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Enhanced VoiceOver Capabilities Apple announced several new accessibility updates to features like VoiceOver, voice control, live recognition, and real-time caption generation for videos that will be powered by Apple Intelligence. The company also said that Vision Pro users will be able to control a compatible wheelchair with their eyes using this update. Improved Image Recognition The company said that Apple Intelligence’s image-recognition feature in VoiceOver will understand the image better and describe it in greater detail. For instance, it can look at a bill and read out the details such as the amount and due date. Apple said that the updated feature can also better describe photographs and personal records. Live Recognition and Voice Commands Users can now use an iPhone to activate the Live Recognition feature, which uses a camera to identify content in the frame, and also ask follow-up questions to know more. Users with low vision can also assign Magnifier to the action button, which presents content on a high-contrast interface. Plus, they can use voice commands such as “zoom in” or “turn on flashlight” to access features. Natural Language Processing The voice command update is not limited to the Magnifier app. Apple said that users can describe tasks in natural language to take action on what they see on the screen. For instance, in Apple Maps, they can say, “Tap the guide about best restaurants,” or in Files, they can say “Tap the purple folder.” Reader Updates The company is also updating Reader, which can now handle documents like scientific papers with multiple columns, images, and tables. Users can get AI-powered summaries or read the text in the native language with custom fonts and colors retained. AI-Generated Subtitles and Wheelchair Control Apple is adding AI-generated subtitles for videos that don’t have pre-generated captions. The company announced a new project where Vision Pro users can control their compatible wheelchairs with their eyes. Additional Features and Availability The name-recognition feature, which notifies users with hearing disabilities when someone says their name, now supports 50 languages. Apple will roll out large text support to tvOS. These features will be available to users later this year, likely as part of Apple’s upcoming iOS release.

The Dystopian Vision of 2028 Los AngelesBrimming with indelible images, Charlotte Zhang's brilliant debut locates the roots of a dystopian future in the here and now. Set around the 2028 Summer Olympics, the film imagines a Los Angeles gripped by paranoia and conspiracies; and a livestock disease has led to a ban on all meat production, leaving the main source of protein distribution – powdered insects – in the control of a megacorporation called Ootheca Inc. Ironically enough, a cockroach infestation has taken over several local neighbourhoods, making Ootheca's monopolising greed even more insidious.A Human Story of Survival Amid Corporate ControlAll of this might sound pretty out there, yet the heart of Tycoon is a deeply human story of survival. Both hustlers up for any challenge, Lito (Miguel Padilla-Juarez) and Jay (Jon Lawrence Reyes) take advantage of the widespread chaos to embark on a series of petty crimes, including breaking into an Ootheca trailer to steal boxes of the precious protein powder. Their escapades are dynamically rendered on a variety of formats including handheld DV camera and Super 8, as well as Xerox art. But compared to other film-makers who favour this DIY style, Zhang is beautifully attentive to blocking and composition. Scenes of house parties, twilight rides against the setting sun, or high-rev street drifting harmonise into a stunning city symphony, in which a visual rhythm gradually emerges from disorder.Political Implications in a Corporate-Dominated WorldBeneath the seemingly casual tone of the visuals, there are also serious political implications. As Latino men living in a time of state-sanctioned racial violence, Lito and Jay are enfolded in economic precarity and constant surveillance. That they choose to game the system rather than waiting to be squashed by it – like Ootheca's crushed insects – is wonderfully empowering. Zhang occasionally makes explicit these political allusions by way of text intertitles, which sometimes feel a little awkward; still, when is a better time to deliver a manifesto than in one's first film?Where to Experience This Visionary DebutTycoon is at the ICA, London from 22 May.

