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The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.

Executive Overview: Trump’s China Visit with Top US CEOsPresident Donald Trump arrived in Beijing on Wednesday, flanked by a delegation of more than a dozen senior US executives. The group was presented to President Xi Jinping as “distinguished representatives from the American business community” who “respect and value China,” signaling a joint push to revive trade ties amid a lingering tariff dispute.Who Joined the Delegation and Their Business InterestsElon Musk – CEO of SpaceX, Tesla and owner of XTim Cook – outgoing CEO of AppleDavid Solomon – CEO of Goldman SachsLarry Fink – Chairman and CEO of BlackRockJane Fraser – Chairman and CEO of CitiStephen Schwarzman – CEO and co‑founder of BlackstoneKelly Ortberg – CEO and President of BoeingJensen Huang – CEO of Nvidia (late addition)Other firms represented included Meta, Cargill, Visa, Cisco, Qualcomm, Coherent, Micron, GE Aerospace, Illumina and Mastercard.Financial Figures Highlighting US‑China Trade TiesTariffs imposed during the trade war have exceeded 100 percent on many goods.Tesla’s Shanghai Gigafactory sold 292,876 vehicles in the first four months of 2026, a 26.7 percent year‑over‑year increase.Elon Musk is reportedly seeking to purchase $2.9 billion worth of solar‑panel equipment from Chinese suppliers.Approximately 80 percent of the iPhones sold in the US are manufactured in China.Nvidia controls roughly 95 percent of China’s advanced AI‑chip market, with an estimated Chinese AI market value of $50 billion this year.Strategic Implications for US Companies and Chinese PolicyThe delegation’s presence underscores the dependence of US tech firms on Chinese manufacturing, rare‑earth supplies and market demand. China’s recent restrictions on seven of twelve rare‑earth elements—and a paused second tranche of five—have heightened the urgency for firms like Tesla and Nvidia to secure stable supply lines. CEOs emphasized the need for “mutually beneficial cooperation” and broader market access, while Chinese officials promised “broader prospects” for American companies.What May Follow: Potential Deals and Political RamificationsTrump is seeking a renewed commitment from Beijing to open its economy, potentially easing tariffs and lifting sanctions on Chinese entities in exchange for US concessions. Analysts suggest the visit could yield concrete agreements on aircraft sales for Boeing, expanded chip sales for Nvidia, and further investment commitments that Trump can showcase to his domestic base ahead of the November mid‑term elections. The outcome will likely shape the trajectory of US‑China economic relations for the coming year.

The Rise of a Dynasty: Houston's Unexpected WNBA Reign Fran Harris remembers a late-night dinner in Sacramento. Her Houston Comets squad had just dispatched the lowly Monarchs by 10 points. To celebrate, she and a few teammates, including Cynthia Cooper, Tammy Jackson and Kim Perrot, decided to grab a bite. Cooper had scored 44 in the 25 July 1997 contest, and her talents dazzled even her dinner companions. "I said to Cynthia, 'I just cannot believe how great you're playing – and I know how great you are!'" Harris tells the Guardian. "And she goes, 'I know!' She was just, like, Yeah, I'm the motherfucker! I was like, 'You absolutely are!'" From Underdogs to Champions: The Comets' Unexpected Journey Cooper, an eventual two-time WNBA MVP and four-time champion, was not supposed to be the league's top player. She'd played in Europe for a number of seasons after winning college championships at USC in the mid-1980s. But when the WNBA began in the summer of 1997, she was already 34. In fact, her entire Houston Comets team, who would win the league's first championship – as well as the next three – were predicted to finish last by many ahead of the inaugural campaign. (They could get a chance to add to their tally: on Wednesday the WNBA confirmed a franchise will return to Houston in 2027, 19 years after the original Comets folded.) "They were very unimpressed with our roster for some reason," says Harris, now a television analyst for the WNBA's Dallas Wings. "When we read that, we were like, 'This shit is funny! That is hilarious.'" The League's Precarious Foundation: Women's Basketball Before the WNBA When the WNBA began, professional women's basketball was in a precarious state. The WBL, the first pro women's league in the US, started nearly 20 years prior. But it folded within three years. After that, several more leagues popped up, including the ABL, which launched in 1996. That year, the US boasted an all-time Olympic team, and the league wanted to capitalize on the enthusiasm around their gold medal. But things didn't go to plan for the ABL. Harris, who had won a NCAA championship in 1986 with Texas, had heard about the ABL and was interested, but a former teammate working as a college coach warned her against joining, with the NBA getting ready to launch the WNBA. Harris took note. The ABL, without big-money backing, folded after two seasons. Building a Team: Tryouts and Team Chemistry Tryouts for the Comets' inaugural season kicked off on Mother's Day weekend. "It was just survival of the fittest," says Yolanda Moore. "It was a free-for-all. We did your basic three-man-wave – that kind of stuff. But really we were just put into teams and played basketball. And at the end of every session, they would make cuts." The Comets' first coach was Van Chancellor. A veteran of the college ranks, he'd been Moore's coach at Mississippi. Still, he told her that she had a "snowball's chance in hell" to make the Comets, she says. Moore, who graduated with a degree in journalism, initially wanted to be "Robin Roberts Jr". When she heard about the WNBA, though, she had to jump for it. She also didn't listen to her coach's negative attitude. Moore's perseverance landed her a spot on the Comets' practice team, and later one on the main roster. The Legacy of the Comets: Paving the Way for Future Generations Thinking back on the year, Harris vividly remembers the Comets' first regular-season game. It was on the road in Cleveland with an official attendance of 11,455. "It was sold out," she says. "I was like: 'Woah!' The crowd for that moment was a big deal." In a way, Harris says, that entire first year was like a dream. The WNBA marked the first time longtime women's basketball stars could play against one another professionally in the US. "We had all played against each other in college," Harris says. "Now, here we were playing against each other in a pro league. It was incredibly surreal." "Not only were we trying to prove ourselves in the league," says Moore, a bench player in her first season before blossoming into a top backup center, "but we were women trying to prove ourselves to this sport, that we deserved to have this space. We were proving that this was our time." The Return of the Comets: Houston's WNBA Future The announcement that a WNBA franchise will return to Houston in 2027 marks a significant moment for the league and the city. The original Comets folded in 2008 after winning four championships in the league's first four years. The return of professional women's basketball to Houston comes nearly two decades later, reflecting both the growth of the WNBA and the enduring legacy of the original team. As the league approaches its 30th season, the return to Houston symbolizes how far women's professional basketball has come since the Comets' early dominance. The team's legacy continues to inspire new generations of players and fans, proving that the electric atmosphere the Comets created in Houston can be reignited in the coming years.

