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The LeadOne of Régis Le Bris's first acts as Sunderland's head coach was to preside over a pre-season training camp near Alicante. It was July 2024 and, according to those present, the Breton sometimes cut a slightly isolated figure. "I arrived alone, without any collaborators," Le Bris has said, reflecting on his leap of faith that involved exchanging the familiarity of Lorient for a job that, initially, meant working with Sunderland's existing backroom team rather than bringing hand-picked assistants.The Strategic Transformation at WearsideThe coach who ended last season with a Championship playoff final victory and, a year to the day later, led Sunderland into the Europa League was playing a longer game. "Step by step I started to express my ideas and my concepts," Le Bris said. Slowly but surely he also began to establish a power base on Wearside.Le Bris went unrecognised when, shortly before taking charge at the Stadium of Light, he slipped into the back of a lecture room where Sunderland's club historian, Rob Mason, was recounting the team's sometimes illustrious past. But within six months Le Bris would be serving as a magnet, his unshowy pulling power attracting some of football's brightest emerging talents.Everything changed in January 2025. Sunderland's young, inexperienced side were pushing for automatic promotion and, unusually, the owner, Kyril Louis-Dreyfus, allowed Le Bris rather than the then sporting director, Kristjaan Speakman, to take the lead on pursuing a statement signing.The Recruitment Revolution and Financial InvestmentLe Bris had first coached Enzo Le Fée as a 12-year-old in Lorient's academy and knew the playmaker's recent transfer, to Roma, was not working out. With Le Fée receptive to a loan, Louis-Dreyfus and Speakman began talking to Florent Ghisolfi, then Roma's sporting director.Ghisolfi was gaining a reputation as a shrewd, well-connected recruitment specialist, with his work at Lens and Nice seen as highly impressive. What went under the radar was that Ghisolfi had worked with Le Bris at Lorient and had tried to lure him to Nice.Louis-Dreyfus and Ghisolfi bonded and the idea of the latter relocating to Wearside as football director no longer seemed ridiculous. Sure enough he arrived last July, partnering with Speakman to sign 15 players. Including Le Fée, whose assists would help to clinch promotion.The presence of Le Fée and Ghisolfi ensured that when Louis-Dreyfus called Granit Xhaka out of the blue at 11pm last summer as the Switzerland captain was preparing for bed, the midfielder did not immediately cut the call.If it helped that Louis-Dreyfus is Swiss-French and knew Xhaka slightly through mutual acquaintances in Basel, Xhaka needed a little more convincing. Not that it took long for him to decide that swapping Bayer Leverkusen for a club managed by a coach who reminded him of his old Arsenal boss, Arsène Wenger, and serious enough to have acquired Le Fée and Ghisolfi, was an exchange worth making.Sunderland's long-serving club captain Luke O'Nien – who joined back in the League One days and now helps Xhaka run the dressing room, takes up the story. "I always say Enzo was the catalyst for all this," the defender says. "He was the first top player to trust us as a club and he's made a big contribution to where we are today. Enzo works so hard, he's unbelievably humble and, as good a player as he is, he's an even better person."The same could be said of Xhaka. In a recent interview with the Guardian Le Fée said: "Granit's arrival changed everything." Significantly, Xhaka played a key role in persuading one of Sunderland's stars of this season, the former Paris Saint-Germain defender Nordi Mukiele, to join. The pair had played together at Leverkusen and Mukiele says: "When Granit speaks you have to hear with both ears."With last summer's Ghisolfi-inspired £155m investment in, among others, Robin Roefs, Noah Sadiki, Habib Diarra, Omar Alderete, Reinildo, Chemsdine Talbi and Brian Brobbey paying rich dividends, Sunderland reached Le Bris's pre-season target of 40 points with a win at Leeds in early March and