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The Unlikely Union of Mabe Fratti and Bill Orcutt This dreamlike, intimate album unites one of experimental music's current stars with one of its most prolific veterans. During an interview promoting 2024's acclaimed Sentir Que No Sabes, 34-year-old Guatemalan cellist Mabe Fratti praised Bill Orcutt, the 64-year-old US guitarist whose disjointed, aggressive four-string playing – honed in 90s noise-rock band Harry Pussy – graces more than 100 records. Orcutt reached out, and they started sharing files. While their friendship is new, Almost Waking reveals a deep kinship between these true originals. The Album's Conversational Duets The album centres on conversational duets between Fratti's cello and Orcutt's guitar. On the overdriven Forced & Forced & Forced, Orcutt's trademark string-snapping plucking is matched by Fratti's fragmented, agitated bow-scraping. Just as both players can wrestle with their instruments, they know how to make them feel like voices. On Steps of the Sun, the cello and guitar harmonise tenderly and take turns as lead, performed with the complex phrasing and dynamism of a sung duet. Vocal Appearances and Musical Chemistry Fratti's soaring vocals appear on two tracks. El Inicio Es Cuestión De Suerte is a stately ballad set to a looping guitar melody, while Todo Puede Ser Error has more showmanship, featuring a jangling Orcutt solo. If the instrumentals reveal how naturally Fratti fits in Orcutt's spidery world – her lusher, warped art-pop shaped by the same fragmentation – these tracks prove his adversarial style can work in more melodic settings. While Almost Waking feels like an aside for Fratti and Orcutt, both are reframed in this wonderfully alive-sounding album.

English Heritage has finished a 7‑metre‑high, £1 million reconstruction of a 4,500‑year‑old Neolithic hall, called the Kusuma Neolithic Hall, near the Stonehenge visitor centre. The structure is slated to open to the public this summer and will later serve as an immersive educational hub for schools. Recreating a 4,500‑Year‑Old Neolithic Hall at Stonehenge The hall is based on the archaeological footprint of Durrington 68, a “square‑in‑the‑circle” building discovered two miles from Stonehenge. Excavations first began in 1928 by Maud Cunnington and were revisited in 2007 by the Stonehenge Riverside Project. The reconstruction features a horseshoe‑shaped ring of post holes and four massive internal roof‑support pillars, mirroring the original layout. Experimental archaeologist Luke Winter oversaw the design, using Neolithic carpentry studies and pollen data to ensure authenticity. Every timber was shaped with replica stone tools, and the frame was aligned with the winter solstice – the shadow of the central post falls precisely on the midsummer sunrise. £1 Million Investment and Volunteer Workforce Cost: £1 million Construction period: nine months Volunteer involvement: >100 volunteers contributed hand‑crafted timber work Opening: Summer 2026 Future educational capacity: aim to serve nearly 100,000 students annually by 2031 Educational and Cultural Impact on Heritage Tourism The hall forms the first phase of English Heritage’s broader educational expansion, which will also include the Clore Discovery Lab and Weston Learning Studio, scheduled for completion by the end of 2026. By offering a free, hands‑on experience – from making prehistoric cheese to shaping pottery – the project is expected to boost visitor numbers and deepen public engagement with Neolithic heritage. Curator Win Scutt emphasizes that the reconstruction highlights the communal spirit of Neolithic societies, providing a tangible illustration of how ancient peoples built collective monuments as expressions of social identity. Future Role in Neolithic Research and Learning Beyond tourism, the hall serves as a living laboratory for researchers. The experimental construction process has already shifted expert confidence from a 50 % to a 75 % likelihood that the original Durrington 68 structure was roofed. Ongoing studies will use the hall to test hypotheses about building techniques, seasonal alignments, and social organization. As the site opens to schools, it will become a model for immersive archaeology, potentially inspiring similar reconstructions across the United Kingdom and informing curriculum development for the national education programme on the Neolithic period.

