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On 30 December 2023, Brooklyn‑based musician Wendy Eisenberg emerged from an all‑night rave in Bushwick feeling physically ill and mentally rattled. A spontaneous, anxiety‑driven walk that lasted the entire day became the catalyst for what Eisenberg later described as a personal “exorcism”.During the trek, an old friend suggested Eisenberg pick up a guitar, prompting the artist to return home and begin writing the material that would become their self‑titled album. Eisenberg recalled the intensity of Cat Power’s rapid‑fire creation of Moon Pix, noting that many of the new songs were drafted in a similar dream‑state over the following three to four months.Since the debut Time Machine, Eisenberg has built a reputation as a multi‑instrumentalist who oscillates between confessional folk and avant‑garde improvisation. Collaborator Bill Orcutt praised their guitar work as “musical MSG”, capable of elevating any ensemble. Yet the forthcoming record deliberately steps back from experimental excess, drawing instead on the playful melodies and graceful harmonies of 70s folk‑rock while retaining the ambition of earlier projects.The album’s orchestration, co‑produced with partner Mari Rubio (aka More Eaze), emphasizes beauty through complexity. Eisenberg explains that the “harmonic vocabulary reflects a newfound sense of comfort and happiness”, aiming for an “earned, adult sound of happiness” that mirrors the messy process of self‑acceptance.At the heart of the record lies a deeply personal narrative. A breakup that shattered Eisenberg’s sense of identity forced them to confront both heartbreak and the pressure to conform to “straight” norms. The experience sparked a decisive embrace of their queer, non‑binary, lesbian identity, a transformation Eisenberg describes as a “revelatory moment”.Music has long served as Eisenberg’s refuge; their father’s lullabies and an early fascination with Joni Mitchell, Gram Parsons, and the Everly Brothers laid the groundwork for a lifelong devotion to songcraft. After years of intensive study at the New England Conservatory and experimental collaborations, Eisenberg’s new work channels those influences into a more accessible, yet still richly textured, sound.Beyond the music, the album’s backstory includes an unexpected romance sparked by the British quiz show Only Connect. After meeting Rubio in August 2023, the pair bonded over the show on Valentine’s Day, leading to their first kiss and, months later, cohabitation. Eisenberg credits this partnership with providing the emotional stability needed to complete the album.Critics have already hailed the record as “one of the best things you will hear this year”, noting its blend of 70s singer‑songwriter sensibility with modern lyrical honesty. Tracks such as “Meaning Business” confront PTSD and past trauma, while others explore the joy of self‑realization.The album will be released on Joyful Noise on 3 April 2024, offering listeners a window into Eisenberg’s journey from “exorcism” to artistic renewal, and solidifying their place as a compelling voice in contemporary indie folk.

The struggle to unwind at the end of the day is a familiar one for many of us. Insomnia is a common problem, and music is often recommended as a way to relax. Max Richter's Sleep, an eight-hour long piece designed to mirror the phases of sleep, has become a popular choice, currently ranking No 2 in the official classical artist albums chart.But where did this genre of instrumental sleep music begin? The term "nocturne" was first used by John Field to describe his short, standalone piano pieces. These pieces were designed to evoke a tranquil evening mood, often featuring a slow and lyrical melody in the right hand with a rippling accompaniment in the bass. Field's Nocturnes were born out of his time in Russia, where he was inspired by the pearly light of the long summer nights.Chopin later expanded the form to include a range of moods and themes, from stormy and passionate to meltingly beautiful. The piano remained the pre-eminent instrument for nocturnes, with composers like Gabriel Fauré and Erik Satie making significant contributions to the genre.Nocturnes have had a lasting impact beyond music, influencing art, literature, and even perfumes. The word "nocturne" has come to symbolize a dreamlike, peaceful night, and the concept has been used in various forms of creative expression. As Susan Tomes notes, nocturnes are "tiny three-minute narratives" that ask us to follow as the story unfolds, standing on the threshold between "day mind" and "night mind".

Gary Woodland has emerged victorious at the Houston Open, a triumph that seemed improbable just 30 months ago when he underwent brain surgery. His journey to this moment was further complicated by his recent struggles with post-traumatic stress disorder (PTSD). Woodland's win, secured with a closing three-under 67, was a dominant performance that saw him finish five shots ahead of Nicolai Hojgaard. This victory is not only his fifth career win but also his first since the 2019 US Open at Pebble Beach, making it a significant milestone in his career. The emotional weight of Woodland's journey was palpable as he described the moment of victory. The gallery's chant of his name fell silent as he prepared to roll in the winning putt, a moment he described as 'a good day' after a long and challenging period. Woodland's struggles began in 2023 when he discovered a lesion on his brain that caused unfounded fears about his mortality. Surgery in September 2023 removed much of the lesion, but he continued to face challenges with PTSD. Just two weeks ago, he opened up about his struggles in a Golf Channel interview, sharing that he often felt like he was 'living a lie' and that he was 'dying' inside. His decision to go public with his struggles has had a profoundly positive impact, allowing him to feel '1,000lbs lighter'. Despite ongoing challenges, Woodland expressed hope and gratitude for the support of his loved ones, particularly his wife, Gabby Granado, who was instrumental in his recovery. This victory not only marks a personal triumph for Woodland but also a professional one, as it secures his eligibility for the Masters in two weeks and moves him up to No 51 in the world ranking, his highest in five years. The win also underscores his standing on the PGA Tour, with Hojgaard and Min Woo Lee choosing to let him have the moment to himself on the 18th green. Woodland's resilience and determination serve as a powerful reminder to anyone struggling with their own challenges, as he poignantly noted, 'We play an individual sport out here, but I wasn’t alone today.'

