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A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Silenced Whistleblower: A Hay Festival FirstFacebook whistleblower Sarah Wynn-Williams was forced to sit in silence on stage at the Hay festival, after lawyers advised her not to speak due to ongoing legal action brought by Meta. Instead of participating in the conversation she was scheduled to have with investigative journalist Carole Cadwalladr and academic Tim Wu, Wynn-Williams remained completely silent throughout the hour-long event, unable to even nod or shake her head in response.The Legal Gag Order Preventing Public CommentaryWynn-Williams, whose bestselling memoir "Careless People" details her years working at Facebook, has faced mounting legal restrictions since the book's publication. The book contains allegations about Meta's internal culture and decision-making, including claims relating to political influence, the company's approach to China, and concerns about the wellbeing of its child users. Meta has disputed these claims and secured an emergency legal order preventing her from publicly discussing aspects of the book.The Financial Stakes of Corporate SilenceThe legal consequences for Wynn-Williams are severe, with potential fines of $50,000 (£37,000) each time she breaches the order. This financial pressure has reportedly threatened her with bankruptcy, creating a significant barrier to her ability to speak freely about her experiences at Meta. The Hay festival even withdrew "Careless People" from sale during her appearance to avoid breaching Meta's legal restrictions.Corporate Power and Free Speech at CrossroadsThe incident has sparked broader discussions about the power of tech corporations and their ability to limit public discourse. Academic Tim Wu condemned the restrictions as "censorship," comparing Meta's power to that of despotic nation states. Cadwalladr described Meta's behavior as "trolling-like behavior" and criticized their approach to crisis communications, suggesting that such legal actions only draw more attention to the issues.The Future of Whistleblower Protections in TechAs tech companies continue to face scrutiny over their practices and internal cultures, the case of Sarah Wynn-Williams may set precedents for how whistleblowers are treated and protected. The standing ovation she received from the audience at Hay festival suggests growing public support for those who speak out against corporate misconduct, potentially influencing future legal frameworks and corporate accountability measures.

The Rise of a New Clay Court ForceTeenager Rafael Jódar has firmly established himself as a defining story of the 2026 French Open. After a week of extreme weather conditions, Jódar delivered a performance of immense psychological and technical fortitude, defeating veteran Pablo Carreño Busta in a grueling five-set match. This victory is not just a win on the scoreboard; it signals the arrival of a player who is rapidly rewriting the narrative of his own career trajectory.A Historic Comeback on the Paris ClayThe match was a rollercoaster of emotions, characterized by a dramatic shift in momentum. Jódar, the 27th seed, found himself in a precarious position early on, losing nine consecutive games to drop the first two sets 4-6. However, he displayed remarkable composure to overhaul the deficit completely, winning the final three sets 6-1, 6-2, 6-2. This marks the first time in his professional career that he has recovered from being two sets down, showcasing a mental toughness that belies his age.Meteoric Climb in the ATP RankingsRecord on Clay: Jódar boasts an impressive 19-3 record in his first full clay-court season.Recent Results: He has reached the quarter-finals at every clay-court event this season, including titles in Marrakech and semi-finals in Barcelona.Ranking Jump: Having been ranked No. 707 a year ago, he is projected to ascend to approximately No. 22 in the ATP rankings.Shifting Dynamics in the Men's DrawThe landscape of the men's tournament has been significantly altered by the early exits of top contenders like Jannik Sinner. With the draw opening up, the remaining players face the challenge of maintaining focus amidst the changing conditions and the psychological toll of the tournament. Jódar’s ability to perform under pressure, despite being visibly tense early on, highlights a growing maturity that could disrupt the established hierarchy of the sport.The Ultimate Test: Jódar vs. ZverevJódar’s journey now leads to a monumental quarter-final showdown against Alexander Zverev, the second seed and prohibitive favorite. While Zverev enters the match as the heavy favorite, having defeated Jesper de Jong, Jódar may find solace in the role of the underdog. The pressure will likely weigh heavily on Zverev, whereas Jódar, having already conquered the mental hurdle of a two-set deficit, may be swinging freely and without fear against one of the world's elite players.

