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The Rediscovery of Gaza's Pre-Conflict EraDecades-old photographs have emerged, offering a rare glimpse into life in Gaza during happier times. These images, recently brought to light, showcase a vibrant community filled with laughter, cultural activities, and everyday joys that stand in stark contrast to the current reality in the region.A Visual Journey Through Gaza's HistoryThe collection of photographs spans several decades, capturing moments of celebration, family gatherings, and community life in Gaza. The images reveal a society rich in culture and social connections, with markets bustling, children playing in the streets, and families enjoying leisure time together.Documenting a Lost EraThese photographs hold significant historical value, documenting a period before the conflicts that have shaped Gaza's recent history. They serve as an important cultural record, preserving memories of a time when daily life was marked by normalcy rather than the challenges faced by residents today.Generational Impact of Historical ImagesThe circulation of these historical images has sparked conversations about Gaza's cultural heritage and the resilience of its people. For many, particularly younger generations who have only known life under conflict, these photographs provide a connection to a past that may seem almost foreign.Cultural Preservation Through PhotographyHistorians and cultural preservationists emphasize the importance of such visual documentation in maintaining collective memory. These photographs not only capture moments of joy but also serve as a testament to the rich social fabric of Gaza that continues to endure despite ongoing challenges.

The Weekend's Premier Sporting EventsThis weekend brings a spectacular array of sporting events across different disciplines and continents. From football finals to tennis championships and Formula 1 racing, sports enthusiasts have plenty to look forward to as multiple seasons reach their climactic conclusions.Saturday's Football ExtravaganzaSaturday offers a full day of football action across multiple competitions. The Championship playoff final at Wembley sees Hull and Middlesbrough compete for the £200m prize of Premier League promotion, while in Scotland, Celtic seeks the Double against Dunfermline in the Scottish Cup final. The German Cup final features Bayern Munich against Stuttgart at Berlin's Olympiastadion, while the Women's Champions League final brings together Barcelona and OL Lyonnes in Oslo.Cricket Action: England vs New ZealandFollowing their seven-wicket victory in the opening T20 clash, where Alice Capsey played a starring role with an unbeaten 74 from 51 balls, England continues their T20 series against New Zealand at Canterbury. The three-match series comes after the teams drew their one-day international series 1-1.Formula 1 in Canada: Mercedes' Dominance Continues?The Canadian Grand Prix weekend kicks off with sprint race and qualifying sessions. Mercedes' Kimi Antonelli holds a commanding 20-point lead in the standings after winning three of the first four races, including the most recent in Miami. His teammate George Russell looks to bounce back from a podium-less performance in Florida as Mercedes brings upgraded parts to their dominant car.Sunday's Football FinaleThe Premier League season concludes with 10 games kicking off simultaneously, with Tottenham and West Ham nervously awaiting their relegation fates. At Wembley, Stockport and Bolton contest the League One playoff final, adding another chapter to the end-of-season drama in English football.Key Matchups to WatchChampionship Playoff Final: Hull vs Middlesbrough at WembleyScottish Cup Final: Celtic vs Dunfermline at HampdenGerman Cup Final: Bayern Munich vs Stuttgart in BerlinWomen's Champions League Final: Barcelona vs OL Lyonnes in OsloCanadian GP Sprint Race: Mercedes' Kimi Antonelli looks to extend his championship lead

The Final Episode of The Late Show Celebrities, politicians, and New Yorkers paid their respects to Stephen Colbert as the Late Show aired its final episode on Thursday. The long-running chat show, which started back in 2015, was cancelled last year by CBS, purportedly because of a financial decision. But many believed it was a result of the network's increasing closeness with Donald Trump, who Colbert regularly criticised. A Bittersweet Goodbye Last night's episode saw the host bid an emotional farewell with the help of celebrity guests including Paul McCartney, Paul Rudd, Ryan Reynolds, and Bryan Cranston. "We love doing the show for you but what we really love is doing the show with you," he said to the audience at home. Colbert hosted more than 1,800 episodes of the Late Show, taking over the mantle from David Letterman. Tributes from Around the World Former president Joe Biden, who had previously guested on the show, also joined the chorus this week with a tribute on Instagram. "There aren't many who can make people think and laugh at the same time," he wrote. "For years, Stephen brought wit, heart, and honesty to late night television. America could always count on a laugh – and sometimes a needed reality check. Congrats on an incredible run, my friend." The Impact of Colbert's Comedy Jane Fonda was among celebrities featured in a video put together by her newly relaunched Committee for the First Amendment. "He made us laugh and he never flinched," the Oscar-winning actor said. "We've watched this administration suppress dissent repeatedly." Colbert already has his next gig lined up with the long-term JRR Tolkien fan set to co-write a new Peter Jackson-produced film tentatively titled The Lord of the Rings: Shadow of the Past. The Future of Late-Night Television The Late Show is being replaced by Comics Unleashed, an unscripted comedy series from comedian and media mogul Byron Allen. The entire set from the show is being donated to the Museum of Broadcast Communications in Chicago.

