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The Masters 2026 is heating up on day three, with Rory McIlroy maintaining his six-shot lead at the top of the leaderboard. McIlroy's performance has been impressive so far, and he looks set to continue his dominance. Scottie Scheffler, the world number one, started the day 12 shots off the lead but has since closed in to within six shots. He achieved an eagle on the second green, which has helped him move up the standings to -2. The leaderboard currently looks like this: -12: McIlroy -6: Burns, Reed -5: Rose, Lowry, Fleetwood -4: Clark, Hatton, Li, Reitan, Day, Young -3: Gotterup, Koepka, Griffin -2: Gerard (4), Scheffler (4), Homa, Knapp, Schauffele, Matsuyama Meanwhile, several big names have missed the cut, including Danny Willett, JJ Spaun, Bubba Watson, and Bryson DeChambeau. The day's play is expected to get underway at 6pm BST, with the course conditions likely to become increasingly challenging as the day progresses.

Rory McIlroy has taken a commanding lead at the Masters, surging six shots clear of his nearest rivals with a breathtaking second-round 65. The 36-year-old McIlroy, seeking to become the fourth man to win back-to-back Masters titles, carded an eagle and 10 birdies to post 12 under par. McIlroy's closest challengers are Patrick Reed and Sam Burns, both on six under, while Justin Rose, Shane Lowry and Tommy Fleetwood are a further stroke back on five under. McIlroy's stunning chip-in at the 18th hole capped a dominant display, setting up a tantalizing prospect of a second Green Jacket. Tyrrell Hatton moved to four under with a 66, while Brooks Koepka recovered from pre-tournament criticism to card a 68 and make the cut. The halfway cut eliminated several notable players, including Bryson DeChambeau after a chaotic 18th hole.

Willie Mullins has made the seemingly impossible look easy, securing his third consecutive win at the Grand National with I Am Maximus. This victory not only cements Mullins' reputation as a master trainer but also etches his name in the history books alongside Fred Rimell and Ginger McCain with his fourth Grand National win.The road to victory was far from straightforward. I Am Maximus, ridden by Paul Townend, faced significant challenges, including being blocked multiple times during the race. However, Townend's calm and strategic riding ultimately paid off, allowing I Am Maximus to secure a thrilling win.This achievement is all the more impressive given the challenging conditions. Mullins noted that this winter was the wettest he had experienced in 40 years, which made preparing his horses particularly difficult. Despite these obstacles, Mullins' team successfully primed I Am Maximus for the big event.The victory also marks a significant milestone for owner JP McManus, who has now secured his fourth Grand National win, a record. McManus expressed his admiration for Mullins and Townend, while also hinting at ambitions to equal Red Rum's legendary three consecutive National victories.Mullins, who will turn 70 in September, shows no signs of slowing down. He emphasized his passion for racing and his desire to continue building on his successes. With a clear focus on creating more history-making moments, Mullins and his team are already looking ahead to the next challenge.

Renowned jazz composer and pianist Jason Moran recently discovered a fake album on Spotify bearing his name. The album, titled For You, had a moody Japanese anime-style cover and featured indie pop music, which was a far cry from Moran's actual work.Moran is not alone in this experience. At least a dozen famous musicians, including Benny Green, Antonio Hart, and Dee Dee Bridgewater, have been targeted by AI bots impersonating them on music streaming platforms. The issue has led to frustration and surreal experiences for the musicians, who are now having to deal with the deluge of AI-generated music.Spotify has acknowledged the problem and has taken steps to address it, including removing over 75 million "spammy tracks" from its platform in the past year. The company is also working on a new tool to give artists more control over what shows up under their name.However, for musicians like Moran, these fixes aren't enough. He's concerned about the additional work for artists who don't put their music on Spotify, and for musicians who are no longer alive. Morgan Hayduk, a co-CEO of Beatdapp, estimates that 5% to 10% of all streams across the industry are fraudulent, which breaks down to a value of $1 billion to $2 billion per year.The issue highlights the challenges of regulating AI-generated content and the need for more effective solutions to prevent music impersonation on streaming platforms.

