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The Guardian’s latest photo feature offers a vivid look at Steve McQueen’s exhibition titled “Grenada”, a work that intertwines art and history through a series of compelling images.Central to the visual narrative are flowers that have “witnessed horrific things”, serving as silent witnesses to the island’s turbulent past. The photographs juxtapose the natural beauty of the flora with the lingering shadows of colonial trauma, inviting viewers to contemplate the complex legacy of Grenada.Each picture is carefully composed to highlight the contrast between the bountiful landscape and the weight of historical memory, underscoring McQueen’s intent to provoke reflection on how beauty can coexist with suffering.By presenting the exhibition in a picture‑rich format, the article allows readers to experience the emotional depth of the work without leaving the page, emphasizing the power of visual storytelling in contemporary art.

Evergrande's billionaire boss, Hui Ka Yan, has pleaded guilty to fraud charges after the collapse of the world's most indebted property developer. Hui, a former steelworker who rose to become one of China's richest people, pleaded guilty to charges including fundraising fraud, misuse of funds, and illegally taking public deposits.The property group has defaulted on most of its $300bn liabilities since 2021, emblematic of China's property sector woes that have long dragged on economic growth. Evergrande's failure to repay billions of dollars of wealth management products unleashed frustration among the lower and middle classes, many of whom had investments wiped out, provoking protests and threatening social stability.Hui and the company also face charges of illegally extending loans, fraudulently issuing securities, and bribery by units, with verdicts to be handed down later. The maximum penalties for illegal fundraising include jail for life and confiscation of property, while bribery can also bring life terms.In 2024, China's securities regulator fined Hui $6.6m and barred him from the securities market for life, after finding Evergrande's leading business had inflated earnings and committed securities fraud. Hui's net worth was estimated at $45.3bn in 2017, but dropped to $3bn by 2023.

The National Gallery of Art's latest exhibition, 'Dear America: Artists Explore the American Experience', is a thought-provoking collection of over 100 works by 95 artists. This 'open letter to the nation' offers a multifaceted exploration of the American experience, delving into themes of land, community, and freedom.Upon entering the exhibition, visitors are immediately struck by the unconventional representations of iconic American symbols. The Statue of Liberty, for instance, is reimagined through the lens of South African photographer Zanele Muholi and a geometric screenprint by Roy Lichtenstein.The exhibition's curatorial approach is to create 'provocative conversations across centuries, disciplines and demographics.' E Carmen Ramos, the gallery's chief curatorial and conservation officer, notes that the show was 'years in the making' and showcases an 'embarrassment of riches' from the gallery's permanent collection of over 160,000 works.Structured around three core themes – land, community, and freedom – the exhibition presents a diverse array of works. These include Thomas Moran's idyllic watercolours of the American West juxtaposed with Thomas Hart Johnson's photographs of a landscape ravaged by coal mining and railroads. The exhibition also features poignant pieces such as Carrie Mae Weems's haunting silhouette and Gordon Parks's indelible 'American Gothic.'The show's second section, 'Community,' features Richard Avedon's massive 1976 commission 'The Family,' which comprises 69 stark, uniform portraits of the bicentennial era's political, media, and corporate elite. This is contrasted with John Wilson's tender sketches of his teenage children and their friends.The final act of the exhibition turns its lens to 'Freedom,' showcasing historical portraits of figures such as Frederick Douglass, Sojourner Truth, and George Washington, alongside powerful works by Kara Walker, Martha Rosler, and Faith Ringgold. As visitors exit, they are met with Robert Indiana's boldly coloured screenprint 'Liberty '76,' created for the 1976 bicentennial.Ramos reflects on the exhibition's significance, stating that it 'explores how artists in the United States have explored the American experience across different moments in time.' The exhibition will be on view in the National Gallery's West Building until 20 September.

