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The Lead: A Mis‑Timed Pandemic ThrillerGuardian reviewer Erin Kellyman returns to the plague‑infested screen in Woken, a 2023‑made post‑apocalyptic thriller that aims to ride the post‑Covid zeitgeist but ultimately falters under its own ambitions.The Narrative Setup: Amnesiac Survival on a Plague‑Ravaged IslandKellyman plays Anna, an amnesiac, heavily pregnant woman who awakens in a rundown cottage on an isolated island, unaware that a pandemic is sweeping the region. Guided by the unsettling neighbour Helen (Maxine Peake) and a dubious husband James (Ivanno Jeremiah), Anna’s reality unravels when infected castaways arrive on a swan‑shaped pedalo, prompting a violent confrontation that reveals the island’s true horror.Visual and Thematic Influences: Echoes of Children of Men and Social‑Realist Brit Sci‑FiDirector Alan Friel frames the story against brooding shale cliffs, using muted interiors and seagrass‑fringed impressionism to highlight Anna’s fragility. The film nods to the social‑realist British sci‑fi lineage of Never Let Me Go and Children of Men, especially in its bleak world‑building and the later shift toward clandestine labs, ligament‑weaving surgery units, and fascistic hazmat squads.Critical Verdict: Strong Performances Undermined by a Disjointed PlotWhile Kellyman’s “wide‑eyed, floundering” performance and Peake’s authoritative presence earn praise, the narrative never fully gels. The first half feels like “tepid domestic parlour games” dressed in visual flair, and the second half’s sci‑fi revelations feel regurgitated, making the film’s climax feel like a “certifiable debt” to its inspirations.Future Outlook: Post‑Covid Horror Must Find Fresh GroundWoken will be available on digital platforms from 25 May 2026, but its mixed reception signals that the genre needs more originality than pandemic‑centric melodrama. For filmmakers, the lesson is clear: compelling visuals and strong acting cannot compensate for a story that fails to innovate within an increasingly saturated post‑pandemic horror market.

The LeadDonald Trump's unjustified war on Iran and the resulting global fuel crisis is a continuing reminder that true energy security and independence will continue to elude us so long as we remain dependent on fossil fuels. Whether it's wars over oil and gas resource access or attacks on fossil fuel power plants and energy grids, this reliance on finite resources only worsens a country's threat profile.The Geopolitical Energy CrisisNews this month of Russia's deadly attacks on Ukraine's energy infrastructure, Russian drones swarming Ukrainian power stations, and Kyiv running out of time to prepare for another winter of attacks on its energy grid illustrates this urgency. No country will be energy-secure or independent as long as its fuel supply remains finite and fossilized and its power plants and energy grids centralized and fossil fuel-dependent. Those are sitting ducks, targets very vulnerable to attack by adversaries.The Renewable TransitionThere is another way to bolster energy security and independence: decarbonized and decentralized energy. Using local, renewable resources to power, heat and cool a community, with battery storage for backup, provides immediate relief from being precariously power plant-dependent or grid-dependent. With the Iran war accelerating the transition to renewable energy, the gains from energy transition are obvious: countries like Spain are rapidly transitioning to renewables – better insulating themselves from gas price shocks and better protecting themselves from future grid-wide blackouts.The Ukrainian ModelThat's what Ukrainian communities are increasingly doing in response to Russian attacks on their fossil-fueled power plants and energy grids. In direct response to Russia's war, municipalities all across Ukraine are making the switch fast. Many Ukrainians who were fortunate enough to have heat this past winter had already made the switch to solar power, heat pumps and battery storage backup, thanks to the help of local non-profit organizations like EcoAction and Ecoclub, and donors abroad.The Policy DivideEfforts like the Hromada Project, which is named after the Ukrainian term for 'community', will be essential in helping Ukrainians weather the war by connecting local nongovernmental organizations in Ukraine to public- and private-sector support from around the world. Instead, Trump and his Republican followers seek to keep the US addicted to fossilized thinking. Weaponizing the Department of Defense to stall onshore wind development, repealing tax incentives for renewable energy development and using taxpayer dollars to bribe clean energy developers to abandon projects endangers our ability to adopt secure, affordable and clean energy technologies now.The Path ForwardBefore another war is waged, and American defense budgets doubled, now is the time to double down on what will make us truly secure and independent. Transitioning off the fuels that start wars, and transitioning on to the energies that are decentralized, infinite and available in every community and country on this planet: that's what real freedom looks like – and it's all within our grasp.