The Lead The Royal Exchange's 50th anniversary season production, 'Even These Things', is a bold attempt to encapsulate the complex history of Manchester. The play explores themes of identity, community, and belonging through three seemingly unrelated scenes. MAPPING MANCHESTER'S HISTORY The play is built from three scenes, each set in a different time period. The first scene is set in 1846 and features a heavily pregnant Irish immigrant, Annie Donovan, who brushes shoulders with Friedrich Engels on her way to a fist fight. The second scene is set in 1996 and describes the city-centre life of an ordinary Saturday, with a community cast playing out whimsical vignettes. The final scene takes place after the IRA bomb outside the Arndale Centre and features a tender exchange between two strangers of Irish heritage. THE POWER OF COMMUNITY The play's cumulative meaning may be tricky to grasp, but as the scenes rub up against each other, what emerges is a thoughtful, rich and complex picture of home. The connections between the scenes are elliptical, but they ultimately reveal a city with a shared history and a strong sense of community. THE FUTURE OF MANCHESTER The play suggests that, however difficult, a future is possible. The final scene's chat about miscarriage and childbirth between two strangers of Irish heritage meeting in the park some months after the attack on an Ariana Grande concert brought the city together, implies that the city can heal and move forward. CONCLUSION 'Even These Things' is a bold and ambitious production that successfully maps Manchester's complex history. The play's themes of identity, community, and belonging are timely and thought-provoking, making it a must-see for anyone interested in theatre and the city of Manchester.

A candid kitchen conversation with Sir Derek Jacobi The Guardian’s interview captures a warm, unguarded moment as Jacobi and his husband, director Richard Clifford, share coffee and stories in their London home. Jacobi, 80, jokes about his looks, admits he never felt “movie‑star material,” and confides that he would love to reach his centenary. Career milestones and personal anecdotes 1970s breakthrough as the stammering Emperor in I, Claudius. Acclaimed stage work including Cyrano de Bergerac (Royal Shakespeare Company, 1980s) and Macbeth at the Barbican (1993). Recent TV roles in Vicious and Last Tango in Halifax. Early life in Leytonstone; rheumatic fever at nine sparked a shift from working‑class roots to a posh accent and ambition. No financial figures – cultural impact takes centre stage The piece contains no monetary data; its value lies in documenting the lived experience of a veteran actor whose voice and presence have shaped British drama for five decades. What Jacobi’s reflections mean for British theatre and aging performers Jacobi’s honesty about age, health (including his AIDS diagnosis) and self‑image highlights the often‑unspoken pressures on older actors. His partnership with Clifford, who directs and designs their home, underscores the importance of supportive creative collaborations in sustaining long‑term artistic careers. Looking ahead: the goal of hitting 100 Jacobi ends on a hopeful note, expressing a desire to “hit 100” and continue contributing to the arts. His story suggests that longevity in performance is as much about personal resilience and community as it is about talent.

The US-Taiwan Arms Sale Pause A top official in the United States military has said Washington is pausing a $14bn arms sale to Taiwan to conserve munitions for its war on Iran. Details of the Pause Acting Navy Secretary Hung Cao provided the update to lawmakers during a Senate hearing on Thursday, a week after the weapons sale took centre stage in talks between US President Donald Trump and Chinese leader Xi Jinping in Beijing. Cao told the Senate Appropriations Subcommittee on Defense that the US is pausing the sale to ensure it has enough munitions for its potential conflict with Iran. The decision to move forward with the sale would be made by Secretary of Defense Pete Hegseth and Secretary of State Marco Rubio. Impact on Taiwan's Defense Taiwanese Premier Cho Jung-tai told reporters on Friday that Taiwan would continue to pursue arms purchases, according to Taiwanese news outlet FTV News. William Yang, senior analyst for northeast Asia at the Crisis Group, said in a social media post that the pause will “exacerbate anxiety and scepticism about US support in Taiwan and make it difficult for the Taiwanese government to request additional defence budget for the foreseeable future”. The Iran Conflict and US Military Preparedness The war has been paused since the US and Iran agreed to a ceasefire on April 8, but the sides have yet to reach a permanent peace deal. “Right now, we’re doing a pause in order to make sure we have the munitions we need for Epic Fury – which we have plenty,” Cao said. Future Outlook Trump, who has confirmed that he discussed the arms sale with Xi, said last week in an interview with Fox News that he “may” or “may not” approve the package. Trump has also suggested that the package could be used as a “negotiating chip” – despite a decades-old precedent against consulting with Beijing on arms sales.