The Challenge of Translating ShakespeareThe great Argentine writer Jorge Luis Borges, who translated William Faulkner, André Gide, Franz Kafka and Virginia Woolf into Spanish, drew the line at Shakespeare. Speaking of the moment when Hamlet asks the ghost why it returns to haunt "the glimpses of the moon", Borges commented: "I don't think it can be translated. Perhaps the words can be translated. Certainly Shakespeare cannot be translated. 'The glimpses of the moon' means exactly 'the glimpses of the moon'."All, however, is not lost. "It has been said that Shakespeare cannot be translated into any other language," Borges added. "But Shakespeare cannot be translated into English, either, since he wrote what [Robert Louis] Stevenson called 'that amazing dialect, the Shakespeare-ese'." This might not be entirely true, as the translator Daniel Hahn points out in this superbly diverting book. Recalling a hip-hop production of Romeo and Juliet he once saw, he persuades us instantly that "the phrase 'Do you kiss your teeth at me, fam?' proved to be a perfect translation of 'Do you bite your thumb at us, sir?'"Shakespeare Across LanguagesAnd if into English, then why not into Portuguese, or French, or Māori? Hahn's project is to argue that "Shakespeare with every word changed can still be great, and can remain Shakespeare", and to that end he reproduces chunks of Dutch, Russian, Welsh, Thai, Arabic, Japanese, and a dozen other languages, betting that by simply counting syllables or observing alliteration in a language one doesn't understand (as he cheerfully admits, he doesn't understand Danish), one can learn something about the quality of a translation. I wasn't convinced that wager worked much of the time, but the typesetters, as you can imagine, were certainly getting a decent workout, and the gambit does finally pay off when a long passage from Twelfth Night is annotated by boxes mentioning dozens of different translators' choices.Cultural Adaptations in TranslationWhat really illuminates the book are Hahn's conversations with his fellow translators, who can explain their choices directly. In Māori, we learn, Lady Macbeth's question to her husband, "Are you a man?", makes no sense at all, so the translator Te Haumihiata Mason renders it as something roughly meaning "Have you got balls?" – "which is," Hahn notes contentedly, "exactly what Lady M is asking." Meanwhile, Prince Hal's name means "fish" in Hungarian, which would be unhelpfully distracting, so it gets changed to Riki, short for Henrik.Hahn also offers many asides about the annoyances and pleasures of translation in general. "The word 'literal' is annoyingly overused to suggest a sort of 'neutral' translation, which cannot exist," he complains; and he shows that, in many cases, a non-literal choice would be better. When Mark Antony imagines Caesar's spirit to "cry 'Havoc'", for example, the closest Portuguese word is the rather weak-sounding "devastação"; a better choice, Hahn shows, is "matança" (killing), because it's shorter and more easily shoutable.Translating Verse and JokesEach chapter addresses a different question translators face, for example whether to translate into verse (careful: as one French translator observes, you risk making "a genius into a talented versifier"), or how to translate jokes: it's usually best, everyone agrees, to create an entirely new joke – "being faithful to the laugh", as Hahn calls it. In a German Midsummer Night's Dream, to preserve the doggerel rhymes, we are promised not that Thisbe will be in "mulberry shade" but that she will be "hiding like a newt". Translators might even embrace the possibility of a joke where none previously existed – which Hahn illustrates brightly by mentioning that the "sorting hat" in Harry Potter has become, in French, le choixpeau (the chapeau that chooses).Poetic Elements and Title AdaptationsCan you even preserve alliteration? Sometimes, if you're lucky: Love's Labour's Lost received the surely unimprovable Greek title of "Agapēs Agōnas Agonos" ("the struggles of love are barren"). But when no such fortunate tricks are available, you can simply replace one idiom with another: so, in Spanish, Much Ado About Nothing is often called "A lot of noise, not many nuts".There are quibbles to be made here and there. Hahn calls a line from Richard III "irregular" after counting syllables, but it's a perfectly regular line that begins with an anapest (da-da-dum). And when Juliet says to Romeo "You kiss by th'book", Hahn glosses this as her approvingly noting his "formal courtship", but she is surely issuing a flirtatious challenge. And – this being the publisher's rather than the author's fault – the book has been produced, inexplicably, without an index.The Value of TranslationAll may be forgiven, though, for the delight and endless curiosity displayed in these pages. "In Shakespeare, people get sad with precision," Hahn enthuses. And he is cherishably bitchy about certain literary "translators" who somehow produce new English versions of Chekhov or Ibsen without speaking the source language – the process being, as he surmises, "a sort of high-status prettying up of a so-called 'literal' translation". By the end of the book, Hahn has amply demonstrated not only the treasures of other languages, but also the rich and strange inexhaustibility of Shakespeare himself.