The End of an EraPep Guardiola will leave Manchester City at the end of the season after a decade in charge, the club has confirmed, bringing an end to one of the most successful eras in English football and one of the most influential managerial reigns of all time.The departure of the 55-year-old Catalan coach will close the book on a remarkable chapter that has seen City transform into a footballing juggernaut. Guardiola had arrived in Manchester with a resume already stuffed with silverware from Barcelona and Bayern Munich, taking over from Manuel Pellegrini in July 2016.The Trophy-Laden ReignGuardiola, who took charge of City in 2016, has won six Premier League titles – including four in a row – three FA Cups, five League Cups and the Champions League, but his side have not won the league in two years.Although City sealed the domestic cup double this season, Guardiola saw his dreams of a seventh Premier League crown dashed when they drew 1-1 at Bournemouth on Tuesday to hand Arsenal the title, with City set to finish second. His final game in charge is Sunday's home fixture against Aston Villa.The Tactical RevolutionAfter inheriting a successful club financed by the Abu Dhabi United Group, Guardiola will walk away having built a footballing empire after overseeing a paradigm shift in Premier League tactics. As Guardiola faced the challenge of adapting to England's famously fast-paced and physical league, possession became an art form and a defensive tool at City as his teams craved complete control.The result was not just utter dominance – evidenced by record-breaking campaigns like the 100-point 2017-18 season with 106 goals scored – but also relentless consistency year after year, including a record four league titles in a row. Guardiola's squads set new standards, forcing other teams to evolve, while City's financial muscle, combined with shrewd signings such as the much-sought-after striker Erling Haaland helped deliver the treble in 2022-23.The Changing LandscapeHowever, the spectre of the 115 charges of alleged breaches of the Premier League's financial rules looms large over his tenure at the club. His rivalry with former Liverpool manager Jurgen Klopp raised the bar in the Premier League so high that even 97 points proved insufficient for the Anfield side to claim the title in 2018-19.More recently, Guardiola has faced a challenge from his protege and former coaching assistant Mikel Arteta, who took charge at Arsenal and finished second behind City twice before ultimately winning the trophy this season.The Guardiola LegacyGuardiola looked back fondly at his time in Manchester, remembering how the city came together after the Manchester Arena attack while also describing how the club helped him through a tough period when he lost his mother to COVID."The fans, the staff, the people of Manchester, you gave me strength when I needed it most," he added. "Players don't forget – every single instant, moment, me, my staff, this club, everything. What we have done, we have done it for all of you. And you have been just exceptional. You don't know it yet, but you are leaving a legacy.""Don't ask me the reasons I'm leaving. There is no reason, but deep inside, I know it's my time," Guardiola said in a statement on Friday. "Nothing is eternal, if it was, I would be here. Eternal will be the feeling, the people, the memories, the love I have for my Manchester City."