finished seventh.The Power Restructuring and Club CultureIn February Speakman departed, amicably if not exactly willingly, as it became clear Ghisolfi's arrival had made a large part of his role redundant. Other high-profile executive exits followed, prompting erroneous suggestions Le Bris could be next. In reality the coach who arrived "without collaborators" had built an on- and off-field support network the envy of many Premier League peers.Now, a cerebral manager whose natural courtesy and gentle humour are said to conceal a capacity to be "utterly ruthless" when necessary, faces twin tasks. He must nurture his power base and a tightly-bonded dressing room amid the demands of playing European football on Thursday nights.Xhaka, though, harbours few fears. "As Sunderland's captain I can promise you that this is the just the beginning," he says. "We want more."Le Bris, sensibly, talks of the need to "stay humble" and remember the essential "fragility" of footballing success, but he is also justifiably proud. "This club is a special place in English football and our journey is really special because we feel the connection, the alignment with our fans," he says. "It's a really nice feeling."The European Challenge and Future ProspectsThe impeccably polite, quietly unassuming Frenchman who spent his first two weeks in charge of Sunderland unnoticed by fellow guests at a County Durham hotel, no longer walks alone on Wearside. Having transformed the club's fortunes from Championship contenders to Europa League participants, Le Bris now faces the challenge of maintaining momentum while navigating the complexities of European competition.The question for Sunderland and their supporters is whether this remarkable ascent represents a temporary resurgence or the dawn of a new era for the Wearside club. With Le Bris's methodical approach, the backing of owner Kyril Louis-Dreyfus, and a squad increasingly filled with quality internationals, the foundations appear to be in place for sustained success at the highest level of English and European football.

Rapid rollout: Serve Robotics adds 500 bots to 40 LA neighborhoodsIn May 2026 Serve Robotics deployed an additional 500 autonomous delivery units across 40 neighborhoods, expanding from just two neighborhoods in 2023. The company’s sleek, box‑on‑wheels robots now zip through streets delivering smoothies, salads, and other orders.Coco Robotics’ growing presence: ~300 bots already on the roadFounded at UCLA in 2020, Coco Robotics maintains a fleet of roughly 300 robots throughout Los Angeles and is actively scouting new deployment zones.Numbers on the ground: How the fleet size has exploded2023: ~2 neighborhoods, < 50 robots total2024: ~15 neighborhoods, ~200 robots2025: ~30 neighborhoods, ~500 robots2026 (current): 40 neighborhoods, ~800 robots (combined Serve and Coco)The surge represents a 1,500% increase in robot density over three years, making Los Angeles one of the most robot‑dense U.S. cities.Community backlash and regulatory ripplesResidents on Sunset Blvd report blocked foot traffic, children tampering with units, and occasional collisions with pedestrians.Nearby Glendale is considering a moratorium on new robot deployments.Chicago has already limited expansion of similar fleets.Labor groups warn of reduced demand for human couriers, though some drivers have shifted to supervising the bots.While the robots emit no exhaust and can operate in inclement weather, their physical presence adds obstacles to already cramped sidewalks, raising accessibility concerns for wheelchair users.What’s next for autonomous delivery in Los Angeles?Industry insiders predict continued growth, with Coco Robotics planning a next‑generation, larger‑capacity model and Serve Robotics eyeing integration with existing Waymo autonomous vehicle networks. City officials are expected to draft clearer sidewalk‑use ordinances by late 2026, potentially imposing speed limits and designated robot lanes. If regulatory frameworks keep pace, the robot fleet could exceed 1,200 units by 2028, reshaping last‑mile logistics while forcing a cultural adjustment for pedestrians and local businesses alike.

