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The Lead: Market Skepticism on Takeout A share price gain of only 10% on a possible takeover approach is a meek reaction. If the stock market truly believed that Castlelake, a US investment fund, stood a decent chance of buying easyJet, you would expect the target's stock to fly significantly higher. Scepticism is the right stance until at least three factors become clearer. The Event Details: Castlelake's Opportunistic Approach EasyJet's description of Castlelake's timing as "highly opportunistic" was boilerplate rhetoric (all bids are opportunistic to a degree) but in this case it is clearly possible that all European airlines' prospects could be brighter within a couple of months. It all depends on the price of jet fuel, which itself depends on resolution of the Iran war, and also how the peak summer season shapes up. The conflict has knocked consumers' willingness to book ahead, but that does not mean they will not show up for overseas summer holidays if disruption is minimal. The Valuation Analysis: Premium Questions and Asset Value City analysts still estimate that easyJet's pre-tax outcome could be as low at £100m this year, which is virtually a wash-out against £665m a year ago. Yet the half-year numbers only a fortnight ago kept alive the "medium-term" target of more than £1bn "as conditions normalise". If the chair, Sir Stephen Hester, really believes £1bn is possible in time (despite persistent underperformance versus Ryanair) it is hard to see how he could credibly enter takeover talks at anything other than a very fat premium to the starting share price of 400p. Only a year ago the shares were approaching 600p under sunnier skies. An alternative metric is the value of the assets. As Goodbody's analyst puts it, easyJet "is effectively a bundle of aircraft assets, orderbook assets and airport landing slot assets". The broker puts the book value of the owned fleet at 615p a share; Bank of America thinks 650p. If Castlelake, mostly a lender to the airline industry rather than an owner, has spotted a way to exploit the discount to book value via, say, not taking delivery of some of the aircraft, the same technique is presumably available to easyJet in standalone form. You don't have to sell the entire company in order to sell a few aircraft. The Regulatory Hurdles: European Ownership Restrictions Second, how would Castlelake, as a US entity, get around European ownership restrictions? The rules say majority UK/EU ownership is required, so presumably the would-be bidder has some form of fancy footwork in mind. But what? A European partner? There would surely have to be clarity before any talks could start, otherwise what is the point? What easyJet calls the "deliverability" of any bid proposal is not a small consideration. The Founder Factor: Sir Stelios's Influence Third, what does Sir Stelios Haji-Ioannou think? The founder doesn't lob as many insults at easyJet's board these days, but he and his family still have a 15% stake, which is enough to throw a spanner in the engine if that is how he is minded. Sir Stelios Haji-Ioannou, the founder of easyJet, still owns a 15% stake with his family. The Industry Context: Consolidation Patterns and Likely Players None of which changes the fact that easyJet has been seen as a plausible takeover candidate for about a decade. The company is regarded as a loose piece in the pan-European jigsaw whenever aviation specialists plot ways in which the market could follow the US path of consolidation. It's just that actual airlines, as opposed to financiers like Castlelake, are seen as the most likely instigators. IAG, owner of British Airways, is usually seen as the natural long-term destination for easyJet. Certainly, Hester & Co would have to whip up some competitive tension if Castlelake can demonstrate how it would clear the regulatory hurdles. The would-be bidder says it has bought a 2% stake in easyJet, which demonstrates some level of seriousness. But that's about all Castlelake has said. The departure lounge for a bid still feels a way off.

Executive Summary: A Heatwave‑Driven Water Emergency in KentDuring the hottest week of the year, thousands of homes across Kent were left without water, forcing vulnerable residents to queue for bottled supplies and shuttering local businesses. The outage underscores long‑standing infrastructure failures at South East Water and raises questions about profit‑driven management of a vital public service.Heatwave Triggers Widespread Water Outages Across KentFrom the bank‑holiday Monday of 28 May 2026 onward, the region experienced a complete loss of water service. The failure was linked to a defective pump at the Charing treatment works and a surge in demand caused by record temperatures.Thousands of households without drinking water, toilet flushing, or bathing facilities.Vulnerable and elderly residents forced to rely on public water stations and personal networks.Local cafés, pubs, oyster bars and leisure centres in Whitstable closed, eroding the local economy.Financial Strain on Residents and Profits for South East WaterResidents of Kent already pay some of the highest water bills in the country, yet the service remains unreliable. Meanwhile, South East Water continues to generate millions of pounds in profit and has been criticised for diverting funds into executive remuneration, reportedly amounting to £17 million in pay packages.Losses for local businesses estimated in the thousands of pounds due to closures.Previous outage in January 2026 at Pembury treatment works highlighted systemic issues.Public Health Risks and Economic Fallout in Kent CommunitiesThe lack of running water compromised basic hygiene, increasing the risk of heat‑related illnesses. Priority‑list customers did not receive promised deliveries, exposing gaps in emergency response protocols.Queueing for bottled water in searing heat.Dependence on friends and family for essential water supplies.Potential long‑term health impacts for elderly and vulnerable populations.Calls for Regulation and Infrastructure Investment Ahead of SummerStakeholders are urging the UK government to hold South East Water accountable, enforce stricter service standards, and fund urgent upgrades to ageing infrastructure. Without decisive action, further outages are expected as summer temperatures climb.