Concert Overview: Doja Cat’s Manchester ShowThe Guardian’s review captures a night where Doja Cat turned a 20‑metre train‑laden prelude into a statement of artistic freedom, delivering a set that spanned her early pop‑rap roots and the darker tones of Scarlet. The performance, held on 23 May 2026 at Co‑Op Live, positioned her as both a commanding bandleader and a self‑styled “true freak”.Stagecraft and Setlist: A Fusion of Pop and RockDoja arrived in a purple‑clad ensemble, complete with pasties, a high‑waisted bodysuit, and zebra‑print microphone, evoking a “scene‑kid Prince” aesthetic. Backed by a ten‑person band, she navigated a setlist that wove together tracks from Vie, 2021’s Planet Her, and the 2023 album Scarlet. Highlights included a muscular live rendition of “Make It Up”, the swagger of “Ain’t Shit”, and a metal‑infused take on “Tia Tamera”.Audience Metrics and Ticket DemandThe review does not disclose specific ticket sales or revenue figures, but notes that the venue’s capacity was filled and the audience responded enthusiastically to the eclectic showmanship. No concrete financial data were provided in the source article.What the Performance Signals for Pop‑Rap’s EvolutionDoja’s seamless shift between polished pop and raw rock challenges the conventional separation of genre‑specific tours.The theatricality—long train, shoulder‑pad hover, and acrobatic floor work—suggests a growing appetite for immersive, narrative‑driven concerts in mainstream pop.By integrating “freak” elements without sacrificing mainstream appeal, she sets a template for artists seeking authenticity alongside commercial viability.Looking Ahead: Doja Cat’s Tour and Future DirectionsFollowing Manchester, the artist will continue touring the UK until 29 May 2026. The review implies that future shows will likely maintain the dual‑mode approach, further blurring the line between pop spectacle and avant‑garde performance, and potentially influencing peers to adopt similarly bold stage concepts.

The Performance We know that Aeneas is going to sail away. We know it before he arrives, before he declares his love to Dido, and certainly before the Sorceress and her witchy acolytes get all eye-of-newt about it. But when your opera house is the great hall under the Cutty Sark, and the clipper’s 200ft copper hull is rearing up over your head, it’s impossible to forget the tragedy that Purcell’s compact drama has in store. The Staging So you have to wonder why Andrew Staples, director of the Monteverdi Choir’s semi-staging, felt the need to work quite so hard? The space is the staging. You can try to ignore it (no mean feat when the museum’s collection of antique figureheads flanks the stage in a surreal guard of honour: Florence Nightingale rubbing painted wooden shoulders with Disraeli, Sir Lancelot and a selection of buxom lovelies), but you can’t work against it; you simply won’t win. The Musical Performance Close your eyes, though, and this was a rich account. Conductor Jonathan Sells rode every darting, eddying current in the score, the English Baroque Soloists a colourful, abandoned force in celebration, infinitely restrained elsewhere. Best of all were unaccompanied choral moments – “With drooping wings”, or the two interpolated Funeral Sentences – where movement and time stilled together, voices absolutely unified in their inflection, carving the music’s emotions with devastating clarity. The Vocal Performances The space’s natural resonance allied to some big voices made for an exciting central drama. German-Egyptian mezzo Karima el Demerdasch (definitely one to watch) was a voluptuous-voiced Dido, her suicidal queen still coming into focus. Johanna Wallroth’s radiant, exuberantly ornamented Belinda and Bethany Horak-Hallett’s sumptuous Sorceress supplied the rival musical poles, tugging us from good to ill and back again. And what a treat to have a properly baritonal Aeneas in Hubert Zapiór – a worthy lover and sparring partner for Demerdasch, a hero almost worth dying for. The Future of the Performance Next month the show travels to Norway for the Bergen festival. Cut loose from its nautical anchor, I suspect it’ll pick up several dramatic knots.