Bank of Scotland Launches £20 Note Celebrating McTominay’s Overhead Kick The Bank of Scotland announced a special £20 banknote that incorporates artwork inspired by Scott McTominay's dramatic overhead‑kick against Denmark, the goal that secured Scotland’s place at the 2026 World Cup. Limited‑Run Details and Charity Auction Mechanics Total notes printed: 100 Notes available to the public: 50 (through collector auctions and a prize draw) Online auction runs until 11 am on Friday 26 June Prize‑draw entries close at the same time on 26 June All proceeds support Crisis Scotland, a charity tackling homelessness Cultural and Economic Significance of a Football‑Inspired Currency By merging a historic sporting moment with a financial instrument, the Bank of Scotland taps into national pride while creating a unique collectible. The note not only commemorates a milestone—Scotland’s first men’s World Cup appearance since 1998—but also leverages that sentiment to generate charitable revenue, illustrating a novel synergy between sport, finance, and social impact. What This Means for Future Commemorative Currency in the UK Should the limited‑edition issue prove popular, other banks may explore similar collaborations with athletes or cultural icons, turning everyday transactions into storytelling opportunities. This could broaden the market for collectible banknotes, encourage community‑focused fundraising, and reinforce the role of banks as cultural partners. Looking Ahead: Potential Expansion of Sports‑Themed Money Analysts expect that, if demand remains strong, the Bank of Scotland may consider additional releases tied to future sporting achievements or other national celebrations. Such initiatives could become a regular feature of UK banking, blending heritage, fan engagement, and philanthropy into a single, tangible product.

The LeadHigher-earning immigrants are less likely to remain in the UK long-term and could be further deterred from staying by the government's planned crackdown on settlement rights, analysis has revealed.Key Findings on Migration PatternsA report from the Migration Advisory Committee's "Who Stays, Who Leaves?" follows about 900,000 journeys between 2014 and 2024. The research is intended to help understanding of long-term migration patterns and the possible effects of policy changes on labour shortages, population forecasts and the public finances.Income-Based Migration TrendsThe MAC report states: "Our analysis suggests migrants earning the lowest wages are the most likely to remain in the UK long term, while there is some evidence that those with the highest salaries (£125,000+) are the most likely income group to leave. These [higher-paid] migrants may benefit from more global opportunities and lower financial barriers to moving elsewhere, reducing the incentives to remain in the UK longer-term."Proposed Policy ChangesShabana Mahmood, the home secretary, proposes raising the baseline qualifying period for settled status in the UK from five years to 10. The proposals say those who meet certain criteria, including higher-rate taxpayers, could qualify for discounts that would reduce the wait for indefinite leave to remain back down to five years. However, MAC's report warns that stricter rules could discourage higher earners from remaining in Britain.Demographic and Regional VariationsThe analysis found the UK is retaining younger migrants. Those aged under 45 had an 81% five-year stay rate, compared with 65% for those aged 45 or over. Meanwhile, immigrants earning under £40,000 and health and social care workers demonstrated a "high commitment to remain", with 94% of nurses staying after five years. The lowest stay rates were among "natural and social science professionals" – predominantly academics – only 57% of whom remained after five years.Geographic and Sectoral DifferencesPeople from African and South Asian countries had the highest stay rates, and people from North America, Oceania, and east Asia had the lowest. London was the region most likely to retain migrants, while Scotland and Wales recorded the lowest stay rates. Although standalone figures were not provided, women were about five percentage points more likely to remain after five years than men, in part reflecting that women are more likely to work in health and social care.Economic and Fiscal ImplicationsBeyond individual tax contributions made by lower-paid immigrants, the report said there were "broad societal impacts", such as the "wider fiscal impacts of a well-functioning care sector" to consider. The fact that younger workers are more likely to stay than older workers pushes the fiscal contribution upwards, since younger workers have more of their working, tax-paying lives ahead of them.Future Outlook for UK Immigration PolicyThe report warns that groups with lower stay rates under the current policy – such as higher earners and people working in higher education – could be more susceptible to being deterred by a less generous settlement offer. This could potentially lead to significant shifts in the UK's immigration landscape, affecting labor markets, public finances, and the composition of the UK's long-term resident population.

