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The World Cup's Slow Build-Up Organizationally speaking, the 2026 World Cup began on 13 June 2018, when then-Fifa general secretary Fatma Samoura sternly instructed the delegates to cast their vote in a cavernous conference hall in Moscow. Yet mere days away from the tournament’s kickoff in Mexico City, it doesn’t really feel like the thing is here yet. At least, not in the US. And not in New York, the host city for the final. Player Perspectives on the World Cup Tyler Adams and Weston McKennie, who will probably make up much of the United States men’s national team midfield this summer, were 19 when their home country was named as a co-host. That’s when they knew that their nation, for which both men had made their senior debuts on the same day seven months earlier, had qualified automatically as one of the three co-hosts. “For me, it started to feel real probably after [this past] season finished, because we had a lot of pressure at our club level,” said McKennie. “So I wanted to just finish my season off with Juventus and then, after that … I think it’ll start to hit me more. Obviously, whenever you get the message that you’re named to the roster, that’s another big moment where you realize, OK, it’s starting.” The Marketing and Branding of the World Cup The most evidence of the impending tournament can be found in the various businesses that sponsor the thing. Shop for a bucket of paint or a rake at a hardware chain and you may stumble on some signage, if you’re paying attention. Pharmacies have plush mascots for sale among other officially licensed trinkets. “To see all the different branding and things that are being put up around the country has made it that much more real in the past couple weeks,” said the US captain, Tim Ream. Anticipation and Reality Weighing anticipation and the present is a tricky balance for players to strike. They are expected to live day to day, practice to practice, game to game. And for the US, absent a qualification process that stretched over a year or two, they lacked the usual signage that demarcates the cycle. “I think I kind of felt it on the horizon,” said Christian Pulisic. “Obviously, you’re focusing on what you’re doing at your club, but I’d say once I got here and kind of was with the team and felt these fans and support and buzz around the World Cup, is when I really started to feel it.”

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Breaking the Drought US men's national team star Christian Pulisic had been under immense pressure due to his goal-scoring drought, which had stretched back to November 2024. The Milan midfielder hadn't scored a goal for club or country in nearly six months, leading to constant questions about his form and the pressure it created for him and the team. The Turning Point On Sunday, Pulisic finally found the back of the net, scoring a crucial goal in a 3-2 win against Senegal. This victory was much-needed for the US team, which is set to host the World Cup. Pulisic's goal came after a lovely assist to Sergiño Dest on the US's opener. He then showed off his finishing skills on their second goal, rounding the goalkeeper and finishing neatly from a tough angle. The Impact The goal seemed to lift a significant weight off Pulisic's shoulders. In the mixed zone after the match, he expressed relief that he could finally talk about breaking the spell rather than extending it. "Hopefully now people can stop talking about it," Pulisic told reporters. "It felt great. I've felt this confidence [the whole time]. I've played really well in recent months … I feel good and now, obviously this was just a friendly – we have big games ahead and I have to be ready." The Coach's Perspective US head coach Mauricio Pochettino praised Pulisic's performance, noting that he played well in 45 minutes. However, Pochettino also emphasized that Pulisic still has potential to improve. Teammates' Support Pulisic's teammates have been supportive throughout his drought. Weston McKennie expressed confidence in Pulisic's abilities, stating, "Any player goes through high and low moments in their career. Obviously I think the outside world may have been worried and questioning 'what he's gonna look like, is he gonna be in form?' But I think Christian has shown countless times at club level and country level that he shows up in the moments that we need him the most."

The Harsh Reality of Penalty Shootouts The greatest lie ever told about penalty shootouts is that they are a lottery. This is a recognisable and trainable footballing skill, a test not just of ball-striking and placement but research, psychology, mettle under pressure. Arsenal's Unfortunate Loss Were Arsenal unlucky in Budapest, then? Once we sieve out the righteous rage and endless counterfactuals, the minor quibbles over major refereeing calls, Arsenal probably got what they deserved. To lose on penalties after making the defending champions sweat and fluster for 120 minutes is undoubtedly harsh. The Data Analysis Arsenal's style of football is geared explicitly towards narrowing the range of realistic outcomes, and then catching the breaks that remain. The team's tactics and gameplan largely brought them to this point. Arsenal's recruitment in the last few windows has put a premium on bolstering the back line, adding depth, bringing up the overall level of the squad rather than signing the electrifying X-factor players who can win a big game with a moment of brilliance. The Impact Analysis The gulf in resources is obviously a factor here, but so too the gulf in priorities. Clubs who can rely on the largesse of a state have much fatter margins for error. An expensive misstep on the scale of the Neymar/Messi/Mbappé fiasco would derail most clubs for a decade. Paris, on the other hand, can simply shrug it off and go again. The Prediction Future generations may marvel at Arsenal's fortune in reaching a Champions League final by beating Bayer Leverkusen, Sporting Lisbon and Atlético Madrid. Will the circumstances really be any more favourable for them next time? The window of opportunity at the very highest level is vanishingly small, contingent on luck as well as skill, and has no guarantees of coming again.