The San Diego Mosque Attack Funeral More than 2,000 people have gathered in a park in San Diego, California, to mourn a security guard and two other men murdered as they tried to stop this week’s attack on the city’s largest mosque. Details of the Funeral Service Mourners, including police officers in uniform, stood in rows for the Islamic funeral prayer, or Janazah, on Thursday. The bodies of the three men — 51-year-old Amin Abdullah, 78-year-old Mansour Kaziha, and 57-year-old Nadir Awad — lay beneath cloth, underneath a white canopy. The Impact of the Attack “God is the greatest,” the attendees chanted in Arabic, raising their hands. Many remembered the three men as heroes for delaying and distracting the two teenage suspects who opened fire at the Islamic Center of San Diego on Monday, during school hours. The Victims' Actions During the Attack Police have indicated that the three victims’ actions likely prevented further bloodshed. Amin Abdullah, the centre’s security guard, engaged in a gun battle with the teenage assailants and used his radio to order a lockdown at the mosque, which houses a primary school with 140 students. The Future Outlook “Today is a message to everyone: Our community got hurt, but our community is standing strong and firm,” said the centre’s imam, Taha Hassane. The victims are set to be buried alongside one another later in the day at a nearby cemetery.

The Journey of a Reject to Liverpool LegendThere was the Barcelona comeback on the night he ruffled Lionel Messi's hair, the Champions League triumph in Madrid, winning Liverpool's first league title in 30 years and pressing five Manchester City players in one career-defining run at Anfield when 4-1 up. But the best feeling Andy Robertson experienced at Liverpool was "climbing the mountain" with Jürgen Klopp's all-conquering team. Nobody climbed higher or harder.The boy who was rejected by Celtic at 15 and tweeted: "Life at this age is rubbish with no money" after his debut for Queen's Park aged 18 became the man many consider to be Liverpool's finest left-back, and arguably the best in the world at his peak. With 377 fiercely committed appearances in a Liverpool shirt behind him, Robertson will say goodbye on Sunday. The 32-year-old Scotland captain leaves "with no regrets, no bitterness" and "glad that one of our Egyptian friends might take a bit more of the limelight. I can just sneak underneath that."The Climbing of the Mountain Together"We were on the most amazing journey ever, all together," he reflects. "When we started out Mo Salah didn't sign as the best player in the world or the best winger in the world. Virgil van Dijk had the potential to be but wasn't the best centre-back in the world. Alisson wasn't the best goalkeeper in the world. Trent [Alexander-Arnold] wasn't the best right-back in the world. Hendo [Jordan Henderson] was still trying to find his feet as captain. We were all just on this journey from the bottom to the very top together and climbing that mountain was the best feeling ever."Every day we came in knowing we were getting better and better and starting to click as a team. We'd beat teams in the tunnel. Genuinely. When I speak to my Scotland teammates, they were lining up in the tunnel and looking over thinking: 'We're going to need to run our socks off today to get anything.' And more often than not they didn't get anything."We had an unbelievable environment to express ourselves, to play with freedom, but in our minds we knew we had to work at 100%. That was obviously from the manager, from the coaches, and I think then all the staff and people behind the scenes bought into it and you had the whole training ground determined to achieve all our dreams. Everyone was on the same page and we just made magical things happen thankfully."The Impact of Tragedy and TransitionRobertson's reminiscence prompts an inevitable follow-up. Why does Liverpool not feel like that now? His reply stops everyone in their tracks, and brings home the tragic reality of what this season has entailed for the now deposed Premier League champions. "In terms of the club I am leaving behind I think we are not at the 2017 stage, we are at the transition stage," begins one of Diogo Jota's closest friends. The Liverpool forward's death in a car crash alongside his brother in north-western Spain last July cast a dark pall over the campaign."This year hasn't worked out for a variety of reasons. We can't hide away from it, and it is not an excuse, but what we went through in the summer no team will ever go through. No member of staff will go through. I hope they never go through it because the devastation we went through … football didn't matter. We didn't care about football for weeks. None of us wanted to train. You were getting treatment off physios and physios didn't want to treat you. That is the reality of it."As footballers we of course have a duty, we have to move on and we managed that. We started the season fairly well although it was still an emotional time for us. The [season-opening] Bournemouth game was ridiculously emotional with all of Jots' family being there. I think after the 20th minute you saw a real dip in performance because of the emotional impact that it had on all of us.The Future of Liverpool FC"But then the season has been inconsistent. We bought players that we all got excited about, and they will all have an unbelievable career at Liverpool. I have no doubt about that. But they are also young. The one thing I get annoyed about in football is that footballers do not control their price tag. The market controls it. These players will be successful for Liverpool but they probably need a bit of time."Then some players who have played at a ridiculously high level haven't played to that level. If you add all that in then we have had an inconsistent season and that is the huge frustration for us. We have been too easy to play against. There is no hiding away from that but I believe they have more than enough in that changing room to be successful for Liverpool again."