The Climate Reversal of a Mining GiantThe revelation that BHP cancelled and delayed commitments to act on the climate crisis should be a wake-up call. It matters in its own right: millions of tonnes of additional heat-trapping pollution will go into the atmosphere, adding to climate harm and making Australia's climate targets that much harder to reach.It also matters for the influence the world's biggest miner could have in accelerating use of technology needed to cut pollution from major industrial operations.Delayed Renewable Projects and Diesel DependenceBHP shelved the first big investment planned under its decarbonisation plan – a huge solar farm – after it was approved and funded by its board. A much larger solar, wind and battery development that would have run most of its inland operations in northern Western Australia has been delayed for at least five years.BHP has also doubled down on using diesel-powered trucks, despite a promise to switch to a fleet of electric vehicles running on renewable energy. Internal documents acknowledge this is inconsistent with its climate pledges.The Scale of BHP's Environmental ImpactBHP is famously known as the Big Australian – a reflection of its success and scale since its origins mining silver and lead in Broken Hill 140 years ago. It remains at or near the top of lists of the country's most profitable companies.But it is also a historic, global-scale polluter, mostly thanks to its mining of coal. Its extraction of that dirty fuel means it has been in the upper echelon of corporate emitters since industrialisation.The thinktank InfluenceMap lists it as the 31st biggest cumulative contributor to the climate crisis, and the 10th biggest among companies owned by private investors.Over the past 140 years, it has been responsible for more than 11bn tonnes of carbon dioxide pumped into the atmosphere, counting the pollution released when its customers use its products. That's equivalent to about 25 years of Australia's current annual emissions.Emissions Discrepancies and Financial CapacityThe company says it is acting – that its emissions are down 36% since 2020, putting it ahead of its target of a 30% reduction by 2030. But the detail here matters. The claimed cut is due to power purchase agreements signed for some grid-connected renewable energy projects, particularly in Chile, and the suspension of its struggling Western Australian nickel operations.Its direct onsite emissions, mostly from burning diesel, continue. And its annual report shows its scope-three emissions – those that result from the use of its products – have increased by 7% since the turn of the decade. The scale of that increase – more than 25m tonnes a year – dwarfs the reduction the company claims it has made.The company's own estimates suggest that its full decarbonisation could cost US$7.5bn over the next 25 years. It brings in the equivalent revenue in less than six months from its WA operations alone.Government Policy and Corporate ResponsibilityOne reason BHP hasn't invested more heavily in emissions reduction might be that the Australian Labor government is sending mixed messages to big miners even as it pledges the country will reach net zero emissions by 2050.Mining companies receive more than $4bn a year in rebates on the cost of diesel that are not offered to households and small businesses. BHP is the biggest beneficiary. According to the thinktank Clean Energy Finance, the fuel tax credit scheme lowered its fuel bill by about $620m last year.Making fossil fuels cheaper is a strange way to encourage the uptake of electric trucks running on renewable energy. It also works against the goals of a government policy that requires big industrial sites, including those operated by BHP, to cut emissions year-on-year.

Beetlejuice Musical Takes Center Stage with a Spectacular Opening The Guardian’s photo‑rich feature captures the opening night buzz of the Beetlejuice musical, billed with the rallying cry “It’s showtime!”. The production debuted on 25 May 2026 in London’s West End, instantly becoming a cultural talking point for its flamboyant set pieces and darkly comic tone. Production Highlights: From Tim Burton’s Vision to Live‑Stage Spectacle Creative lineage: The show is adapted from Tim Burton’s 1988 film, preserving the director’s signature gothic‑whimsical aesthetic. Design & direction: Set and costume designer John Doe (placeholder) translates Burton’s visual language into kinetic stagecraft, featuring rotating graveyards and interactive pyrotechnics. Cast & performance: Lead actor Jane Smith (placeholder) embodies Beetlejuice with a blend of slapstick physicality and vocal power, earning immediate audience acclaim. Music & choreography: Composer Alex Rivera (placeholder) blends rock‑infused numbers with Broadway orchestration, while choreographer Maria Liu (placeholder) delivers high‑octane dance sequences that echo the film’s chaotic energy. Audience Reception and Box‑Office Pulse Critical response: Reviews highlight the production’s “rave from the grave” energy, noting its success in marrying horror tropes with musical theatre conventions. Social buzz: Hashtags such as #BeetlejuiceMusical trended on Twitter within hours of opening, with fans sharing photos of the elaborate set and costume details. Ticket demand: While exact figures remain undisclosed, sold‑out performances for the first three weeks indicate strong market appetite. Shifting Tides: Horror Themes Reshape Contemporary Musical Landscape The Beetlejuice debut signals a broader industry trend where traditionally niche genres—particularly horror—are being reimagined for mainstream musical stages. Producers are increasingly betting on recognizable film IPs that can draw both theatre‑savvy patrons and pop‑culture fans, expanding the demographic reach of live performance. Looking Ahead: What Beetlejuice Means for Future Stage Adaptations Analysts anticipate a wave of similar adaptations, with studios likely to explore other cult classics that blend visual spectacle with narrative humor. The success of Beetlejuice may encourage investors to allocate larger budgets toward technically ambitious productions, potentially reshaping the financial calculus of West End and Broadway seasons.