The Rise of Sam Campbell Sam Campbell's journey from Australian standup comedian to Britain's most distinctive comedic voice represents a fascinating evolution in modern comedy. Since moving to the UK in the early 2020s, the 34-year-old has carved out a unique space in the British comedy circuit with his irreverent style that swings between hammy overacting and childish belligerence. His approach forces observational comedy through an absurdist filter, with contrarian takes covering everything from hand sanitiser and dragonflies to Ferrero Rocher and Bratz dolls. This distinctive voice earned him the prestigious Edinburgh comedy award in 2022, followed by an arrogant victory lap the next year with his single 10-minute performance titled Bulletproof Ten. The Unconventional World of "Make That Movie" Channel 4's new series "Make That Movie" represents Campbell's boldest creative venture yet. The show-within-a-show format stars Campbell as an alternative version of himself: a pompous director whose creative well has run dry. He invites the public to share their bizarre movie ideas, which he and his dysfunctional crew then develop into actual feature films within the framework of a shoddy reality program. Each episode concludes with the film's premiere, creating a viewing experience that's equal parts hilarious and bewildering. The production process was remarkably hands-off, with Campbell noting that the production company was busy working on an animated Ricky Gervais series about cats, "so we sort of got left to our own devices." This creative freedom was bolstered by Channel 4's head of comedy, Charlie Perkins, a longtime champion and collaborator of Campbell's who was described as "very trusting" despite initially not fully understanding the concept. Campbell's Comedy Philosophy What sets Campbell apart in the comedy landscape is his instinctive approach to humor. As director Joe Pelling observes, "Sam doesn't really seem like someone who's prone to super analysing his stuff too much. He's just led instinctively by what's funny." This gut-driven creativity manifests in his standup material, which subverts and simultaneously adheres to observational comedy tropes. In "Make That Movie," this translates to embracing obviously "dumb" ideas with deadpan seriousness, finding humor in taking film-making too seriously, especially when disaster strikes. The series features an ensemble cast largely drawn from Campbell's friendship circle, including fellow Australian comic Aaron Chen as the nerdy yet incompetent Sebastian, whose parents fund the entire enterprise. Exuberant standup Helen Bauer plays against type as grumpy sound engineer Pat, while 86-year-old actor David Hargreaves completes the gang as cinematographer Winnie. Dressed in matching purple jumpsuits, the team's aesthetic blends Ghostbusters with Scooby-Doo, creating what Pelling describes as a "real-life cartoon feel" to prevent the show from feeling bleak and strange. Campbell's Impact on British Comedy Campbell's influence extends beyond his own series to reshape the British comedy landscape. His triumphant stint on Taskmaster led to numerous appearances as the resident oddball on panel shows like Would I Lie to You?, 8 Out of 10 Cats Does Countdown, and QI. His most high-profile gig to date was this year's series of Last One Laughing UK, where he battled established comedians like Alan Carr, David Mitchell, and Bob Mortimer with unconventional material including duck impressions and claims of dining next to "mole people" during Eat Out to Help Out. What makes Campbell particularly distinctive is his deadpan delivery that proved more than just a mask during Last One Laughing UK. His composure was so unshakable that producers eventually had to implement a rule change, with Campbell ultimately losing to David Mitchell by virtue of having made marginally fewer contestants crack up. This ability to maintain his comedic vision despite external pressures has solidified his reputation as a uniquely uncompromising comedic voice. The Future of Alternative Comedy As Campbell continues to gain prominence, his success signals a promising future for alternative comedy within mainstream media. His willingness to embrace absurdity while maintaining underlying comedic logic suggests that there's significant appetite for comedy that challenges conventional formats and expectations. The fact that Channel 4 has given him such creative freedom indicates that broadcasters are increasingly recognizing the value of distinctive voices over formulaic approaches. Looking ahead, Campbell's career trajectory suggests he'll continue to push boundaries while maintaining his unique comedic identity. Whether through more television projects, standup specials, or other creative ventures, his instinctive approach to humor and refusal to second-guess himself positions him as a comedian who will likely continue to surprise and delight audiences while expanding the possibilities of what comedy can be.

