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Former Prime Minister Tony Blair has called for the UK to scrap its 2050 net‑zero goal and ramp up North Sea oil and gas drilling, prompting a swift backlash from climate experts who label the suggestion “bizarre” amid a historic heatwave and rising energy costs. Blair’s Call to Re‑Open North Sea Oil and Gas E3G programme director Ed Matthew warned that abandoning net zero during the “worst May heatwave on record” would be a “massive setback” for the UK, emphasizing that clean energy is cheaper and has near‑zero operating costs. Economic Stakes: £200 million Heatwave Losses and Fossil‑Fuel Costs Heat stress on livestock and crops is projected to cost the UK economy over £200 million this year. The International Energy Agency’s Fatih Birol notes that new oil fields would have “little impact” on domestic fuel prices. Renewable‑energy growth, especially record‑breaking solar generation, is already reducing household energy bills. Why Renewables Outperform Fossil Fuel Revival in the UK Analysts such as Jess Ralston (Energy and Climate Intelligence Unit) argue that expanding solar and other clean‑power technologies shields consumers from volatile fossil‑fuel markets and supports energy security as the North Sea declines. Comparisons to Spain’s renewable‑driven price stability reinforce the case for electrification as the “obvious route” to lower bills. What the Next Steps Mean for UK Energy Policy Government spokespersons confirm that no new exploration licences will be granted, focusing instead on managing existing fields for the remainder of their lifespan while accelerating the clean‑power mission championed by Energy Secretary Ed Miliband. If the current trajectory holds, the UK is likely to cement its position as a leader in renewable deployment, rendering calls to revive North Sea drilling increasingly marginal in policy debates.

Rudi Voeller, Germany’s sporting director, told the national team at their pre‑World Cup camp in northern Bavaria that players should keep sport and politics "somewhat separate" during the upcoming 2026 tournament. While no gag order exists, Voeller warned against new political displays that could distract from on‑field performance. Voeller’s Call for Political Neutrality Ahead of World Cup 2026 Speaking on Wednesday, 28 May 2026, Voeller emphasized that the German side will not receive specialist media training unlike the preparation before Qatar 2022. He clarified that any political expression should have occurred in the lead‑up to the tournament, not during the competition itself. Squad Composition and Historical Context: Numbers Behind the Debate 66‑year‑old Voeller draws on his experience as a former World Cup‑winning striker (1990). Germany will travel with a 26‑man squad to the United States, Canada and Mexico. In Qatar 2022, German players covered their mouths in a pre‑match photo to protest FIFA’s ban on "OneLove" armbands, a controversy that many believe affected their performance. Veteran goalkeeper Manuel Neuer is expected to miss the final friendly against Finland but will be available for the World Cup. Potential Ripple Effects on FIFA’s Political Policy and Team Dynamics The directive could influence how other national associations approach political expression, especially as FIFA continues to tighten rules on symbols and statements. By keeping the issue internal, Germany may avoid media scrutiny that previously amplified the Qatar incident, allowing the coaching staff to focus on tactical preparation. What to Expect from Germany and FIFA as the Tournament Approaches Analysts anticipate a disciplined German side that prioritises attractive football over activism, aligning with Voeller’s view that sport offers a distraction from everyday worries. Should any player break the informal guideline, FIFA may intervene, potentially leading to sanctions similar to those threatened in 2022. Germany’s final pre‑tournament friendly against Finland in Mainz will serve as a litmus test for squad cohesion under the new non‑political stance, while coach Julian Nagelsmann prepares to integrate Neuer once he regains fitness.