England's women's rugby team kicked off their Six Nations campaign with a convincing 33-12 win against Ireland at Twickenham, in front of a tournament-record attendance of 77,120. The Red Roses, led by Amy Cokayne, showed their strength despite missing several key players due to injury.Cokayne, the new vice-captain, delivered an impressive performance, scoring a try, making an interception, and achieving a 100% lineout success rate. Her efforts were instrumental in securing the win, which saw England extend their lead through two Sarah Bern tries and a bonus-point try from Jess Breach.The victory marked a significant step for England as they defend their title, despite the setback of losing Morwenna Talling and Natasha Hunt to long-term injuries. The team's adaptability will be crucial moving forward, with head coach John Mitchell emphasizing their ability to adjust to the lock injury crisis.Ireland, led by Erin King and Cliodhna Moloney-MacDonald, showed resilience and are on the path to narrowing the gap with the world champions. They will look to bounce back against Italy next Saturday.England's next match is against Scotland, where they will aim to extend their unbeaten run of 34 games across all competitions.

A hospitality union representing roughly 2,000 workers at Los Angeles' SoFi Stadium has issued an ultimatum to FIFA: improve working conditions and distance the tournament from Immigration and Customs Enforcement (ICE), or face a strike during the World Cup.The stadium is set to host eight World Cup matches this summer, drawing an estimated 150,000 additional out‑of‑town visitors to the city, a significant boost over typical tourism levels.Unite Here Local 11 co‑president Kurt Petersen addressed a letter to FIFA president Gianni Infantino and stadium owner Stan Kroenke, demanding adherence to fair labor standards and a public declaration that ICE has no role in the event or the city.In February, New Jersey Congresswoman Nellie Pou questioned ICE’s acting director Todd Lyons about pausing enforcement during the tournament, after two American citizens were fatally shot by immigration officers in Minnesota. Lyons responded that ICE, particularly its homeland security investigations, is “a key part of the overall security apparatus for the World Cup.”Petersen also singled out short‑term rental platform Airbnb, accusing it of worsening Los Angeles' affordable‑housing shortage. He urged FIFA to sever ties with the company and to contribute to a dedicated housing fund for stadium workers.Airbnb recently launched a $750 incentive aimed at attracting first‑time hosts in North American cities hosting World Cup matches, a move the union says could further strain local housing markets.“The world will be watching Los Angeles this summer. Billions of fans will see the city as FIFA intends to present it – welcoming, and alive with possibility. But behind every meal served and every drink poured will be workers who deserve more than promises. They deserve safe and fair working conditions and a community they can afford to live in,” Petersen wrote.

Erling Haaland of Manchester City currently leads the Premier League scoring race, having netted 22 goals this season. His prolific form puts him in a strong position to claim the coveted Golden Boot. Hot on his heels is Igor Thiago from Brentford, who has tallied 20 goals. The Brazilian forward’s consistency makes him the most serious challenger to Haaland’s lead. Other notable contributors include Antoine Semenyo (Manchester City) with 15 goals and João Pedro (Chelsea) who sits on 14. Arsenal’s Viktor Gyökeres and Brighton’s Danny Welbeck have each added 12 to their season totals. The list of double‑digit scorers continues with Liverpool’s Hugo Ekitiké at 11, while a group of players—including Bournemouth’s Junior Kroupi, Leeds United’s Dominic Calvert‑Lewin and Fulham’s Harry Wilson—have reached the 10‑goal mark. A broader cluster of athletes sit on nine or eight goals, highlighting the depth of attacking talent across the league. Names such as Morgan Gibbs‑White (Nottingham Forest), Ollie Watkins (Aston Villa), Bruno Guimarães (Newcastle United) and Richarlison (Tottenham) illustrate the competitive nature of the race. With several clubs represented among the top scorers, the Golden Boot contest remains wide open. Should Haaland maintain his scoring pace, he could secure the award early; however, the narrow gap to Thiago and the surge of mid‑table forwards suggest a thrilling finish to the 2025‑26 campaign.

