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Lead: A Bold First Full‑Length Attempt from Hull’s Middle ChildMiddle Child launches its new permanent venue in Hull with Isabelle, a 90‑minute debut by playwright Marc Graham. The production demonstrates the company’s ambition to become “the most influential new writing theatre outside London,” but its execution leaves room for improvement.Middle Child’s First Full‑Length Production at 69 Humber StreetThe play evolved from a 30‑minute piece at the company’s 2024 new‑writing festival into a longer work chosen to inaugurate the new space. Set in a post‑Christmas haze, the story follows a single mother, the eponymous matriarch, as she gathers her three adult children to announce a life‑changing decision.Critics describe the script as “sub‑Ayckbournian” with heavy‑handed confessional tones, frequent literary quotations, and a stranger character who functions more as a mouthpiece than a fully realised role.Production Scale and SchedulingVenue: 69 Humber Street, HullRun dates: Until 31 May 2026Length: Approximately 90 minutesCompany backing: Resident company at the National Theatre under Indhu RubasinghamImpact on Hull’s Emerging Theatre SceneThe staging of *Isabelle* signals a growing confidence in regional new‑writing initiatives. By providing a platform for an inexperienced playwright, Middle Child reinforces its role as a catalyst for fresh voices, even if the artistic result is uneven.The production also highlights Hull’s cultural investment, offering audiences a locally‑produced work that tackles universal themes of family, wealth redistribution, and personal revelation.Future Prospects for Middle Child and Regional New WritingContinued support for emerging playwrights could solidify Hull’s reputation as a hub for innovative theatre.Refining the balance between ambitious ideas and accessible dialogue will be crucial for audience retention.Success of the new venue may attract collaborations with larger institutions, expanding the company’s reach beyond the East Riding.

Rising Governance Concerns at NationwideNationwide Building Society is facing mounting pressure to address "emerging governance issues" across the building society sector, amid concerns that executives are bundling voting options and failing to allocate board seats for members. The Stockport Labour MP Navendu Mishra has sent a formal letter to the chair of Nationwide, Kevin Parry, outlining growing unease over how executives engage with members who ultimately own their building societies.Specific Governance Issues RaisedThe MP's letter highlights several specific concerns about governance practices at Nationwide and across the building society sector. These include the use of "quick vote" options that critics say nudges members to simply back all board recommendations with one click at annual general meetings (AGMs). Mishra, who is a Nationwide member himself, acknowledged that while this option is "convenient," there are concerns it could "reduce scrutiny and advantage incumbents."Additionally, the letter criticizes the growing adoption of online-only AGMs, which may exclude members who struggle to use the internet and has raised concerns about question-filtering. The letter also takes aim at Nationwide's refusal to hold binding member votes on executive pay, despite similar practices being standard at listed banks such as Barclays, NatWest and Lloyds.Nationwide's Financial Growth and ScaleThese governance concerns come amid significant growth for Nationwide. The building society confirmed it was holding £382bn worth of assets after its £2.9bn takeover of Virgin Money. Mishra acknowledged that "their growth is exponential, which is fantastic," but emphasized the need to ensure that democratic values keep pace with this expansion.The timing of these concerns is particularly noteworthy, as they emerge just weeks before Nationwide's annual general meeting, which will feature its first member-nominated candidate up for boardroom election this century. James Sherwin-Smith, a Nationwide member, has formally asked Nationwide to suspend its use of quick vote at the upcoming AGM.Impact on the Building Society SectorThe concerns raised by Mishra reflect a wider debate about governance in the mutual sector. While the Labour government has been pushing ahead with reforms meant to deliver a manifesto pledge to double the size of the mutual sector, critics have raised concerns that some building societies, including Nationwide, have been letting their democratic values slip."There is a wider question as to whether building societies should allocate seats on boards to member-nominated directors in order to strengthen direct member representation," the MP's letter stated. "Where members are the owners, it is reasonable to ask why direct member voice in the boardroom remains the exception rather than the norm."Future Outlook for Nationwide's GovernanceThe upcoming AGM represents a critical moment for Nationwide's governance practices. The building society's chief executive, Debbie Crosbie, said during a media call that the board "haven't made a final decision" on suspending the quick vote option. In a statement, a Nationwide spokesperson defended the practices, noting that while pay votes were non-binding, 95% of votes cast were in support of the remuneration policy.The spokesperson also defended the use of online-only AGMs, stating they have reversed declining attendance and represent the fairest way to get millions of members to participate. Regarding the quick vote tool, they noted that most feedback from members was that it was "clear and easy to use" and similar systems are used by all building societies and listed companies."The chair will make these and other points in writing back to the MP in the next few days," the spokesperson added. As the AGM approaches, all eyes will be on whether Nationwide addresses these governance concerns and how it balances its growth with its mutual, member-owned principles.