The Lead Anthropic, the AI firm behind the Claude chatbot, has confidentially filed for an initial public offering on the US stock market. The company's valuation and offering terms remain undisclosed. IPO Filing Details The AI firm announced the filing on Monday, but did not disclose the valuation it will target on the stock market, nor did it make public other terms of the offering. This move comes after the company raised $65bn in funding to value the company at $965bn post-money, surpassing its previous valuation of $380bn in February. The Data Analysis Valuation: $965bn post-money (after recent funding) Previous valuation: $380bn (in February) Funding raised: $65bn The Impact Analysis This filing makes Anthropic the world’s most valuable AI startup, eclipsing its competitor OpenAI, which is expected to file for a public offering in the coming weeks. The financial stakes of the AI race are rising as several major players, including Elon Musk’s SpaceX, OpenAI, and Anthropic, are slated to go public this year. The Prediction With SpaceX also filing for a stock market float at a valuation of about $1.75tn, the AI and tech industries are poised for significant changes in the public market. The successful IPO of Anthropic could set a precedent for other AI startups looking to go public.

The Lead-Up to California's Primary Elections California is set to hold its primary elections on June 2, with numerous statewide positions up for grabs, including the governor's race. The state's unique 'jungle primary' system, where any voter can vote for any candidate regardless of party affiliation, has made the governor's race vulnerable to a Republican takeover. Understanding California's 'Jungle Primary' System California's primary system is one of only two in the US that uses a top-two format, where the top two contenders advance to the general election. This system, known as the 'jungle primary,' has led to a divided Democratic field in the governor's race, potentially allowing two Republicans to advance to the general election. The Governor's Race: Key Candidates and Polls The governor's race is one of the most closely watched, with 61 candidates on the ballot. Democratic frontrunner Xavier Becerra, who served as a cabinet member under President Joe Biden, is currently leading in some polls, but Steve Hilton and Chad Bianco, the top Republican contenders, are close behind. Hilton has received President Donald Trump's endorsement and has campaigned on affordability and increasing California's oil production. Other Key Races: House of Representatives and Local Elections In addition to the governor's race, several key House races are being closely watched, including the race for California's 11th congressional district, currently represented by Nancy Pelosi. The state's new congressional map, which is skewed to help Democrats, will be used for the first time in this election. The Impact of Redistricting on California's Elections The new congressional map is part of a larger battle between Democrats and Republicans for control of the House of Representatives. With 52 House seats up for grabs in California, the state's elections will be critical in determining the balance of power in Congress. What's Next: The General Election and Beyond The general election is set to take place in November, and the outcome of the primary elections will determine which candidates will advance to the general election. With several key races still undecided, California's primary elections are shaping up to be a critical moment in the state's politics.