Finding the perfect feel-good movie can be a daunting task, especially with the vast library of films available today. However, for the author, Hot Fuzz stands out as the ultimate comfort movie. Directed by Edgar Wright, Hot Fuzz is the second installment in his Cornetto trilogy, following Shaun of the Dead and preceding The World's End. The film tells the story of Sergeant Angel, a fish-out-of-water city cop who teams up with local PC Danny Butterman to investigate a series of mysterious deaths in the sleepy village of Sandford. It's a love letter to buddy cop movies and the action genre, featuring a star-studded cast including Simon Pegg and Nick Frost. The film's blend of humor, action, and smart writing makes it a standout. One of the key reasons Hot Fuzz remains endearing and enduring is its ability to respond to multiple needs. Whether you're looking for something funny, expertly crafted, explosive, thought-provoking, or simply to switch off to, Hot Fuzz delivers. The film's quotability and memorable lines, such as 'For the greater good' and 'It's just the one swan actually', have become ingrained in popular culture. The author's personal connection to the film adds to its significance. Hot Fuzz introduced them to Edgar Wright, whom they ended up writing their dissertation about. The film's impact extends beyond the screen, with its quotes and references frequently popping up in conversations. It's no wonder that Hot Fuzz has become a timeless classic, continuing to entertain audiences to this day. Hot Fuzz is available to rent digitally in the US, on ITVX in the UK, and on Binge in Australia.

Joz Norris' latest show, 'You Wait. Time Passes', is a thought-provoking exploration of artistic character and the choices that define a creative life. In this maverick confection of a show, Norris takes on the role of an unhinged, self-absorbed guru figure, imparting life lessons with a healthy dose of silliness.The show delves into Norris's career as a comedian, actor, and magician, as well as his bid to become Google's number one Joz. Through snippets of his career and interactions with his erratic AI girlfriend, Norris presents a picture of himself as a complex, multifaceted artist.At its core, the show poses big questions about the futility of the niche creative's life and whether weird artists are truly weird or just trying to express themselves in a different way. While some moments feel a bit strenuous or for-its-own-sake, the show's extreme dottiness is backed up by good jokes, twisty philosophy, and a highly energetic performance.Ultimately, 'You Wait. Time Passes' constitutes a curiously rousing defence of experimental art-making in a conformist, capitalist world. The show is a must-see for fans of comedy and experimental art, and it will be touring after its run at the Lowry in Salford.

Britain’s cabinet is set to introduce a sweeping bill that would let ministers dynamically align UK regulations with EU single‑market rules using so‑called Henry VIII powers. The proposal would enable the government to adopt evolving EU standards in sectors such as food, drink, automotive and emissions trading without the need for a separate parliamentary vote on each change.The legislation is tied to the forthcoming food and drink trade deal with the EU, which the government claims will generate £5.1 billion a year for the British economy. By granting ministers the ability to implement new EU rules through secondary legislation, the bill aims to cut red tape, lower costs for businesses, and accelerate the rollout of trade agreements.Under the proposed framework, Parliament would retain the ability to approve or reject secondary legislation but would not be able to amend it. Critics warn this could turn MPs into mere "rubber‑stamps" for EU‑aligned regulations, limiting democratic scrutiny and potentially provoking retaliatory measures from the EU if the UK blocks such instruments.Political analysts note that the move comes amid heightened geopolitical tension following the United States’ war with Iran, which has exposed the fragility of Britain’s special relationship with Washington. Ministers argue that deeper regulatory alignment with the EU will add billions to the UK economy, mitigate the cost of the conflict, and address the “sluggish productivity” that has plagued the post‑Brexit era.Economic forecasts from the Office for Budget Responsibility (OBR) underscore the stakes: Brexit is projected to cut long‑run productivity by 4 % and shrink both exports and imports by 15 % compared with a scenario where the UK remained in the EU. Proponents of the bill contend that aligning with EU standards without re‑joining the customs union or single market will help reverse these losses while respecting political red lines on sovereignty and freedom of movement.Opposition parties, including hard‑Brexit advocates and the Liberal Democrats, have signalled they will challenge the bill, particularly in the House of Lords. The government acknowledges that while the Commons is unlikely to reject the proposal, the Lords could pose a significant obstacle.Academic voices, such as Prof Anand Menon of the think‑tank UK in a Changing Europe, caution that the approach amounts to “integration with the EU by stealth,” stripping the UK of a vote on the rules it will be forced to follow. He describes the situation as “the ugly trade‑off of Brexit,” where political control is sacrificed for economic access.Supporters counter that the bill will streamline the implementation of existing and future agreements, with any regulatory disputes to be settled by an independent tribunal rather than an EU court. They argue this balances the need for swift economic action with the preservation of constitutional safeguards.Prime Minister Keir Starmer has framed the initiative as part of a broader “reset” of UK‑EU relations, emphasizing a strategic partnership that deepens trade and defence cooperation while avoiding a return to the customs union or single market membership. The government stresses that Parliament will still play its “full constitutional role” in scrutinising the legislation.

