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The Author's JourneyDoireann Ní Ghríofa, author of A Ghost in the Throat, has written a new book, Said the Dead, which delves into the history of a mental institution in Ireland. In an interview, she discusses her personal journey of recovering from depression and how it influenced her writing.Writing from ExperienceNí Ghríofa grew up in County Clare and moved to Cork for university, where she experienced severe depression and attempted to drown herself in the river on two occasions. She reflects on how her experiences have shaped her writing, particularly in her latest book.Exploring Mental Health HistoryThe book, Said the Dead, is a result of Ní Ghríofa's research into the history of a mental institution in Ireland, where she discovered the records of male and female inpatients. She shares her findings and insights into the lives of these individuals, highlighting the challenges they faced and the care they received.A Personal ConnectionNí Ghríofa's connection to the material is personal, as she reflects on her own experiences with depression and how it relates to the stories of the women she encountered in the records. She emphasizes the importance of empathy and understanding in approaching these stories.The Power of WritingThrough her writing, Ní Ghríofa aims to explore and understand the complexities of mental health and the experiences of those who have lived through it. Her book is a testament to the power of writing as a tool for healing and self-discovery.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

The Lead Cal Flyn's book, The Savage Landscape, is a wondrous personal journey to locate and understand wilderness. It's a work of extraordinary physical and narrative movement that takes us from the depths of the ocean to volcanoes and icebergs, but is also a journey into our own psyches, and the stories we tell ourselves about “wild” landscapes. Exploring the Human Connection to Wilderness Off the coast of California, two miles down, there exist geothermal nurseries: gatherings of tens of thousands of small violet octopuses, each the size of a grapefruit. Known as pearl octopuses (Muusoctopus robustus), they congregate around hydrothermal springs which warm their eggs, allowing them to hatch in less than two years (in cold water it can take 10 years). When I want to calm my mind, I think of these gatherings, this factory of octopuses powered by the Earth’s energy that exists quietly away from our gaze, and might easily never have been discovered. How many more such worlds exist? The Fiction of Untouched Wilderness The notion of untouched wilderness is a fiction, and Flyn continually pulls the rug from under our assumptions about purity, wildness and isolation. At the Monastery of Saint Paul the Anchorite, in Egypt’s eastern desert, she talks with a coptic monk who has dedicated himself to a life of isolation and prayer, and yet continually checks his smartphone. Aboard a cruise ship in the Southern Ocean, Flyn admires icebergs crashing down, “a silent display of staggering sublimity”, only to reflect on the clutter left behind by tourists and scientific researchers on the Antarctic landmass; according to one group of researchers, only 31% of Antarctica can now be considered “inviolate”. The Impact of Human Activity on Wilderness In Transylvania, home to the largest population of brown bears in Europe, she explores painful stories of people and wildlife in conflict. Bears and wolves fared well in Europe until the destruction of their habitat in the middle ages brought them into direct contact with local populations. These creatures can be savage, and Flyn spares little detail in her evocation of the damage they can wreak to human flesh, but the most terrifying creature in the chapter is not ursine or lupine: it is a local’s sheepdog, a domesticated animal whose snarl is “a white noise of pure violence”. The Future of Wilderness and Conservation Flyn sees in the Bon a kind of inspiration: “Sacred landscapes of the kind found in Dolpo,” she writes, “effectively comprise the world’s oldest conservation projects, and there is a lot that we can learn from their longevity.” I don’t know how the beliefs and practices of the Dolpo might be applied at the bottom of the sea, but surely Flyn is right: if we are to escape the course of ecological destruction, we will need more stories, like hers, that can reignite a sense of awe and respect for the worlds we know, and others yet undiscovered.