A Surrealist Masterpiece Emerges from the Depths of Psychiatric ConfinementA recently discovered painting by the surrealist artist Leonora Carrington, made during her confinement in a Spanish psychiatric hospital during the second world war, will go on public display for the first time in London this summer. Known as Villa Pilar, the work was painted in 1940 while Carrington was a patient at sanatorium Morales in Santander, after fleeing Nazi-occupied France following the arrest of her partner, the German artist Max Ernst.The Unveiling of a Hidden Masterpiece from a Turbulent PeriodCarrington suffered a psychological breakdown in Madrid and was admitted to the institution, where she underwent traumatic psychiatric treatments that she later described in her memoir Down Below. But encouraged by her psychiatrist, Dr Luis Morales, Carrington sketched each day, and created two paintings, Down Below and Villa Pilar, which depict the psychiatric hospital as a symbolic underworld. Carrington described her "down below" period as an experience akin to "being dead."A Life Marked by Rebellion and Artistic InnovationBorn into a wealthy Lancashire family in 1917, Carrington rebelled early against the expectations placed on upper-class women. She studied at the Chelsea School of Art before meeting Ernst at a dinner party in London in 1937, when she was 20 and he was 46. The two began a relationship that scandalised their respective social circles and moved together to Saint-Martin-d'Ardèche in the south of France, where they lived and worked until the German invasion.She found kindred artistic spirits in renowned surrealists like André Breton, Salvador Dalí, and Man Ray, who, like her, were fascinated by dreams, the subconscious and the occult. When she eventually settled in Mexico in the 1940s, she became one of the country's most celebrated artists and part of an influential community of women creatives working outside the male-dominated European surrealist movement – alongside figures including the Spanish painter Remedios Varo and the photographer Kati Horna.Carrington was later embraced as a feminist icon, and she always resisted attempts to reduce her to her gender, once remarking: "I didn't have time to be anyone's muse ... I was too busy rebelling against my family and learning to be an artist." She died in Mexico City in 2011, aged 94.The Rediscovery and Symbolic Meaning of Villa PilarCarrington gave Villa Pilar to Dr Morales when she left the sanatorium, and it remained in his family for decades. It was only rediscovered during research for the exhibition by the Faro Santander team, who persuaded the Morales family to loan it publicly for the first time.Vanessa Boni, curator of the exhibition, said Carrington created the work as "a parting gift" to thank Morales for helping her recovery, despite the "brutal" treatments she endured, including cardiazol injections. "As we know from her memoir, it was really traumatic," she said. "Dr Morales kept the painting his entire life, and when he passed away, it was handed down to his daughter."The work depicts the hospital as being populated by hybrid human-animal figures moving through vivid green gardens – imagery that would become central to Carrington's later practice. "It speaks to ideas of inner transformation, metamorphosis and otherness," Boni said. "Both paintings are set in a verdant green landscape, including a green sky, which was a symbolic colour for her."A Transatlantic Exhibition JourneyVilla Pilar will join the exhibition Leonora Carrington – the Symptomatic Surreal at the Freud museum, where Sigmund Freud spent the final year of his life after escaping Nazi-occupied Vienna. To mark the unveiling, the exhibition has been extended until 10 August before travelling to Faro Santander, a new arts centre in the northern Spanish city, in September.Daniel Vega Pérez de Arlucea, director of Faro Santander, said: "This is not simply a matter of showcasing the work of one of the most important surrealist artists, but of recognising and revisiting a chapter of her life deeply rooted in this city."After leaving Santander, Carrington travelled through Lisbon and New York before settling in Mexico, where she became one of the leading figures of surrealism. In 2024, one of her paintings was auctioned for £22.5m, a record for a UK-born female artist.While in New York, Carrington gave her Santander sketchbooks to the surrealist collector Julien Levy, whose collection was sold at auction and dispersed into private collections in 2004. This exhibition marks the first attempts since then to bring the contents together for a major public display.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