Lead: Overview of the tentative 60‑day cease‑fire extensionOfficials from the United States and Iran say they have drafted a preliminary memorandum of understanding (MOU) that would prolong the existing cease‑fire for 60 days and launch negotiations aimed at ending the war permanently. The framework still requires final sign‑off from President Donald Trump and has not yet been publicly confirmed by either side.Key provisions of the proposed memorandumStrait of Hormuz: Shipping would become “unrestricted,” mines removed within 30 days and the U.S. naval blockade lifted proportionally.Sanctions and aid: The U.S. would waive selected sanctions, allow Iran to sell oil freely, and discuss humanitarian aid and the unfreezing of billions of dollars in frozen assets.Nuclear commitment: Iran would pledge not to pursue a nuclear weapon and negotiate the disposition of its estimated 440 kg of 60 % enriched uranium.Regional conflicts: The agreement envisions an end to Israel’s offensive in southern Lebanon and a broader discussion of Iran’s support for proxy groups.Numbers that shape the deal60 days – the duration of the cease‑fire extension.20 percent – share of global oil and LNG that transits the Strait of Hormuz under normal conditions.$2 million – tolls some vessels have been forced to pay during the conflict.Billions of dollars – value of Iranian assets currently frozen abroad.Strategic implications for the region and global marketsUnrestricted passage through the Strait of Hormuz would ease pressure on global energy prices, which have been volatile since the blockade began in April. A credible nuclear‑non‑proliferation commitment could reduce the risk of a regional arms race, while sanctions relief would provide Iran with much‑needed foreign exchange. The cessation of Israeli operations in Lebanon could also de‑escalate the broader Israel‑Iran proxy confrontation.What the next 60 days could mean for peace talksIf the MOU is ratified, the 60‑day window will become a high‑stakes diplomatic sprint. Negotiators are expected to focus first on the fate of Iran’s enriched uranium stockpile, followed by detailed discussions on sanctions, proxy support and a permanent cease‑fire mechanism. Continued skirmishes—such as recent U.S. strikes near the Strait of Hormuz and Iranian drone attacks—highlight the fragility of the pause and underscore the importance of swift, coordinated implementation.

The Lead Donald Trump claimed on Saturday that a peace deal with Iran “has been largely negotiated”, after calls with a Pakistani mediator, Gulf allies and Israel, potentially paving the way for an end to the war launched by the US and Israel in February. Trump's Announcement Trump wrote on his social media platform that “final aspects and details” of a “memorandum of understanding” were still being discussed and “will be announced shortly”, but said the strait of Hormuz would be opened as part of the deal. “An agreement has been largely negotiated, subject to finalization between the United States of America, the Islamic Republic of Iran, and the various other Countries,” Trump posted. Iran's Response However, Iran’s Fars news agency, which is close to the powerful Islamic Revolutionary Guard Corps, reported that the strait of Hormuz would remain under Iranian control, a red line for the US. The news agency reported on Telegram that “the management of the Strait, determining the route, time, method of passage, and issuing permits will continue to be the monopoly and discretion of the Islamic Republic of Iran”. It said Trump’s assertion that an agreement was nearly final was “inconsistent with reality”. Pakistan's Involvement Pakistan’s prime minister, Shehbaz Sharif, later congratulated Trump on his peace efforts and said Pakistan hoped to host another round of talks between the US and Iran “very soon”. Sharif described the US president’s call with the leaders of Saudi Arabia, Qatar, Turkey, Egypt, the UAE, Jordan and Pakistan as “very useful and productive”, adding: “Pakistan will continue its peace efforts with utmost sincerity and we hope to host the next round of talks very soon.” The Data Analysis Details purported to be in the draft agreement include that the strait would reopen with no tolls during a 60-day ceasefire extension, while Iran would be able to freely sell oil and negotiations would be held on curbing its nuclear program, according to Axios. In exchange, the US would lift its blockade on Iranian ports, it reported, citing a US official. The Impact Analysis The report tallies with the Associated Press, which cited a regional source as saying the potential deal would include an official declaration of the war’s end, with two-month negotiations on Iran’s nuclear program, the opening of the crucial shipping lane by Iran and an end to the US blockade of Iranian ports. The Prediction Three senior Iranian officials told the New York Times the agreement would stop the fighting in Iran and in Lebanon, and could release $25bn in Iranian assets frozen overseas, with a nuclear agreement to be negotiated within 30 to 60 days.