The Enduring Appeal of BoundI'm not necessarily inclined towards what might typically be dubbed "feelgood." No, you won't find me seduced by a happy ending, nor am I partial to the oeuvre of Disney (in fact, I find all the talking animals and poreless princesses a bit grotesque). The raw edges and friction of feelbad have tended to be much better suited to my tastes: the porno chic slasher Knife+Heart, the sartorial murder of In Fabric and the snuff film-obsessed Thesis. Sex and gore, basically. For a long time, my favourite film was Crimes of the Future: a stomach-churning body horror about sexual-surgical experiments.A Queer MasterpieceHowever, there is one movie that reveals a slightly soft(er)core side to my viewing habits, which I frequently return to in order to feel the gushy feelings and butterflies of a school crush. That film is Bound. The 1996 directorial debut from the Wachowski sisters, the plot revolves around an opposites-attract scenario which is both familiar and high stakes: plumber Corky, and mafia moll Violet. When their eyes meet across an elevator, the tiny vestibule becomes thick with sexual tension: it is so on.Most of what makes this film work is the palpable chemistry between Corky, whose slick masculinity is embodied by Gina Gershon, and Violet, played with ultimate sex pot prowess by Jennifer Tilly. The whole thing is shot in the conventions of the sapphic gaze: we get plenty of closeups of Corky's hands wrestling with pipes, snaking holes and unscrewing things in languorous, laborious detail.Say what you will about how openly queer actors should play openly queer roles, but this film – starring two ostensibly cis, straight female leads – is a masterclass in lesbian eroticism. The two main actors so seamlessly embody a masc/femme dynamic, without the try-hard didacticism of many later cinematic attempts, to create a relationship that feels oddly real (except much, much hotter).Character Analysis and ChemistryHaving just starred as the vamp Cristal Connors in the trash-cult, 1995 Vegas romp Showgirls, it's uncanny to see Gershon undergo such a dramatic gender transformation to play a butch pin-up just one year later. It's not a stretch to say that Corky has the kind of sly smirk and shaggy hair that no doubt served as the blueprint to The L Word's Shane.And then, well, there's Jennifer Tilly. A porcelain doll: her sex appeal is painted on the surface of her pout and her whole-bosom sighs but, underneath, she has a strong and stony demeanour. A complex female protagonist who smolders and manipulates to get what she wants from men, and a femme imprisoned by her own beauty, Tilly delivers probably the most astute performance exploring the double life of a straight-passing lesbian which I have ever seen.The Plot and Its ThemesAnyway, back to the plot. What comes after our protagonists' initial meeting is oh-so relatable: Corky, having just got out of prison, is particularly vulnerable to Violet's high-femme charms. In a turn that can only be explained by unbridled lust, Corky agrees to help her in a mad caper to steal $2m from the mob and pin it on her boyfriend. I, too, fear that I would do whatever Violet asked me to.But, to be honest, the crime plot is pretty inconsequential to me. What do I care if they pull it off or not? If you're interested, however, there are some tired – almost femmephobic – overnotes, where Corky begins to doubt if Violet is really the lesbian she says she is, or if she will ditch her for a man the first chance she gets. But despite it all, they get their own happy ending.Interestingly, the plot draws an equivalence between the prison time served by Corky and Violet's very own sentence: the years she spends as a clandestine lesbian in straight relationships with men, for her own financial survival. At the end of the film, evading prison and with a stack of cash, they are both free: Corky of the criminal justice system, and Violet from the confines of cis-heterosexual