Bosnia's Unexpected World Cup JourneyBosnia and Herzegovina's qualification for the 2026 World Cup comes as a surprise to many observers. A team that had managed only four wins in their previous 19 matches across two qualification cycles reached a turning point when Sergej Barbarez took over in 2024. The campaign that followed was chaotic, emotional and occasionally irrational, which still feels like the most authentic description of Bosnian football itself. Barbarez's side somehow found a way through it all, eliminating Wales and Italy in dramatic playoffs and reaching the World Cup for only the second time in the country's history.The Barbarez RevolutionThe former captain had waited years for the job, so long that he had not coached anywhere in the meantime. He played professional poker and enjoyed retirement before the Bosnian FA finally got in touch. He gathered close friends and former teammates around him: Emir Spahic became sporting director, while Sasa Papac and Zlatan Bajramovic joined the coaching staff. In Barbarez's first year, 16 players made their debuts, most of them raised and developed abroad, from Sweden and Germany to Austria and the United States. That became the foundation of this new Bosnia side.Group B Fixtures12 June v Canada, Toronto (3pm local, 8pm BST)18 June v Switzerland, Los Angeles (noon local, 8pm BST)24 June v Qatar, Seattle (noon local, 8pm BST)The Coach's PhilosophyBosnia do not play especially beautiful football under the coach and systems change regularly – usually between 4-2-3-1 and 4-4-2 – but formations quickly become secondary once matches turn emotional, and with Bosnia they usually do. The team's identity is built around aggressive defending, direct football and quick transitions. Barbarez may have gone winless in his first eight matches and come under heavy criticism, but he insisted that he first needed to rebuild the squad's mentality.The Poker Coach Who Became a National HeroSergej Barbarez spent years criticising the way Bosnian football was run and had almost stopped expecting the call from Sarajevo altogether, having first expressed an interest in the role in 2009. Fifteen years later he took charge of the national team – with no previous coaching experience – for the first team against England at the age of 52. A former captain and cult figure, Barbarez arrived promising honesty, emotional connection and a complete reset after years of dysfunction around the national team. After playoff victories over Wales and Italy, his status only grew further; the win against Italy transformed him from poker-playing outsider into one of Bosnia and Herzegovina's most important ever sporting figures.The Veteran Leader: Edin DzekoThere are normal footballers and then there is Edin Dzeko. Even at 40, everything still somehow revolves around Edin. Bosnia and Herzegovina's captain remains the country's greatest footballer, their all-time leading goalscorer and the reference point of an entire generation. Younger players in the squad speak about him with a reverence bordering on disbelief. Dzeko no longer dominates matches physically the way he once did at Wolfsburg or Manchester City, but his understanding of space, timing and pressure moments remains elite. During the playoffs he again delivered when Bosnia needed him most. "As long as I feel I can help, I'll be here," he said recently. Bosnia would not be at this World Cup without him.The Rising Star: Kerim AlajbegovicKerim Alajbegovic, at 18, may already be the most naturally gifted attacking talent Bosnia and Herzegovina have produced since Miralem Pjanic. The midfielder, who spent a season with Red Bull Salzburg before Bayer Leverkusen triggered a buyout clause, is arriving at the tournament with the fearless attitude some players have at that age. It is not only his technique that stands out, but his personality too. Barbarez trusted the 18-year-old to take penalties in both playoff shootouts – and Alajbegovic responded with complete calmness. Elegant between the lines and fearless in possession, he feels like the face of Bosnia's next generation.The Unsung Hero: Tarik MuharemovicBosnia and Herzegovina spent years producing centre-backs who defended first and worried about the football later. However, Tarik Muharemovic feels like the first one shaped by an entirely different mindset. Born in Slovenia and developed in Austria before moving through Italian football with Juventus and Sassuolo, the left-footed defender has quietly become one of the players Barbarez trusts most. He is not especially loud, aggressive or dramatic, which, for a defender, normally makes people in Balkan football suspicious. Instead Muharemovic solves problems calmly, carries the ball forward and gives Bosnia something they lacked for years – composure.Tournament OutlookBosnia are unlikely to dominate many matches in Group B – against Canada, Switzerland and Qatar – but they have enough quality, emotional energy and unpredictability to become one of the tournament's more uncomfortable teams. With a blend of experienced leadership in Dzeko and emerging talent in Alajbegovic, Barbarez has created a squad that embodies the chaotic yet passionate spirit of Bosnian football.

