Viscount Arthur Goring, while Chiké Okonkwo plays the upright Sir Robert Chiltern. Emmanuel Akwafo delivers a standout performance by doubling as the Chilterns' disapproving butler and Goring's servant.Aesthetic Elements: The set design and costumes waver between period and modern, creating an outrageous yet elegant atmosphere. The visual style is further enhanced by 'Pirates of the Caribbean' eyeliner and a soundtrack featuring tracks by DJ Luck & MC Neat, Ms Dynamite, and Ezra Collective.Modernizing Political CorruptionWhile the play is set in the drawing rooms of the aristocracy, its core theme of clandestine corruption remains strikingly relevant. The production draws parallels to modern political scandals, such as 'cash for questions,' though it tempers the sting by framing the protagonist's crime as a 'sin of one's youth.' This approach allows the audience to focus on the farcical nature of the aristocratic mores rather than a heavy-handed political critique.A Flamboyant Tribute to Queer HistoryThe camped-up nature of the production takes on added significance when viewed through the lens of Wilde’s tragic history. The play originally transferred to the Criterion theatre without Wilde’s name due to his prosecution for gross indecency. This current revival serves as a flamboyant celebration of queerness and a form of artistic payback, honoring the playwright’s legacy while reasserting his presence in the narrative.The Future of Classic RevivalsThe success of this production signals a growing trend in the theatre industry towards 'global majority' casting and the recontextualization of classic texts. With the show set to transfer to the Bristol Old Vic from 10-20 June, it demonstrates that traditional plays can be successfully modernized to resonate with contemporary audiences while maintaining their original wit and charm.

The Philosophy of 'Touching the Earth Lightly'Lynne Eastaway describes the Ball-Eastaway House not just as a dwelling, but as a teacher. Located on a 10-hectare block of dry sclerophyll forest north-west of Sydney, the home was commissioned in 1983 by Eastaway and artist Sydney Ball. The design was entrusted to the young architect Glenn Murcutt, who was tasked with creating a space that respected the landscape rather than dominating it.Murcutt’s approach was revolutionary for the 1980s. Instead of building directly on the sandstone rock shelf, he chose to suspend the structure. This decision was driven by a desire to preserve the topography and leave almost no trace of the house's existence, a philosophy Murcutt famously summarized through an Aboriginal quote: “touch the earth lightly”.Technical Specifications and Sustainable EngineeringThe architectural feat of the Ball-Eastaway House relies on a sophisticated structural system that prioritizes environmental harmony. The entire building is suspended on 14 steel columns sunk into the rock, creating the illusion that the house is floating above the landscape.Materiality: Constructed primarily from corrugated iron, a material often overlooked at the time, the exterior belies a light-filled interior with hardwood floors.Climate Control: The elevated design allows for free air circulation, providing passive cooling during warm months and shelter for native wildlife.Water Management: Murcutt’s attention to detail extended to the gutter system, which was designed to direct fallen eucalypt leaves into a birds' nest formation at the base of the downpipes.A Legacy of Minimalist IntegrationMurcutt’s design was a stark departure from the heavy-handed construction methods common in 1970s and 80s Australia. However, its influence has rippled far beyond the country's borders. The jury citation for the Pritzker Prize, which Murcutt would later win, explicitly cited this philosophy of structures floating above the landscape.International architects, such as Francis Kéré (a subsequent Pritzker laureate), have cited Murcutt’s work as a formative inspiration. Kéré noted that the simplicity, openness, and comfort of Murcutt’s designs taught him that architecture could be gentle and human, shaping spaces that nurture rather than overpower.The Future of Eco-Conscious LivingThe Ball-Eastaway House serves as a timeless case study for the future of residential design. As the world grapples with climate change and the need for sustainable living, Murcutt’s insistence on integrating human habitation with the natural environment offers a critical roadmap. The house proves that modern comfort does not require a heavy environmental footprint, advocating for a future where architecture works *with* nature rather than against it.

The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.