The 'Axolotlisation' of the CapitalAs Mexico City prepares to host the FIFA World Cup, the city has undergone a radical aesthetic overhaul dubbed 'axolotlisation.' The initiative, championed by Mayor Clara Brugada, involves painting the city's infrastructure in shades of lilac, lavender, and plum, while plastering murals of the rare amphibian—the city's official mascot—across pedestrian bridges, walls, and public transport.Resource Allocation vs. AestheticsThe core of the controversy lies in the allocation of limited state resources. Residents argue that the budget spent on decorative paint could be better utilized for essential services. Critics point to the city's chronic issues, including:Crumbling Infrastructure: Worn-out tunnels and potholes that pose safety risks.Pedestrian Safety: The danger of painting traffic fixtures purple, potentially reducing visibility at night.General Maintenance: Crooked pavements and flooding streets that plague the daily lives of the 22 million inhabitants.Political Fallout and Public SentimentThe backlash has reached the highest levels of government. President Claudia Sheinbaum, an ally of the mayor, defended the initiative, stating that all governments paint bridges and that the lilac color makes them 'look very pretty.' However, experts like Ernesto Moura from Mexico’s National Autonomous University argue that the lack of citizen input before the abrupt transformation has alienated the public.The sentiment has turned viral online, with citizens questioning the mayor's priorities. Some users have drawn a stark contrast between the painted axolotls and the real species, which is on the brink of extinction due to habitat loss. The backlash has even spawned satirical AI content depicting the mayor as a villain from Harry Potter or a Godzilla-like creature destroying the city.The Long-Term Urban LegacyAs the World Cup approaches, the city faces a critical test of its public image. While the 'axolotlisation' aims to project a welcoming, vibrant face to the world, the underlying resentment regarding neglected infrastructure could tarnish the city's reputation. The question remains whether the aesthetic transformation will be viewed as a temporary spectacle for tourists or a genuine improvement in urban living standards.

The Legal Victory for OpenAI's Leadership In a decisive moment for the artificial intelligence industry, a federal jury in Oakland, California has ruled in favor of Sam Altman and Greg Brockman, OpenAI's president, in their high-stakes legal battle against Elon Musk. The nine-person jury found the OpenAI leaders not liable for unjustly enriching themselves or breaking contracts made with Musk when founding the startup. This verdict represents a significant legal victory for Altman and a stark rebuke of Musk's central claim that Altman "stole a charity" through his leadership of OpenAI. The Courtroom Decision and Its Implications The jury's finding, while non-binding and advisory, carries substantial weight as Judge Yvonne Gonzalez Rogers immediately indicated she would agree with the jury's decision. This alignment between jury verdict and judicial ruling effectively ends the legal chapter of Musk's ambitious lawsuit, which sought $134 billion to be redistributed from OpenAI's for-profit arm to its non-profit component. The case also demanded the removal of Altman and Brockman from their roles at OpenAI and the undoing of the firm's for-profit restructuring. Musk's Core Allegations Against OpenAI At the heart of the three-week trial was Musk's allegation that Altman, Brockman, and OpenAI breached their founding agreement when they restructured the company into a for-profit entity. Musk accused the defendants of breach of charitable trust and unjust enrichment, claiming that Altman had deceived him into co-founding OpenAI in 2015 as a non-profit dedicated to bettering humanity, only later to twist the organization's purpose to pursue personal gain. This narrative formed the foundation of Musk's legal challenge against the company he helped establish. OpenAI's Defense Strategy OpenAI's legal team systematically rejected all of Musk's claims, asserting that he was always aware of plans to create a for-profit entity from the company's inception. The defense highlighted that Musk's motivations stemmed from jealousy after his failed attempt to take over OpenAI in 2018, which led to his departure from the company shortly thereafter. OpenAI representatives repeatedly emphasized that the company remains overseen by its nonprofit organization and remains dedicated to what it refers to as "the mission" of helping the world with its AI technology. The Silicon Valley Showdown The trial delivered unprecedented access to the inner workings of OpenAI and featured testimony from several of Silicon Valley's most prominent executives. Beyond the primary litigants, Musk, Altman, and Brockman, Microsoft CEO Satya Nadella also took the stand, facing combative cross-examinations that revealed the intense personal and professional dynamics at play. The proceedings brought in many current and former OpenAI executives, as well as academic experts on nonprofit law and corporate governance, creating a comprehensive record of the company's founding and evolution. The Future of OpenAI Post-Verdict With this legal challenge behind them, OpenAI can now focus on its ambitious AI development initiatives without the cloud of Musk's lawsuit hanging over its leadership structure. The verdict reinforces the company's current governance model and its transition toward a for-profit entity while maintaining its nonprofit oversight. For the AI industry at large, this outcome provides stability to one of its most influential organizations during a critical period of technological advancement. The case also sets a precedent for how founding agreements in tech startups are interpreted when companies evolve their business models in response to market pressures and technological opportunities.