The Lead Declan Rice has promised that Arsenal “are coming back for more” next season after putting aside their disappointment at losing on penalties in the Champions League final by parading the Premier League trophy in north London. Arsenal's Champions League Final Disappointment Paris Saint-Germain retained their European crown after a nail-biting shootout in Budapest, which ended with Gabriel Magalhães missing the decisive spot kick. Arsenal – who have played more games in the competition without winning it than any other club – reached the Champions League final for the first time since 2006 having made steady progress under Mikel Arteta in recent seasons. The Data Analysis Rice scored in the shootout and chanted “Set-piece FC” on a microphone as Arsenal showed off the Premier League trophy they won for the first time since 2004. Rice is set to miss England’s first warm-up game for the World Cup against New Zealand on Saturday as he has a few days off before linking up with Tuchel’s training squad in Miami. The Impact Analysis Rice believes the best is still to come from a squad that includes the exciting 16-year-old Max Dowman. “Speaking to the players, obviously the manager, there is no reason why we are stopping here,” he said. “Next season we are going to go even stronger and we are going to be ready again so it is exciting times for this club.” The Prediction “To see the joy we can give people is crazy. Next year, we’re coming back for more.” Arteta briefly addressed the crowd before four open-top buses also carrying the women’s team – who paraded the Fifa Champions Cup they won in February – started the five-mile loop around the streets of north London, with hundreds of thousands of supporters estimated to have turned out.

The Lead: Liverpool at a CrossroadsAs Liverpool prepares for life after Arne Slot, the club faces significant challenges that will define their immediate future. The Dutchman's tenure ended without the dominance expected, leaving a squad in need of strategic overhaul both on and off the pitch. The new manager inherits a team that must rediscover its identity while addressing key personnel departures and tactical shortcomings.Style Evolution: From Heavy Metal to Soft RockPerhaps Mohamed Salah's style of communication wasn't the slickest, but he was correct that Liverpool need to redefine the style of football they play. Everything on the pitch last season under Arne Slot felt very placid as Liverpool failed to dominate opponents and were often found overrun. The new head coach will want to demonstrate his plans and implement an attacking style to best use what is available to him. Anfield does not want to witness back-foot football, fans want to see a swagger to those in red. Supporters and Slot suffered from a disconnect in the final months. The Dutchman was hindered by not possessing the vivacious personality of Jürgen Klopp nor the results in the end, and the aforementioned tedious style. The successor will want to put fans at the forefront and build a strong bond between stands and dugout, built on a platform of attractive play.Investment Analysis: Underperforming Key SigningsAfter spending heavily last summer trying to build a squad capable of dominating the Premier League for years to come, it was difficult to pick out someone who thrived. Hugo Ekitiké was the best of the new arrivals but record signings Florian Wirtz and Alexander Isak barely made the season's footnotes. Isak could at least attribute his struggles to fitness and injury problems, including a leg fracture, but the German's first taste of English football was a sour one. He never looked comfortable as a No 10, physically finding it tough going as speed on the ball and strength in battle were lacking. Getting the best out of a clearly talented player must be a priority, because Wirtz has the capabilities to open defences and help Liverpool control games but needs a confidence boost and an arm around the shoulder.Structural Impact: Midfield Deficiencies and Leadership VacuumWirtz is part of a wider midfield issue that lacks physicality and an obvious No 6. Ryan Gravenberch was elected as the man for the role by Slot, which worked well when the possession stats were in Liverpool's favour but finding someone who can break things up effectively is advisable. Every other team have someone who can break up play but Liverpool lack someone in that role. Not since Georginio Wijnaldum or Fabinho have the club possessed someone capable of overwhelming opponents with their physical attributes and in an evolving sport, this oversight must end. Dominik Szoboszlai being moved around the pitch was unhelpful because he can be one of the best central midfielders in the world but needs a defined position to make his own.The players departing Anfield are weighed down with individual and team trinkets, thanks to the success they have enjoyed with Liverpool. Arguably, the influence of Salah and Andy Robertson on the pitch waned in their final season with the club but their experience and winning mentality will be a huge loss to the dressing room and training ground. Ibrahima Konaté is another exiting, providing a recruitment headache the club were not fully anticipating. It does beg the question if it is the right time to allow Alisson Becker, who has suffered from injury problems in recent times, to be sold