The Surge in Tech Spending Tech billionaires have shelled out hundreds of millions of dollars ahead of the June 2 primary election in California, marking an unparalleled attempt to shape the state's political future. The tech industry's approach is comprehensive, funding candidates and ballot measures of all sizes, which is likely to make this the most expensive primary season in California's history. Key Players and Their Spending Google co-founder Sergey Brin has spent $66 million to fight a billionaire tax on the November ballot. Democratic gubernatorial candidate Matt Mahan has received the most donations, including from top executives at Google, Amazon, Snap, LinkedIn, Reddit, and Palantir. Crypto mogul Chris Larsen has funded three Super PACs with $26 million to influence campaigns across California. Google and Meta have collectively funded a Super PAC with $10 million to back assembly and senate candidates in local district races. The Impact on California Politics The influx of tech money has led to a barrage of TV ads, robotexts, and mailers promoting various issues and candidates. Experts warn that this spending will give tech companies political and regulatory leverage, allowing them to avoid stringent regulations and continue their rapid growth. The Tip of the Iceberg The disclosed spending likely represents only a fraction of the total, as some contributions are made through dark money entities that are not traceable. This has experts like Francesco Trebbi, a public policy professor at UC Berkeley, suggesting that the actual influence of tech money is far greater than what is publicly reported. Targeting State and Local Primaries The tech industry's influence extends beyond state-level races, with significant spending in local campaigns. Larsen, for example, has funded Super PACs aimed at various causes and candidates, including the state insurance commissioner race and state legislative primaries. The Future of Tech Influence in Politics The unprecedented spending by tech billionaires in California elections signals a new era of corporate influence in politics. As the tech industry continues to grow and shape the state's economy, its impact on the political landscape is likely to intensify, raising questions about the balance between economic power and democratic governance.

The Birth of a Classic The Bluetones' lead singer Mark Morriss and guitarist Adam Devlin share the story of their hit song 'Slight Return', from its humble beginnings to its massive success in the 90s. Mark Morriss' Vocals and the Song's Early Days We were still a three piece: Adam Devlin, my brother Scott and myself. We hadn’t met Eds Chesters yet, so we didn’t have a drummer. We were spending a lot of time writing songs, trying to hone this west coast, mid-60s, Crosby, Stills & Nash sound – even though it was the 90s and we were from Hounslow in London. Slight Return was the fourth or fifth song we wrote. Scott wrote the chord progressions and structure, but didn’t have any words or melody. He recorded guitar into a cassette player, then played that back on a second cassette player so he could record himself playing along to what he’d just recorded, in a very rudimentary way of four-tracking. We liked it, but we weren’t skipping around the room going: “My God, we’re going to be millionaires.” That came later. The Song's Rise to Fame It went down well at our early shows. It was catchy and memorable. We recorded a demo version and sold it on blue 7-inch vinyl at our gigs. When we got signed to A&M, they were keen for it to be a single, but we felt like it would be short-changing our fanbase, which was about 200 people, who had already bought it. We had to be talked around by the label, who said: “We can hear it being played on the radio.” But they wanted us to change the song’s name because Slight Return isn’t actually in the lyrics. The title in part refers to the last line of the song: “I’m coming home but just for a short while.” It’s also a kind of sideways tribute to Jimi Hendrix’s Voodoo Child (Slight Return). When we finally succumbed and let them release it as a single, lo and behold, it went ballistic. Adam Devlin's Perspective on the Band's Journey We thought we could write half-decent songs, so we cobbled together a set that would get us on the London circuit. I remember Scott bringing in a faster, simpler version of Slight Return. I fleshed out the guitar parts and put in a guitar solo. Mark worked out the vocal melodies, and we added a coda – the instrumental that fades out at the end, which originally had a sample from Tom Courtenay in Billy Liar, which was all very 60s. We had very different ideas from the record label and thought Can’t Be Trusted should have been the single. By then, I was living in another shared house in Wimbledon that didn’t have a washing machine. I was in the launderette when our manager phoned and said: “You’ve gone in at No 2.” I don’t think we were ready for it being so successful. The Legacy of Slight Return We've been playing it for 30 years. One tour, we’d got so bored with it, we didn’t even play it, which was a mistake because people thought we’d gone up our own arses. We learned our lesson: it’s the song everyone wants to hear. People get confused because Slight Return isn’t actually in the lyrics. I was at a farmers’ market recently when one of the stallholders said: “You were in that band who sang Where Did You Go?” I said: “Yes, but that’s not what it’s called.”

The Unbearable Loss I woke up beneath the rubble, surrounded by darkness, dust, collapsed concrete and the screams of my six-year-old son Nasser crying hysterically above the ruins, trying to reach my buried fingers. In those moments, I believed I was dying. What I did not yet know was that a part of me had already died. The Fate of My Children When I emerged, I discovered that my 51-day-old baby Ryan had been recovered lifeless after spending more than an hour trapped under the debris. His body was so small that I wrapped him in part of my own clothing, afraid he would feel cold. I was told Yaman, my seven-year-old, had suffered only minor injuries and had been taken to the hospital. The truth, however, was that my little boy had died before reaching it. A World That Failed Like countless mothers in Gaza, I had feared hunger for my children. I had feared displacement, terror and interrupted education. But despite everything, I never dared to think of death. Ryan never had the chance to grow up and enjoy his childhood. The Data of Loss 21,000 Palestinian children massacred Thousands of other Palestinian mothers have had to bury their children since January 2024 The Impact on Survivors My surviving son, Nasser, became an only child after losing both his brothers. He spends long hours staring silently at photographs of Yaman on a mobile phone as though he is trying to understand how a child can disappear so suddenly. A Call to Action Why have all of these special days, organisations and laws when they do nothing to stop the massacres of children? Ryan and Yaman were taken away from me in January 2024. Thousands of other Palestinian mothers have had to bury their children since then.

