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Executive Overview: Trump’s China Visit with Top US CEOsPresident Donald Trump arrived in Beijing on Wednesday, flanked by a delegation of more than a dozen senior US executives. The group was presented to President Xi Jinping as “distinguished representatives from the American business community” who “respect and value China,” signaling a joint push to revive trade ties amid a lingering tariff dispute.Who Joined the Delegation and Their Business InterestsElon Musk – CEO of SpaceX, Tesla and owner of XTim Cook – outgoing CEO of AppleDavid Solomon – CEO of Goldman SachsLarry Fink – Chairman and CEO of BlackRockJane Fraser – Chairman and CEO of CitiStephen Schwarzman – CEO and co‑founder of BlackstoneKelly Ortberg – CEO and President of BoeingJensen Huang – CEO of Nvidia (late addition)Other firms represented included Meta, Cargill, Visa, Cisco, Qualcomm, Coherent, Micron, GE Aerospace, Illumina and Mastercard.Financial Figures Highlighting US‑China Trade TiesTariffs imposed during the trade war have exceeded 100 percent on many goods.Tesla’s Shanghai Gigafactory sold 292,876 vehicles in the first four months of 2026, a 26.7 percent year‑over‑year increase.Elon Musk is reportedly seeking to purchase $2.9 billion worth of solar‑panel equipment from Chinese suppliers.Approximately 80 percent of the iPhones sold in the US are manufactured in China.Nvidia controls roughly 95 percent of China’s advanced AI‑chip market, with an estimated Chinese AI market value of $50 billion this year.Strategic Implications for US Companies and Chinese PolicyThe delegation’s presence underscores the dependence of US tech firms on Chinese manufacturing, rare‑earth supplies and market demand. China’s recent restrictions on seven of twelve rare‑earth elements—and a paused second tranche of five—have heightened the urgency for firms like Tesla and Nvidia to secure stable supply lines. CEOs emphasized the need for “mutually beneficial cooperation” and broader market access, while Chinese officials promised “broader prospects” for American companies.What May Follow: Potential Deals and Political RamificationsTrump is seeking a renewed commitment from Beijing to open its economy, potentially easing tariffs and lifting sanctions on Chinese entities in exchange for US concessions. Analysts suggest the visit could yield concrete agreements on aircraft sales for Boeing, expanded chip sales for Nvidia, and further investment commitments that Trump can showcase to his domestic base ahead of the November mid‑term elections. The outcome will likely shape the trajectory of US‑China economic relations for the coming year.

The Cannes Premiere of a Queer Horror MasterpieceJane Schoenbrun's "Teenage Sex and Death at Camp Miasma" has made its debut at the Cannes Film Festival, opening the Un Certain Regard sidebar with a bold exploration of gender identity and horror tropes. The film, which follows a filmmaker obsessed with a cult slasher franchise, represents a significant addition to the growing canon of queer horror cinema that challenges traditional genre boundaries.A Director's Vision: Reimagining Slasher TropesSchoenbrun continues their exploration of media obsession and identity, following previous works like "We're All Going to the World's Fair" and "I Saw the TV Glow." The director invents an imaginary slasher franchise called "Camp Miasma" about a transgender killer called Little Death, treating this fictional creation with complete seriousness while simultaneously critiquing horror's problematic treatment of gender. The film cleverly walks through the franchise's fictional history, from initial success to critical backlash, mirroring real conversations about representation in horror.Gillian Anderson's Showstopping PerformanceThe film features a career-defining turn from Gillian Anderson as Billy Presley, the iconic Final Girl from the original "Camp Miasma" film who has become a recluse. Anderson brings droll style and sophisticated sexiness to the role, creating a character who is both amused by and critical of the current filmmaker's attempts to reclaim the franchise. Her performance elevates the material, adding layers of meta-commentary about aging in Hollywood and the legacy of horror icons.Exploring Fantasy and Reality in HorrorAt its core, "Teenage Sex and Death at Camp Miasma" explores the relationship between fantasy and reality, suggesting that liberating escapist experiences can be more "real" than mundane existence. The film follows Kris, a young filmmaker hired to reboot the franchise, as she visits Billy in the disused camp where the original was filmed. Their relationship blurs the lines between creator and creation, with hints that the slasher character might be more than just fiction. Schoenbrun uses techniques like the split diopter shot to create dreamlike sequences that question what is real and what is imagined.The Future of Queer Horror CinemaWith "Teenage Sex and Death at Camp Miasma," Schoenbrun further establishes themselves as a vital voice in contemporary horror, particularly within the queer filmmaking community. The film's Cannes premiere positions it for potential awards attention and critical acclaim, which could lead to greater visibility for horror that centers LGBTQ+ experiences. As audiences increasingly seek representation that goes beyond tokenism, films like this that reimagine genre conventions through queer perspectives may become increasingly influential in shaping the future of both horror and independent cinema.

