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The Dismissal of the Indictment A United States judge has dismissed an indictment against Kilmar Abrego Garcia after finding that he would not have been prosecuted if he had not challenged his deportation. The Event Details On Friday, US District Judge Waverly Crenshaw said the Department of Justice only reopened its human smuggling probe stemming from a 2022 traffic stop after Salvadoran national Abrego Garcia filed his lawsuit. “The court does not reach its conclusion lightly,” Crenshaw wrote. “The objective evidence here shows that, absent Abrego’s successful lawsuit challenging his removal to El Salvador, the Government would not have brought this prosecution.” The Background of the Case Last year, Abrego Garcia became a symbol for President Donald Trump’s drive to clamp down on illegal migration and was sent to a mega prison in El Salvador despite a prior court banning him from being returned there due to a risk of persecution. While the Trump administration brought Abrego Garcia back to the US in June of the same year, his return came only after prosecutors had secured a criminal indictment charging him with human smuggling and conspiracy to commit human smuggling. The Impact Analysis Abrego Garcia pleaded not guilty to the claim and argued that he was being prosecuted in retaliation for suing the government to be returned to the US from El Salvador. In the ruling to dismiss the indictment, Crenshaw wrote that the timing of the charges was central to the “presumption of vindictiveness”. The Future Outlook Despite his return to the US and his family, Trump officials have said that Abrego Garcia cannot remain in the country and have pledged to deport him again to a third country, a country where the person does not have any ties.

The Return of Janez Jansa Slovenia's parliament has voted to bring back right-wing politician Janez Jansa as prime minister, after his last stint in power ended in 2022. The Parliamentary Vote Legislators in the 90-member assembly voted 51-36 for Jansa on Friday – marking a shift for the small European Union country recently run by a liberal government. Jansa will need to return to parliament within the next 15 days for another vote to confirm his future Cabinet. His appointment concludes a post-election stalemate after the vote two months ago ended in a tie. The New Coalition Government Jansa and his populist Slovenian Democratic Party (SDS) signed a coalition agreement with several centre-right groups to form a new government, which now holds 43 seats in the assembly. The new coalition government is made up of the SDS, New Slovenia, Democrats, the Slovenian People’s Party and Focus. It also secured additional backing from the right-wing Resnica party, which will not formally join the government. Jansa's Future Goals In a speech laying out the government’s future goals, Jansa listed the economy, the fight against corruption and red tape, and decentralisation. He also promised to lower taxes for the rich and support private education and healthcare. The Impact of Jansa's Appointment Jansa is an admirer of US President Donald Trump and was also a close ally of Hungary’s former populist Prime Minister Viktor Orban. During his last term in office, Jansa faced accusations of clamping down on democratic institutions and press freedoms, leading to protests then and scrutiny from the European Union. The Future Outlook It will be the fourth time 67-year-old Jansa has been in office, having previously led the country from 2004 to 2008, 2012 to 2013 and 2020 to 2022.

The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.

The Lead Taiba Akhuetie is redefining the boundaries of art and fashion through her unique medium of hair. Her upcoming exhibition at the Sarabande Foundation in London promises to blur the lines between the living and the inanimate, showcasing her ability to transform mundane objects into hauntingly beautiful taxidermy-like sculptures. The Medium of Hair: From Salon to Sculpture Akhuetie’s artistic breakthrough occurred during the 2020 lockdown, when she was forced to pivot from traditional braiding to a new medium. By wrapping a simple metal stool in braids and embellishing it with flowers and a bee, she realized she could use hair "off the head." Signature Works: Handbags, mirrors, rocking chairs, and umbrellas adorned with long, chunky braids. Viral Moment: Her large umbrella covered in dirty-blond hair garnered 100,000 views on TikTok. Current Exhibition: "The Tone: Taiba’s World of Hair" at the Sarabande Foundation in London. Bridging the Gap Between Street Style and Couture Akhuetie’s work has successfully infiltrated the high-fashion world, validating her unconventional approach. Her clients include global icons who appreciate the intricate detail and "super textural" quality of her creations. Rihanna: Commissioned a bespoke braided Louis Vuitton handbag. Cate Blanchett: Wore Akhuetie’s creations for a Met Gala afterparty. Tems: The Nigerian singer has also been a wearer of her avant-garde pieces. Reclaiming Identity Through Textile Art Beyond the celebrity endorsements, Akhuetie’s work holds deep cultural significance. Having grown up in a white, middle-class area, she initially felt "gaslit" by her Blackness. Her art serves as a therapeutic reclamation of her identity, turning a source of insecurity into a medium of power. She emphasizes that her work is not exclusive to the Black community but is "for everyone," challenging viewers to find beauty in the unfamiliar. The Future of Avant-Garde Textiles As the fashion industry continues to explore sustainability and unconventional materials, Akhuetie represents a growing trend of artists using organic, often discarded, materials to create high-value art. Her success suggests a future where hair and textile art are recognized as legitimate fine art forms rather than just beauty services.