The Rugby Legend's Passing Scott Hastings, the most capped centre in the history of Scotland's rugby union side, has passed away at the age of 61 after battling non-Hodgkin lymphoma. The rugby icon played a pivotal role in Scotland's epic 1990 grand slam victory over England at Murrayfield, with his astonishing tackle from behind on Rory Underwood helping secure his country's finest ever victory. A Career Forged in Scottish Rugby Born in Edinburgh, Hastings was one of four sons of Clifford Hastings, an accountant who played for Watsonians club. He attended George Watson's college where his talent became evident early on. By 21, he had progressed to the Edinburgh District side before making his Scotland debut alongside his brother Gavin in 1986. The brothers became the first pair of siblings to appear together in a Lions Test side. Statistical Excellence and Memorable Moments Throughout his career, Hastings amassed 65 caps for Scotland - six more than his brother Gavin, a fact he never failed to remind him of. His defensive prowess was legendary, with the 1990 grand slam match against England standing as his most iconic moment. Despite suffering a shattered cheekbone early in the 1993 British and Irish Lions tour of New Zealand, Hastings had previously been instrumental in the Lions' series victory in Australia in 1989. Impact on Scottish Rugby and Beyond Hastings represented more than just athletic excellence - he embodied the spirit of Scottish rugby during a transformative period. His partnership with England's Jeremy Guscott helped redefine center play, while his rivalry with brother Gavin showcased the competitive yet supportive nature of sibling relationships in sport. Beyond rugby, Hastings became a respected broadcaster and a prominent voice in Scottish public life, supporting the Better Together campaign in the 2014 independence referendum. Legacy of Charity and Personal Struggles In his later years, Hastings dedicated himself to charitable causes, particularly working alongside fellow rugby Doddie Weir to raise funds for motor neurone disease research. After being diagnosed with non-Hodgkin lymphoma in 2022, he became an advocate for cancer awareness. His personal life was marked by tragedy with the death of his wife Jenny in 2024, yet he continued to honor her memory by swimming weekly in the bay where she tragically passed away.

The HS2 Project Update The UK government is set to reveal the latest estimated cost of the HS2 high-speed rail project and a revised timetable for its completion. Transport Secretary Heidi Alexander will outline the project's budget and when trains are expected to start running between London and Birmingham. Revised Plans and Cost Savings The project has faced significant delays and cost overruns, with the previous estimate being delayed beyond 2033. To trim costs, ministers are considering reducing the top speed of trains from 360km/h to 320km/h, and potentially jettisoning plans for automatic train operation. The Financial Impact The latest estimate of the cost of HS2 is expected to remain substantially below £100bn in 2026 prices. The project's budget was initially set at £32bn in 2012 for a Y-shaped line reaching Manchester and Leeds, but was later pruned back to a single line between London and Birmingham. The Industry Implications The HS2 project has been criticized for its "gold plating" of the initial project design and focusing on the highest possible speeds. A report by Sir Stephen Lovegrove found that the damage was done by "changing objectives and political priorities", as well as awarding some of the biggest civil engineering contracts too soon without sharing the risk of escalating prices. The Future Outlook The government is expected to provide a better understanding of the project's timeline and budget. With the new plans, the government aims to deliver better connections that have long been promised to the Midlands. The project's completion is crucial for the region's economic growth and development.

