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The Drive to Get Young Neets into the Military Young people looking for employment should “really seriously take a look at the armed forces”, according to the veterans minister, Louise Sandher-Jones. With more than 1 million 16 to 24-year-olds not in education, employment, or training (Neets), everyone that age is aware of how bleak the job market is at present. But not all agree about whether the military is the answer. Personal Experience with the Military Alexandra Williams is from rural Lincolnshire and studied law at a university in Manchester. She went in with the intention of becoming a lawyer, but early on was led to believe that would be impossible. “One of my lecturers was like: you’ve got no contacts, you’re not going to get anywhere,” she says. Looking for opportunities, she joined the local University Officer Training Corps, an army reserve unit that exclusively recruits university students. Criticisms of the Military Recruitment Drive However, various peace organizations have expressed concern that the military is preying upon young people with fewer and fewer options available to them. Emma Sangster is a coordinator at Forces Watch, an organisation that campaigns against militarism in civil society. It is one of 13 peace groups that recently petitioned ministers to rule out conscription, a threat that for the first time in generations seems “very real”. The Data Behind the Recruitment Drive The Ministry of Defence pledged £70m to expand the Cadet Force by 30%; this February it announced it would place military personnel in jobcentres to recruit for the army, aiming for tens of thousands of new recruits. However, Jim Wyke from the Child Rights International Network said the idea that army recruitment – approximately 10,000 under-25s every year – could make a dent to youth Neet figures was “ludicrous”. The Impact on Youth Unemployment In fact, he says, in the under-18 category, recruitment to the army is a net generator of Neets, because the drop-out rate is so high – about 30% in 2022-23 – at the Army Foundation College in Harrogate, where junior soldiers train, compared with 6-15% for under-18s in different types of civilian further education. The Future of Youth Employment Will O’Donnell, a final year SOAS student studying politics and international relations, agrees. In light of how “cooked” his generation is, with fewer than 10,000 graduate jobs available for close to a million university leavers, he says army recruitment “doesn’t plug the gap at all”. “Seeing our friends in the years above struggle in the job market, there is a real sense of doom and gloom about where our career prospects lie. This is a much bigger problem than simply telling people to join the military”.

The LeadPrice is not a reliable indicator of whether a T‑shirt is ethically made or durable. Researchers and industry experts explain why a higher price tag does not guarantee better labour or environmental standards, and why a very low price should raise suspicion.Price vs Ethics: What the Research ShowsGood on You founder Gordon Renouf notes that their rating of over 7,000 brands shows no clear link between price and ethical performance. Dr Eleanor Scott of the University of Leeds adds that higher retail prices often reflect branding, marketing and retailer margins rather than improved standards.University research, in partnership with the Waste Resource Action Programme, tested the top 10 best‑performing T‑shirts and found that six of them cost less than £15, outperforming many expensive alternatives, including one priced at £395.Numbers Behind the Claim7,000+ brands rated on worker and animal welfare, plus sustainability.Top 10 tested T‑shirts: 6 priced under £15, 1 priced at £395.Low‑price fast‑fashion items such as £3 or £5 T‑shirts cannot cover living wages or responsible material sourcing.Affordable ethical examples: Yes Friends starts at £12; Rapanui from £18; Brothers We Stand at £20; THTC at £30.Implications for Consumers and BrandsFor shoppers, a very low price should be treated as a warning sign, while a higher price is no guarantee of ethical credentials. Brands that adopt large‑scale production, low margins and direct‑to‑consumer models—such as Yes Friends—demonstrate that ethical standards can coexist with competitive pricing.However, experts caution that scaling such models is challenging, especially for smaller sustainable labels that lack buying power.Looking Ahead: How the Market May EvolveAs transparency tools like Good on You gain traction, consumers are likely to rely more on verified ratings than price cues. The industry may see a gradual shift toward business models that decouple ethical outcomes from premium pricing, while regulators and NGOs push for clearer price‑floor guidelines to protect workers and the environment.