California AG Bonta Sends FIFA Ticket‑Category InquiryAttorney General Rob Bonta wrote to FIFA requesting documentation on seat‑map changes after fans reported that the categories displayed during purchase did not correspond to the seats they received.Alleged Mismatch Between Ticket Categories and Seat AssignmentsThe Athletic reported that buyers of Category 1 tickets were sometimes placed in sections previously labeled Category 2 on the online stadium maps. Fans claim the seats assigned were of a lower tier than advertised.Tickets were sold in four colour‑coded categories based on interactive maps.Category changes allegedly occurred after purchase but before seat allocation.Bonta asked for dates of map revisions and the number of fans affected.Ticket Pricing Scale and Potential Revenue ImplicationsMore than 3 million tickets have been sold for the 2026 World Cup, which FIFA expects to generate roughly $13 bn in revenue. However, pricing has drawn fire:Most expensive 2022 final ticket: $1,600 (face value).2026 most expensive face‑value ticket: $32,970.Fan group Football Supporters Europe calls the structure “extortionate” and a “monumental betrayal.”Repercussions for FIFA’s Reputation and Fan Trust Ahead of 2026 World CupThe probe adds to a growing backlash over ticket costs and perceived lack of transparency. FIFA’s response that category maps were “indicative” rather than exact seat layouts has done little to quell criticism, potentially affecting ticket sales and public perception as the tournament approaches its June 11 kickoff in the United States, Canada, and Mexico.Possible Outcomes and Next Steps for the InvestigationIf the investigation finds violations, FIFA could face:Mandated refunds or re‑allocation of seats for affected fans.Regulatory penalties from California or other jurisdictions.Increased pressure to revise pricing and disclosure practices for future events.FIFA President Gianni Infantino maintains that current prices reflect the U.S. market, but the legal scrutiny may force a reassessment of the ticket‑selling model before the tournament’s opening matches.

The Anatomy of a Scandal: US Donor Bodies Sold for Military TrainingA disturbing revelation has emerged regarding the mishandling of human remains in the United States, where donor bodies intended for medical education were allegedly sold to Israeli military training programs, raising severe ethical and legal questions about oversight in the funeral and donation sectors.The Mechanism of the BreachThe investigation uncovered a supply chain where bodies donated for medical research were diverted, bypassing standard ethical protocols to reach military training facilities. This unauthorized transfer involved the sale of remains, stripping donors of their dignity and violating the explicit terms of consent given by families.The Erosion of Medical TrustThis incident represents a catastrophic failure of bioethics, potentially deterring future donors and damaging the reputation of legitimate medical institutions. The commodification of human remains for military purposes strikes at the core of medical ethics, suggesting a systemic failure in tracking and accountability within the body donation industry.Future Oversight and AccountabilityExpect immediate legislative scrutiny and stricter federal regulations regarding the tracking and disposition of human remains. This scandal will likely force a re-evaluation of how donor bodies are sourced, processed, and distributed, ensuring that the sanctity of the donation process is restored.