Tonight’s Must‑Watch TV HighlightsThe Guardian’s latest TV guide showcases a mix of drama, comedy and culinary spectacle across Britain’s major broadcasters. From a stylish Cold‑War thriller on Sky Atlantic to the nation’s biggest curry restaurant on Channel 4, the line‑up promises both intrigue and comfort food for viewers.‘Ponies’: A Cold‑War Thriller Starring Emilia ClarkeEmilia Clarke headlines ‘Ponies’, a star‑filled, stylish and surprisingly fun Cold‑War drama airing at 9 pm on Sky Atlantic. Clarke plays Bea, a highly educated Russian‑speaking secretary who teams up with street‑smart Twila (Haley Lu Richardson). Together they investigate the mysterious deaths of their husbands in Moscow, operating as “persons of no interest”. The cast also includes Adrian Lester and Harriet Walter.Scheduling Slots and Audience Reach Estimates9 pm – Sky Atlantic: ‘Ponies’ (Cold‑War thriller)8 pm – Channel 4: “World’s Biggest Curry Restaurant” – a behind‑the‑scenes look at the Royal Nawaab in Stockport.9 pm – BBC Two: “Hidden Treasures of the National Trust” – cultural‑heritage documentary narrated by Toby Jones.10 pm – BBC Three: “Smoggie Queens” – comedy sketch series.10:05 pm – Sky Atlantic: “Hacks” – penultimate episode of the AI‑satire comedy.11:40 pm – BBC One: “St Denis Medical” – double‑bill US mockumentary.While exact viewership figures are not yet released, prime‑time slots on Sky Atlantic and Channel 4 typically attract 1–2 million live viewers, with additional streaming audiences on platform‑specific apps.Why Cold‑War Drama Is Resurfacing on UK TVThe renewed interest in Cold‑War narratives aligns with a broader cultural fascination for geopolitical tension and espionage, spurred by recent successful series such as *The Americans* and *Killing Eve*. By pairing a high‑profile star like Clarke with a genre that blends thriller, period intrigue and dark humor, broadcasters aim to capture both legacy audiences and younger viewers seeking fresh takes on historic settings.What This Means for Next Season’s Programming ChoicesGiven the strategic placement of *Ponies* alongside eclectic factual and comedy offerings, networks appear to be betting on a diversified schedule that balances prestige drama with accessible reality‑TV formats. If *Ponies* secures strong live and on‑demand numbers, we can expect more star‑driven, genre‑hybrid projects to fill prime‑time slots in the coming months, potentially nudging streaming services to compete with similar high‑budget, historically‑rooted series.

The Lead The Royal Exchange's 50th anniversary season production, 'Even These Things', is a bold attempt to encapsulate the complex history of Manchester. The play explores themes of identity, community, and belonging through three seemingly unrelated scenes. MAPPING MANCHESTER'S HISTORY The play is built from three scenes, each set in a different time period. The first scene is set in 1846 and features a heavily pregnant Irish immigrant, Annie Donovan, who brushes shoulders with Friedrich Engels on her way to a fist fight. The second scene is set in 1996 and describes the city-centre life of an ordinary Saturday, with a community cast playing out whimsical vignettes. The final scene takes place after the IRA bomb outside the Arndale Centre and features a tender exchange between two strangers of Irish heritage. THE POWER OF COMMUNITY The play's cumulative meaning may be tricky to grasp, but as the scenes rub up against each other, what emerges is a thoughtful, rich and complex picture of home. The connections between the scenes are elliptical, but they ultimately reveal a city with a shared history and a strong sense of community. THE FUTURE OF MANCHESTER The play suggests that, however difficult, a future is possible. The final scene's chat about miscarriage and childbirth between two strangers of Irish heritage meeting in the park some months after the attack on an Ariana Grande concert brought the city together, implies that the city can heal and move forward. CONCLUSION 'Even These Things' is a bold and ambitious production that successfully maps Manchester's complex history. The play's themes of identity, community, and belonging are timely and thought-provoking, making it a must-see for anyone interested in theatre and the city of Manchester.