and allow a new generation to start afresh, with Virgil van Dijk leading the transition. There are plenty of potential internal candidates who can take on greater responsibility but it may require a change in transfer strategy to acquire players in their late-20s with Champions League experience to help give the right balance.Defensive Rebuild: Addressing Key DeparturesKonaté's contract expiration will be softened by Jérémy Jacquet's impending arrival but further investment is required. Van Dijk's longevity is unknown so finding a partnership for the long term will be critical; a more rugged centre-back like Nottingham Forest's Murillo could be an ideal choice to offer balance and greater aggression. Competition for Milos Kerkez will be important, but if Andoni Iraola does take the job the reunion could get the best out of the Hungarian and get him to flourish after a mixed first year on Merseyside. On the opposite side, continuity would help everyone because Slot was forced to trying numerous people in the role, many out of position. Ideally, Conor Bradley or Jeremie Frimpong can make it their own, having struggled to replace Trent Alexander-Arnold, although both have suffered with injury problems. If they can stay fit, they both possess the quality to be a solution, especially if clever coaching can embrace their attacking prowess and incorporate more defensive discipline.Future Outlook: Rebuilding the AttackSlot insisted that new wingers would change the dynamic next season but he will not be the one to benefit. Salah is off, Federico Chiesa cannot carry on as a bit-part, so will almost certainly leave too, freeing up some space on the flanks. Rio Ngumoha offered brief teenage glimpses of excitement as someone with the pace and trickery to get past full-backs. Frimpong, brought in as a right-back, was more often found on the wing because he possessed the speed Slot desired in those areas, while also offering a further indication that the transfer dealings left a lot to be desired. They did not replace the maverick tendencies of Luis Díaz and Cody Gakpo has never looked a natural winger. Targeting new wide men will be imperative. RB Leipzig's Yan Diomande, Brighton's Yankuba Minteh or Athletic Club's Neco Williams would be ideal candidates to bring thrust to a side lacking dynamism and get supporters off their seats.

The United States men’s national team has confirmed a 26‑man roster and will face Senegal (Charlotte) and Germany (Chicago) as its last tune‑ups before the 2026 World Cup. With a mid‑cycle coaching change and a star striker in a prolonged scoring slump, the friendlies are a decisive laboratory for Mauricio Pochettino to lock in his starting XI and bench options. USMNT’s Final Warm‑up Schedule and Tactical Uncertainties Pochettino admitted he has a provisional XI in mind but remains open to adjustments after training sessions. The coach is unlikely to field a full‑strength side in both matches, preferring to experiment with formations that could shift between a 3‑2‑5 in possession and a 4‑4‑2 or 5‑3‑2 out of possession. Pulisic’s Goal Drought: Numbers That Matter Since 1 January, Christian Pulisic has taken 38 shots for Milan without scoring. In March friendlies he added 6 more attempts with no goal. He has logged 1,164 consecutive minutes for club and country – roughly 13 full matches – without finding the net. The striker’s dry spell is a focal point; a goal before the tournament could restore confidence and influence his role, potentially moving him from a half‑time substitute back to a starter. Defensive Options: Freeman’s Role and the Wing‑Back Conundrum The squad lists ten defenders, suggesting flexibility between a back‑four and a back‑three with wing‑backs. Alex Freeman emerges as a versatile option, having featured in all eight post‑Gold Cup friendlies and capable of operating as a traditional right‑back or a wide centre‑back in a three‑man defence. Freeman played all but three minutes of the US’s six‑match Gold Cup run. He started three of Villarreal’s final La Liga games at right‑back. His performance will determine whether he backs up Sergiño Dest or competes with Joe Scally for minutes. Bench Firepower: Reyna, Balogun and the Emerging Super‑Sub The expanded roster creates room for impact substitutes. Gio Reyna is the most obvious candidate, despite limited club minutes (520 Bundesliga minutes across 19 games for Borussia Mönchengladbach). His last season with over 625 league minutes was 2020‑21. Striker depth includes Folarin Balogun, who offers quick‑turn‑and‑shoot ability, and the contrasting styles of Ricardo Pepi (13 goals in 35 caps) and Haji Wright (7 goals in 20 caps). Both could earn bench minutes as tactical switches in the latter stages of matches. What the Friendlies Reveal About USMNT’s World Cup Prospects If Pulisic breaks his drought against Senegal, he may retain a starting spot, allowing Pochettino to rotate other attackers. Conversely, a strong showing from Reyna or Balogun could cement a super‑sub role that changes the team’s late‑game dynamics. Defensive clarity—whether the US adopts a three‑centre‑back system with wing‑backs or sticks to a traditional back‑four—will hinge on Freeman’s performances and Dest’s fitness. The outcomes of these two matches will shape the tactical blueprint for the group‑stage opener against Paraguay on 12 June.