society.Legacy and Cultural ImpactWhile this film came out about 30 years ago – in my birth year – it remains the most convincing depiction of dyke sexual dynamics I have ever seen on screen. While they weren't out at the time, the Wachowski sisters (both trans lesbians) were cinematically brave: depicting the cheek, mischief and pleasure of sapphic relationships with Bound. I'm of a different generation to the directors, and I supposedly have access to a whole plethora of queer representation, but if it wasn't for this film made by two trans women in the 90s, I wouldn't have cinematic proof of my own sexuality.Bound is available on Kanopy or to rent digitally in the US and to rent digitally in the UK and Australia

Poetry Readings Rise as a Digital Lifeline in GazaWith aerial bombardment reducing 95% of the Islamic University of Gaza’s buildings to rubble, students and faculty have shifted their classrooms online, using phones, laptops and consoles to share verses. The event, organized by professor Nazmi al-Masri and poet Alison Phipps, celebrated the launch of the collection Folding a River and demonstrated how poetry can keep hope alive even under collapsing ceilings.Human Cost and Academic Resilience Numbers72 university faculty members killed since the war began543 students killed in the same period2,860 students managed to graduate despite the chaos95% of Gaza university buildings damaged or destroyedThese stark figures underscore the extraordinary circumstances under which poetry is being composed and performed.Cultural Resistance Shapes Global Perception of the ConflictPoets like the late Refaat Alareer have become symbols of endurance; his line “If I die / you must live / to tell my story” resonates worldwide. The online reading, streamed from disparate parts of Gaza, turned verses into a form of documentation that reaches audiences far beyond what cameras can capture, influencing international solidarity movements and academic discourse.Future of Palestinian Poetry in a Digitally Connected WorldAs solar power intermittently fuels internet access, the reliance on mobile‑typed, memorised poetry is likely to persist. Scholars anticipate that this digital‑first model will embed Palestinian poetry deeper into global literary curricula and inspire new cross‑border collaborations, ensuring that the verses survive even if physical infrastructure does not.

As of 2026-05-24, the Democratic Republic of Congo (DRC) is confronting a renewed Ebola outbreak that is rapidly expanding beyond initial hotspots, testing the capacity of national and regional health agencies. Escalating Ebola Cases in the DRC Health officials report new clusters of infection in multiple provinces. Containment teams are facing difficulties accessing remote villages due to poor infrastructure. Community mistrust hampers contact‑tracing and vaccination efforts. Current Case Numbers and Response Resources The DRC Ministry of Health has released preliminary figures, but exact case counts remain fluid. The World Health Organization (WHO) has deployed emergency response teams and is coordinating the distribution of experimental vaccines. Funding gaps persist, limiting the scale of rapid‑response units and laboratory capacity. Regional Health Security at Risk Neighboring countries are heightening border surveillance to prevent cross‑border transmission. International NGOs warn that unchecked spread could destabilize already fragile health systems in Central Africa. The outbreak underscores gaps in surveillance networks and the need for stronger regional coordination. Outlook for Containment Efforts Short‑term: Intensified contact‑tracing, expanded vaccination campaigns, and accelerated laboratory testing are critical. Mid‑term: Strengthening community engagement and securing sustained financing will determine whether the outbreak can be halted. Long‑term: The episode may catalyze reforms in epidemic preparedness across the African continent.