The Quest for a "Disruptive" Cure in Silicon ValleyReturning to San Francisco in 2016, the author sought a solution to treatment-resistant depression within the city's petri dish of wellness innovation. Amidst a culture obsessed with disrupting every industry, the author attempted a series of cutting-edge interventions, believing the technological hub would offer a scalable solution to mental illness. However, the pursuit of high-tech fixes proved to be a cycle of disappointment, leading to a realization that human nature cannot be "hacked".The High-Tech Pipeline of Despair: Ketamine, TMS, and FMTThe author underwent a rigorous regimen of experimental therapies, ranging from clinical to underground:IV Ketamine Infusions: Receiving treatments at a Marin County clinic five times, despite the effects being minimal.Transcranial Magnetic Stimulation (TMS): Undergoing daily sessions for eight months in a sterile Union Square office, which ultimately failed to alter the author's mood.Fecal Microbiota Analysis: Participating in an elimination diet and stool analysis recommended by a WeWork nutritionist, which yielded no results.Underground Shamanic Ketamine: A final, ill-advised attempt involving a shaman that left the author feeling worse than before.The Promise vs. The Reality of Remission RatesWhile the author's personal journey yielded no relief, the broader data on these treatments presents a mixed picture. Research indicates that 52% of participants in ketamine studies achieved complete remission, and TMS has shown significant promise in clinical settings. However, the author highlights that 30% of people with major depressive disorder are treatment-resistant, meaning standard and experimental interventions alike may fail for a significant portion of the population.The Failure of "Disruption" in Mental HealthThe article critiques the Silicon Valley tendency to turn human suffering into a product. The sterile, high-tech environments of clinics and the commodification of wellness (biohacking, AI therapists) failed to address the root causes of the author's depression. The author contrasts this with the effectiveness of 12-step meetings and community support—frameworks developed nearly a century ago—suggesting that deep, unoptimized human connection is more effective than algorithmic or biochemical solutions.From Biohacking to Human ConnectionThe author's eventual recovery came not from a new technology, but from a return to fundamental human structures: sobriety, church basements, and communal living. The prediction for the future of mental health is a shift away from the "optimization" of the individual and toward the restoration of community and belonging.

The LeadIn a revealing interview, acclaimed actress Juliette Binoche opens up about the deeply personal experience that inspired her transition from acting to directing. The Academy Award winner discusses how a violent attack during her teenage years became the creative catalyst for her first film as a director, offering a rare glimpse into the personal motivations behind her new artistic venture.The Personal JourneyBinoche recounts the harrowing experience of being attacked as a teenager, describing how she told her attacker, "Go ahead, do it" during the ordeal. This traumatic event, which she kept private for decades, has unexpectedly become the foundation of her directorial debut. The actress explains how processing this past trauma has allowed her to explore complex themes of survival, resilience, and transformation through her new work.The Artistic VisionAs an actress known for her nuanced performances in films like The English Patient and Chocolat, Binoche brings a unique perspective to directing. Her directorial debut reportedly explores themes of vulnerability and strength, drawing directly from her personal experience. The film represents a departure from her on-screen roles, showcasing her ability to shape narratives from behind the camera while maintaining the emotional depth that has defined her acting career.The Industry ImpactBinoche's transition to directing represents a significant development in the film industry, particularly for established actors exploring new creative avenues. Her success could inspire other performers to venture into directing, potentially bringing fresh perspectives to filmmaking. The industry has seen similar transitions from actors to directors before, but Binoche's approach—rooted in personal trauma and healing—offers a unique narrative that may resonate with audiences seeking authentic, emotionally resonant stories.Future ProjectsFollowing her directorial debut, Binoche has indicated that she plans to continue developing projects that blend her acting experience with her growing expertise in directing. The actress has expressed interest in exploring more personal stories and collaborating with emerging talent, suggesting that her transition to directing may mark the beginning of a new chapter in her already illustrious career. As she balances both acting and directing roles, Binoche is positioning herself as a multifaceted artist with a distinctive voice in contemporary cinema.