The Rediscovery of a Forgotten VisionaryGordon Stevenson, a multifaceted artist who made significant contributions to New York's late-70s no wave scene, is about to experience a posthumous renaissance. Four decades after his death, Stevenson has been largely remembered as merely a footnote in other people's stories. However, this is about to change dramatically with the discovery of a storage unit filled with his lost work, including jewelry, collaborations with mail-art pioneer Ray Johnson, and even clues to the whereabouts of a surviving print of his notorious film, Ecstatic Stigmatic.The Early Life and InfluencesStevenson's story begins not in the gritty streets of New York, but 900 miles south in the small town of Dublin, Georgia. Born into a family of "emotionally repressed stoics," he was a maths prodigy with a taste for Flannery O'Connor, Nietzsche, and Sartre. His intellectual pursuits and unconventional lifestyle created a rift with his parents, who expected him to follow a more traditional path. Offered a maths scholarship at Georgia Tech, Stevenson instead chose the liberal arts campus of Eckerd College in St. Petersburg, Florida, further widening the divide with his family.The New York YearsIn 1977, Stevenson and his partner Mirielle Cervenka relocated to New York, a city that photographer Julia Gorton described as "a nihilistic playground for people with trauma." The city was "very destroyed by the drugs and violence," according to Maripol, a European émigré designer and filmmaker who later worked with Grace Jones and Madonna. "But there was freedom. That the city was bankrupt meant low rents. Creative people could afford to live there," Maripol recalls.The Artistic LegacyStevenson's artistic contributions were multifaceted. He and Cervenka founded the jewelry brand LHOOQ, which "repositioned the jewellery for the punk market" by upcycling vintage trinkets. His "memento mori" series focused on crosses and skulls, anticipating gothic fashion and showcasing a macabre sensibility. In music, he joined Lydia Lunch's Teenage Jesus and the Jerks, a band that was, according to Gorton, "really intense, abrasive, not friendly – just a perfect band." Jim Sclavunos, who later drummed for Sonic Youth and Nick Cave and the Bad Seeds, remembers Stevenson as "a very striking presence, depraved in the right ways." His most ambitious work was the film Ecstatic Stigmatic, a $5,000 production inspired by Catholic mysticism and the Jonestown massacre, which Sclavunos found "surprised by how good it was. A lot of no wave cinema looked juvenile. But Ecstatic Stigmatic was very shadowy, sleazy and sexual."The Impact on Contemporary CultureThe rediscovery of Stevenson's work comes at a time when there is renewed interest in the no wave movement and its influence on contemporary art and music. His story offers insight into the creative ferment of late-70s New York, a time when the city's financial struggles paradoxically created space for artistic experimentation. The letters Stevenson wrote to his parents, which his family has recovered, provide a personal window into this period, chronicling life in the downtown demimonde and his experiences as one of New York's first Aids patients. As his sister Barbara Stevenson notes, "Gordon always belonged in New York," and with this rediscovery, his rightful place in the city's artistic pantheon is finally being secured.

Southend United’s FA Trophy Victory at WembleyThe crowd of 22,000 Southend supporters erupted as Kevin Maher and his coaching team lifted the FA Trophy after a nerve‑wracking penalty shoot‑out against Wealdstone. The win ended a 1,670‑day saga that saw the club lose its Football League status and battle financial turmoil.The dramatic shoot‑out and the moments that defined the winAfter a goalless 90 minutes, Gus Scott‑Morriss stepped up and converted the winning spot‑kick, prompting an immediate embrace from first‑team coach Mark Bentley. The emotional release was amplified by a video message played in the team hotel earlier that day, reminding everyone of the “hell of a journey”.Maher’s pre‑match speech: “Let’s go finish it.”Bentley’s post‑match hug captured the relief of a staff that had endured pay‑less months and water‑collected‑from‑the‑roof kit washes.Assistant Darren Currie watched the shoot‑out from an arm’s length, barely moving.Key statistics behind the triumphAttendance: 22,000 fans at Wembley.Season budget: The club operated on a modest budget that, if directly correlated to league position, would have placed them between 7th and 12th in the National League.Previous Wembley visit: 11 months earlier, Southend lost an extra‑time final to Oldham.Points earned this season: More than the previous campaign, reflecting improved on‑field performance despite financial constraints.Why the win matters for a club emerging from financial crisisThe trophy arrives after a period marked by transfer embargos, points deductions, winding‑up petitions and even players using a nearby supermarket as a restroom. It provides a morale boost for a fanbase that has endured water‑logged kit rooms and the loss of a 101‑year Football League membership.Beyond the silverware, the victory showcases the resilience of a coaching trio that returned to a club they once helped elevate from League Two to the Championship between 2004‑2006.What lies ahead for Southend United after lifting the trophyWith the FA Trophy secured, the immediate focus shifts to consolidating league performance and stabilising finances. The club’s leadership will likely leverage the heightened visibility to attract sponsorship and negotiate better terms on player contracts.Analysts predict that the emotional high could translate into a stronger start to the next season, potentially positioning Southend for a promotion push back into the Football League.