The Lead: A Masterful Character StudySteven Soderbergh's latest film, "The Christophers," is a witty, literate, and exhilarating exploration of contemporary art and artistic value. The film centers on Julian Sklar, an irascible, dyspeptic old English painter wonderfully portrayed by Ian McKellen, and his mysterious assistant Lori Butler, played with remarkable restraint by Michaela Coel. Their on-screen chemistry has been hailed as the best of the year, creating a dynamic that is both confrontational and deeply connected.The Artistic Vision: Soderbergh's Subversive Take on the Art WorldSoderbergh demonstrates his remarkable ability to surprise with "The Christophers," a film that breathes new life into the often-tiresome subject of movies about contemporary art. The director, working with American screenwriter Ed Solomons, creates a convincing portrayal of haughty Englishness that rivals the work of Paul Thomas Anderson and Robert Altman. The film's London setting, particularly the chaotic bohemian townhouse in Bloomsbury, serves as the perfect backdrop for this exploration of artistic decline, value, and authenticity.The Performances: McKellen and Coel's Exceptional ChemistryAt the heart of the film's success are the performances of its leads. Ian McKellen delivers a tour-de-force as Julian Sklar, capturing the character's voluble, needling, vulnerable, and pathetic qualities with remarkable nuance. Opposite him, Michaela Coel radiates mystery as Lori Butler, containing anger and passion within an opaquely polite demeanor. Their dynamic forms the film's emotional core, with Coel's character intuitively understanding Julian's decline while suggesting pathways back that he hadn't considered. Their interplay represents the best on-screen chemistry of the year.The Supporting Cast: Dickensian MediocritiesThe film's supporting characters provide essential contrast to its leads. Julian's grasping adult children, Barnaby (James Corden) and Sallie (Jessica Dunning), are portrayed as figures of Dickensian mediocrity and greed, thoroughly disliked by their father. Their motivations drive much of the plot's tension, as they seek to profit from their father's hidden works while employing Lori to help them in their schemes.The Plot: A Question of AttributionThe narrative revolves around Julian's mysterious "The Christophers" - a series of passionate studies of his former lover that he withdrew from public view and hid within his home. Lori is hired to find these paintings, but her true intentions remain ambiguous throughout the film. The story explores themes of artistic authenticity, the commodification of art, and the complex relationships between artists, their work, and those who seek to profit from them.The Impact: A Refreshing Take on Artistic Authenticity"The Christophers" arrives at a time when the art world is increasingly focused on commercial value and marketability. The film subverts these trends by focusing on the personal and artistic integrity that often gets lost in the commercialization of creativity. By centering its narrative on the relationship between an aging artist and his enigmatic assistant, the film offers a refreshing perspective on what truly gives art its value.The Future Outlook: A Strong Contender for Awards SeasonWith its exceptional performances, sharp writing, and Soderbergh's masterful direction, "The Christophers" is positioned as a strong contender for awards season. The film's exploration of artistic authenticity and its showcase of two of Britain's finest actors could make it a favorite among critics' groups and award voters. Its UK and Irish cinema release on May 15 provides an opportunity for audiences to experience what many are calling the year's most compelling on-screen pairing.