The Lead: Perry's Raw Return to Center Stage Linda Perry, the iconic singer-songwriter behind 4 Non Blondes and hitmaker for stars like Christina Aguilera and Pink, is stepping back into the spotlight after years working behind the scenes. Her new documentary "Linda Perry: Let It Die Here" and accompanying album capture her journey through breast cancer, the death of her abusive mother, and her complex emotional landscape as she reclaims her artistic identity. The Event Details: Cancer, Loss, and Creative Resilience The documentary, directed by Don Hardy who had been filming Perry at work, captures her just over a week after a double mastectomy, walking gingerly into her studio while carrying surgical drains she calls "blood grenades." As Perry recovered from surgery, her elderly mother—who had physically and mentally abused her as a child—became ill and died three months later. Perry took her mother into her home for her final months, setting up a bed next to hers, reflecting that "the best gift my mom gave me was a peaceful death." The Creative Process: From Personal Pain to Artistic Expression Perry's new solo album, her first in 27 years, is a visceral, propulsive work about her mother's death and the complex feelings it unearthed. Songs include "I Am Daughter," "Now That She's Gone," "Liberation," and "What Lies With You," in which she calls her mother "the villain and the muse." The documentary shows Perry's songwriting prowess in action as she jams with Dolly Parton and Kate Hudson, while also capturing her hosting an event at South By Southwest for EqualizeHer, an organization she co-founded to promote gender equality in the music industry. The Industry Impact: A Voice for Gender Equality Perry has long been an advocate for gender equity in music. Early in her career, she was famously denied a producer credit on "What's Up," the track that sent 4 Non Blondes stratospheric. She let it go at the time but vowed it would never happen again. Through EqualizeHer and her own experiences, Perry continues to challenge the industry's gender disparities. The documentary also captures her re-formed 4 Non Blondes performing at the BottleRock festival, where she insisted on performing new material rather than just their old hits, stating "I want to play something new." The Personal Journey: Confronting Trauma and Finding Strength The documentary offers intimate glimpses into Perry's personal struggles, including a scene where she's captured dancing goofily in her closet to Supertramp's "Take the Long Way Home," which triggers deep emotional release. Another powerful moment shows her ripping open her shirt during a photoshoot in the desert to reveal her surgical scars, describing it as "ad-lib, a kind of a 'fuck-it' moment" that felt powerful afterward. Perry admits she's a workaholic who finds safety in creating: "Like most people who are in trauma, I am afraid to be left alone. Creating, working and music is where I feel safe." The Future Outlook: New Music and Continued Advocacy Perry's re-formed 4 Non Blondes are working on a new album due out early next year, based on material she wrote specifically for festival performances. She continues to collaborate with other artists, including Paris Jackson and Mike Campbell of Tom Petty's Heartbreakers. While the documentary was difficult for Perry to watch—"It was like watching a horror movie"—she recognizes its therapeutic value: "I think maybe the film helped me process and see something I didn't know I was doing." As she walks into the distance at the end of the documentary, Perry reflects: "Everything I've just experienced is going to change my life drastically. Life and death happened just now, so let's see what happens from here."

The Historic Abbey Road Listening SessionStudio Two at Abbey Road was transformed into an intimate setting for a remarkable event as Paul McCartney surprised 50 competition-winning fans with an exclusive preview of his new album, "The Boys of Dungeon Lane." The legendary musician, dressed casually in an armchair with just his guitar and memorabilia surrounding him, created a living-room atmosphere in the very space where The Beatles recorded most of their iconic hits between 1962 and 1970.A Personal Journey Through Music and MemoryOver 90 minutes, the world's most successful living songwriter took fans on a deeply personal journey, sharing memories of his youth in Liverpool, anecdotes about his friendship with John Lennon and George Harrison, and insights into his songwriting process. As each track played, McCartney mouthed the lyrics and mimed along to the instruments, visibly moved by the emotional connection to his work.The Making of "The Boys of Dungeon Lane"The album began, McCartney explained, with a chance discovery five years ago during a meeting with producer Andrew Watt. While idly playing guitar, he stumbled upon an unfamiliar chord that evolved into a three-chord sequence, becoming the opening track "As You Lie There." The record, billed as his most personal to date, turns inward to postwar Liverpool, his parents' resilience, and early adventures with The Beatles, with McCartney playing a wide array of instruments across the tracks.Emotional Connections to the Past"This was a lot of memories of Liverpool for me," McCartney shared, "but also any days we've left behind. Everyone's got them – school, old mates." The album's title track references Dungeon Lane near the River Mersey, where he roamed as a boy, and contains what he called a "secret code" and promise made to Lennon at his childhood home: "I stand by what I said, the promise that I made will never be broken."The Legacy ContinuesOutside the studio, tourists continued to gather at the famous zebra crossing immortalized on The Beatles' Abbey Road album cover, seemingly unaware of the historic moment unfolding nearby. This intimate preview at the hallowed ground where The Beatles created so much of their musical legacy represents a full circle moment for McCartney, who continues to find new inspiration while honoring his extraordinary past.

