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Heimir Hallgrimsson, manager of the Republic of Ireland, told his squad they must “win this war” against Israel in their upcoming Nations League clash, as political pressure mounts for a boycott.Political Backlash and Calls for a BoycottIrish parliamentarians and public figures have urged the Football Association of Ireland (FAI) to cancel the matches.The FAI’s November motion to suspend Israel received no support from UEFA.Pro‑Palestinian protests erupted in the Dáil on 28 May 2026.Match Logistics and Financial StakesHome fixture in Dublin scheduled for 4 October 2026.Israel’s neutral‑venue Nations League game set for 27 September 2026 in Hungary.Relocating the Dublin match could cost the FAI millions in ticket revenue and stadium contracts.Impact on Irish Football and International RelationsThe controversy tests the FAI’s autonomy, the team’s morale, and Ireland’s diplomatic stance, potentially influencing future UEFA decisions on political conflicts.Outlook: What Happens Next on the Pitch?Hallgrimsson hopes the squad’s performance will defuse criticism; a win could shift public discourse, while a loss may intensify calls for sanctions against Israel.

The Lead: Fury-Joshua Showdown Takes ShapeTyson Fury has officially announced his return to boxing, scheduling a fight in Dublin on August 1, just one week after fellow former world heavyweight champion Anthony Joshua makes his comeback against Albanian opponent Kristian Prenga. The timing of these fights strongly suggests both boxers are preparing for their long-awaited 'Battle of Britain' showdown, which promoters have indicated could take place as early as November.The Event Details: Fight Cards and LocationsFury confirmed his Dublin plans through an Instagram story, posting a video of himself training in Thailand with the caption: 'Let's go August 1, Dublin, Ireland.' The fight is expected to be part of a card organized by veteran promoter Frank Warren, although no opponent has been named yet. Warren has already ruled out a match against Andy Ruiz Jr, who famously dethroned Joshua in 2019.Meanwhile, Joshua will face Prenga in Riyadh on July 25 in his first bout since being involved in a car crash in Nigeria in December that tragically killed two of his close friends. This fight marks Joshua's return to the ring after a period of recovery and reflection following the accident.The Road to Rivalry: History Between the HeavyweightsThe path to this potential showdown has been building for years. Fury marked his return from a 16-month retirement with a dominant points victory over Russia's Arslanbek Makhmudov in April. Immediately after that win, Fury called out Joshua, who was present at ringside. Rather than facing off directly at the Tottenham Hotspur Stadium, the two engaged in a verbal exchange where Joshua taunted Fury by declaring: 'I'm the landlord. Remember that. You work for me.'Joshua's promoter Eddie Hearn has since added fuel to the fire by stating: 'Signed, sealed, delivered! AJ v Fury is on.' This public confirmation from Hearn suggests the fight is more than just talk, with both sides actively preparing for the eventual clash.The Impact Analysis: Shaking Up the Heavyweight DivisionThe confirmed fights between Fury and Joshua, followed by their anticipated showdown, represent a significant moment for the heavyweight division. Both fighters have held world titles and have massive fan bases in the UK and internationally. Their potential fight would generate enormous pay-per-view revenue and likely be one of the most-watched boxing events of the year.For the division itself, this matchup could clarify the hierarchy of the heavyweight landscape. While other top contenders like Oleksandr Usyk and Deontay Wilder remain in the mix, a Fury-Joshua winner would position themselves as the dominant force in the division, potentially setting up unification fights down the line.The Prediction: What to Expect from the 'Battle of Britain'Given the history between these two fighters and the buildup to their potential showdown, the 'Battle of Britain' promises to be more than just a boxing match—it's likely to be a cultural phenomenon in the UK. The fight will carry significant narrative weight, with both fighters having compelling stories: Fury's journey from retirement back to the top, and Joshua's comeback after personal tragedy.While the exact date and venue for the main event remain unconfirmed, November appears to be the most likely timeframe. With both fighters scheduled to have warm-up fights first, fans can expect to see them in peak condition when they finally meet in what could be one of the most significant heavyweight fights of the decade.