Rehab did not happen to Lena Dunham; she walked into it. The writer describes the moment she entered a stone‑manor facility in the Berkshires, Massachusetts, and was immediately asked to remove her designer shoes and answer mundane questions about her diet, a surreal welcome that felt like a college orientation—except many of the fellow residents struggled with IV heroin. She notes the unsettling blend of patients and staff, all dressed in ordinary clothes, making it impossible to tell who was who. A tattooed man in a Harley‑Davidson shirt turned out to be a sober companion, while a grandmother knitting in slippers battled a severe Benadryl addiction that had once ruined her daughter’s wedding. “Never judge a drug addict by their Patagonia half‑zip fleece,” she writes. Using the pseudonym “Rose O’Neill” – after the pioneering cartoonist – Dunham reflects on feeling trapped in a cycle reminiscent of the late‑career decline of the early 20th‑century artist. It was only after she allowed staff to use her real name that she began to reclaim her identity. Her therapist, Dr. Mark, a kindly man in khakis, asked her to articulate the root causes of her admission. Dunham linked her descent to chronic physical illness, relentless stress from supporting multiple families, hormonal turmoil after a hysterectomy, and a fraught romantic relationship. She also disclosed past sexual trauma, describing the rehab experience as “a fever dream” that echoed those memories. Medication played a paradoxical role. While Klonopin eased anxiety and Percocet dulled pain, the initial IV dose produced a euphoric “shiver through the whole body, better than any orgasm.” She acknowledges the temporary relief as a “pause button” that allowed her racing thoughts to quiet, yet also recognized the danger of dependence. Group sessions revealed complex dynamics. A fellow patient, Walter, breached confidentiality, prompting staff to enforce policy and send him home. The ensuing discussion divided the group, with some defending Walter’s lapse and others demanding accountability. Dunham’s own voice was subdued, emphasizing the tension between personal safety and collective responsibility. In a values‑mapping exercise, Dunham listed ART, FAMILY, MAKING PEOPLE FEEL SEEN as her core priorities, contrasting them with the values of the people she had surrounded herself with during active addiction. This exercise highlighted the stark misalignment between her aspirations and the environment she had inhabited. Despite the strict regimen, Dunham was granted a brief leave to attend the 2018 Met Gala. The decision sparked intense debate among staff about safety, yet she ultimately walked the red carpet, feeling “wan and haunted” amid flashing cameras and champagne she could not enjoy. The experience underscored the surreal juxtaposition of celebrity life and rehab recovery. During the final week, she formally identified as an addict and faced the pivotal question from Dr. Mark: “Do you want to be sober?” The answer marked a turning point, culminating in a moment of pure joy as she ran outdoors, feeling her legs move of their own accord. She closes with a vivid scene of spotting a robin’s egg on the grass, a simple yet profound reminder of life’s unexpected beauty. The memoir Famesick, published by Fourth Estate on 14 April, expands on these revelations and invites readers into the often‑hidden world of addiction behind the celebrity façade.

Rory McIlroy says the intensive scouting trips he made to Augusta National in the weeks before the Masters were pivotal to his dominant performance. His second‑round 65, which featured six birdies in the final seven holes, set a new tournament record and made him the first defending champion to lead by six strokes at the halfway mark. Rather than using his three‑week break from the PGA Tour to rest, McIlroy leveraged his private jet to maximize time on the course. He described a routine of dropping his daughter Poppy at school, flying to Augusta, playing a round, then returning home for dinner with his wife Erica. He believes this blend of family time and focused practice was more valuable than a traditional tournament warm‑up in Houston or San Antonio. “I’ve been on this golf course so much the last three weeks,” McIlroy explained. He spent the period honing his chipping and putting, playing a single ball to explore the course’s nuances, and locating “weird places” that most players never encounter. He credits this immersion as a major factor in his record‑setting round. Looking ahead, McIlroy says the size of his lead will not dictate his mindset for round three. He will be joined by Sam Burns on Saturday, with Patrick Reed and Justin Rose slated for the penultimate group. “I’ve built up a nice cushion,” he noted, adding that his focus remains on “playing two good rounds again” and keeping his “foot on the gas.” McIlroy also dismissed any notion that he is trying to intimidate his rivals. “Golf is the most amazing game because it’s you, your ball and the course,” he said, emphasizing that external pressure should not affect a player’s performance.