Cole’s First Head‑Coach Role Marks a Turning PointAfter seven years of coaching on the training‑ground, former England defender Ashley Cole stepped into his inaugural head‑coach position at Cesena in mid‑March 2026. The appointment follows a personal journey that began when Cole met his wife Sharon Canu in Italy and has culminated in a dugout of his own in the Emilia‑Romagna city.Cole’s Appointment as Cesena Head CoachThe club, owned in part by American businessman Mike Melby, dismissed manager Michele Mignani and turned to Cole to inject “an exciting, energetic team that plays on the front foot.” Cole, 45, highlighted his seven‑year apprenticeship under various coaches and expressed gratitude for the opportunity, noting that his experience “means there is nothing more I could do to prepare.”Cesena’s Current Standing and Early ResultsLeague position: 9th in Serie B (as of 29 April 2026)Recent form: lost opening match under Cole, followed by a 3‑1 victory over playoff rivals CatanzaroWinning streak before appointment: 0 wins in the previous six‑seven gamesThe early win sparked a brief surge in fan enthusiasm, but consistency remains a challenge as the squad adapts to Cole’s tactical shift.What Cole’s Philosophy Means for Serie B and the ClubCole advocates a possession‑based, attacking style that emphasizes “intensity without the ball” and keeping wingers forward. He acknowledges the defensive realities of Serie B—teams often sit deep with ten men—but argues that controlling the ball creates more scoring opportunities and allows effective pressing. This approach could differentiate Cesena from the traditionally pragmatic clubs in the division and potentially raise the tactical standard of the league.Future Outlook for Cole and CesenaIf Cole can translate his philosophy into consistent results, Cesena could climb into the playoff zone and perhaps challenge for promotion to Serie A. For Cole, success would cement his transition from elite player to respected manager, opening doors to higher‑profile appointments. Conversely, failure to adapt could see the club revert to a more conservative setup and Cole’s managerial ambitions stall.

The Passing of a Folk Icon Beverley Martyn, the spirited British folk singer renowned for her sublime solo work and pivotal collaborations, has died at the age of 79. Her passing marks the end of an era for the British folk scene, a genre she helped shape through both her artistry and her resilience. The "Happy New Year" Session: A Hidden Gem of Rock History Beyond her folk roots, Martyn was a formidable session musician whose talent was recognized by rock giants. Her 1969 single "Happy New Year" stands as a testament to her versatility, featuring a pre-Led Zeppelin lineup of Jimmy Page and John Paul Jones. Page himself acknowledged her as a "shining talent," a rare early endorsement that foreshadowed her significant impact on the music industry. Early Career: Born Beverley Kutner in 1947, she moved to London to attend drama school. Session Work: Played on Randy Newman's "Happy New Year" and Donovan's "Museum." Monterey Pop: Performed with Paul Simon at the 1967 festival. Resilience and Reclamation: The John Martyn Chapter While her collaborations with figures like Paul Simon and Nick Drake highlight her artistic merit, her personal journey offers a profound insight into the challenges of the 1960s counterculture. Her marriage to John Martyn was a complex interplay of love and struggle, complicated by his severe substance abuse. Despite the turbulence, Martyn remained a stabilizing force, raising their son Wesley and later her own children. Her decision to step back from music to focus on family was not an abandonment of art, but a necessary survival strategy. Her eventual return with the 2014 album "The Phoenix and the Turtle" was a triumphant reclamation of her narrative, proving that her career was not defined solely by her marriage but by her enduring talent. A Legacy of Quiet Influence Beverley Martyn's legacy is that of the "quiet power" in music history. She was a bridge between the folk revival and the rock establishment, a collaborator who elevated the work of others while maintaining her own distinct voice. As the music industry continues to re-evaluate the contributions of female artists from the 1960s and 70s, Martyn's story of resilience and artistic integrity will undoubtedly inspire future generations of musicians.