The Controversy Surrounding Turner's Portrait In 2020, Tate Britain hosted the launch of a new £20 banknote bearing representations of The Fighting Temeraire by JMW Turner and the artist's most famous self-portrait. However, a leading expert, Dr. James Hamilton, has now claimed that the latter work, part of the Tate collection, is not by Turner at all. The Expert's Investigation Hamilton, who has published books on Turner and staged exhibitions at museums and galleries nationwide, said that while the painting does depict the English Romantic painter, it is likely to be the work of his contemporary, John Opie. Hamilton told the Guardian he started researching the portrait because “there’s nothing else like it in Turner’s work”. The Attribution Debate Hamilton believes the portrait was misattributed after being included among nearly 300 oil paintings and 30,000 sketches and watercolours in the Turner Bequest following the artist’s death in 1851. He concluded that stylistic evidence points to Opie, who depicted his sitters in a similar “light emerging dramatically from dark”. The Impact on Turner's Legacy The painting, dated c1799 when Turner was 24, was created by a master portrait painter with “brilliant dexterity”, Hamilton added. If Hamilton's claims are correct, it could have significant implications for Turner's legacy and the art world's understanding of his work. The Future of the Portrait's Attribution A Tate spokesperson said: “As the home of the Turner Bequest, we always welcome new ideas about Turner’s life and new interpretations of his work. We look forward to exploring James Hamilton’s research further.”

The Return of the Choughs Decades after disappearing from the cliffs around Tintagel Castle on the coast of north Cornwall, choughs – charismatic corvids with red beaks and feet – have returned. The custodian of Tintagel, English Heritage, and local ornithologists have confirmed the presence of these birds, which are considered Cornwall's 'national bird' and feature in its coat of arms. Legendary Connections Choughs have a deep connection to the legend of King Arthur, who is said to have been conceived at Tintagel. According to folklore, King Arthur's spirit is said to live on in the shape of a chough, with the bird's red feet and beak representing his bloody end. The Decline and Resurgence Choughs vanished as residents from the far south-west of the UK in the early 1970s, largely due to the decline of their grazed clifftop habitat. However, since the turn of this century, choughs have staged a comeback in Cornwall. English Heritage announced that they had made it back to Tintagel, with sightings reported since September 2024. The Current Situation Win Scutt, an English Heritage curator, expressed his excitement about the return of the choughs, stating that it's a rare moment where nature and myth seem to meet. Christina Hazel, a visitor assistant at Tintagel, described the choughs as 'fascinating and magical to watch.' Currently, three birds visit the area, and a pair has become established. Future Prospects Hilary Mitchell of Cornwall Birds mentioned that the Tintagel birds are the furthest north and east and hopes they will spread further along the coast into north Devon and Somerset, ultimately joining up with the population in south Wales. The RSPB describes choughs as 'master flyers' and highlights their historical persecution and loss of habitat.

The LeadTonight's TV lineup features a mix of period dramas, comedy shows, and horror series. Here's a rundown of what's on: The Hardacres9pm, Channel 5This attempt to create a class-hopping version of Downton Abbey is generic but still very likable. As the second season begins, the working-class Hardacres are wondering how much longer they’ll be able to afford their country pile as a recession hits their business. Morecambe and Wise 1968: The Lost Tape8pm, BBC FourAiring on what would have been Eric Morecambe’s 100th birthday, this episode of The Morecambe and Wise Show – a recording of which was recently discovered in a private film collection – was first shown in September 1968 during the duo’s debut season at the BBC. Taskmaster9pm, Channel 4The latest series of this comedy is trundling happily along, cast roles now fully established. Armando Iannucci is the grumpy elder statesman: this time, he gets into a mess with a coconut. From9pm, Sky OneAcross three seasons, this horror set in a purgatorial US town has amassed a dense mythology of gory supernatural malarkey. Anchoring it has been Harold Perrineau as resolute lawman Boyd. Prisoner9pm, Sky AtlanticAs this thriller continues, Nina tracks down Amber and Tibor via their Uber-style curry delivery (“Let me guess: paneer tikka and a masala chai”) – is this a first for a crime drama? The Miniature Wife10pm, Sky Atlantic“Meet me in the dollhouse – I have an anniversary surprise for you …” But Les’s relief at being forgiven by Lindy in this dark, satirical comedy is short-lived, after he makes a tiny, rude discovery. Film ChoiceTrack 29 (Nicolas Roeg, 1988), 1.20am, Film4As masters of psychosexual drama, writer Dennis Potter and director Nicolas Roeg would seem perfect bedfellows. This 1988 collaboration doesn’t quite hit the spot but is disquieting and edgy enough for devotees of both.