The Court Verdict on Milka’s ShrinkflationThe Bremen regional court concluded that Mondelēz violated German consumer‑protection law by reducing the weight of the Milka Alpine Milk bar without clear on‑pack communication. The ruling, brought by Hamburg’s consumer office, orders the company to add a prominent notice for at least four months before the change can be considered compliant.How Mondelēz Reduced the Milka Alpine Milk BarThe classic Milka bar, long sold in a 100 g format, was quietly trimmed to 90 g. The physical bar became a millimetre thinner, yet the purple wrapper and branding remained identical, making the reduction difficult for shoppers to detect.Original weight: 100 gNew weight: 90 g (‑10 %)Packaging: unchanged purple foilPrice increase: from €1.49 to €1.99Price and Size Changes: The Numbers Behind the CaseBeyond Milka, Mondelēz’s other confectionery lines have faced similar cuts, including Toblerone (‑20 g) and smaller boxes of Quality Street and Celebrations. The broader market context shows cocoa bean prices soaring due to poor harvests in Ghana and Côte d’Ivoire, pushing ingredient costs up by double‑digit percentages.Cocoa price rise: > 30 % YoY (2025‑2026)Energy and transport cost increase: ~ 15 %Average confectionery price inflation in Germany: 6 % (2025)Consumer Trust and Industry Ripple EffectsThe verdict fuels a growing consumer backlash against “shrinkflation,” a practice that keeps shelf‑price stable while silently reducing quantity. A poll cited in the case named the Milka bar the “rip‑off packaging of the year 2025.” The ruling may prompt other European regulators to require explicit size‑change notices, potentially reshaping packaging strategies across the food sector.Potential EU‑wide packaging‑notice guidelines under discussionIncreased scrutiny of other Mondelēz brands (Toblerone, Oreo)Retailers considering voluntary front‑of‑pack alertsWhat’s Next for Mondelēz and European Packaging Rules?Mondelēz has one month to lodge an appeal. In the meantime, the company says it is reviewing the decision and will “communicate transparently” with consumers. If the appeal fails, the precedent could accelerate legislative moves toward mandatory size‑change labeling, forcing multinational food firms to redesign packaging and pricing models across the EU.

The Lead The United States Centers for Disease Control and Prevention (CDC) has released data showing that deaths from drug overdoses fell by nearly 14 percent in 2025, continuing a third consecutive year of decline. Drug Overdose Deaths in Decline The data released on Wednesday shows that the US saw nearly 70,000 predicted overdose deaths in 2025, down from more than 81,000 in 2024. The downward trend has been welcomed in the US, which has struggled with a devastating overdose crisis fuelled largely by synthetic opioids. The Data Analysis Overdose deaths peaked during the COVID-19 pandemic, with 110,000 recorded in 2022, a surge associated with social isolation and obstacles to accessing treatment services. Experts have attributed the decline to various factors, such as wider availability of the overdose treatment naloxone, commonly sold under the brand Narcan. The Impact Analysis Testing strips that can detect fentanyl are also more common now, and regulatory changes in China have limited access to the chemicals used to manufacture the drug. While overdose deaths declined in most US states in 2025, seven states saw increases. In Arizona, Colorado and New Mexico, overdose deaths increased by 10 percent or more. The Prediction “I’m cautiously optimistic that this represents really a fundamental change in the arc of the overdose crisis,” Brandon Marshall, a Brown University researcher who studies overdose trends, told The Associated Press news service. The administration of President Donald Trump has pointed to the decrease overall as validation of its crackdown on drug trafficking.