With the Strait of Hormuz effectively shut and strategic oil reserves being drawn down at record speed, the global energy system is edging toward a chaotic “non‑linear adjustment.” A timely US‑Iran agreement could halt the slide and restore market confidence.Why Oil Markets Are Teetering on a Tipping PointThe market has bounced around the $100 mark since Iran’s retaliation to Operation Epic Fury. Although prices have not yet reached historic peaks, the underlying dynamics point to an imminent crisis:Record coordinated release of strategic oil reserves has bought temporary breathing room.Some Gulf production is being rerouted through pipelines, bypassing the strait.China’s import decline suggests stockpiling and demand shifts.Numbers Showing the Strain: Prices, Stocks, and Consumer CostsThe International Energy Agency (IEA) reports oil stocks are being depleted at a “record rate.” Analysts such as Hamad Hussain warn that if the strait stays closed, OECD inventories could hit “critically low levels” by the end of June, pushing Brent to $130‑$140 a barrel.Research by Jeff Colgan (Brown University) estimates U.S. consumers have already absorbed an extra $40 bn (≈$300 per household) in gasoline costs since the conflict began.Broader Economic Ripple Effects of Prolonged TensionsThe Washington‑based Institute for International Finance (IIF) notes the shock is spilling beyond crude:LNG, refined products, fertilisers, and freight costs remain elevated.Supply reliability across the global production system is now “tighter and more fragile.”GDP forecasts for oil‑importing economies are being revised downward as inflationary pressure mounts.Even if marine traffic resumes, the IIF expects only a “partial normalisation,” leaving the energy system vulnerable.What a US‑Iran Agreement Could Mean for Energy StabilityA comprehensive deal that reopens the strait would likely:Restore confidence, causing spot prices to retreat from peak levels.Allow inventories to rebuild, averting the “operational stress” scenario warned by Natasha Kaneva of JP Morgan.Mitigate the second‑phase shock affecting LNG, fertilisers, and industrial inputs.Conversely, continued stalemate could trigger “demand destruction,” with consumers cutting back, airlines trimming schedules, and refiners throttling throughput—shifting the market from a managed to a forced adjustment.