The Rollercoaster Road to European GloryIf following a football club can be a rollercoaster, this season has been the equivalent of the Oblivion ride at Alton Towers for Crystal Palace supporters. The ride offers "physical trauma, psychological breakdown and chaos" – and Palace fans have been through all that and more over the last 12 months, culminating in a place in the European Conference League final.From FA Cup Triumph to European DemotionIt all started when Crystal Palace won the FA Cup for the first time, beating Manchester City 1-0 at Wembley last May. The mixture of elation, euphoria, disbelief and relief lasted for days, weeks, months and still lives on a year later. After securing that long-awaited first major trophy, the realization sank in that there would be a European campaign to enjoy.However, deep down there was a nagging feeling that this somehow was not real, and sure enough, the lightning bolt landed courtesy of Uefa and Evangelos Marinakis. Nottingham Forest's owner suggested Palace had not conformed to the rules regarding multiclub ownership as one of the club's shareholders, John Textor, had a stake in Lyon. Uefa agreed and Palace were removed from the Europa League and jettisoned into the lesser Conference League.Palace fans were devastated, especially as their place in the Europa League was given to Forest. The Palace owner, Steve Parish, launched an appeal, backed by some vociferous protests from Palace fans, led by the Holmesdale Fanatics, which included taking a suitcase of cash to Uefa's headquarters and spawned a new ditty "Fuck Uefa" that would get plenty of airing.Navigating European Competition with a Thin SquadThe pressure showed in their European debut. The first leg of the playoffs against Norwegian club Fredrikstad was an eye opener. Preparations for the match were disrupted by Eberechi Eze's impending departure to Arsenal and in his absence they struggled to overcome a team that defended so deeply they were almost subterranean. This was to become a recurrent theme in the early stages of the competition. Palace won a scrappy tie 1-0 on aggregate. Glamorous it was not.The team enjoyed an unprecedented unbeaten run, which reached 18 games in all competitions with a relatively comfortable 2-0 win over Dynamo Kyiv in Lublin. That run came to an end with a 2-1 defeat at Everton after a very late goal from Jack Grealish. The novelty of playing in Europe, which necessitated a Thursday-Sunday schedule, was a hurdle that a thin squad struggled to cope with.Overcoming Adversity to Reach the FinalBehind the scenes, the clouds were gathering. Oliver Glasner met Parish to inform him of his intention to leave the club at the end of the season, bemoaning the lack of depth. Things were beginning to unpick. For the home tie with AEK Larnaca, a tifo based on TV comedy Dad's Army was unveiled showing the way to Leipzig, the venue for the final. That felt a bit premature, especially after the Cypriot club ground out a gritty 1-0 win.Next stop Dublin, a trip as relaxed and enjoyable as the warm welcome accorded to Palace fans. Their goalless run continued; Palace coasted to a 3-0 lead and expended little energy preserving their clean sheet. Finnish team KuPS were the last opponents in the group stage, and after a stunning early goal from Christantus Uche, it looked as if Palace would wrap up a comfortable victory. Two quickfire goals for the away side left Palace fans wondering if the European dream was going to be railroaded, but a late Justin Devenny equaliser ensured they made the playoffs.Seminal Victories and European ProgressThe next European tie was two months away and, after beating Fulham at Craven Cottage in early December, Palace were fourth in the Premier League. But more turmoil was on its way. The defence of the FA Cup started, and ended with a trip to Macclesfield, a National League North club 117 places beneath them in the league pyramid. To add to this humbling, Glasner made public his plan to leave, club captain Marc Guehí joined Manchester City and leading scorer Jean-Philippe Mateta was a medical away from joining Milan.A new low was reached when an irate Glasner let rip into the club after losing to Sunderland, saying: "We feel that we are being abandoned completely. Selling our club captain one day before the game makes me really upset today." Eight months after winning the FA Cup, the boat wasn't just listing, it was being dashed against the rocks.The return to European action was a welcome distraction. A win over Bosnian side Zrinjski Mostar in the playoffs set up a