The Auction Floor: A Microcosm of the UK Housing CrisisAt the De Vere Grand Connaught Rooms in central London, a frantic scene of numbered paddles and gavel blows unfolded as a woman shouted, “That’s my house,” while her 20‑year home was auctioned off. The episode encapsulated the human toll of a market where mortgage arrears and rising living costs are pushing long‑term residents into public sales.Escalating Auction Volumes and Repo‑Driven ListingsProperty auctions have become a major channel for disposing of distressed assets. In 2025, Essential Information Group reported that nearly £5.9 bn of residential and commercial stock changed hands at auction, up from £5.5 bn the previous year. Repossessed homes now account for more than 20% of auction inventory, driven by higher mortgage rates and the broader cost‑of‑living crisis.14,025 mortgage repossession orders were issued in England and Wales in 2024 – the highest in five years.300 properties across England and Wales were listed for sale at the London auction, ranging from a £1 guide‑price boarded‑up house in the north‑east to multi‑million‑pound estates.£5.9 bn in Auction Sales Highlights Market ShiftThe jump to £5.9 bn signals a structural shift: auctions are no longer a niche for “homes‑under‑the‑hammer” but a mainstream venue for high‑quality properties. Examples from the day include:A one‑bedroom basement flat in Pimlico sold for just over £450,000.A four‑bedroom townhouse in Wapping fetched £800,000.A Devon bungalow with garden sold for £327,500.Buyers’ premiums of 2‑5% are added to these prices, further boosting auction house revenues.Why Auctions Are Becoming a Mainstream Buying ChannelIndustry insiders note a changing perception. Alex Greaves, a buying agent at Ridgestone Property, expects weekly repossession lots at auction and sees “an uptick” in central London listings. Liam Gretton, an estate agent in Wirral, likens high‑value homes at auction to selling a Picasso – the venue guarantees exposure and swift settlement.Younger buyers are also entering the arena. First‑time purchaser Alice Helps, 26, secured a Somerset semi‑detached house for £178,000 after a virtual bid, illustrating how auctions can provide a pathway onto the property ladder when traditional new‑builds are unaffordable.Future Outlook: Auctions and Affordable‑Home AccessAs mortgage pressures persist, the auction market is likely to expand further. Analysts anticipate:Continued growth in repo‑driven listings, especially in London and the South East.Greater adoption of online bidding platforms, lowering the psychological barrier for first‑time buyers.Potential policy scrutiny over the transparency and consumer protection standards of auction sales.If these trends hold, auctions could become a pivotal mechanism for delivering affordable housing, but they also risk cementing a market where distressed sellers have limited bargaining power.