The Lead: Roni Horn's Artistic JourneyAt 70 years old, renowned artist Roni Horn presents "Seizure of Hope," her first solo exhibition in London in a decade at the prestigious Hauser and Wirth gallery. The exhibition features 76 graphite drawings exploring the complex emotion of being "paralysed with hope," a phrase that has become central to Horn's recent work. This comes after a notable incident where Horn was removed from a flight due to a dispute with a flight attendant, an experience that reflects her androgynous identity and quiet rebellion against authority in today's world.The Exhibition: Visualizing ParadoxStepping into the gallery on Savile Row, visitors encounter 76 drawings rendered in "very, very soft" graphite pencil with wax pencil, each repeating the handwritten phrase "I am paralysed with hope." The installation is deliberately arranged with uneven gaps between frames, creating spaces where meaning slips and falters. Horn describes these works as capturing "an endless silent scream feeling," born from her experience of losing friends and observing how "the last thing to go is hope" during illness.The exhibition also includes a solid cast glass sculpture resembling a large ice cube, titled "What Happens to the Hole When the Cheese is Gone?"—a reference to Bertolt Brecht. This piece, made by pouring molten glass into a mould that hardens slowly over months, embodies Horn's fascination with ambiguity and the in-between states of existence.Artistic Philosophy: Embracing AmbiguityHorn's work consistently explores themes of mirroring, doubling, and repetition. She deliberately avoids direct answers, embracing ambiguity as a core artistic principle. Her approach is described as "serenely anti-authoritarian, revelling in the absurd and the contradictory." The unpindownable nature of her work, which spans photography, drawing, sculpture, and film, gives it vitality and presence without ostentation.The phrase "I am paralysed with hope" first captured Horn's attention around the time of "the political downfall of America" and has since appeared in multiple works, including her conceptual diary LOG created during lockdown and her 2023 exhibition at Centro Botin. The smudged, varied handwriting in the drawings reflects Horn's self-described "atrocious" handwriting that once required multiple signatures for banking purposes.Cultural Context: Art in Turbulent TimesHorn's work resonates particularly strongly in contemporary society, where contradictions and uncertainties abound. Her exploration of hope as both paralyzing and enduring speaks to the collective experience of living through political and social upheaval. The artist's experience of being removed from a flight due to a seemingly minor incident underscores the tensions present in today's world, particularly for those who don't fit conventional expectations.The exhibition's title, "Seizure of Hope," suggests both a capture and a taking of hope—a complex relationship that Horn explores through her repetitive, meditative drawings. This approach to hope as something that persists even in darkness offers a nuanced perspective on human resilience in challenging times.Future Directions: The Persistence of HopeAs Horn continues to create work that embraces ambiguity and contradiction, her exploration of hope appears likely to remain central to her artistic practice. The artist's commitment to staying "in the unknown and the in-between" suggests future works that will continue to challenge viewers' expectations and offer spaces for reflection on the complexities of human experience.The exhibition at Hauser and Wirth represents not just a showcase of Horn's current work but a continuation of her decades-long exploration of material, form, and meaning. As she approaches her eighth decade, Horn shows no signs of diminishing her artistic ambition or her willingness to confront difficult emotions and ideas through her distinctive visual language.

Authors and Readers Share Their Favorite Reads of May In a recent article, The Guardian shared recommendations from writers and readers on the books they enjoyed in May. The list includes a diverse range of titles that have captured the hearts of readers. Recommendations from Madeleine Thien Madeleine Thien, author of 'The Book of Records', shared her favorite reads, including: Dorothy Tse's 'City Like Water', a novel translated from Chinese by Natascha Bruce Karen Hao's 'Empire of AI' Hsiao-Hung Pai's 'Scattered Sand: The Story of China's Rural Migrants' Hannah Lillith Assadi's 'Paradiso 17' Michael Ondaatje's selected poems, 'The Distance of a Shout' Stephen's Recommendation Stephen, a Guardian reader, recommended: Francis Spufford's 'Nonesuch', a mystical and captivating read set in early wartime London Sufiyaan Salam's Recommendations Sufiyaan Salam, author, shared his favorite reads, including: Monika Radojevic's 'Strangerland', a story about immigrant parents' love story in pre-smartphone London Alan Moore's 'From Hell', a graphic novel weaving together London's past, present, and future The Oxford Shakespeare, for its insight into the playwright's life and times Sue's Recommendation Sue, a Guardian reader, recommended: Lisa Ridzén's 'When the Cranes Fly South', a moving story about love, friendship, and the end of life

The Lead Mindy Kaling's latest sitcom, 'Not Suitable for Work', attempts to bring back the charm of classic shows like Friends, but ultimately falls short. The show revolves around five young adults navigating life and love in Manhattan, but its predictable plot and lackluster dialogue make it feel like a rehash of familiar tropes. The Show's Concept and Characters The show follows the lives of five friends living in two apartments across a hallway in Manhattan. The characters include AJ, an ambitious first-year analyst at a merchant bank; Kel, a medical student who longs to be an actor; Davis, a people-pleaser and romantic; Josh, a 'super woke' child of privilege; and Abby, AJ's college friend. While the characters have some diversity, with two people of color in the main cast, the show's overall feel is reminiscent of classic sitcoms. The Dialogue and Plot The show's dialogue often feels forced and unnatural, with jokes that fall flat. The plot is predictable, with characters facing obstacles and entanglements that are easily anticipated. For example, AJ's boss is an arrogant but attractive older man who gets into an argument with her, and the outcome is never in doubt. The Bright Spots Despite the show's overall lackluster performance, there are some bright spots. Michael Benjamin Washington brings his unique energy to the role of the group's landlord, Antoine, and adds much-needed flavor to every scene he's in. Greg Germann's comic chops as Josh's father, David, are also welcome, and Jay Ellis as AJ's boss, Bill Gibson, brings astringency to the show. The Verdict 'Not Suitable for Work' is an easy watch, but its charms may not grow on audiences. While the joke hit rate picks up as the episodes go on, the show feels like a rerun of familiar sitcom tropes. If you're a fan of Mindy Kaling's previous work, you may want to give it a try, but otherwise, there are better shows to watch.

