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The Fatal Helicopter Crash A helicopter crash in northwestern England has killed three British naval crew, according to the UK Ministry of Defence. The crash occurred about 4:00am (03:00 GMT) on Wednesday during a helicopter training exercise near the village of Sourton in the county of Devon, a Royal Navy spokesperson said. Official Response and Investigation The Ministry of Defence announced the news with “deep sadness” in a social media post. “Our thoughts and sympathies are with their families and friends at this sad time,” the ministry said. The navy’s head, General Gwyn Jenkin, said an investigation is under way. Circumstances and Aftermath Few details have been released about the circumstances surrounding the early-morning crash, with the Ministry of Defence saying victims’ families had requested a “period of grace” before further information is made public. British Prime Minister Keir Starmer confirmed he was following the incident. “This will be a deeply worrying time for the families and more information will be set out as soon as possible,” Sky News quoted him as saying. British media reported that several naval bases are located close to where the helicopter went down, including HMNB Devonport, which is Western Europe’s biggest naval base.

Lionel Messi was the sole figure on the pitch during Argentina’s inaugural World Cup training session at their Kansas City base, a clear sign that the squad is meticulously managing fitness concerns ahead of the tournament. Solo Session Highlights Messi’s Fitness Focus The defending champions held their first pre‑tournament training on Monday, with the 38‑year‑old captain working on “specific exercises” while teammates with similar niggles joined physiotherapy staff. Messi has been coping with left hamstring fatigue since May 24, but the Argentine Football Association remains confident he will be ready for the opening match against Algeria on June 16 in Kansas City. Key Numbers Behind the Preparation Age: 38 International caps: 198 (all‑time Argentine leader) Goals for Argentina: 116 (all‑time record) Hamstring issue since: May 24 Next competitive match: June 9 vs Iceland (tune‑up in Auburn, Alabama) World Cup opener: June 16 vs Algeria Strategic Implications for Argentina’s Campaign By isolating Messi for targeted work, the coaching staff signals a dual strategy: preserve the star’s health while allowing the broader squad to maintain collective training intensity. This approach aims to minimize the risk of aggravating Messi’s hamstring, which could jeopardize Argentina’s attacking potency in a tournament where they are ranked #3 globally. Outlook: Messi’s Readiness and Argentina’s Prospects If Messi clears his fitness hurdle, Argentina enters the group stage with a fully fit talisman, boosting both morale and tactical flexibility. Conversely, any setback could force the team to rely more heavily on emerging talents, testing the depth built around Messi’s experience. The next week’s tune‑up against Iceland will serve as a litmus test for the squad’s overall health and cohesion.

The LeadA serious traffic accident occurred on a Kuwait motorway while Iranian missiles were flying through the country's airspace, creating a dangerous situation for civilians. The incident has raised questions about the safety protocols for military activities in regions with civilian populations.The Event DetailsThe accident took place on a major Kuwaiti motorway as part of what appears to be an Iranian military exercise or operation. Witnesses reported seeing missiles flying overhead just moments before the collision occurred. Emergency services responded to the scene, though specific details about casualties or the extent of damage have not been fully released.The Regional Security AnalysisThis incident highlights the complex security situation in the Middle East, where military activities often occur in close proximity to civilian infrastructure. The flight of Iranian missiles through Kuwaiti airspace, whether intentional or incidental, demonstrates the overlapping nature of military and civilian domains in the region. Such incidents can escalate tensions between neighboring countries and potentially lead to diplomatic repercussions.The International ResponseInternational observers are likely to monitor the situation closely, particularly given the already fragile relations between Iran and Western powers. Kuwait, as a neighboring Gulf state with traditionally careful diplomatic balancing, may face pressure to respond firmly while avoiding further escalation. The United Nations and other international bodies may call for investigations into the incident and adherence to international norms regarding military activities in foreign airspace.The Future OutlookThis incident could lead to increased scrutiny of military exercises in the region and potentially prompt calls for better communication protocols between neighboring countries. There may be renewed discussions about establishing safety zones or clear channels for notification when military activities are planned in areas near civilian populations. The long-term impact on Iran-Kuwait relations remains to be seen, but the incident underscores the ongoing volatility in the Middle East's security landscape.