The Lead: Vertu's AI-Powered Foldable Targets Executive Market Luxury smartphone brand Vertu has unveiled the Alphafold, a foldable phone powered by an AI agent designed specifically for executives managing business operations on the move. The device represents Vertu's latest attempt to reinvent itself for the AI era, combining luxury materials with enterprise-focused AI capabilities to target the high-end business market. The Event Details: Luxury Meets AI: The Alphafold's Enterprise Capabilities The Alphafold features Hermes Agent, built on the open-source Hermes project by Nous Research, which can connect to enterprise systems like ERP and CRM. The AI agent coordinates tasks such as approvals, scheduling, sales tracking, travel planning, and operational reporting through natural-language prompts. The device can route requests across multiple AI models including OpenAI's GPT, Anthropic's Claude, Google's Gemini, and selected open-source models, while integrating with more than 80 apps and dozens of native phone functions for cross-platform workflows. Vertu has emphasized the device's privacy-focused architecture featuring a proprietary A5 security chip designed to isolate authentication keys, biometric credentials, and sensitive enterprise information from the main operating system. The company states that commercially sensitive data can be processed locally on the device, while prompts sent to external AI models are redacted or tokenized before leaving the phone. The Data Analysis: Premium Pricing Strategy in the Smartphone Market The Alphafold starts at $6,880 for the calfskin version, with higher-end models featuring bespoke finishes including alligator leather, 18K gold, and natural diamond accents. Vertu's highest-end standard model is currently priced at $46,800, with further customization options available. This pricing strategy positions Vertu firmly in the ultra-premium segment of the smartphone market. While foldable smartphones remain a niche segment globally—with IDC data showing approximately 20 million units shipped in 2025, accounting for less than 2% of total smartphone shipments—Vertu is betting that the combination of luxury materials and AI capabilities will justify its premium pricing. The average price of foldable smartphones was about $1,300 last year, roughly three times the price of non-foldable smartphones. The Impact Analysis: How AI is Transforming Executive Productivity Vertu CEO Molly Ma highlighted that existing AI features on smartphones from major manufacturers remain focused largely on consumer tools such as image editing and voice assistance, leaving room for more advanced AI-agent workflows tied to enterprise systems. The Alphafold aims to address this gap by providing executives with a device that can seamlessly integrate with their business operations and workflows. The device's larger foldable display (8.05-inch inner screen and 6.53-inch outer screen) is better suited for multitasking and productivity-oriented experiences, according to Kiranjeet Kaur, associate research director for mobile phones research at IDC. However, she noted that enterprise AI adoption on smartphones still lags behind computers, with most enterprise smartphone decisions continuing to be driven by ecosystem integration and device management support rather than AI capabilities. The Prediction: The Future of Luxury AI-Powered Mobile Devices The Alphafold represents Vertu's significant step forward from its previous AI-focused device, Agent Q, with Ma noting that AI-agent technology has matured rapidly over the past year, with improvements in memory, automation, and app integration. While the company has not yet undergone third-party security audits for the device, it has confirmed that independent audits and certification remain on its security roadmap. As the first 115-unit batch of Vertu's Alphafold begins shipping across major markets including the U.S., the device will serve as a test case for whether there's a market for luxury smartphones with enterprise AI capabilities. If successful, Vertu's approach could inspire other manufacturers to develop similar devices targeting the executive market, potentially accelerating the integration of AI agents into mobile workflows.

The Trademark Battle Between Outdoor Gear and Drag ActivismPatagonia, the renowned outdoor clothing company, has launched a trademark lawsuit against environmental drag queen Pattie Gonia (real name Wyn Wiley), accusing the activist of attempting to trademark a name that would harm their brand. The lawsuit, filed on January 21 in a federal court in Los Angeles, seeks $1 in damages plus legal fees, claiming Wiley's trademark application would "irreparably harm" Patagonia's brand.The Environmental Activist's ResponseIn response to the lawsuit, Wiley has publicly accused Patagonia of "trying to erase an activist" in a video posted on Instagram. Wiley, who has accumulated millions of followers online for environmental activism and has raised almost $4 million for non-profits, stated: "This is a betrayal of Patagonia's core mission. Because if they're 'in business to save the home planet', why are they suing a climate activist?"The Financial and Legal StakesWhile Patagonia claims it is only seeking $1 in damages, Wiley points out that the legal fees to fight to keep their drag name would cost significantly more. "This is not a brand conflict," Wiley said. "This is a corporation trying to erase an activist. This is how corporations bully individuals who cannot match their resources." The drag queen acknowledged that their merchandise involved "playful parody" of Patagonia but denied ever using the company's branding, logo, or font, noting that "drag is built on parody, puns and jokes."Industry Implications for Brand ProtectionThis case highlights the complex intersection of trademark law, activism, and corporate identity. Patagonia, which has built its brand on environmental activism, now faces backlash from fans who see the lawsuit as contradictory to their values. The company's social media has been inundated with thousands of comments from Pattie Gonia supporters calling on the company to drop the lawsuit. This case may set a precedent for how companies with activist-oriented brands handle similar situations in the future.Future Outlook for Both PartiesPatagonia has stated that it wishes Pattie Gonia "to have a long and successful career and make progress on issues that matter – but in a way that respects Patagonia's intellectual property." The company also emphasized that "this matter is not about seeking financial gain, nor is it about challenging anyone's identity or right to advocacy, protest, or creative expression." Meanwhile, Wiley has sent a letter to Patagonia's board of directors asking them to drop the legal action, stating they had two choices: "The erasure of my name, my advocacy, my community, and everyone I employ. Or fight for myself and fight for us."

