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The Psychic: A Return to Supernatural TheatreSheila Gold, supposedly Britain's most accurate psychic, wants to be taken seriously by her new clients. "This is not theatre," she warns them, as she lights seven candles for a seance. This is an insider joke, as theatre is exactly what it is—a carefully constructed illusion designed to make audiences question what they believe to be true.The Creative Minds Behind the Spiritual IllusionThe Psychic marks the return of Jeremy Dyson and Andy Nyman after the spooky stage and screen success of Ghost Stories. Now the writer-directors are unnerving audiences again with grinding sound effects and sudden lighting bursts, toying with us to believe and yet not believe in voices from beyond the grave. Where Ghost Stories was an all-male affair, this one is a female-centred tale in which 18-year-old Tara tries to inherit Sheila's fairground wisdom, while matriarch Rosa does all she can to undermine the daughter she schooled.Performances That Bridge Belief and DoubtIn the lead role, Eileen Walsh does an excellent job switching from glitzy entertainer in sparkling pink jacket and matching heels to hard-bitten operator, building on the received wisdom of 10 generations of fortune tellers. The script is littered with the language of showmen, from the jossers whose fortunes they read to the oojas who mentor them, adding to the impression of ancient knowledge being passed down. This creates a rich tapestry of performance that balances skepticism with genuine supernatural possibility.A Tale of Two Halves: Strengths and ShortcomingsDyson and Nyman request that the audience keep the plot twists secret. This is reasonable in the first half where nothing is what it seems. But in the second, the ideas dry up. With little to surprise us beyond the odd jarring sound effect, the play drifts towards Victorian melodrama: too much expository dialogue, too little tension and an ending that is uncharacteristically predictable. The Psychic ultimately delivers medium-strength storytelling that entertains but doesn't fully satisfy.The Place of Spiritual Theatre in Contemporary CultureIn an age of increasing scientific skepticism, plays like The Psychic serve an important cultural function by exploring the human desire to connect with something beyond the material world. The Psychic's exploration of spiritual fraud versus genuine supernatural possibility taps into timeless questions about belief, deception, and the power of suggestion. While this particular production may not achieve the heights of Ghost Stories, it continues a tradition of theatrical supernatural storytelling that continues to captivate audiences.

The Bleakest Office Party: A New Critique of Financial PowerBullyache's new piece, A Good Man Is Hard to Find, opens with a scene that feels like the aftermath of the bleakest office party imaginable. The stage is dominated by a giant boardroom table, featuring a naked man on the floor, another with trousers around his ankles, and someone urinating into a whisky glass. This visceral imagery sets the tone for a production that uses dance theatre to deconstruct the toxic masculinity and arrogance of the financial elite.The show is not merely a performance; it is a commentary on the 2008 global economic crisis. The set design, featuring a wall of broken glass, symbolizes the shattered economy and the people who drove the truck through it. The narrative follows these 'wasted cretins' as they face a surreal, less glossy version of the TV show Industry, turning their fate into a menacing game of power and domination.From Bohemian Club Rituals to Gameshow DominationWhile the opening is chaotic, the piece takes a sharp narrative turn halfway through, transforming into a gameshow that explicitly identifies the characters as the bankers responsible for the financial meltdown. The creative duo, Courtney Deyn and Jacob Samuel, draw inspiration from the secretive Bohemian Club, a gathering of rich and powerful men known for rituals like the 'cremation of care,' which the show interprets as an absolution of guilt.Setting: Sadler's Wells East, London (until 9 May)Music: Original scores by Bullyache, featuring Shostakovich's chamber symphony in C minorThemes: Power, domination, and the 'cremation of care'The Atmosphere of Guilt and LonelinessThe atmosphere-making in the production is described as masterful, if depressing. The soundscapes are cranium-shaking, blending classical leaps with Latin American swivel and punchy folk dance. The inclusion of quasi-religious imagery and a cleaner singing Ave Maria amidst the body fluids adds a layer of dark irony and spiritual desolation.However, the review notes that the piece is reaching for something bigger. While the critique of the 'banking bro' archetype is clear, the show lacks specific personal stories. The political message is somewhat generic ('big bankers bad') and would benefit from more concrete details about the characters' lives and the long-term ramifications of their actions.Future of Political Dance TheatreBullyache has demonstrated brilliant ambition with this production, successfully creating a world that is unpredictable and intense. However, the lack of specific narrative depth suggests that for this genre of political dance theatre to truly resonate, creators must move beyond archetypes and provide the 'sting' necessary to make the audience feel the consequences of the financial crisis on a human level.