The Lead: Why the Bear Gap Is Suddenly Front‑Page NewsTore Sandvik, Norway’s defence minister, told the UK Times that allowing Moscow to dominate the Bear Gap would give Russia a “dangerous capacity to deploy submarines and weapons” against NATO, including the UK, Norway and Denmark.The Bear Gap: A Strategic Arctic ChokepointThe Bear Gap is a roughly 400‑mile (650 km) maritime corridor between Norway’s North Cape and Bear Island, linking the Barents Sea with the Norwegian Sea. It sits west of Russia’s Kola Peninsula, the heart of the Northern Fleet’s sea‑based nuclear deterrent.Key gateway for Russian naval vessels moving from Arctic bases to the North Atlantic.Provides a direct route for ballistic‑missile submarines to reach open waters.Monitored by NATO members Norway, Canada and allied states.Military Capabilities and Numbers at StakeRussia’s Northern Fleet is one of its most powerful formations, equipped with new platforms and long‑range weapons:Oreshnik ICBM – hypersonic, nuclear‑capable, ~5,000 km range.Modernised Arctic bases, ports and airfields.Submarine‑launched ballistic missiles and advanced cruise missiles.Western allies are responding: Norway has ordered two German‑built submarines; the UK plans to double its troops in Norway to 2,000 over three years.Geopolitical Ripple Effects Across Northern EuropeIf Russia secured the gap, its surface vessels and attack submarines could reach the North Atlantic and place UK, Denmark, the Netherlands and the broader Nordic region within striking range of long‑range missiles. Experts warn this would shift the balance from “under‑threshold threats” to “full‑scale war” potential.Beyond military risk, the Arctic’s melting ice is unlocking new shipping lanes and vast oil, gas and rare‑earth resources, intensifying competition among Russia, NATO, China and the United States.Future Scenarios: NATO’s Response and Russian IntentionsAnalysts see three likely pathways:Heightened NATO presence – further deployment of anti‑submarine assets, joint exercises, and accelerated procurement of submarines and sensors.Diplomatic pressure – reinforcing the 1920 Svalbard Treaty and seeking UN resolutions to limit militarisation of the gap.Russian escalation – continued modernisation of Arctic infrastructure and possible limited incursions to test NATO resolve.In the short term, the West is likely to increase surveillance and bolster forces around the gap, while Russia will continue to project power from its Kola Peninsula, keeping the Bear Gap a flashpoint in Arctic security.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Mayor Khan’s Commitment to Override Soho Society’s Licensing Ban London’s mayor, Sadiq Khan, said he will "call in" and overturn licensing decisions that hinder the city’s night‑time economy. The Soho Society, a residents’ group founded in 1972, voted to challenge every new licence application for pubs and restaurants in the district, including renewals and extensions beyond the council’s "core hours" that end at 11 pm. New Licensing Powers Set to Shift Control from Local Councils Under powers granted by the central government and due to take effect later this year, the mayor can intervene in licensing matters deemed of "strategic importance" to the night‑time economy. This authority allows him to "call in" applications and reverse local council refusals, effectively centralising decision‑making for venues in key entertainment zones. Power to overturn local council licensing refusals. Ability to extend operating hours beyond the current 11 pm limit. Potential to support alfresco dining initiatives previously halted after the pandemic. Nightlife Footfall Trends Highlight Economic Pressure Recent reports indicate a decline in footfall for London’s night‑time venues, with several establishments closing in recent years. While exact figures were not disclosed, industry observers note a steady erosion of patronage that threatens the city’s reputation as a global entertainment hub. Implications for Soho’s Night‑time Economy and Urban Planning The clash pits the mayor’s growth‑oriented agenda against the Soho Society’s concerns about noise, crime, and insufficient infrastructure. Residents argue that intensified nightlife has outpaced upgrades to public services, while hospitality owners warn that the blanket opposition could "destroy Soho’s reputation on the international stage". What the New Powers Could Mean for London’s Late‑Night Scene If exercised, the mayor’s authority may lead to: Extended opening hours for bars and restaurants, boosting revenue for the night‑time economy. Increased alfresco dining options during summer months. Potential push‑back from community groups demanding stronger noise‑abatement and safety measures. Stakeholders anticipate a period of negotiation as the city balances economic revitalisation with quality‑of‑life concerns for local residents.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