The latest documentary about Paul McCartney, 'McCartney: The Hunt for the Lost Bass', tells the story of the 1961 Höfner bass guitar that McCartney bought for £30 in Hamburg and became an iconic part of the Beatles' image. The instrument went missing after the band split and was finally recovered in 2024 thanks to the efforts of Nick Wass, a Höfner employee, and Steve Glenister, an ambulance service worker.The film is an amiable tale with a happy ending, but it struggles to fully absorb the sadness and shame associated with the theft. The documentary reveals that the bass was stolen from the back of a Wings roadie van in Ladbroke Grove, London, in the early 1970s. McCartney only recently recalled the incident and revealed that he wasn't particularly bothered at the time, having owned a second Höfner bass.The investigation into the theft took several paths, including suspicion falling on the band Hawkwind and their roadie Michael 'DikMik' Davies. However, the true culprit was someone who stole the bass out of opportunity and later gave it to a pub landlord, leading it to end up in Hastings. McCartney reflects on the theft, saying that he and his friends might have done similar things in their youth.The documentary will be released in UK cinemas on April 2 and 4, and on BBC Two and iPlayer on April 11.

Bath Rugby demonstrated their impressive squad depth with a thrilling comeback victory against Sale Sharks. Despite resting several key players, including Finn Russell and Ben Spencer, Bath conjured up two tries in the final quarter to clinch a bonus-point win.The match, played in difficult, windswept conditions, was an entertaining affair that could have gone either way. However, it was Alfie Barbeary's late try that sealed the win for Bath, putting his side only a point behind the leaders, Northampton.Kepu Tuipulotu, a 20-year-old hooker, was instrumental in the win, breaking on the left touchline and sending a delightful kick downfield for Bernard van der Linde to gather and score in the 62nd minute. This try was converted to level the scores at 26-26.Tuipulotu's performance was praised by Bath's head of rugby, Johann van Graan, who described him as “one of the most explosive players I’ve coached” with “huge potential”.Sale Sharks, missing several key players due to injury, were unable to capitalize on their strong start. Their director of rugby, Alex Sanderson, expressed his frustration, stating, “I’m crestfallen. I’m just gutted for the amount of effort that the lads put in”.The win keeps Bath in contention for a top-four spot, while Sale Sharks' hopes are all but extinguished. Bath will now look ahead to their Champions Cup last-16 home tie against Saracens on Saturday.

Islamabad has re‑emerged as a pivotal conduit between Washington and Tehran, delivering a U.S. 15‑point cease‑fire proposal on March 25, 2026, as the US‑Israeli campaign against Iran enters its second month. Foreign Minister Ishaq Dar confirmed that Pakistan is transmitting the proposal, with Turkey and Egypt offering additional diplomatic backing. Chief US negotiator Steve Witkoff later verified Pakistan’s role as a messenger, and President Donald Trump announced a 10‑day pause on planned strikes against Iranian power plants, citing a request from Tehran. Iran has denied direct talks, yet the pause marks the second deferment of Trump’s original threat, underscoring Pakistan’s function as a key diplomatic facilitator in a high‑stakes conflict. The pattern is not new. In August 1969, President Nixon tasked Pakistan’s military ruler Yahya Khan with opening a channel to Beijing. Two years later, a secret flight carried U.S. Secretary of State Henry Kissinger from Islamabad to China, paving the way for Nixon’s historic 1972 visit and the eventual U.S. recognition of the People’s Republic of China. Analysts note that Pakistan’s unique position—maintaining working ties with both Washington and Beijing—made it the only trusted intermediary capable of handling such a sensitive mission, a view echoed by former ambassador Masood Khan. Beyond the Cold‑War episode, Pakistan has repeatedly leveraged its geography and Muslim‑world connections. It served as the primary conduit for U.S., Saudi and Chinese support to the Afghan mujahideen in the 1980s, helped broker the 1988 Geneva Accords that ended the Soviet occupation, and hosted the 2015 Murree talks between the Taliban and the Afghan government. During the 2020 Doha Agreement, Pakistani pressure on the Taliban was cited by U.S. envoy Zalmay Khalilzad as instrumental, though the rapid U.S. withdrawal and subsequent Taliban takeover left Pakistan’s long‑term interests ambiguous. Efforts to mediate Saudi‑Iran tensions have been less fruitful. In 2016, Prime Minister Nawaz Sharif’s shuttle diplomacy failed to produce a formal agreement, and a 2019 outreach by Prime Minister Imran Khan, prompted by President Trump, yielded no concrete outcome. When China facilitated the 2023 Saudi‑Iran rapprochement, Pakistan’s foreign office claimed it had laid the groundwork, but analysts still view the result as a Chinese‑led success. Pakistan’s brief 2005 overture to Israel, led by Foreign Minister Khurshid Mahmud Kasuri, similarly collapsed under domestic opposition, illustrating the limits of its diplomatic reach when internal politics intervene. Since the launch of Operation Epic Fury—the US‑Israeli air campaign that began in late February 2026 and resulted in the death of Supreme Leader Ali Khamenei—Pakistan’s leadership has intensified back‑channel activity. Prime Minister Shehbaz Sharif has held multiple calls with Iranian President Masoud Pezeshkian, while Army Chief Field Marshal Asim Munir spoke directly with President Trump. Both officials have also visited Saudi Arabia, where Pakistan signed a mutual defence pact in September 2025. Former ambassador Naghmana Hashmi observes that Pakistan’s diplomatic narrative is often eclipsed by conflict, yet a “quieter, more consistent thread” persists: the state’s effort to turn its strategic location and Muslim‑world ties into a lever for peace. Whether the current cease‑fire talks will yield a durable settlement remains uncertain. What is clear, however, is that Pakistan enjoys a rare blend of trust from Washington, Tehran and Gulf capitals—a leverage few regional actors possess.