The Revival of a Coastal JewelThe Tropicana in Weston-super-Mare, once a shimmering art deco lido where thousands flocked to bathe in the Somerset sun, is set for a dramatic transformation. After sitting as a hollowed-out shell for 15 years since its closure in 2000, North Somerset councillors have voted to offer a 25-year lease to Live Nation, the global entertainment company behind major UK music festivals and venues.From Lido to Entertainment HubThe ambitious plan will transform the derelict site into a year-round event space with capacity for up to 10,000 people. Alongside upgrades to the nearly 100-year-old marine lake and renovations to the Grade II* listed, 19th century Birnbeck Pier, the project represents a significant investment in Weston-super-Mare's infrastructure and cultural offerings.Live Nation, which operates major UK music festivals including Reading, Leeds, Isle of Wight and Download, as well as the O2 Academy venues and Ticketmaster brand, will bring its expertise in large-scale event management to the venue. The company plans to preserve the original 1930s facade while creating a modern entertainment destination that can host everything from major concerts to community events.Economic Impact and Investment PotentialThe economic potential of the project is significant. The town has faced substantial challenges, with five areas ranking among the most deprived 5% in England. High proportions of residents report long-term health conditions, and the housing stock is increasingly dominated by poor-quality Houses in Multiple Occupation (HMOs).The project echoes the success of Banksy's 2015 "Dismaland" installation at the site, which reportedly gave the local economy a £20m boost. While that temporary exhibition used the venue's decay as artistic commentary, the new proposal seeks a permanent, sustainable future with ambitions to bring in the country's biggest pop stars alongside community spaces.Coastal Town TransformationThe Tropicana revival is part of a broader strategy to address what experts call "coastal excess" – the unique burden of health and economic struggle facing many traditional British seaside towns. Despite a perception of north Somerset as an affluent area, Weston-super-Mare has been grappling with a cycle of decline, evidenced by struggling high street businesses.Mike Bell, the leader of North Somerset council, emphasizes the transformative potential: "We have definitely been stuck in a little bit of a cycle of decline, and you see it in our high street, where businesses struggle. What we needed is some catalytic investment that was going to increase numbers. Build it and people will come. That, in turn, will help to support the economy and encourage growth."Future Outlook for Weston-super-MareThe success of the Tropicana transformation will likely depend on several factors, including the ability to attract major events that draw visitors from across the region, the integration of the venue with other local attractions, and the development of supporting infrastructure in the surrounding area.If successful, the project could serve as a model for other struggling coastal towns seeking to leverage their unique assets while addressing economic challenges. The combination of preserving historical architecture with modern entertainment offerings represents a balanced approach to regeneration that could breathe new life into Weston-super-Mare and establish it as a cultural destination for years to come.

The Discovery of a Lost Musical MasterpieceThe discovery of a new work by Ralph Vaughan Williams has set the world alight this week. In a box in the archives of London's Morley College, Elaine Andrews came across a previously unknown Vaughan Williams song titled "Before the Mirror," which sets a Swinburne poem inspired by a Whistler painting. The manuscript's workings, its crossings-out and corrections, offer a fascinating insight into Vaughan Williams's creative process, revealing music of surprising tonal adventure and expressive ambiguity written shortly after his marriage in 1897.The Vast Landscape of Lost Musical WorksBut a single song pales into comparison compared to the musical riches that may be lying dormant in libraries, archives and lofts all over the world. One of the most significant musical finds of all time was the treasure-trove of manuscripts by Florence Price found in a derelict house in Illinois in 2009, which included her two violin concertos, Fourth Symphony and dozens of other pieces. This discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians.The Systematic Erasure of Female ComposersThat discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians. The discovery of previous unknown manuscripts by the most familiar composers – a single page of Mozart, an exercise by Beethoven, a sketch by Haydn – often happen because historians know where to look for ephemera of lives whose every artefact has been combed over for centuries. But that had not been the case for Price, or for other composers who have been musicologically marginalised. Their work is supposed to be "lost" simply because no one had been looking for it.Rediscovering Forgotten Female VoicesThat's why some of the deepest holes in musical history – works that we know composers wrote and that were performed in their lifetimes, but which their biographies say are now "lost" – are by female composers. Francesca Caccini wrote more than 13 stage works in her lifetime