Escalating Humanitarian Collapse in Seiyun’s IDP CampsDuring the early years of the Yemen war, food and shelter were relatively adequate for the 4.8 million internally displaced people (IDPs). Twelve years later, the combination of a collapsing rial, chronic funding cuts and relentless fighting has turned camps like Maryamah in Seiyun into “living in an oven” environments where families struggle to obtain a single daily meal.Stark Numbers Reveal a Deepening Crisis4,823 households (about 38,487 people) are currently sheltering in Seiyun alone.The United Nations estimates 377,000 direct and indirect deaths since the war began.Average summer temperatures reach 40 °C (104 °F) with frequent power cuts.Local wages have collapsed: a salary of 50,000 Yemeni riyal (~$33) is now typical for a health‑facility janitor.Pensions have slumped from $370 a month to roughly $85, barely covering basic needs.Economic Shockwaves Hit Displaced and Host CommunitiesAli Sagher Shareem, who trekked 1,000 km from Hodeidah, lives in a windowless shelter with his wife and three children, relying on sporadic casual work. His wife’s medical expenses are unaffordable, and the family often subsists on a single meal of flour or half a chicken.Mohammed Mohammed Yahya, an octogenarian from Hajjah, now sells timber cut from camp trees to buy a bag of tomatoes and yoghurt. Power outages render his fan useless, turning his cramped room into “hell” during heat waves.Local residents are feeling the squeeze too. Salah, a janitor, earns 50,000 riyal and struggles to feed four children, while Khaled Hassan, a retired teacher, sees his pension shrink from $370 to $85, forcing him to drive a tuk‑tuk all day for meagre earnings.Broader Implications for Yemen’s StabilityThe competition for scarce aid is eroding social cohesion. Host families, once able to share food, now view IDPs as competitors for limited assistance, heightening tensions that could fuel further unrest. With humanitarian funding dwindling and inflation spiralling, the risk of a wider socioeconomic breakdown grows, undermining any prospects for a political settlement.Outlook: Aid Gaps and Potential InterventionsWithout a substantial increase in international funding and a coordinated effort to stabilize the Yemeni rial, both displaced families and host communities will continue to face acute hunger and poverty. Targeted cash‑transfer programs, renewable energy solutions for power‑starved camps, and inclusive aid distribution that reaches both IDPs and vulnerable locals could mitigate the worst effects and preserve a fragile peace.

The Friction in the Giants' Locker RoomThe New York Giants are facing an unexpected internal crisis following quarterback Jaxson Dart's decision to introduce former President Donald Trump at a rally in Suffern, New York. The move sparked an immediate and viral reaction from his teammate, linebacker Abdul Carter, who questioned the optics of the event on social media.“Thought this sh!t was AI, what we doing man,” Carter wrote in a Saturday morning X post, expressing disbelief at the situation. This public disagreement highlights the delicate balance players must strike between personal beliefs and team unity, especially in a high-profile market like New York. A High-Profile Introduction at Rockland Community CollegeThe event took place on Friday at Rockland Community College, marking Trump’s first rally in New York since the 2024 election. Dart, the No. 25 overall pick in the 2025 NFL Draft, took the stage to introduce the 45th and 47th President of the United States.Speech Highlights: Dart addressed the crowd as "Big Blue Nation," stating, "What an honor. What a privilege it is to be here."Trump's Praise: The former president responded by calling Dart a "future Hall of Famer" and a "beautiful guy," praising his legs and talent.Political Context: The rally was held in support of New York Republican congressman Mike Lawler, adding a layer of partisan tension to the sports event. Draft Status and Team Performance ContextUnderstanding the gravity of the situation requires looking at the players' backgrounds and the team's recent struggles. Both Carter and Dart were first-round selections in the 2025 draft, but their trajectories have differed.Abdul Carter: Selected No. 3 overall last year, he started all 17 games and is viewed as a cornerstone of the defense.Jaxson Dart: Selected No. 25 overall, he transitioned from backup to starter for 12 games this season.Season Record: Despite the talent, the Giants finished 4-13 and last in their division in 2025, setting a challenging tone for the new season under coach John Harbaugh. The Intersection of Sports and PoliticsThe incident is not occurring in a vacuum; it reflects a broader trend of athletes engaging in political discourse. New Orleans Saints defensive end Cam Jordan weighed in on the situation by reposting the video and writing "sounds bout ole miss," a reference to Dart's alma mater, Ole Miss. This suggests that while the players are navigating complex political landscapes, their peers are watching closely. Future Outlook for the Giants' Roster DynamicsFor the Giants, the immediate priority is resolving this internal friction. A public disagreement between a starting quarterback and a top-tier linebacker can create division within the locker room. As the team prepares for their first season under coach John Harbaugh, maintaining cohesion will be crucial for turning around a 4-13 record. The coming weeks will be telling to see if Carter and Dart can reconcile their differences or if this incident signals a deeper disconnect within the team.