last-16 tie with Larnaca, who shut them out at Selhurst Park before a double from Ismaila Sarr in the away leg secured victory. Finally, they landed a glamorous tie with a club steeped in European competition. Fiorentina had been to six European finals including two Conference League finals in the last few years.This was proper European football and, sure enough, as soon as they shed their favourites tag, they put in their most convincing performance at Selhurst Park, winning 3-0 at home to put the tie to bed in the first leg. They had begun the competition proper against a Ukrainian team, so facing Shakhtar Donetsk in the semi-final felt like completing the circle. Palace put in another excellent performance. Ismaïla Sarr scored after just 21 seconds – the quickest goal in Conference League history – and the 3-1 win in Krakow made the second leg at Selhurst pretty much a formality.The Significance of Palace's European JourneyCrystal Palace's journey to the Conference League final represents more than just a successful European campaign. It demonstrates the resilience of a club that has consistently punched above its weight in English football. Despite facing significant challenges – including being demoted from the Europa League, losing key players, and dealing with managerial uncertainty – the Eagles have shown remarkable character to reach their first European final.This achievement also highlights the changing landscape of European football, where smaller clubs can make meaningful progress in competitions that were once dominated by established powerhouses. Palace's run has captured the imagination of neutrals and given their passionate fanbase something to celebrate during a season of domestic disappointment.What Comes Next for PalaceAs Crystal Palace prepares for their European final, questions remain about the club's future direction. With manager Oliver Glasner set to depart and key players potentially leaving, the Eagles face the challenge of maintaining their momentum beyond this historic European campaign. The club will need to balance their European ambitions with the realities of Premier League competition while navigating the complexities of squad building and financial fair play.Whatever happens in Leipzig, Crystal Palace's topsy-turvy season has already secured a place in the club's history books. Their journey from FA Cup winners to European finalists, filled with drama, controversy, and ultimately triumph, will be remembered as one of the most remarkable seasons in the club's 116-year history.

Iran Scrutinizes the Latest US Offer Amid Growing Pakistani Diplomatic PushTehran confirmed it has received US views on its peace framework and is currently reviewing them, according to Ministry of Foreign Affairs spokesperson Esmaeil Baghaei. The statement arrives as Pakistan’s Field Marshal Asim Munir readies a visit to Tehran, and Interior Minister Mohsin Naqvi makes a second trip in less than a week to discuss the proposal.Key Numbers Shaping the Negotiation LandscapeThe war entered its nearly three‑month phase, with a ceasefire in place for six weeks.Iran’s original demand list comprises 14 points, including control of the Strait of Hormuz, reparations, sanctions relief, frozen‑asset release, and US troop withdrawal.The US naval blockade, launched in mid‑April, has resulted in the boarding of at least five vessels; a recent incident saw a ship searched and redirected by Central Command.Pakistan facilitated the only direct US‑Iran talks in April and now hosts the military chief for “talks and consultations”.Strategic Implications for the Region and Global PowersAnalysts note that Iran has seized the initiative by shifting focus to the strategic chokepoint of the Strait of Hormuz rather than its nuclear program, forcing Washington to defend its position. The US, wary of appearing weaker than it was on February 26 when it walked away from talks, is attempting to re‑center the nuclear issue. Meanwhile, the Islamic Revolutionary Guard Corps warns that any renewed aggression could expand the conflict beyond the region.What Comes Next? Scenarios for a Fragile Peace ProcessProfessor Scott Lucas of University College Dublin predicts a settlement is possible but cautions that President Donald Trump remains unpredictable, keeping the risk of renewed strikes alive. If the US accepts Iran’s 14‑point framework, a durable cease‑fire could emerge, unlocking the Strait for global shipping. Conversely, a failure to bridge gaps may see the blockade intensify and the conflict spill over, drawing in regional actors.