The Personal Connection to Stardust For Claire Danes and her family, Stardust has transcended its status as a simple film to become something of a cure-all. In a personal essay, Danes reveals how the movie has treated everything from bad days at work to an overdose of adult cynicism. Our Sunday nights followed a certain ritual, she recalls, with her and her two siblings sitting on the sofa, ignoring that school was on the next day, and watching their battered DVD copy of Stardust. The Film's Magic: Unashamedly Cheesy Stardust, adapted from a Neil Gaiman novel, works as a feelgood movie precisely because it's so unashamedly cheesy. The film tells the story of Tristan Thorn (Charlie Cox), a young man living in a quaintly twee version of England who sets out on a quest to retrieve a fallen star. Things take an unexpected turn when the star turns out to be Yvaine (Claire Danes), a person being hunted by three witches who want to eat her heart. The resulting adventure is big, romantic, and complete with a sweeping soundtrack as the pair travels across the mythical continent of Stormhold, eventually falling in love. Despite not making significant waves upon its 2007 release, the film found a special place in Danes's unapologetically nerdy household, where magic was the air they breathed. The Cultural Impact: A Modern Fantasy Classic Spiritually, Stardust feels like a successor to the 1987 classic The Princess Bride, though with Claire Danes's character given slightly more to do than Buttercup. The film's appeal extends beyond its fantasy elements—Danes highlights Michelle Pfeiffer's enthusiastic scenery-chewing as the lead witch Lamia, which goes beyond terrifying into pure camp. The entire film is an exercise in camp, featuring excessive world-building, magical inns, human stars, pirates harvesting lightning on sky ships, and sly jokes hinting at even more backstory. The cast reads like a who's who of big names: Claire Danes, Rupert Everett, Mark Strong, Michelle Pfeiffer, Sienna Miller, Ian McKellen, Robert De Niro as a tutu-wearing pirate, and a young Henry Cavill. The Lasting Appeal: Flaws and All Does Stardust stand up to a rewatch? Some elements have aged badly, Danes admits. The modern feminist perspective might balk at Tristan having to save Yvaine in the final act, or at Lamia being evil because she's terrified of aging. The entire film is also fearsomely naff—something that definitely didn't come from Gaiman's book. Yet that's part of its charm. When Danes revisited Gaiman's novel after university, she found it lacking the whimsy and breathless adventure that made the film such a delight. Where Gaiman's prose comes across as dry and detached, Stardust the movie is openhearted and warm—a story where good guys win and baddies get what's coming to them. The Comfort in Fantasy: An Antidote to Stress In a world that feels increasingly fractious and scary, Stardust offers comfort. Like a warm bath, it's an antidote to all things stressful. Danes concludes that the film's ability to provide this escape is what makes it special, transcending its flaws to become a beloved family tradition that continues to bring joy. Stardust is available on Peacock and Hoopla in the US, to rent digitally in the UK and on 10 in Australia

The Cavaliers' Road to the Eastern FinalsThe Cleveland Cavaliers have gone on the road and played Game 7 of the Eastern Conference semifinals like they'd been there before. That's because they had. And the experience paid off. Donovan Mitchell led all scorers on Sunday night with 26 points, Jarrett Allen enjoyed his second consecutive dominant series finale and the Cavaliers earned a spot in the Eastern Conference finals with a 125-94 shellacking of the host Detroit Pistons in the elimination game of their second-round playoff series.Key Performances in the Decisive VictoryAllen outscored rival big man Jalen Duren 23-7, Sam Merrill matched him with 23 points off the bench and Evan Mobley completed his first double-double of the series with 21 points and a game-high 12 rebounds. The fourth-seeded Cavaliers will face the third-seeded New York Knicks in a best-of-seven series that tips off on Tuesday night at New York's Madison Square Garden.Statistical Breakdown of the GameOverpowering the top-seeded Pistons in every possible way, the Cavaliers built as much as a 20-point lead in the first half, extended the margin to as many as 26 in the third period and coasted into their first trip to the Eastern finals since beating the Boston Celtics in seven games in 2018. In winning a Game 7 for the sixth consecutive time dating back to 2008, the Cavaliers outshot the Pistons with an accuracy rate of 50.6 percent (43 of 85) compared with 35.3 percent (30 of 85) and outrebounded them 50-41.Eastern Conference Power ShiftFailing to get to the Eastern finals for the 18th consecutive year, the Pistons watched All-Star guard Cade Cunningham miss all seven of his three-point shots on a 13-point night and Tobias Harris fail to connect on any of his six shots from the field en route to five points. The blowout should help the Cavaliers prepare for what's next as they will have only one day off before opening in New York. Pistons coach JB Bickerstaff congratulated the Cavaliers while also issuing a warning to the Eastern competition: "Just like last year [when the Pistons lost in the first round to the Knicks], we'll put it in our pocket. We'll learn from it, and next year, we'll grow and be a better team."Eastern Conference Finals Preview"This is fantastic. I'm excited, believe me. But we've got to be more disciplined" on Tuesday, Mitchell told a television audience, making a reference to two series-opening losses at Detroit, then a defeat at home in Game 6. "We shouldn't have to wait to get hit, to get punched in the mouth and face a go-home situation." Allen, who had gone for 22 points and 19 rebounds when Cleveland needed a Game 7 to eliminate the Toronto Raptors in Round 1, had 15 of his 23 points in the first half. "He started out the game not trying to take it over, not trying to score every single basket," the big man said. "He started the game trying to distribute the ball. That's huge for a leader like him – trying to get everybody else going, then getting himself going second."