The Lead The Netflix adaptation of Shelby Van Pelt's novel Remarkably Bright Creatures stars Sally Field as Tova, a cleaner at an aquarium who forms a bond with an octopus voiced by Alfred Molina. The film is a gentle, heart-first drama about broken people trying to heal. Sally Field Shines in a Gentle Drama Every now and then, a strange forgotten chapter of life during Covid will interrupt my thoughts. Remember when we used to fake happy hour merriment on the Houseparty app? Or when Anne Hathaway and Chiwetel Ejiofor made an unwatchably awful film about stealing diamonds from Harrods during lockdown? The unavoidability of My Octopus Teacher led to everything from a creepy spike in people googling “did octopus teacher sex with octopus” (time-saver: he didn’t) to an unforgivably undeserved Oscar win for best documentary (Collective, you were robbed) and then, while not a direct on-record inspiration, it at least paved the way for the success of Shelby Van Pelt’s best-selling novel Remarkably Bright Creatures in 2022. The Film's Emotional Resonance It’s a film that can also sit in the streamer’s row of originals aimed at an older audience, alongside gentle afternoon watches like Nonnas, Our Souls at Night, Juanita and Otherhood. Like those films it welcomes in an actor we haven’t seen as much lately as we once did – Sally Field in this instance – and grants her more screen time than she has been given in over a decade – her last lead role was 2015’s Hello, My Name Is Doris. I’m not sure how much of the film would really work without her anchoring it – she adds volume to what’s otherwise a pretty low-level hum – but with Field smoothly moving between comedy and drama in a film that can’t always move quite so gracefully, it all just about stays afloat. The Impact of Molina's Voiceover Field is Tova, a cleaner at an aquarium in a picturesque coastal town who struggles to connect with those around her, still tending to the wound she endured after the death of her son years earlier. She now prefers being alone, something she has in common with Marcellus, an elderly octopus voiced by Dr Octopus himself, Alfred Molina. He hates humans, an understandable response to being trapped in a tank by them, but he appreciates the relative calm of Tova who talks to him in detail about her life. The Future of Gentle Dramas Assistance in that department also comes from Molina’s octopus, who isn’t always made to feel like a natural element of the story (there’s a stretch when it seems like Newman has forgotten about him entirely), but when he’s brought back to the forefront in the final act, there’s a neatly contrived yet sweetly effective and emotionally earned ending, If Newman doesn’t quite get the tears she’s clearly craving, she manages to leave us charmed enough for it not to matter all that much. Remarkable might be a stretch, but decent will do.

The Shift in McIlroy's Stance on LIV Golfers Rory McIlroy is no longer opposed to LIV Golf players returning to the PGA Tour, but he said Friday that “it’s a question of if they do want to come back”. McIlroy's comments indicate a softening of his previous stance on golfers who joined LIV. The Uncertainty Surrounding LIV Golf McIlroy said the answer will probably depend on what happens with LIV’s financial situation in the coming months. Last month, Saudi Arabia’s sovereign wealth fund pulled the plug on future funding for LIV Golf, which had lured away stars including Jon Rahm and Bryson DeChambeau with lucrative, guaranteed contracts. The Data Analysis: Financial Implications $500m: The amount Bryson DeChambeau has reportedly asked for in a new deal with LIV Golf. The Impact Analysis: Golf's Future Landscape The PGA Tour recently offered a temporary path back for some LIV players. Brooks Koepka took advantage of the opportunity. Rahm and Tyrrell Hatton are among the players who remain under contract with LIV beyond this season. McIlroy expressed skepticism about the rival tour raising enough money to continue in its current form. The Prediction: What's Next for LIV Golfers “If you want to be the most competitive golfer you can be, this is the place to be,” McIlroy said of the PGA Tour. “And if you don’t want to play here, I think that says something about you.” The PGA Championship is next week outside Philadelphia, with DeChambeau, Rahm, and Koepka all set to participate.