Kane Parsons' Historic Achievement Kane Parsons has become the youngest film-maker to open a film at number one at the North American box office for his directing debut Backrooms. The Success of Backrooms Parsons, 20, is seven years younger than the previous record holder, Josh Trank, who was 27 when his debut Chronicle recorded a $22m opening in 2011. Backrooms stunned industry observers by taking $81m in its first weekend in North America – which was also a record for its studio, A24. The Film's Background Backrooms, described by the Guardian’s chief critic Peter Bradshaw as “an icily brilliant and genuinely disturbing conceptual horror film” is based on Parsons’ YouTube series of the same name, inspired by the “creepypasta” of the same name, referring to a fictional space of infinite, interconnected spaces. Addressing Controversy Parsons’ age has led to claims online that he did not in fact direct the film, with actor Mark Duplass responding: ““Hmmm, with all due respect I don’t remember seeing you on set. When I was there, Kane was 100% in control. More so than many directors 3x his age.” Parsons himself also commented on the rumours, saying: “This is actually all true. They don’t tell you this, but 96% of all movies released in North America and Europe are actually directed by the same person. They call him ‘The Older Gentleman’. He has had all of Hollywood in a chokehold for decades now.” Comparison with Other Low-Budget Horror Films Backrooms' box office success follows that of another low-budget horror film, Obsession, directed by Curry Barker. Barker, at 26, is six years older; his film was released on 15 May with a $17.1m opening weekend in North America, and has now recorded $104.7m after four weeks.

The Heatwave Prompt and a Glimpse into Everett’s PastDuring a scorching London heatwave, Rupert Everett—now 67—sits in a Bloomsbury café and admits the weather triggers memories of the summer of 1976, when he was a lanky teenager dreaming of stardom. The interview opens with his self‑deprecating humor about weight and age, setting the tone for a raw, introspective conversation. The 1997 Hollywood Resurgence: “My Best Friend’s Wedding”Everett’s most notable comeback arrived in 1997 when he played Julia Roberts’ gay best friend in My Best Friend’s Wedding. This role vaulted him into the position of the coveted “camp bestie” for leading ladies, briefly turning him into a box‑office draw.1997 – Cast as the gay confidant in My Best Friend’s Wedding1998‑2002 – Frequent supporting roles alongside A‑list actresses2006 – Publishes first memoir, Red Carpets and Other Banana Skins Memoir Revelations: Sex, Drugs, and Unflinching GossipEverett’s two memoirs—Red Carpets and Other Banana Skins (2006) and Vanished Years (2012)—expose a life of heroin use, cocaine experimentation, and selling himself for sex during lean periods. He spares no one: calling Madonna “vaguely sweaty,” describing Julia Roberts as “beautiful and tinged with madness,” and lampooning public figures like Alastair Campbell and Alan Sugar. The memoirs positioned Everett as a modern‑day Hedda Hopper, wielding ruthless, barbed gossip as a form of self‑critique. Personal Reckoning: Body, Identity, and the Weight of MemoryEverett confronts the physical and psychological toll of his past. He acknowledges his current “chubby” physique, the lingering “punk upper‑class attitude,” and the paradox of heroin as an “upper‑class version of punk.” The actor admits he often sabotaged his own performances—disrupting shows, sending bizarre gifts to critics, and indulging in drug‑induced escapism—behaviours he now finds “horrifying.” Looking Ahead: Redemption, Legacy, and the Role of Truth‑tellingDespite the self‑destructive legacy, Everett hints at a desire for redemption through honesty. By laying bare his flaws, he hopes to reshape public perception and perhaps inspire a new generation of actors to confront their own demons. The interview ends with a quiet acknowledgment that the heatwave, while uncomfortable, may finally force him to “smash his past up through sex” and move toward a more authentic future.