The Comedy LineupChannel 4 presents 'Make That Movie' at 10pm, created and written by Sam Campbell and directed by Joe Pelling. This new comedy follows a director who turns ordinary people's movie ideas into reality, beginning with Mick's pitch about a man and woman who can turn into snakes, featuring real snake auditions and a creepy intimacy coordinator.Home Renovation DramaAt 8pm, Channel 4's 'George Clarke's Beautiful Builds' returns with architect George Clarke and garden designer Luke Millard helping people realize their renovation dreams. The premiere episode features couple Mitch and Elliot in Bromley, whose plans for a curve-arched kitchen are threatened by a house flood.Real-Life MysteryBBC One's 'Reported Missing' begins its fifth series at 9pm with the story of Larissa, a 16-year-old runaway from Glasgow living with bipolar disorder. The episode explores how lockdown has contributed to mental health issues among young people, as police try to track her down.Political ProfileBBC Two airs 'Putin: In Ten Pictures' at 9pm, a documentary that explores Russia's president through 10 key photographs. Observers and exiled former insiders psychoanalyse Putin, describing him as an overlooked weakling who vowed to change how the world saw him, with everything else being one long PR stunt.Period Drama ContinuesChannel 5's 'The Hardacres' at 9pm continues the story of Mary and Sam, whose house is put in quarantine due to fears Sam has caught the deadly Russian flu. As symptoms worsen, Lady Imelda sees an opportunity in this perfect dose of period drama.Music DocumentarySky Documentaries presents 'One to One: John & Yoko' at 9pm, a documentary covering 18 months in the lives of John Lennon and Yoko Ono after they moved to New York in 1971. The film mixes home movies, contemporary TV footage, and private phone calls to follow the couple as they engage with political causes, fashion, and their new life away from Britain.Live Sports CoverageSky Sports Cricket broadcasts the first match in a three-match Women's T20 cricket series between England and India at 6pm from Chelmsford.

Experts Sound Alarm Over Looming Food CrisisLeading food policy specialists have warned that the UK is "sleepwalking" into a food emergency. A letter signed by nine experts—including former Marks & Spencer sustainability director Mike Barry, Food Foundation director Anna Taylor and Lea Valley Growers’ Association secretary Lee Stiles—calls for an immediate overhaul of the national food strategy to address rising temperatures, supply‑chain shocks and affordability. Escalating Costs and Climate‑Driven LossesFood prices are on track to be 50% higher this November than they were five years ago.Heatwaves and a dry spring have already reduced crop yields; economists estimate economic losses in the hundreds of millions of pounds.The Climate Change Committee warns that domestic food production must stay above 60% of national needs, or the UK could face damages exceeding £2 bn per year in the 2030s (up from ~£200 m today). National‑Security Implications and Political PushbackRetired General Richard Nugee argues that food security is now a national‑security issue, linking potential supply shortfalls to civil unrest and geopolitical instability. Despite this, Chancellor Rachel Reeves’s proposal for voluntary price caps on staple foods was rejected by supermarkets and opposition parties. What Policy Makers Must Do NextUpdate the UK Food Strategy to embed climate‑resilience measures and diversify domestic production.Consider mandatory price‑cap mechanisms or targeted subsidies to curb the 50% price surge.Integrate food security into national‑security planning, as urged by the UK’s spy chiefs and the Climate Change Committee.