Hospital Fire Halts Ebola Care in North KivuOn 21 May 2026, a fire destroyed a dedicated Ebola treatment centre in the North Kivu province of the Democratic Republic of Congo (DRC), cutting off inpatient care for patients amid a rapidly expanding outbreak.Location: North Kivu, DRCFacility: Ebola treatment hospital operated by MSFCause: Under investigation, preliminary reports suggest accidental ignitionImpact: All beds, equipment, and stored medical supplies lostOutbreak Numbers Reveal Escalating ThreatThe DRC health ministry reported over 1,200 confirmed cases and approximately 800 deaths since the outbreak began earlier this year, marking the deadliest Ebola wave in the country’s history.Case fatality rate remains above 65%Transmission clusters expanding to three new districtsVaccination campaign has reached 45% of target populationRegional Health System Strains Under CrisisWith the loss of the treatment centre, the DRC’s already stretched health infrastructure faces a critical gap. Neighboring facilities are operating at over 90% capacity, and international partners are scrambling to deploy mobile units.WHO pledges emergency funds for temporary isolation wardsLogistical challenges include road insecurity and limited power supplyCommunity trust erodes after repeated incidents, hindering contact tracingWhat the Next Weeks Could Hold for DRC's Ebola ResponseExperts warn that without rapid replacement of treatment capacity, the outbreak could accelerate, potentially adding several hundred cases. Immediate actions include:Deploying modular treatment units within 48 hoursAccelerating vaccine rollout to reach 70% coverage by end‑JulyStrengthening surveillance in bordering provinces to prevent cross‑border spread

The Ebola Outbreak in Ituri Province Residents in a town at the centre of an Ebola outbreak in eastern Democratic Republic of the Congo (DRC) have set fire to a treatment facility after being prevented from taking the body of a local man, underscoring deep mistrust and anger around the response to the virus. The Attack on the Treatment Centre The attack took place on Thursday in Rwampara, in Ituri province, where health workers have been struggling to contain the disease in an area with few medical facilities and where many people are displaced by conflict. Witnesses said a group of young men stormed the centre after authorities refused to release the body of a friend who was believed to have died from Ebola. The group then set fire to parts of the facility. The Challenges of Containing the Outbreak Authorities say the episode reflects the difficult balance between public health measures and local customs, particularly around death and burial. Because the bodies of Ebola victims remain highly infectious, Congolese officials and international health agencies insist that burials be conducted by specialised teams wearing protective gear. Traditional funeral practices, which often involve washing and touching the body and large gatherings of mourners, are considered high risk for transmission. The Impact on Public Health Efforts The incident highlights the broader challenges facing Congolese authorities and international agencies as they try to contain a rare and deadly virus in a volatile region. The World Health Organization (WHO) has declared the outbreak a public health emergency of international concern, warning that violence, population displacement and community mistrust are hampering efforts to stop the spread of the disease. The Future Outlook The situation in Ituri province remains critical, with health workers facing significant challenges in containing the outbreak amidst community mistrust and violence.