In a significant development that underscores the evolving nature of modern conflict, Iran has begun placing messages directly on its missiles, marking a new frontier in the global war of narratives. This strategy represents a sophisticated blend of military capability and psychological operations, designed to communicate political statements while showcasing technological prowess. The practice of inscribing messages on missiles appears to be part of Iran's broader strategy to project strength and assert its position in regional power dynamics. By combining military demonstrations with ideological messaging, Tehran is attempting to shape international perceptions while deterring potential adversaries. This development comes amid intensifying information warfare between Iran and Western powers, with both sides employing increasingly sophisticated methods to influence global public opinion. The use of missiles as communication platforms represents an escalation in this conflict, transforming conventional weapons into instruments of strategic communication and psychological influence. Analysts suggest that Iran's missile messaging serves multiple purposes: demonstrating technological advancement, asserting regional dominance, and communicating directly with domestic and international audiences. The messages often contain political slogans, religious references, or threats against perceived enemies, creating a powerful visual impact when shared through state media. The trend reflects a broader shift in modern warfare where the information domain has become as crucial as the physical battlefield. Nations are increasingly recognizing that shaping narratives can be as strategically important as military capabilities themselves, particularly in conflicts where direct confrontation carries significant risks. As this practice continues to evolve, it raises important questions about the future of deterrence strategy and the boundaries of psychological operations in international relations. The convergence of military hardware and information technology suggests that we may see further innovations in how states communicate their intentions and capabilities in an increasingly complex global security environment.

The UK's ambition in quantum computing is being backed by sustained investment in people and fundamental science, with a focus on building a strong foundation for the sector. UK Research and Innovation (UKRI) has been instrumental in supporting hundreds of academics and building the infrastructure needed for the industry to thrive.In the last 10 years, UKRI's councils have made significant investments in physics research, including support for 100 PhDs in quantum technology launched in 2024, quantum computing industrial doctorate awards, and funding 14 early-career fellows in the last 18 months.The investment is paying off, with the quantum sector showing promising growth and potential to create 100,000 jobs in the next 20 years. The government has signalled its recognition of the opportunities in quantum computing with a further £1bn procurement programme, making the UK one of the most exciting and well-supported places in the world for quantum computing researchers, companies, and students.Prof Charlotte Deane, UK Research and Innovation, highlights that the UK's advantageous position in quantum has emerged through sustained long-term public investment into fundamental physics research projects, and the best people, infrastructure, and partnerships.

Tansy Davies's intriguing score for 'The Passion of Mary Magdalene' premiered with the Dunedin Consort, conducted by John Butt. This brand new Passion, co-commissioned with the Edinburgh international festival, explores the enigmatic figure of Mary Magdalene through a tautly written 90-minute work divided into seven episodes.The composition features eight singers, including four women and four men, with Mary Magdalene herself portrayed by Anna Dennis. The narrative weaves together texts from various sources, including the non-canonical Gospel of Mary and poetry by Ruth Fainlight. The music is characterized by intricate instrumental layers and a blend of traditional and modern elements, such as the use of an electric guitar.Davies's work is described as a meditation rather than a traditional Passion-setting, with a focus on the mystical and sensual aspects of the story. The performance is set to be featured at the Edinburgh international festival on August 8.