The LeadIga Swiatek has called for the French Open to make changes to the layout of their courts after multiple players were forced to withdraw this week having been injured when tripping over obstacles at the back of the Roland Garros courts. The world number one player expressed concern that the current setup is not safe for competitors.The Court Safety CrisisThe most recent incident occurred on Friday when Turkish player Zeynep Sonmez ran into one of the Lacoste advertising boards placed at the back of the court and fell to the floor. After a medical time out, Sonmez, alongside her partner Tatjana Maria, was forced to retire from her second round doubles match while trailing 2-0.Earlier in the week, Belgian player Alexander Blockx was forced to withdraw after injuring himself on the rain covers at the back of a practice court. In a statement on Instagram, Blockx revealed: "Unfortunately during today's practice I heard a snap in my ankle while I sprained it thanks to the 'really necessary' covers at the back of the court at Roland Garros, which is why I had to withdraw from tomorrow's match."Great Britain's Katie Boulter also had a near miss, saying the boards need to be removed after she tripped on one during her second-round match. "THESE THINGS HAVE TO GO. Got lucky last night but next time I might not be…" she wrote on social media.Historical ContextThis is far from a new issue at Roland Garros, which uses these panels towards the back of the court to advertise their sponsors. In 2017, David Goffin was forced to retire from his third round match due to a similar incident. No other grand slam tournament places their rain covers behind the baseline, making the French Open unique in this aspect.The issue is particularly problematic on clay courts due to the tendency for players to move and defend from deeper positions on the surface. This increases the likelihood of players running into the obstacles at the back of the court during extended rallies.Tournament UniquenessThe French Open is the only big tournament that still uses line judges, with the tournament placing their boards next to lines people in the court. Arthur Ashe Stadium at the US Open is the only other grand slam court with advertising hoardings on the court, but those boards are pressed directly to the back wall, not placed in the playing area.This design choice has been a point of contention for years, with players consistently raising concerns about the safety implications of having obstacles in the playing area. Despite these concerns, the tournament has maintained this setup, citing tradition and sponsorship requirements.Player Reactions"I didn't see the incidents, but I heard about them," said Swiatek. "Obviously if these things happen, there needs to be a reaction, because there are other ways for us to be visible for sure, you know? It's a shame, and it shouldn't – I hope they're going to put them in a different place or just put the advertising in a different way there, because it's not safe for sure."After her straight sets win over Viktorija Golubic, Marta Kostyuk expressed skepticism that the tournament would make changes: "Honestly, I feel like there are some rules that no matter what happens, they just cannot be changed, and no matter how much you speak about it or how much you fight over it, it's just the rules. I don't know."Swiatek's Path ForwardDespite the concerns about court safety, Swiatek continues to build confidence and momentum in her first major tournament alongside her new coach, Francisco Roig. After projected tough opponents like Jelena Ostapenko and Elena Rybakina were eliminated in round two, Swiatek now faces a different challenge in the form of Marta Kostyuk.Kostyuk is on a 15-match winning streak and has not lost on clay this year after winning titles in Rouen and Madrid. "I definitely have a different feeling going into this match, because I feel like last time that I played her in Cincinnati, I lost this match way before it even started, and I don't feel the same this time," said Kostyuk.