Texas is expanding its global reach with the launch of a new office in London, aimed at attracting UK businesses and investment to the low-tax Lone Star State. The office, led by James Taylor, one of the founders of the Austin-based lobbying and public relations firm Vianovo, is part of Texas's efforts to lure corporate heavyweights across its borders.The new site adds to a growing list of international offices from which Texas can try to draw businesses. Texas charges neither corporation nor income tax, making it an attractive destination for companies looking to relocate or expand.Lobbyists working in the London office will court UK bosses with incentives including new, fast-track business courts and multimillion-dollar subsidies. Their targets are expected to include the City's banks and investment houses, as the state aims to build on Dallas's financial-sector boom.The ambitions have caught the attention of the City of London Corporation, with the City's mayor, Susan Langley, discussing how London could tap into excitement over the launch later this year of the state's first dedicated stock market, the TXSE. “With the launch of the Texas Stock Exchange, new dual-listing opportunities could connect British and Texan firms to fresh capital,” she said.The news comes as London tries to reverse a trend where businesses have been abandoning the UK stock market, choosing either to go private or shift their listings to hubs overseas, including New York.Texas has already had success luring jobs and investment from rival US states, including California, Delaware, and New York. Texas has overtaken California in having the largest number of Fortune 500 company headquarters of any American state, with companies like Oracle, Tesla, X Corp, and SpaceX having moved to the state in recent years.A spokesperson for Governor Greg Abbott's office said: “Texas has long had a global presence, with offices in Mexico and most recently in Taiwan designed to attract foreign direct investment and job creation into Texas, while also helping Texas companies export worldwide.”

Madeline Horwath has created a new cartoon for The Guardian's Saturday Opinion section, focusing on spring picnics. The illustration is part of the publication's ongoing series of cartoons that provide humorous commentary on various topics.The cartoon, published on April 11, 2026, offers a visual take on the joys of picnics during spring, a season often associated with outdoor activities and gatherings. Horwath's work is known for its engaging and thought-provoking style, making complex issues more approachable through humor and satire.Readers can explore more on topics related to picnics, spring, and food through The Guardian's website, which features a range of articles and opinion pieces on these subjects.

Moldova is facing a severe environmental crisis after an oil spill in the Nistru river, which provides 80% of the country's drinking water. The spill was caused by Russia's attack on Ukraine's Novodnistrovsk hydropower complex on March 13. The attack has led to a significant contamination of the river, with oil slicks detected over 200 km downstream.The Moldovan government has declared an environmental alert and set up a crisis centre to monitor the spill and remove the pollutant. The government has also received support from European allies, including Romania and Poland, which have sent help to prevent the petrol from streaming downwards towards Chișinău.The oil spill has had a significant impact on local residents, with many struggling to access clean drinking water. Inflation in Moldova rose to 35% in 2022 and is currently around 5%, and the country has had to declare a state of energy emergency after Russia attacked the Isaccea–Vulcănești power line in Ukraine.The crisis has also highlighted the vulnerability of Moldova's water supply to attacks from Russia and the chaos caused by its war on Ukraine. Moldova's president, Maia Sandu, has laid the blame squarely on Moscow, saying Russia bears 'full responsibility' for the oil spill.The environmental disaster has sparked an information war between Moldova's pro-European and pro-Russian factions, with conflicting interpretations of the crisis. While Moldova's pro-European government holds Moscow responsible for the spill, pro-Russian propagandists claim the crisis was an accident caused by a Ukrainian truck.The Nistru oil spill has shown Moldova how exposed it is, and how fragile a society can become without access to clean drinking water. The war next door, combined with the climate crisis, give us little reason to think there won't be another ecological disaster like this.