England clinches eighth consecutive Women’s Six Nations titleEngland’s Red Roses defended their Rugby World Cup crown in 2029 by first building a solid base in the 2026 Women’s Six Nations, winning their eighth straight championship despite a depleted roster.Squad reshuffle and injury challenges forced a ‘Tetris’ approachHead coach John Mitchell entered the tournament knowing key pillars would retire or be unavailable due to pregnancy, but the volume of injuries proved unprecedented. Stars such as Hannah Botterman, Alex Matthews and Morwenna Talling missed large portions of the competition, while others like Sadia Kabeya and Maddie Feaunati missed individual games. The coaching staff had to constantly re‑configure the lineup – likened to playing Tetris – with fourth‑choice prop Liz Crake on the bench for the final and multiple lock pairings rotating throughout the tournament.Attendance records and viewership underline growing popularityScotland drew 30,498 spectators at Murrayfield.Ireland set a new benchmark with 31,294 fans in Dublin, a 240% increase over previous women’s match records.England’s match in Bordeaux attracted a crowd of 32,000, further confirming the sport’s surge.England’s winning streak now stands at 38 games, the longest in women’s international rugby.Implications for England’s World Cup ambitions and the wider women’s gameThe seamless integration of new talent – including Demelza Short, Millie David and Haineala Lutui – means competition for places is fiercer than ever, strengthening squad depth ahead of the 2029 World Cup. Mitchell emphasised that no English side, male or female, has yet achieved back‑to‑back World Cups and Grand Slams, positioning this Six Nations win as the first deliberate step toward that historic goal.What lies ahead: Barbarians clash, WXV series and the next World Cup cycleFollowing the Six Nations, England will face the Barbarians in June before entering the inaugural WXV series in September, where Southern‑hemisphere powers such as Canada, New Zealand and Australia will test the Red Roses’ dominance. With a 38‑game winning streak, England enters the next cycle as the clear favourite, but the expanding international calendar promises fresh challenges on the road to 2029.

The Rediscovery of a Forgotten VisionaryGordon Stevenson, a multifaceted artist who made significant contributions to New York's late-70s no wave scene, is about to experience a posthumous renaissance. Four decades after his death, Stevenson has been largely remembered as merely a footnote in other people's stories. However, this is about to change dramatically with the discovery of a storage unit filled with his lost work, including jewelry, collaborations with mail-art pioneer Ray Johnson, and even clues to the whereabouts of a surviving print of his notorious film, Ecstatic Stigmatic.The Early Life and InfluencesStevenson's story begins not in the gritty streets of New York, but 900 miles south in the small town of Dublin, Georgia. Born into a family of "emotionally repressed stoics," he was a maths prodigy with a taste for Flannery O'Connor, Nietzsche, and Sartre. His intellectual pursuits and unconventional lifestyle created a rift with his parents, who expected him to follow a more traditional path. Offered a maths scholarship at Georgia Tech, Stevenson instead chose the liberal arts campus of Eckerd College in St. Petersburg, Florida, further widening the divide with his family.The New York YearsIn 1977, Stevenson and his partner Mirielle Cervenka relocated to New York, a city that photographer Julia Gorton described as "a nihilistic playground for people with trauma." The city was "very destroyed by the drugs and violence," according to Maripol, a European émigré designer and filmmaker who later worked with Grace Jones and Madonna. "But there was freedom. That the city was bankrupt meant low rents. Creative people could afford to live there," Maripol recalls.The Artistic LegacyStevenson's artistic contributions were multifaceted. He and Cervenka founded the jewelry brand LHOOQ, which "repositioned the jewellery for the punk market" by upcycling vintage trinkets. His "memento mori" series focused on crosses and skulls, anticipating gothic fashion and showcasing a macabre sensibility. In music, he joined Lydia Lunch's Teenage Jesus and the Jerks, a band that was, according to Gorton, "really intense, abrasive, not friendly – just a perfect band." Jim Sclavunos, who later drummed for Sonic Youth and Nick Cave and the Bad Seeds, remembers Stevenson as "a very striking presence, depraved in the right ways." His most ambitious work was the film Ecstatic Stigmatic, a $5,000 production inspired by Catholic mysticism and the Jonestown massacre, which Sclavunos found "surprised by how good it was. A lot of no wave cinema looked juvenile. But Ecstatic Stigmatic was very shadowy, sleazy and sexual."The Impact on Contemporary CultureThe rediscovery of Stevenson's work comes at a time when there is renewed interest in the no wave movement and its influence on contemporary art and music. His story offers insight into the creative ferment of late-70s New York, a time when the city's financial struggles paradoxically created space for artistic experimentation. The letters Stevenson wrote to his parents, which his family has recovered, provide a personal window into this period, chronicling life in the downtown demimonde and his experiences as one of New York's first Aids patients. As his sister Barbara Stevenson notes, "Gordon always belonged in New York," and with this rediscovery, his rightful place in the city's artistic pantheon is finally being secured.