The Lead: Middle East Conflict Fuels Global Market TurmoilOil prices rose and global bonds wobbled on Monday, as fresh tensions in the Middle East fed inflation fears and bets that central banks will have to increase interest rates. The market volatility comes as peace talks between the US and Iran stalled in the sixth week of ceasefire, with former President Donald Trump issuing stern warnings to Tehran.The Event Details: Escalating Middle East TensionsThe market turmoil was triggered by an attack on a nuclear power plant in the United Arab Emirates, which was blamed on Iran or its proxies. This incident occurred as peace negotiations between the US and Iran reached a critical juncture. Former President Trump took to social media to express his strong stance, writing: "For Iran, the Clock is Ticking, and they better get moving, FAST, or there won't be anything left of them. TIME IS OF THE ESSENCE!"In response, Iran's foreign ministry spokesperson Esmaeil Baqaei indicated that diplomatic channels remained open, stating that exchanges were "continuing through the Pakistani mediator" without providing specific details.The Data Analysis: Market Reactions and Financial ImpactThe immediate market response was significant:Brent crude rose by as much as 1.77% to $111.16 a barrel, its highest level in nearly two weeks, before easing back to $110 a barrelThe benchmark 10-year US Treasury yield hit 4.631%, its highest level since February 2025, before paring back to 4.599%In the UK, the 10-year gilt yield hit as high as 5.19%, surpassing the 18-year high it reached on Friday, before falling back to 5.15%In Japan, the 10-year yield hit an almost 30-year high to 2.8%Stock markets also reacted negatively, with the Stoxx Europe 600 dropping by 0.7%, Japan's Nikkei falling about 1%, and Hong Kong's Hang Seng index declining 1%.The Impact Analysis: Global Economic ImplicationsThe volatility in global bond markets reflects growing concerns about inflationary pressures stemming from higher oil prices. The UK's bond market turbulence is being exacerbated by political instability, as traders anticipate a potential leadership challenge to Prime Minister Keir Starmer from Manchester Mayor Andy Burnham later this year.Chief economist at Jefferies, Mohit Kumar, highlighted investor worries about a "shift to the left" in UK politics, noting that "UK fiscal picture has already been in a poor shape as the government was unable to deliver on spending cuts." This political uncertainty is occurring while UK Chancellor Rachel Reeves and other G7 finance ministers gather in Paris to discuss the economic impact of the Middle East conflict.The Prediction: Market Outlook and Future DevelopmentsMarket analysts suggest that UK bond yields could potentially stage a recovery if investors believe political leaders will maintain fiscal discipline. Kathleen Brooks, research director at XTB, noted that "if bond markets think they have tamed Burnham from his high-spending ways, then we could see UK yields attempt a retreat."The key test for UK markets will be whether the 10-year yield can fall below the 5% level, and if the 30-year yield backs away from 1998-level highs. Meanwhile, the situation in Japan remains precarious as the government prepares to issue fresh debt to cushion the economic impact of the Middle East conflict.

The Lead Adèle Exarchopoulos, known for her role in the 2013 film 'Blue Is the Warmest Colour', stars in 'Garance', a film about an actor struggling with alcohol addiction. The film, directed by Jeanne Herry, premiered at the Cannes Film Festival. Exarchopoulos' Performance Exarchopoulos plays Garance, a young actor who adores the character of the same name in Marcel Carné's movie classic 'Les Enfants du Paradis'. Her performance is praised, particularly in scenes where she performs on stage. However, the film's portrayal of addiction is criticized for being superficial. The Film's Flaws The film's depiction of Garance's struggles with addiction is seen as glib and unsatisfying. The character's recovery is swift and easy, with Garance quitting drinking without much struggle. This is contrasted with the more nuanced portrayals of addiction often seen in films. The Impact of 'Garance' 'Garance' is part of a long line of films that tackle the topic of addiction. While Exarchopoulos' performance is praised, the film's superficial portrayal of addiction may not resonate with audiences looking for a more realistic depiction. The Future of 'Garance' Despite its flaws, 'Garance' is likely to generate buzz due to Exarchopoulos' involvement. The film's premiere at the Cannes Film Festival ensures it will be seen by a wide audience, and Exarchopoulos' fans will likely be eager to see her performance.