The Journey of a Reject to Liverpool LegendThere was the Barcelona comeback on the night he ruffled Lionel Messi's hair, the Champions League triumph in Madrid, winning Liverpool's first league title in 30 years and pressing five Manchester City players in one career-defining run at Anfield when 4-1 up. But the best feeling Andy Robertson experienced at Liverpool was "climbing the mountain" with Jürgen Klopp's all-conquering team. Nobody climbed higher or harder.The boy who was rejected by Celtic at 15 and tweeted: "Life at this age is rubbish with no money" after his debut for Queen's Park aged 18 became the man many consider to be Liverpool's finest left-back, and arguably the best in the world at his peak. With 377 fiercely committed appearances in a Liverpool shirt behind him, Robertson will say goodbye on Sunday. The 32-year-old Scotland captain leaves "with no regrets, no bitterness" and "glad that one of our Egyptian friends might take a bit more of the limelight. I can just sneak underneath that."The Climbing of the Mountain Together"We were on the most amazing journey ever, all together," he reflects. "When we started out Mo Salah didn't sign as the best player in the world or the best winger in the world. Virgil van Dijk had the potential to be but wasn't the best centre-back in the world. Alisson wasn't the best goalkeeper in the world. Trent [Alexander-Arnold] wasn't the best right-back in the world. Hendo [Jordan Henderson] was still trying to find his feet as captain. We were all just on this journey from the bottom to the very top together and climbing that mountain was the best feeling ever."Every day we came in knowing we were getting better and better and starting to click as a team. We'd beat teams in the tunnel. Genuinely. When I speak to my Scotland teammates, they were lining up in the tunnel and looking over thinking: 'We're going to need to run our socks off today to get anything.' And more often than not they didn't get anything."We had an unbelievable environment to express ourselves, to play with freedom, but in our minds we knew we had to work at 100%. That was obviously from the manager, from the coaches, and I think then all the staff and people behind the scenes bought into it and you had the whole training ground determined to achieve all our dreams. Everyone was on the same page and we just made magical things happen thankfully."The Impact of Tragedy and TransitionRobertson's reminiscence prompts an inevitable follow-up. Why does Liverpool not feel like that now? His reply stops everyone in their tracks, and brings home the tragic reality of what this season has entailed for the now deposed Premier League champions. "In terms of the club I am leaving behind I think we are not at the 2017 stage, we are at the transition stage," begins one of Diogo Jota's closest friends. The Liverpool forward's death in a car crash alongside his brother in north-western Spain last July cast a dark pall over the campaign."This year hasn't worked out for a variety of reasons. We can't hide away from it, and it is not an excuse, but what we went through in the summer no team will ever go through. No member of staff will go through. I hope they never go through it because the devastation we went through … football didn't matter. We didn't care about football for weeks. None of us wanted to train. You were getting treatment off physios and physios didn't want to treat you. That is the reality of it."As footballers we of course have a duty, we have to move on and we managed that. We started the season fairly well although it was still an emotional time for us. The [season-opening] Bournemouth game was ridiculously emotional with all of Jots' family being there. I think after the 20th minute you saw a real dip in performance because of the emotional impact that it had on all of us.The Future of Liverpool FC"But then the season has been inconsistent. We bought players that we all got excited about, and they will all have an unbelievable career at Liverpool. I have no doubt about that. But they are also young. The one thing I get annoyed about in football is that footballers do not control their price tag. The market controls it. These players will be successful for Liverpool but they probably need a bit of time."Then some players who have played at a ridiculously high level haven't played to that level. If you add all that in then we have had an inconsistent season and that is the huge frustration for us. We have been too easy to play against. There is no hiding away from that but I believe they have more than enough in that changing room to be successful for Liverpool again."