Israeli Forces Escalate Attacks in Southern Lebanon Israeli forces launched a new wave of air attacks in Lebanon on Saturday after earlier raids killed 10 people, targeting an area near the Syrian border and several villages in southern Lebanon. Lebanon's National News Agency reported five Israeli air attacks shortly before midnight in the mountainous Nabi Sreij area on the outskirts of Brital, which had been spared from attacks since April 17. On Saturday, the agency reported large explosions in the towns of Yohmor al-Shaqif in Nabatieh and Taybeh in the Marjayoun district, both in southern Lebanon. Hospital Infrastructure Targeted in Previous Strikes On Thursday, an Israeli attack near the Tebnine Hospital in southern Lebanon damaged all three floors of the building, including the emergency room, intensive care unit, surgical ward, and ambulances parked outside, according to the Ministry of Public Health. Israel's military had issued two forced displacement warnings since Friday night via its Arabic-language spokesman Avichay Adraee, for the southern Lebanese village of Burj Rahal and the areas of Tyre and Zqouq al-Mufdi. Civilian Displacement and Psychological Impact Al Jazeera's Obaida Hitto, reporting from Tyre, southern Lebanon, at the edge of the 500-metre (550-yard) perimeter that Israel has designated as the danger zone, said: "There are ambulances here. There are also rescue teams and people who have fled their homes this evening following this forced [displacement] order." Many left in fear and panic, he said, seeing these orders as threats while being unsure of when they could return home. "People are here with their families and their children," Hitto said. "This is the kind of psychological terror that Israel is forcing people to live in, here in southern Lebanon." Rising Casualties Despite Ceasefire Declaration More than 3,100 people have been killed in Lebanon since Israeli forces escalated attacks on the country on March 2, and attacks have continued despite a ceasefire announced by United States President Donald Trump on April 16. The dead include 123 medics, more than 210 children and nearly 300 women, according to statistics shared by Lebanon's Health Ministry on Friday.

The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.

The Director’s Missed Moment: Hairy Armpits Cut from the Final EditAt the Hay Festival in Wales, Emerald Fennell explained that a scene featuring Margot Robbie's character Cathy with "extremely hairy armpits" did not survive the final cut of her 2026 adaptation of Wuthering Heights. She called the loss "unfortunate" because period pieces often sanitize female bodies.Why the Scene Was Intended and What Was LostFennell described the unshaven underarms as "so important" to her vision of a realistic 19th‑century woman.The director questioned the historical plausibility of razor‑free armpits in other period adaptations, especially those of Jane Austen.She also referenced other unconventional set details, such as the "skin room" and a controversial "fish scene" involving a dead fish.Contextual Numbers: Release Timing and Audience ReachThe film premiered on Valentine’s Day 2026, positioning it as a romantic‑gothic offering.Starring Margot Robbie and Jacob Elordi, the movie attracted attention from both literary fans and mainstream audiences.Industry Impact: Shifting Standards for Body Authenticity in Period DramaFennell’s regret underscores a broader debate about how period films portray women’s bodies. Traditional productions often present hairless, polished figures, reinforcing a modern aesthetic rather than historical accuracy. By pushing for visible body hair, Fennell challenges the industry norm and invites future creators to reconsider the balance between visual appeal and authenticity.Looking Ahead: The Future of Unvarnished Period StorytellingIf directors continue to prioritize realism, we may see more productions that retain natural body features, prompting audiences to adjust expectations. Fennell’s upcoming, undisclosed project—described as "profoundly evil"—suggests she will keep testing the boundaries of comfort and authenticity, potentially influencing a new wave of bold, unfiltered period narratives.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.