The Lead Nvidia founder and CEO Jensen Huang has announced a new $200 billion market opportunity for the company's Vera CPUs, designed specifically for agentic AI. This proclamation comes on the heels of Nvidia's record-breaking quarter with $81.6 billion in revenue and a forecast of $91 billion for the next quarter. Nvidia's Vera CPU and Its Market Potential Huang positioned the Vera CPU, introduced in March, as a potentially transformative product. The Vera CPU is sold alone and bundled with Nvidia's Rubin GPU. According to Huang, Vera is "the world's first CPU, purpose-built for agentic AI." He believes this opens a "brand new $200 billion TAM for Nvidia, a market we have never addressed before." The Data Analysis Nvidia's record-breaking quarter: $81.6 billion in revenue Forecast for the next quarter: $91 billion $20 billion worth of standalone Vera CPUs sold this year The Impact Analysis Huang's optimism is rooted in his vision of a future with billions of AI agents, each requiring their own CPU-driven tools. He explained that while GPUs handle the "thinking" part of AI models, agents mostly run on CPUs. Vera is designed to process tokens as fast as possible, making it suitable for agents. The Prediction Huang predicts that the world will have billions of agents, each using CPU-driven tools similar to PCs. "We're going to need a lot more CPUs," he said. With major hyperscalers and system makers partnering with Nvidia to deploy Vera, Huang is confident that his company will be at the center of the transition to agentic AI and robotic physical AI.

Shelagh Stephenson stages a spiky, after‑life comedy that pairs Mary Astell—England’s first feminist—with the canonical novelist Virginia Woolf. The two women, played by Phillippa Wilson and Tessa Parr, sip sherry, argue about religion, science and patriarchy, and ultimately expose how far feminist battles have come and how far they still have to go.The Play’s Premise: Aster and Woolf in a Shared AfterlifeThe narrative drops Astell into a liminal space that is neither purgatory nor heaven, a repository for women on the brink of historical oblivion. Woolf, already cemented in the literary canon, roams freely. Their contrasting fates—Astell shackled to a rope, Woolf unbound—set up a witty double act that explores independence, the silencing of women, and a surprisingly late‑developing taste for sherry.Production Details and Run InformationVenue: Live Theatre, NewcastleRun: Until 6 June 2026Director: Karen TraynorCast: Phillippa Wilson (Astell) & Tessa Parr (Woolf)Critical Assessment: Wit Over DramaStephenson’s script, the third in her “Cullercoats trilogy,” uses rapid banter and sharp humor to trace feminist progress from the 17th‑century treatise A Serious Proposal to the Ladies to modern literary discourse. While the dialogue is brisk and often silly, the play leans more toward conversation than high drama, leaving the deeper urgency of the feminist struggle somewhat under‑explored.Impact on Contemporary Feminist TheatreBy juxtaposing two women separated by centuries, the production spotlights enduring themes—patriarchal oppression, the fight for education, and the reclamation of agency. It signals a growing appetite in UK theatre for works that revisit historical feminist figures, encouraging audiences to reconsider the lineage of women’s rights activism on stage.Looking Ahead: The Future of Feminist Narratives on the UK StageIf the mixed critical response translates into audience interest, theatres may commission more plays that blend historical scholarship with contemporary humor. Expect a rise in productions that pair archival research with accessible comedy, using familiar literary icons to draw new, diverse audiences into feminist conversations.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