in 17th-century Italy, but only one survives today. Caccini's dozen other operas may currently be "lost," but have researchers been looking for them as assiduously as they search for a page by Bruckner or a letter by Mahler?The Case of Joseph BologneThe same goes for at least three complete operas by Joseph Bologne, who lived an extraordinary life in 18th-century France, as composer, violinist, orchestral leader, fencer and soldier, becoming a colonel in the revolution's only all-black regiment. But Bologne's legacy suffered the prejudices of a culture that reinstated slavery and which erased his contribution to the revolution and to musical society after his death in 1799. Now that Bologne's work is at last finding its place there must be renewed focus on recovering these vital "lost" operas from the oblivion that they never deserved.Legendary Lost Works We Can Only Dream OfMind you, there is also lost music whose absence has been known of for centuries – we can only dream of what could be. Bach's St Mark Passion and scores of his cantatas, Monteverdi's Arianna and other stage works, the dozens of quartets and sonatas that Brahms threw out as unworthy, or Sibelius's Eighth Symphony, likely consigned to the flames by Sibelius himself.New Leadership in Classical MusicIn other classical music news, the Royal Scottish National Orchestra has announced that Lithuanian conductor Giedrė Šlekytė is to be their next music director, succeeding Thomas Søndergård from the 2027 season. The appointment comes after just two projects: a well-received week of Mahler's First Symphony, and a subsequent recording session. As the RSNO's chief executive Alistair Mackie said: "When she joined us last year, her musical ideas and the way she works with players spoke for themselves. Giedrė gives the orchestra room to breathe and to play."

The Artist's Journey Through Love and LossFalling in and then out of love is a universal experience that often brings sadness, grief and heartbreak, and with time, hope and healing. Photographer Diana Markosian used her camera lens to document these complex feelings in her new project, Replaced.She brings the viewer on her journey of having, losing and reclaiming love, in a project that blurs documentary and fiction. "[The moments] no longer existed in the way they had, and I wanted to reclaim them," she says. "I wanted to feel that I could exist in my own story again."Recreating Intimate Moments Through ArtTo document their relationship, Markosian and her team worked with an actor to play her ex-partner. Each intimate image from the series, taken over three months, is a replica of an exact moment once shared with her ex and now shared between her and the actor. Her connection to him deliberately led to his being cast as her partner in the series so that the experience would feel as real as possible.With the actor, she visited Miami, Paris, Naples, Capri and Nice, all places she had once traveled to with her ex-partner. "These locations carry an existing weight of romantic myth," she says. "They are already shaped by cultural narratives of love, desire and idealized experience."The Emotional Toll of ReenactmentShe stayed at the same hotels and did the activities they had once done together, describing the experience as painful but cathartic. "It hurts so much, watching myself be replaced, watching those memories erased, and I didn't want to live in this any more," she says. "I'm so grateful that the project happened quickly."One of the most tender moments she recreates with the model appears in an image of them seated in a bathtub, holding one another with a red light glowing around them. Their vulnerability allows the viewer to reflect on a delicate moment between two people whose past love no longer exists, fostering empathy and prompting the audience to reflect on their own past relationships.Art as a Tool for Processing EmotionsCreating these intimate photographs enabled her to contemplate her journey. "I wanted to acknowledge how these same spaces can be reoccupied," she says, before adding: "If anything, [the project] just showed me how much I loved this person."For the past 16 years, Markosian has not let go of her camera, often using it to reach back and understand her past. "Art has given me a way of processing. I was studying writing, and suddenly found myself holding a camera and not wanting to let go of it; it became just a friend in my life," she says.A Career Built on Memory and ReconnectionShe first picked up a camera at 20, during graduate school at Columbia University. After graduating with a master's degree in journalism, she wanted to see the world, so she moved back to Moscow, Russia, where she was born. There she taught herself how to use the camera.Today, her lens serves as a tool for reconnecting with her past life and reclaiming it as her own. In her previous, highly regarded photo monograph Inventing My Father, she demonstrates her unique ability to reveal the unseen past through her images. Working on the book for 10 years, she depicts her journey of finding her father after 15 years of no contact, following her move to California in 1996 from Armenia, where he lives."Father, my previous work of the past decade, it's all rooted in memory, and I think what's beautiful about memory, there's a blend of fiction, interpretation, and it's very subjective," she says. "So I think I love existing in that territory because none of it is really real."