Exploring New Releases in Science Fiction and Fantasy The Guardian has published a review roundup of recent science fiction, fantasy, and horror books. The selection includes a variety of titles that showcase the diversity and creativity in these genres. In-Depth Look at Notable Titles The Republic of Memory by Mahmud El Sayed: A thought-provoking space opera set on a gigantic spaceship, exploring themes of language, culture, and revolution. The Rainshadow Orphans by Naomi Ishiguro: The first volume of a trilogy inspired by Japanese pop culture, set in a vibrant city with a mix of technology, magic, and adventure. No Ghosts by Max Lury: A unique ghost story that delves into the emotional undercurrents of contemporary life, blending elements of AI-generated film and psychic phenomena. Palaces of the Crow by Ray Nayler: A moving and thought-provoking novel set during World War II, exploring the lives of a doctor's daughter, a young soldier, and a Roma girl in a Lithuanian forest. Moon Over Brendle by Jeff Noon: A magical faux-autobiography set in Lancashire in 1968, where a strange multicolored dust known as Greot affects the world in mysterious ways. Why These Books Matter These books represent a small sample of the innovative and engaging works being published in the science fiction, fantasy, and horror genres. They offer readers a chance to explore new worlds, ideas, and perspectives, showcasing the versatility and creativity of authors in these fields. What's Next for Readers For readers looking to expand their literary horizons, these reviews provide a valuable guide to recent releases that are worth checking out. Whether you're a fan of space operas, magical realism, or psychological thrillers, there's something on this list for everyone.

The Lead Imagine stepping into the colorful world of Something Special, a beloved children's TV show that has been entertaining and educating kids for over two decades. The show, specifically designed for children with delayed learning and communication skills, has become a staple on CBeebies and BBC iPlayer. At the heart of the show is Mr. Tumble, aka Justin Fletcher, a charismatic performer who has captured the hearts of children and parents alike. A Behind-the-Scenes Encounter We recently had the opportunity to visit Mr. Tumble's set, located in rural Oxfordshire, where we witnessed the filming of the latest series. As we arrived, we were greeted by the iconic Mr. Tumble in his signature orange shirt, stripy yellow trousers, and red nose. The set was filled with familiar props, including the Tumble Tapp and Spotty Bag. Our 11-year-old daughter, Molly, who has special educational needs and disabilities, was overjoyed to meet her hero. The Power of Makaton One of the key elements that makes Something Special so compelling is its use of Makaton, a sign language that replaces words with simple hand gestures. The show's creator, Allan Johnston, a former Send teacher, developed the show to cater to children with communication delays. Makaton has become an integral part of the show, making it accessible and enjoyable for children with special needs. The Impact on Families Raising a child with special educational needs and disabilities can be challenging, especially in the current political climate. The article highlights the struggles faced by families, including the soaring number of Send tribunals and the concerns about proposed reforms. Something Special provides a much-needed respite for these families, offering a sense of community and support. The Future of Something Special As we look to the future, Something Special continues to evolve, introducing new presenters, including Maddie Moate, Ben Cajee, and George Webster. The show's commitment to inclusivity and accessibility ensures that it will remain a beloved favorite among children and families for years to come.

The Allure of Celebrity Traitors If it were any other show, the sight of comedian Alan Carr sobbing under the burden of his dishonesty may have been enough to put off any celebrity thinking about accepting a place in the perilous Traitors' castle. Yet the second season of Celebrity Traitors, being filmed at its now famous Highlands retreat, has managed to attract one of the most high-profile casts ever assembled for a reality TV show. A Star-Studded Lineup Actors who open West End shows and others with Oscar nominations to their name will be plotting alongside the nation's most in-demand comedians and writers – and the odd fashion icon. The starry lineup was announced as filming began, amid speculation it would have been too hard to keep under wraps. The likes of Richard E Grant, Michael Sheen, and Jerry Hall will compete alongside Miranda Hart, Romesh Ranganathan, and James Acaster. The Appeal of the Game According to Stephen Lambert, the chief executive of the show's producer, Studio Lambert, the reason most celebrities gave for signing up to Celebrity Traitors was their love for the game itself. "Almost without exception, the first reason is that they're fans of the show," he said. "Beyond that, the answers are surprisingly personal: people who feel they've spent their careers in a particular public lane and want to show a different side of themselves; people whose children or grandchildren have effectively dared them into it; people who are fascinated by the psychology of the game and want to see how they'd hold up under pressure." The Casting Process TV insiders pointed to the show's other in-built advantages, including its intense but not too long filming schedule, and lack of embarrassment factor. "It's got everything going for it and I think that's why it's attracted an amazing cast," said Peter Fincham, a former BBC One controller. "However big the celebrity, to say 'I'm going on the Celebrity Traitors', there's no embarrassment." The Future of Reality TV The fact that so many big names have signed up to be faithfuls and traitors should not take away the skill of the show's casting. "The perfect cast isn't the most famous one, it's the one where everyone brings something different to the table," said Lambert. With a cast made up of actors, comedians, and fashion icons, the second season of Celebrity Traitors is set to be just as compelling as the first.