The Rise of the 'Cockroach Party' A bizarre yet fascinating trend has emerged among India's Gen Z, as they embrace the 'Cockroach Party' phenomenon. This viral sensation involves young people gathering in public spaces, dancing, and enjoying themselves, often surrounded by cockroach-themed decorations. The Origins and Appeal While the exact origins of the trend are unclear, it is believed to have started as a joke or a meme on social media platforms. However, it has quickly gained traction, with many young people participating and sharing their experiences online. The appeal of the 'Cockroach Party' lies in its uniqueness and the desire for Gen Z to express themselves freely. The Cultural Significance The 'Cockroach Party' phenomenon highlights the evolving cultural landscape of India, particularly among its younger population. It reflects a desire for new forms of entertainment and social interaction, as well as a willingness to challenge traditional norms and conventions. The Future of the Trend As with any viral trend, it remains to be seen how long the 'Cockroach Party' phenomenon will last. However, its impact on India's cultural scene is undeniable, and it will be interesting to observe how it evolves or influences future trends.

The LeadMajor US social media companies including Meta's Facebook and Instagram platforms have blocked the accounts of Saudi Arabian dissidents so they are no longer visible inside the kingdom, following orders by Saudi authorities. Those affected include Abdullah Alaoudh, a US-based activist and vocal critic of Saudi human rights violations, and Omar Abdulaziz, a Canada and UK-based activist who worked closely with Jamal Khashoggi before the journalist's murder by Saudi agents in 2018.The Platform Response to Government DemandsAt least seven accounts had been blocked by Meta at the end of April, including those of two American citizens and two individuals based in Europe, according to the advocacy group American Committee for Middle East Rights (ACMER). Meta did not respond to the "dirty work" claim, but provided a statement to the Guardian saying that when "something happens" on one of its platforms that is reported as violating local law but not the companies' own community standards, the company may restrict the content's availability in the country where it is alleged to be unlawful.Meta operates a public "transparency center," where it acknowledges that Saudi authorities contacted the company and sought restrictions on a total of 144 Instagram accounts, Facebook pages, and Facebook profiles during April. The site also shows that Meta restricted access to 108 "items".Inconsistent Approaches to Government RequestsInterviews with some of the dissidents targeted suggest the companies approached by Saudi authorities did not all respond in the same way. While Meta did alert users that their content was being blocked due to a "local legal requirement, or a request from a government," Snapchat appears to have slowed or removed accounts in Saudi Arabia – including one used by Abdulaziz – without alerting the account owners of the change. It is not clear how many Snapchat accounts were affected, and its owner, Snap Inc, declined to comment.At least two users of X, which is owned by Elon Musk, received letters informing them that the platform had received a request from the Saudi communications, space and technology commission claiming their accounts violated Saudi laws. X told users including Abdulaziz that it had not taken any action on the reported content yet, writing that the company "strongly believes in defending and respecting the voice of our users". It then urged addressees to seek legal advice if they wished, or to delete the relevant content voluntarily.Human Rights Concerns and ImplicationsAbdulaziz told the Guardian: "I think this is just the introduction to a massive crackdown by the Saudi government to mute opposition. It could go as far as committing atrocities, just like they did with the murder of Jamal Khashoggi." The Saudi government did not respond to a request for comment, sent through the Saudi embassy in Washington.Other accounts targeted include those of individuals linked to the London-based human rights organisation ALQST, including its founder, Yahya Assiri. Dr Maryam Aldossari, an ALQST board member, stated: "These [account holders] are not dangerous actors; they are people documenting abuses, challenging state propaganda and giving voice to Saudis inside the country who cannot speak freely. Blocking these accounts would not protect public safety, it would project authoritarian power from scrutiny."The Future of Digital DissentDr Aldossari further commented: "This is how authoritarian censorship travels: through legal notices, platform pressure and the attempted outsourcing of repression to global technology companies." As social media platforms continue to navigate the complex landscape of international laws and human rights standards, the case of Saudi dissidents highlights the growing challenge of maintaining free expression in an increasingly interconnected digital world where governments increasingly seek to control online discourse beyond their borders.