New research from the International Data Center Association (IDCA) reveals that datacentres are now responsible for roughly 6% of electricity consumption in the United Kingdom and the United States, intensifying public and political scrutiny over the sector’s rapid energy growth.Datacentre Power Demand Hits 6% of UK and US GridsThe study notes a 15% worldwide increase in datacentre electricity use over the past two years, driven by the surge in AI workloads and internet traffic. Annual global investment in new facilities is approaching $1tn (£740bn), equivalent to nearly 1% of the global economy. In the UK, datacentre electricity share has risen to 5.9%, while the US sits at 6%, far above the global average of 2%. Smaller nations such as Singapore and Lithuania face even higher pressures, with datacentres consuming 19% and 11% of their national grids respectively.Financial and Energy Metrics Highlight Rapid GrowthGlobal investment: ~$1tn in 2025UK grid‑connection queue: grew 460% in H1 2025US “zombie” services: account for 13% of datacentre load, equating to over 3 GW of wasted powerProjected UK demand: could quadruple by 2030These figures align with the International Energy Agency’s estimate that global energy use by datacentres rose 17% in 2025, outpacing overall electricity demand growth of 3%.Community Pushback and Policy Implications Across NationsThe IDCA warns that once a country’s datacentre footprint reaches the 5%‑6% threshold, “significant community and political pushback” becomes inevitable. In the UK, activists and groups such as Greenpeace UK have warned of an “unchecked AI boom” leading to higher energy bills, water‑stress, and renewed reliance on fossil fuels. The report calls for:Greater transparency from tech firms on future datacentre plansMandatory environmental impact assessmentsA ban on new polluting power plants dedicated to AI workloadsAdditionally, the study highlights emerging security concerns, noting that recent attacks on datacentres in the Middle East have underscored the need for integrated cyber‑physical protection strategies.Outlook: Regulation, Transparency, and Security Challenges AheadLooking forward, the IDCA predicts that pressure will mount for:Stricter national grid connection policies to curb the 460% surge in pending requestsIndustry‑wide standards to eliminate “zombie” services and improve energy efficiencyCoordinated security frameworks that address both cyber threats and physical vulnerabilitiesIf policymakers act swiftly, the sector could mitigate its environmental footprint while sustaining the growth of AI and cloud services. Failure to do so may trigger broader societal resistance and accelerate regulatory clampdowns.

Lead: Court Grants Temporary Stay on Tariff BlockageA US federal appeals court issued a short‑term administrative stay, pausing a lower‑court decision that had declared President Donald Trump’s 10 percent global tariff unlawful.Appeals Court Issues Short‑Term Stay on Section 122 Tariff RulingThe stay was granted on Tuesday, allowing the case to proceed while the White House prepares a response. The underlying dispute centers on whether the tariff, imposed under Section 122 of the 1974 Trade Act, falls within the president’s statutory authority.Trump introduced the tariff in January after the Supreme Court invalidated a prior set of tariffs justified under the International Emergency Economic Powers Act (IEEPA). A recent panel of the US Court of International Trade ruled 2‑1 that the Section 122 proclamation failed to meet required conditions, deeming it “invalid” and “unauthorized by law.”Consumer Price Index Shows Small Uptick Amid Tariff DebateA consumer price index report released on the same day noted modest price increases linked to the tariff:Apparel and electronics prices rose by 0.6 %.Toys and furniture prices rose by 0.8 %.US Customs and Border Protection reported refunds totaling $35.46 bn on 8.3 million shipments processed as of Monday, reflecting refunds for tariffs imposed under IEEPA.Legal Challenge Highlights Executive Power Limits and Consumer Cost ConcernsThe plaintiffs, a coalition of 24 states, argue that the tariff campaign exceeds executive authority and burdens American consumers and businesses. Washington State Attorney General Nick Brown emphasized that “American consumers and businesses… have ultimately paid for the president’s illegal tariff campaign.”Future of the 10 % Global Tariff Remains Uncertain Ahead of July DeadlineUnder Section 122, the tariff is set to expire in July unless Congress extends it; its maximum term is capped at 150 days. The appeals court’s temporary stay does not resolve the substantive legal questions, leaving the tariff’s fate dependent on further judicial rulings and potential congressional action.