The Week's Must-See Cinema ReleasesThis week's film offerings range from action thrillers to historical dramas. Normal, directed by Ben Wheatley, stars Bob Odenkirk as an interim sheriff in a small Minnesota town with unexpected secrets involving the yakuza. Also starring Henry Winkler and Lena Headey, this crime thriller promises plenty of intrigue.For horror fans, Obsession offers a literal 'be careful what you wish for' storyline about a music store employee who makes a magical wish for his coworker to love him unconditionally, leading to extreme consequences. Orphan provides a historical drama set in post-revolution Budapest, following a teenager raised on stories of his missing father, while The Christophers is an art world caper from director Steven Soderbergh featuring Ian McKellen and Michaela Coel.Live Music Highlights: From Pop to OperaDoja Cat kicks off her European tour in Dublin, bringing her signature style of 27 songs, high-cut leopard print leotards, and performances inspired by 80s superstars like Prince and Janet Jackson. While her latest album 'Vie' may not have reached the commercial heights of previous work, her live shows remain spectacular.In Sheffield, the Get Together festival features Southend goth overlords the Horrors alongside Welsh-Cornish artist Gwenno and Hot Chip's Alexis Taylor. Other highlights include 'wonk pop' practitioners Lime Garden and London-based noise merchants Factory Floor.For classical music enthusiasts, Glyndebourne opens its summer season with Puccini's Tosca, staged by US director Ted Huffman in the festival's intimate theater. Soprano Caitlin Gotimer leads two rising-star casts under conductor Robin Ticciati.Contemporary Art ExhibitionsIn Colchester, Godfried Donkor presents an exhibition at Firstsite that travels from Colchester to West Africa and the Caribbean. The London-based Ghanaian artist weaves together stories of resistance from Boudicca to Yaa Asantewaa, using collage, painting, and textile to explore how identity, power, and trade shape our world.At the Barbican in London, Colombian installation artist Delcy Morelos presents a major exhibition through July, featuring large-scale muddy installations that challenge perceptions of space and materiality.Stage Performances and Cultural EventsLeeds jazz festival celebrates its fifth year with genre-fluid performances from pianist-organist Kit Downes and sax star Emma Rawicz. The 16-year-old Submotion Orchestra brings their fusion of electronica, jazz, and soulful ambience to the opening night, promising a memorable start to the festival.

The LeadScotland's Women's Six Nations campaign has been disappointing under new coach Sione Fukofuka, raising questions about the team's transition after their historic World Cup run. With injuries, a World Cup hangover, and contract uncertainties affecting performance, the team faces the possibility of finishing with the wooden spoon.The World Cup Hangover and Transition ChallengesScotland reached the last eight of the Women's Rugby World Cup for the first time since 2002 in convincing fashion, defeating Fiji and Wales, and challenging Canada in their final pool match. The tournament's end brought a close to Bryan Easson's time in charge of the team and a whole new coaching staff were employed, with Sione Fukofuka coming in from the United States team.Fukofuka has partly blamed his side's poor form on a World Cup hangover, saying: "A lot of them went straight back to club rugby. There wasn't a lot of time for them to get that reset." The head coach explained that players worked really hard in pre-season and performed well, but then many went straight back to club rugby without adequate time to transition.Performance Decline and Statistical AnalysisScotland's form since their opening win against Wales has been unimpressive. England completely obliterated Scotland's Murrayfield party in round two by scoring the most points they have against their Celtic neighbours since 2011. Against Italy, Scotland not only lost but were crushed 41-14. Their match against France saw an improved outing but the Scots still lost 69-28 and conceded the most points they have against Les Bleues since 2014.The team currently sits fifth in the table and if they lose to Ireland in Dublin without picking up a bonus point and Wales beat Italy at Cardiff Arms Park on the same day they will finish the tournament in last place, receiving the wooden spoon for the first time since 2022.Impact on Scottish Women's RugbySeveral factors have contributed to Scotland's disappointing Six Nations campaign. Injuries to key players like Rachel Malcolm, Evie Gallagher, Emma Orr, and Rachel McLachlan have