The Deadline Approaches: Startup Battlefield 200 Applications Close May 27 Startup Battlefield 200 applications are open, but only for three more weeks. Apply by May 27 for your shot at VC access, global visibility, TechCrunch coverage, $100,000 equity-free, and more opportunities for major scaling impact. Who Should Apply: Pre-Series A Founders and Ambitious Startups Pre-Series A founders — and anyone who knows a startup worth backing — this is your reminder: The deadline is approaching fast, and the strongest contenders are already entering the arena. If your startup has been nominated, don’t wait. Complete your application now before the window closes. Know a startup that deserves to step into the spotlight? Nominate them now to give them time to complete the application by the deadline. The Opportunity: A Platform for Growth and Visibility This is not just another pitch competition. Startup Battlefield 200 puts you on the main stage at TechCrunch Disrupt 2026 in front of 10,000+ attendees, top-tier investors, media, and the global TechCrunch audience. You are competing live, getting direct VC feedback, and proving your company belongs among the next breakout startups. What We’re Looking For: Innovative and Ambitious Startups We’re looking for ambitious early-stage startups building innovative, potentially category-defining products. Applications are open globally across every industry. Most selected companies are pre-Series A, though select Series A startups may qualify case by case. A functional MVP and clear product demo are required. Most importantly, we’re looking for founders building with vision, execution, and real market impact. A Proven Track Record: Launchpad for Successful Startups This is the same launchpad where companies like Dropbox, Discord, Fitbit, Trello, and Mint gained early momentum. Thousands apply every year. Only 200 are selected. Just 20 finalists pitch live on the Disrupt Stage. One startup takes the crown. The Benefits: High ROI Opportunity for Early-Stage Founders Selected startups receive one of the highest ROI opportunities available to early-stage founders. It’s free to apply, and the potential return — from investor exposure to media coverage and customer growth — can create real scaling impact. The Final Push: Don’t Miss the Deadline Applications close May 27. The founders who break through are not waiting until the final hour — they are already making their move. If you are building something category-defining, or know a founder who is, now is the time to step forward. Nominate your startup — or one that deserves the spotlight — and complete your application before the deadline runs out.

The Diller-Altman Trust Dynamic Billionaire media mogul Barry Diller doesn’t think OpenAI CEO Sam Altman is untrustworthy, despite recent reporting to the contrary. Onstage at The Wall Street Journal’s “Future of Everything” conference this week, Diller vouched for the AI exec, who has been accused by some former colleagues and board members of being manipulative and deceptive at times. The AGI Conundrum Diller, who is friendly with Altman, was responding to a question about whether or not people should put their faith in Altman to ensure that artificial intelligence benefits humanity. In particular, he was asked about the theoretical form of AI known as artificial general intelligence, or AGI, which could one day outperform humans on any task. The Limits of Trust in AI Development The media exec, a co-founder of Fox Broadcasting and chairman of IAC and Expedia Group, said that while he believes Altman is sincere in his pursuits, that’s not really the area of concern people should be focused on. Rather, it’s the unknown consequences that will result from AI. “One of the big issues with AI is it goes way beyond trust,” Diller said. “It may be that trust is irrelevant because the things that are happening are a surprise to the people who are making those things happen.” The Unknowns of AI Progress Diller added that the development of AI is a journey into the unknown, with even those creating it unsure of the outcomes. He emphasized that progress in AI is inevitable and that the focus should be on preparing for its consequences. “We have embarked on something that is going to change almost everything. It is not under-reported. Now, whether these huge investments are going to come through — I couldn’t care less. I’m not invested in it, but progress is going to be made,” The Need for Guardrails Diller also highlighted the importance of establishing guardrails for AI development to prevent unforeseen negative consequences. He warned that if humans don’t think about guardrails, then the alternative is that “another force, an AGI force, will do it themselves. And once that happens, once you unleash that, there’s no going back.”