The Lead: WWDC 2026 Anticipation Builds As Apple's Worldwide Developers Conference, WWDC 2026, approaches, excitement is building around what Apple has in store for us this year. From Siri's overhaul to new Apple Intelligence updates, there's a lot to look forward to. Siri's Major AI Upgrade and Standalone App The most anticipated announcement is a major AI upgrade to Siri, transforming it into a more conversational assistant capable of understanding context, handling multi-step tasks, and interacting more naturally across apps and services. The revamped Siri will leverage Google's Gemini technology to enhance its capabilities. Additionally, recent leaks from Bloomberg have unveiled a standalone Siri app that aims to compete with advanced AI chatbots like ChatGPT, Claude, and Gemini. Apple may also introduce a feature reminiscent of messaging apps, enabling users to set timers for automatically deleting conversations after 30 days, a year, or keeping them indefinitely. Apple Intelligence Updates According to The Information, Apple plans to introduce an AI agent integration with the app store. While details are scarce, agents allow users to delegate tasks such as booking reservations, managing everyday tasks, editing documents, or controlling smart home devices. Camera and Photos App Enhancements A new 'Visual Intelligence' section is anticipated to be introduced within the Camera app, taking the place of the previous Visual Intelligence feature found in the Camera Control button. This upgrade will introduce a dedicated Siri mode that exists next to options like Photo, Video, Portrait, and Panorama. The Visual Intelligence feature leverages Google Image Search to accurately identify objects captured by the user. In addition, the Photos app is set to receive exciting enhancements powered by Apple Intelligence. These may include intelligent scene recommendations for optimizing photos, automatic object removal for cleaner images, and an innovative AI photo editing feature that allows users to request edits simply by using natural language. Other Expected Updates Apple is set to upgrade the Image Playground app, introducing higher-quality image generation, more artistic styles, better character consistency, and richer editing controls. The interface for creating new images will be simplified, offering fewer controls and a 'describe a change' option for editing. Additionally, we might see a suggested Genmoji feature that proposes custom emojis based on users' media and text interactions. Users may also be able to generate AI wallpapers that reflect various themes and moods. Notable updates are rumored to be coming to the Wallet app, particularly a new bill-splitting feature that will simplify sharing expenses among friends or family. Users will be able to photograph a receipt and generate payment requests to different parties effortlessly. Alongside this, the Wallet app will also include a 'Create a Pass' option that enables users to generate digital passes from physical items such as movie tickets, concert passes, or gym membership cards. The Future of AI-Powered Siri Apple is expected to enhance its AI-powered Siri experience across its devices, as well as likely incorporate more AI features and stability updates.

The Passing of a Literary IconMarjane Satrapi, the French-Iranian artist, film-maker and graphic novelist whose acclaimed memoir Persepolis helped reshape international perceptions of Iran, has died at the age of 56. In a statement provided to French news agency AFP, relatives said she had "died of sadness" after the death of her husband, the Swedish producer Mattias Ripa, who passed away on 8 April last year.A Life of Art and ResistanceBorn in 1969 in Rasht, Iran, near the Caspian Sea, Satrapi was raised in Tehran by her father, an engineer, and her mother, a dress designer. As a teenager, she left Iran after her parents sent her to Europe to continue her education, hoping to spare her from the restrictions imposed under the Islamic Republic. She eventually settled in France, arriving in 1994 and later becoming a French citizen in 2006.Throughout her life, Satrapi was a vocal opponent of Iran's clerical establishment. In 2000 she published Persepolis, a comic book memoir that became an international publishing phenomenon. It told the story of a rebellious and outspoken young girl navigating the upheaval in Iran after the shah is overthrown in 1979 and the establishment of the Islamic Republic.The Impact of PersepolisThe memoir sold millions of copies, established Satrapi as one of the most widely read Iranian authors in the world, and its success challenged many western assumptions about Iranian society and culture. Satrapi later co-directed the animated film adaptation of Persepolis, which became an international hit and earned her a place in Oscar history as the first woman nominated for the Academy award for best animated feature.Satrapi has described how she initially had little expectation that Persepolis would reach publication. At the time, she was still an arts student in Strasbourg and had relatively limited professional experience in comics. "With Persepolis, I didn't even think I'd find a publisher," she said in a 2020 interview. "I thought I'd make 50 photocopies for my friends to read."A Voice for Iranian WomenSatrapi went on to direct five feature films, including Radioactive (2019), starring Rosamund Pike as the pioneering scientist Marie Curie. After leaving comics for years, in 2024, she returned to the medium, coordinating Woman, Life, Freedom, a collaborative graphic work bringing together 17 Iranian and international comic artists alongside academics and researchers. The book examined the protest movement that emerged after the death in custody of Mahsa Amini, a 22-year-old Kurdish-Iranian woman detained in 2022 for allegedly failing to comply with Iran's mandatory headscarf rules.Discussing the book, Satrapi said: "The only thing I can do is cultural work ... This book is a message to the Iranian people to say, listen, you are not alone."A Legacy of Freedom and ExpressionTributes have been paid to Satrapi from across French politics and culture following news of her death. President Emmanuel Macron said Satrapi was "a great artist who turned her Iranian childhood into a universal tale," adding: "With her childlike perspective, her irony, her tenderness, her inner demons, the author created a moving world with which readers identified."French journalist Tristane Banon paid tribute to Satrapi on X, writing: "Marjane ... you won't call me to wish me a happy birthday and 'celebrate those little cheeks that I adore'... and I can't get over it. You were freedom and determination. Courage too. One day, the Iranian people will be free, with you and as much as you."