The Cannes Premiere of a Korean Sci-Fi SpectacleSouth Korean director Na Hong-jin presents "Hope" at the Cannes film festival, a sci-fi action thriller that combines digital work with old-school entertainment values. The film draws inspiration from Spielberg and Walter Hill while delivering a unique take on the alien invasion genre.A Small Town Faces an Unidentified BeastThe story unfolds in the remote South Korean town of Hope, located near the demilitarized zone (DMZ). The town's residents, already accustomed to the possibility of conflict, are shocked when a farm animal is killed and mangled by an unidentified creature. This sets the stage for an extraordinary confrontation between the townspeople and a mysterious alien entity.The Police Chief's TransformationWhen police chief Beom-seok (Hwang Jung-min) arrives at the scene of the animal's death, he undergoes a significant transformation. The moment he removes his sunglasses to get a better look at the eerily clawed carcass marks his transition from professional detachment to warrior mentality. This change drives much of the film's relentless action sequences.A High-Octane Alien BattleThe film evolves into a "gonzo melee" of car chases and alien-beast battles, featuring characters constantly running, shouting, and driving at high speeds. Despite its hefty 160-minute runtime, the film maintains a breakneck pace, with brief pauses in the action before resuming the intense confrontation with the alien creature.An Ensemble Cast of HeroesBeom-seok is joined by rookie cop Sung-ae (played by K-drama star Jung Ho-yeon of Netflix's "Squid Game") and local resident Sung-ki (Zo In-sung). The trio forms an unlikely team to face the alien threat, with Sung-ki performing particularly daring stunts, including hanging out of a speeding cop car to confront the creature.A Deeper Message About AcceptanceBeyond its action-packed surface, "Hope" explores themes of acceptance and understanding. The film suggests that the local people's aggression toward the alien "outsider" may have provoked the conflict, offering a subtle commentary on how对待 perceived threats can escalate tensions.Franchise Potential and Visual FamiliarityThe film's third act reveal about the nature of the alien incursion appears to set up possible franchise continuation. However, opinions may be divided on the creature's design, which bears a certain resemblance to other well-known alien portrayals in cinema history.K-Cinema's Growing Global Impact"Hope" represents another example of Korean cinema's expanding influence on the global stage. With its blend of high-octane action, unique visual style, and thoughtful themes, the film is likely to further intensify international audiences' fascination with Korean entertainment.

The Dual Threat: Ebola and Hantavirus Trigger Global Health EmergencyThe World Health Organization (WHO) has officially declared the Ebola outbreak in Uganda and the Democratic Republic of the Congo (DRC) a "public health emergency of international concern," marking a critical moment in global health security. This declaration was triggered simultaneously by a separate hantavirus outbreak linked to the cruise ship MV Hondius, which has affected passengers and crew from over 20 countries. The convergence of these two distinct viral threats highlights the persistent vulnerability of global borders to infectious diseases.Uganda and DRC Ebola Outbreak: The WHO has deployed experts, PPE, and emergency funding to contain the spread.MV Hondirus Hantavirus: The outbreak requires coordinated cross-border monitoring, contact tracing, and medical evacuation.The Financial Fallout: A $6.2bn Budget Cut Undermining SurveillanceWhile the biological threats are immediate, the structural response is compromised by a severe financial crisis at the WHO. The agency is facing its greatest disruption to global health financing in memory, stemming from a lack of donor support and the withdrawal of the United States, which previously covered nearly one-fifth of the budget.The program budget for 2026-27 has been slashed to $6.2bn, a 9 percent decrease from the previous year. This reduction has forced the WHO to scale back critical programs, directly weakening disease surveillance efforts. Furthermore, the US Department of Health and Human Services cancelled approximately $500 million in contracts for mRNA vaccine development, affecting 22 research initiatives focused on emerging pathogens and pandemic flu.Systemic Weaknesses: Stalled Treaties and Antivaccine SentimentBeyond funding, the global response is hampered by political and social friction. The WHO is struggling to finalize a Pandemic Agreement due to a deadlock on the Pathogen Access and Benefit-Sharing (PABS) annex, which addresses equitable access to vaccines versus data sharing. Additionally, rising antivaccine sentiment, particularly in leadership roles such as US Health Secretary Robert F. Kennedy Jr., threatens to erode public trust and vaccination infrastructure.Stalled Pandemic Agreement: Nations cannot agree on how to ensure equitable access to treatments after sharing pathogen samples.Rising Antivaccine Sentiment: Misinformation and leadership skepticism are reducing insurance coverage and public sector capacity to vaccinate.Future Outlook: A Mismatch Between Threat and ResourcesDespite the grim outlook, there are glimmers of progress, such as the WHO's Pandemic Fund, which has catalyzed $11bn for 67 projects across 98 countries. However, experts warn that the current economic climate—exacerbated by the US-Israel war on Iran driving up oil and medicine prices—creates a dangerous mismatch between the scale of emerging threats and the resources available to respond. The world is scientifically better equipped to detect threats, but politically and financially less prepared to contain them.