The Mismatch of Mythologies This expensively rendered, eye-searingly bright animated feature from China rests on a truly weird premise. Tom and Jerry, the cartoon foes of yore, are chasing each other around a museum in present-day New York City when they are supernaturally transported, thanks to a magic compass doodah, to a quasi-medieval China where humans mix freely with gods and cryptozoological animals including phoenixes, gargoyles and talking rats. The Cultural Mashup So Tom and Jerry fall out of the sky in this brave new world, and the local residents of Golden City assume at first they must be gods, and Tom at least isn’t in any rush to disabuse them of this notion. Partly it’s because his newfound fame has helped catch the attention of Jade (voiced in the English dub by Janice Kawaye), a white-furred, blue-eyed opera cat in a red cheongsam dress. A Lack of Inventiveness Ultimately, this iteration of Tom and Jerry owes more to Kung Fu Panda and its orientalist coevals from the contemporary animated feature slop machine, and has none of the relentless inventiveness and pleasing amorality of the originals. Instead, we get lots of didactic lessons wrapped in candy-coated visuals about community and collectivist philosophy, eased down with a lot of frenetic action. The Climax and Conclusion The climax is all airborne dragons and fireworks; the fact it makes little sense doesn’t matter because it’s all about sensationalism, stimulating the amygdala with bright colours and noise to the point of overload. Tom and Jerry: Forbidden Compass is in UK and Irish cinemas from 22 May.

Shelagh Stephenson stages a spiky, after‑life comedy that pairs Mary Astell—England’s first feminist—with the canonical novelist Virginia Woolf. The two women, played by Phillippa Wilson and Tessa Parr, sip sherry, argue about religion, science and patriarchy, and ultimately expose how far feminist battles have come and how far they still have to go.The Play’s Premise: Aster and Woolf in a Shared AfterlifeThe narrative drops Astell into a liminal space that is neither purgatory nor heaven, a repository for women on the brink of historical oblivion. Woolf, already cemented in the literary canon, roams freely. Their contrasting fates—Astell shackled to a rope, Woolf unbound—set up a witty double act that explores independence, the silencing of women, and a surprisingly late‑developing taste for sherry.Production Details and Run InformationVenue: Live Theatre, NewcastleRun: Until 6 June 2026Director: Karen TraynorCast: Phillippa Wilson (Astell) & Tessa Parr (Woolf)Critical Assessment: Wit Over DramaStephenson’s script, the third in her “Cullercoats trilogy,” uses rapid banter and sharp humor to trace feminist progress from the 17th‑century treatise A Serious Proposal to the Ladies to modern literary discourse. While the dialogue is brisk and often silly, the play leans more toward conversation than high drama, leaving the deeper urgency of the feminist struggle somewhat under‑explored.Impact on Contemporary Feminist TheatreBy juxtaposing two women separated by centuries, the production spotlights enduring themes—patriarchal oppression, the fight for education, and the reclamation of agency. It signals a growing appetite in UK theatre for works that revisit historical feminist figures, encouraging audiences to reconsider the lineage of women’s rights activism on stage.Looking Ahead: The Future of Feminist Narratives on the UK StageIf the mixed critical response translates into audience interest, theatres may commission more plays that blend historical scholarship with contemporary humor. Expect a rise in productions that pair archival research with accessible comedy, using familiar literary icons to draw new, diverse audiences into feminist conversations.