The Discovery of a Lost Musical MasterpieceThe discovery of a new work by Ralph Vaughan Williams has set the world alight this week. In a box in the archives of London's Morley College, Elaine Andrews came across a previously unknown Vaughan Williams song titled "Before the Mirror," which sets a Swinburne poem inspired by a Whistler painting. The manuscript's workings, its crossings-out and corrections, offer a fascinating insight into Vaughan Williams's creative process, revealing music of surprising tonal adventure and expressive ambiguity written shortly after his marriage in 1897.The Vast Landscape of Lost Musical WorksBut a single song pales into comparison compared to the musical riches that may be lying dormant in libraries, archives and lofts all over the world. One of the most significant musical finds of all time was the treasure-trove of manuscripts by Florence Price found in a derelict house in Illinois in 2009, which included her two violin concertos, Fourth Symphony and dozens of other pieces. This discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians.The Systematic Erasure of Female ComposersThat discovery revealed not only wonderful music, but also pointed to the priorities – and prejudices – of music historians. The discovery of previous unknown manuscripts by the most familiar composers – a single page of Mozart, an exercise by Beethoven, a sketch by Haydn – often happen because historians know where to look for ephemera of lives whose every artefact has been combed over for centuries. But that had not been the case for Price, or for other composers who have been musicologically marginalised. Their work is supposed to be "lost" simply because no one had been looking for it.Rediscovering Forgotten Female VoicesThat's why some of the deepest holes in musical history – works that we know composers wrote and that were performed in their lifetimes, but which their biographies say are now "lost" – are by female composers. Francesca Caccini wrote more than 13 stage works in her lifetime in 17th-century Italy, but only one survives today. Caccini's dozen other operas may currently be "lost," but have researchers been looking for them as assiduously as they search for a page by Bruckner or a letter by Mahler?The Case of Joseph BologneThe same goes for at least three complete operas by Joseph Bologne, who lived an extraordinary life in 18th-century France, as composer, violinist, orchestral leader, fencer and soldier, becoming a colonel in the revolution's only all-black regiment. But Bologne's legacy suffered the prejudices of a culture that reinstated slavery and which erased his contribution to the revolution and to musical society after his death in 1799. Now that Bologne's work is at last finding its place there must be renewed focus on recovering these vital "lost" operas from the oblivion that they never deserved.Legendary Lost Works We Can Only Dream OfMind you, there is also lost music whose absence has been known of for centuries – we can only dream of what could be. Bach's St Mark Passion and scores of his cantatas, Monteverdi's Arianna and other stage works, the dozens of quartets and sonatas that Brahms threw out as unworthy, or Sibelius's Eighth Symphony, likely consigned to the flames by Sibelius himself.New Leadership in Classical MusicIn other classical music news, the Royal Scottish National Orchestra has announced that Lithuanian conductor Giedrė Šlekytė is to be their next music director, succeeding Thomas Søndergård from the 2027 season. The appointment comes after just two projects: a well-received week of Mahler's First Symphony, and a subsequent recording session. As the RSNO's chief executive Alistair Mackie said: "When she joined us last year, her musical ideas and the way she works with players spoke for themselves. Giedrė gives the orchestra room to breathe and to play."

The Senate StandoffMore than a dozen gunshots rang out at the Philippine Senate as police and marines moved in to arrest a senator wanted by the International Criminal Court for alleged crimes against humanity. Journalists ran for cover as gunfire erupted on Wednesday evening minutes after soldiers with rifles and protective gear went up the stairs of the legislative building. It was not immediately clear who fired the shots during the tense confrontation.Arrest Warrant and Senator's DefiancePhilippine Senator Ronald dela Rosa had earlier anticipated his arrest, urging people to come to the legislature to prevent him from being detained and sent to the ICC. "I am appealing to you. I hope you can help me. Do not allow another Filipino to be brought to The Hague," dela Rosa said in a video posted on Facebook. Philippine law enforcement agents had been gathering outside the Senate building after dela Rosa's message.The ICC Charges and Drug War LegacyThe ICC unsealed an arrest warrant on Monday for dela Rosa, dated November, on suspicion of crimes against humanity, the same crimes 81-year-old Duterte is accused of as he awaits trial in The Hague. Dela Rosa, better known as "Bato", meaning "rock", has been under the protective custody of the Senate since law enforcement agents entered the building on Monday. He has denied involvement in illegal killings, stating "I did everything for the country. I did not enrich myself. I worked faithfully."Political Implications for the Marcos AdministrationFormer police chief dela Rosa, who was the top enforcer of ex-President Rodrigo Duterte's so-called "war on drugs", urged President Ferdinand Marcos Jr on Tuesday not to hand him over to the ICC, adding that he was ready to face justice at home. "Mr President, [you] may one day face a situation like this. You may also encounter problems, and then you will understand, you will feel what I am feeling right now," dela Rosa told reporters, his eyes welling with tears. The incident places the current administration in a difficult position balancing international legal obligations with domestic political considerations.Future Legal ProceedingsDela Rosa was Duterte's top lieutenant and oversaw a fierce crackdown during which police say more than 6,000 suspected drug dealers were killed in official operations. Thousands of drug users were also shot in slumland murders blamed on vigilantes or turf wars. Police say those killed during operations had resisted arrest and reject allegations of systematic murders and cover-ups. As the ICC case progresses, the Philippines faces continued scrutiny over human rights issues and the legacy of the drug war that defined Duterte's presidency and continues to influence the nation's political landscape.