The Lead Yard Act, a British band known for their post-punk energy and witty lyrics, has released their third LP, You're Gonna Need a Little Music. In a recent interview with The Guardian, lead singer James Smith opened up about the band's new sound, their struggles with self-doubt, and their experiences with bullying. Confronting Self-Doubt and Imposter Syndrome Smith's lyrics have always been characterized by their honesty and vulnerability. On their new album, he tackles themes of self-doubt and imposter syndrome head-on. In the opening track, Empty Pledges, Smith sings about feeling like an impostor and questioning his own abilities. This sense of uncertainty is a recurring theme in the album, with Smith frequently fluctuating between confidence and worry. The Power of Vulnerability In a conversation with bassist Ryan Needham, it's clear that the band's vulnerability is a key part of their appeal. Needham admits to having "absolutely zero" self-belief before, but notes that having a mix of self-doubt and self-belief has helped them stay on a steady path. Smith agrees, saying that it's about having self-belief without being arrogant. Exploring New Sounds You're Gonna Need a Little Music marks another evolution in Yard Act's sound. The album features a more eclectic array of influences, from Blur and the Prodigy to disco house and desert rock-era Arctic Monkeys. Smith's lyrics are also more surreal and impressionistic, with songs like Redeemer showcasing his unique wordplay. Confronting the Past One standout track on the album is Down By the Stream, which recounts Smith's experiences of childhood bullying. The song is a powerful exploration of guilt and regret, and Smith reveals that the people he sang about have been in touch and are now friends. The Future of Yard Act As Yard Act continues to evolve and experiment with their sound, it's clear that their vulnerability and honesty will remain at the heart of their music. With You're Gonna Need a Little Music, they've created an album that's both a reflection of their own struggles and a testament to the power of self-belief.

Executive Summary: Netanyahu Reaffirms Ties with Trump Amid Public InsultIn a CNBC interview, Benjamin Netanyahu dismissed claims of a deteriorating relationship with Donald Trump, despite the U.S. president’s recent admission that he called the Israeli leader “f***ing crazy.” Netanyahu described Trump as “the greatest friend that Israel has ever had in the White House” and emphasized mutual respect.Trump’s “Crazy” Comment and Netanyahu’s Public RebuttalTrump confirmed to the New York Post that he berated Netanyahu over Israel’s escalation in Lebanon, labeling the prime minister “crazy.” Netanyahu responded by framing the exchange as a “tactical disagreement” within a broader “great friendship,” noting that they can disagree in the morning and act together by afternoon.Absence of Immediate Market or Policy ShiftsNo concrete financial data or policy changes were reported following the exchange. Stock indices and bond yields for Israel and the United States showed no discernible movement in the hours after the interview, suggesting the remarks have not yet translated into measurable market impact.Implications for US‑Israel Coordination on Lebanon and HezbollahThe dialogue underscores ongoing cooperation on the shared goal of disarming Hezbollah and stabilizing Lebanon. While Trump praised Netanyahu’s willingness to work, Israeli military actions in southern Lebanon—including displacement of civilians and attacks near Beirut—continue to risk derailing broader U.S.–Iran diplomatic efforts.Outlook: Potential Stabilization or Continued Diplomatic FrictionBoth leaders claim alignment on Lebanon policy, yet the on‑ground reality—persistent fighting, humanitarian displacement, and Hezbollah’s rhetoric—suggests that diplomatic friction may persist. Future U.S.‑Israel talks in Washington could either cement a coordinated approach or expose deeper strategic divergences if Israeli operations intensify.