significantly impacted team performance. The turnover of players has allowed the team to blood new talent and give more experience to others, with Rachel Philipps raising her hand for more game time with two tries against France in only her third cap and first start at outside-centre.Despite the poor results, there are positive signs emerging. Scotland came away with a try bonus point from the France game, and fly-half Helen Nelson highlighted the defensive efforts as a positive: "We knew it was going to be tough but I think we are really proud of the defensive effort we put in. The mindset and the way we kept fighting back is probably the biggest positive."Future Outlook and Path ForwardScotland will face in-form Ireland in Dublin on Sunday, where more than 20,000 spectators are expected to be present at the Aviva Stadium for Ireland's first stand-alone match. The team will have to contend with a cauldron-like atmosphere in order to finish their Six Nations campaign on a high.Scotland will be buoyed by the fact they defeated Ireland in last year's Six Nations, but if they fail to overcome their Celtic rivals this time around, pressure may mount on the new coaching staff. The questions being asked by fans will need to be answered by those in charge with definitive solutions as the team looks to rebuild after their World Cup success.

The Historical DiscoveryA lost copy of a poem composed in the seventh century by a Northumbrian cattle herder – the earliest surviving poem in the English language – has been discovered in Rome. Scholars from Trinity College Dublin (TCD) uncovered the manuscript that contains Caedmon's Hymn at the National Central Library of Rome.Bede, the medieval theologian revered as the father of English history, recorded the nine-line poem in the eighth century. The Old English version discovered in Rome is believed to have been transcribed by a monk in northern Italy between AD 800 and AD 830.The Manuscript's SignificanceIt is the third oldest surviving text of the poem, after older copies held at Cambridge and St. Petersburg. Those other versions have the poem in Latin, with the Old English text added in the margin or at the end.The Rome copy is significant because it contains the Old English version in the main body of the text, reflecting the language's growing status in the ninth century. "The absence of the poem would have been felt by the readers, I think, and so that's why it goes in," said Faulkner.The Linguistic AnalysisThe poem is punctuated with a full stop after every word, which shows that word spacing was a relatively new invention. "It is part of the early development of ways of dividing words and shows text starting to come towards the presentation of English that we know today," said Faulkner.Caedmon is said to have been an illiterate cattle herder who worked at Whitby Abbey in North Yorkshire. According to Bede, he had a divine visitation that inspired him to compose and sing Hymn, which lauds God for creating the world.The Research Process"When we saw it we looked at each other and I said, 'No one knows about this'," said Elisabetta Magnanti, who discovered the manuscript with Mark Faulkner, from Trinity's school of English. "To make sure I wasn't dreaming I double-checked the catalogues and there was no mention of it. It was a huge surprise, a very good one."There are at least 160 surviving copies of Bede's history. Conflicting evidence about a copy in Rome prompted Magnanti, an expert in medieval manuscripts, to ask the National Central Library in Rome to check its archives. The institution located, digitised and emailed pages that included the poem.The Digital Preservation"This discovery is a testament to the power of libraries to facilitate new research by digitising their collections and making them freely available online," Magnanti said.Andrea Cappa, head of manuscripts and rare books at the Rome library, said the institution was digitising holdings from Italy's National Centre for the Study of the Manuscript, which will give researchers access to more than 40m images.The Cultural ImpactBede included a Latin translation in his landmark work, Ecclesiastical History of the English People, but omitted the original Old English version. However, within a century a monk at the abbey of Nonantola, in northern Italy, included the Old English version. "It is a sign of how much early readers valued English poetry," said Faulkner.Riccardo Fangarezzi, head of archives at the abbey in Nonantola, said he looked forward to further discoveries. "The present times may be rather dark, yet such intellectual contributions are genuine rays of sunlight: the continent is less isolated," he said.