Iran has reasserted its control over the Strait of Hormuz, warning that foreign commercial and military vessels will be targeted if they do not comply with regulations governing passage through the strategic waterway.Iran's Assertion of Maritime SovereigntyThe announcement came after the United States signalled that President Donald Trump was close to a decision on a potential deal with Iran, though Tehran denied an agreement had been reached. The operational headquarters of Iran’s armed forces, Khatam al-Anbiya Central Headquarters, stated that the management of the Strait is exercised with full authority by the Islamic Republic.“All ships, commercial vessels, and tankers are only required to travel through the designated routes and obtain permission from the Islamic Revolutionary Guard Corps [IRGC] Navy,” the statement added. It warned that any violation would seriously jeopardise the security of their traffic.The High-Stakes Diplomatic StandoffThe situation is defined by a clash of demands. While the US seeks a deal ensuring Iran never develops nuclear weapons, Iran is demanding the immediate release of $12bn in frozen assets before proceeding to the next phase of negotiations.US Position: President Trump stated Tehran would remove mines from the strait and end its closure with “no tolls,” while the US would lift its blockade.Iranian Position: Adviser Mohsen Rezaei accused the US of “betraying diplomacy” and making excessive demands.Regional Military EscalationMilitary posturing remains high as both sides prepare for a potential breakdown in talks. Pentagon Chief Pete Hegseth stated that Washington was “more than capable” of restarting the war if a satisfactory deal is not reached.On the ground, tensions escalated with the shooting down of a drone described as belonging to the “US-Zionist enemy” by Iranian air defences. Meanwhile, US Central Command (CENTCOM) continues to warn Iranian ships against crossing the blockade line.Navigating the Path to a DealWith President Trump’s “final determination” pending, the coming days are critical for global stability. The stalemate over the $12bn assets and the reopening of the strait suggests that a diplomatic resolution is not imminent, leaving global markets on edge regarding the flow of oil through this critical chokepoint.

The Browser Wars: An Overview The browser market is dominated by Google Chrome and Apple Safari, but users seeking alternatives have a variety of options. These alternative browsers aim to challenge the industry giants with innovative features, AI integration, and a focus on user well-being. AI-Powered Browsers Several startups have launched AI-powered browsers, including: Perplexity's Comet: A chatbot-based search engine that can perform actions like summarizing emails and browsing web pages. Currently available only to users with Perplexity's $200/month Max plan. The Browser Company's Dia: An AI-centric browser that helps users navigate the web more easily. Currently available as an invite-only beta. Opera's Neon: A browser with contextual awareness that can perform tasks like researching and shopping. Expected to be a subscription product, but pricing has not been announced. OpenAI's Atlas: An AI-powered web browser that allows users to ask ChatGPT about search results and browse websites within the chatbot. Currently available on macOS, with plans for Windows, iOS, and Android. Privacy-First Browsers Some browsers prioritize user privacy, including: Brave: A well-known privacy-first browser with built-in ad and tracker blocking capabilities. It also features a gamified approach to browsing and rewards users with its own cryptocurrency, Basic Attention Token (BAT). DuckDuckGo: A browser that blocks trackers and ads, and doesn't track user data. It has also introduced generative AI features, such as a chatbot. Ladybird: An open-source browser that aims to build an entirely new browser from scratch, without relying on existing code. It will offer features to minimize data collection, such as a built-in ad blocker. Productivity-Focused Browsers Some browsers focus on productivity and user well-being, including: SigmaOS: A Mac-only browser with a workspace-style interface that emphasizes productivity. It displays tabs vertically and allows users to create workspaces to better organize different activities. Zen Browser: An open-source browser that aims to create a "calmer internet" with features like tab organization and community-made plug-ins and themes. Opera Air: A mindfulness-themed browser that includes features designed to support mental well-being, such as break reminders and breathing exercises. Vivaldi: A Chromium-based browser with a customizable user interface and features like ad blocking and a password manager. The Future of Browsers The browser wars are expected to continue, with more innovative features and AI integration on the horizon. As users become increasingly concerned about privacy and productivity, browsers that prioritize these aspects are likely to gain popularity.