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Islamabad, Pakistan – A two‑day meeting of BRICS foreign ministers in New Delhi concluded without a joint statement on the war in Iran, highlighting deep divisions within the bloc as the conflict enters its 77th day.The New Delhi BRICS Foreign Ministers Meeting Ends Without Consensus on Iran WarThe gathering, chaired by Indian External Affairs Minister Subrahmanyam Jaishankar, was the first major ministerial event under India’s 2026 BRICS presidency. Delegates from Iran, Russia, Brazil, South Africa, Indonesia, Egypt, Ethiopia and the UAE participated, but the outcome document only noted “differing views” among members.Iranian FM Abbas Araghchi pressed for a condemnation of US‑Israeli actions.The UAE’s minister of state for foreign affairs Khalifa bin Shaheen Al Marar demanded condemnation of Iranian strikes.China was represented by ambassador Xu Feihong while its foreign minister was in Beijing.War Duration, Diplomatic Stalemate and Agreement Gaps in NumbersThe conflict began on 28 February with US‑Israeli strikes on Iranian sites. Since then:The war has lasted 77 days.Iran closed the Strait of Hormuz, prompting a surge in global energy prices.The US imposed a naval blockade on Iranian ports on 13 April.BRICS members reached agreement on more than 60 issues (energy, trade, digital infrastructure, climate, multilateral reform) but failed to agree on language condemning either side of the Iran conflict.Implications for BRICS Cohesion and Global South DiplomacyThe deadlock exposes the bloc’s structural fault line: Iran and the UAE are now full members despite being on opposite sides of an active war. Analysts quoted in the article argue that the inability to produce a joint statement signals a broader shift away from bloc politics toward more bilateral, issue‑based diplomacy, a trend that could benefit countries like Pakistan that position themselves as mediators.Future Outlook: Prospects for Consensus Ahead of September SummitWith a BRICS leaders’ summit scheduled for September 2026 in India, the bloc faces pressure to present a united front. The article notes that without a clear consensus on the Iran war, the summit may focus on less contentious areas such as trade and climate cooperation, while the Iran‑UAE dispute could remain unresolved.

An open‑source hardware gadget called the Clawdmeter now visualizes Anthropic’s Claude Code token consumption on a small desktop screen, giving AI power users a playful, at‑a‑glance view of their usage. Clawdmeter: A Pixel‑Art Dashboard for Claude Tokens The device was conceived by Reykjavik‑based developer Hermann Haraldsson, who wanted to combine his interest in embedded hardware with the rising need to monitor AI token usage. Built around a Waveshare ESP32‑S3‑Touch‑AMOLED‑2.16 display, the Clawdmeter pairs with a laptop via Bluetooth, reads the Claude Code OAuth token, and pulls usage numbers from API response headers. When powered on, a pixel‑art Clawd sprite dances on the splash screen, accelerating as token consumption rises. Users can cycle through animations, view session and weekly usage charts, and even trigger Claude shortcuts (Space for voice mode, Shift+Tab for mode toggles) directly from the device’s side buttons. GitHub Reception and Early Adoption Metrics 800+ stars on GitHub since the May 10, 2026 launch 50 forks for custom extensions Open‑source repository invites community‑added animations, screens, and features Device runs on a small lithium‑ion battery, making it portable for desk use What the Clawdmeter Signals for AI Tool Adoption The project underscores two broader trends. First, the “tokenmaxxing” mindset—where engineers track the volume of AI tokens consumed as a badge of AI integration—is gaining traction across tech firms. Second, tools like Claude are becoming accessible enough that developers can leverage them to prototype hardware projects, effectively democratizing embedded development. As Haraldsson noted, Claude’s conversational guidance helped him complete the device in just a few days, blurring the line between software and hardware creation. Future Directions for Desktop AI Dashboards Given the enthusiastic community response, several pathways are likely. Open‑source contributors may add multi‑AI support (e.g., OpenAI, Google Gemini), richer analytics (cost tracking, token efficiency), or even haptic feedback. Commercial variants could emerge, offering premium enclosures or integrated charging. Ultimately, the Clawdmeter exemplifies how niche hardware can turn abstract AI usage data into tangible, motivating feedback—potentially spawning a new class of personal AI monitoring devices.

The LeadItalian Davide Ballerini won stage six of the Giro d'Italia as a crash on the cobbles took out several sprint specialists near the finish in Naples on Thursday.The Technical Breakthrough on the CobblesBallerini (XDS Astana Team) comfortably beat Belgium's Jasper Stuyven (Soudal Quick-Step) on the city centre finish after a flat 142km ride from Paestum. A relatively incident-free stage burst into life in the final kilometres as the sprinters moved into position.The Impact of the Wet ConditionsWith light rain making the surface treacherous, a crash inside the final kilometre took down Jonathan Milan (Lidl-Trek), Dylan Groenewegen (Unibet Rose Rockets) and several other riders. "It was a bit slippery and it can happen," Groenewegen said. "It's disappointing. Sometimes you have bad luck."The Race DynamicsBallerini and Stuyven managed to avoid the chaos and powered to the line with Ballerini proving too strong. Overall race leader Afonso Eulálio of Portugal finished safely in the main pack.What's Next in the GiroThe race continues with the riders facing the challenges of the Italian terrain, with Ballerini's victory potentially shifting the dynamics of the sprint competitions in the remaining stages.

The Lead Kevin Morby's eighth album "Little Wide Open" presents a contemplative journey through the complexities of life, love, and identity, rooted in his midwestern upbringing. The album showcases Morby's signature Americana style while embracing vulnerability and uncertainty in both lyrics and production. The Musical Landscape of "Little Wide Open" The album opens with "Badlands," a track that juxtaposes the harsh imagery of the American midwest with surprisingly laid-back musical elements. Morby's conversational vocals and gentle guitar riffs create a contrast with lyrics that reference both "the big disaster we call home" and the possibility that "heaven is a place on Earth beneath the golden sky." This duality sets the tone for an album that embraces ambiguity and complexity. Musically, Morby primarily works in introspection and understatement, building on his foundation of Americana influenced by Bob Dylan, Lou Reed, Tom Petty, and Leonard Cohen. While his previous work has touched on soul and jazz elements, "Little Wide Open" returns to his core sound with subtle pleasures rather than flashy moments. Tracks like the title track and "Natural Disaster" both exceed seven minutes, allowing songs to gradually unfold and inviting listeners to sit with the music. The Collaborative Production The genesis of "Little Wide Open" offers insight into Morby's respected position in the music industry. The National's Aaron Dessner, whose production credits include work with Taylor Swift and Noah Kahan, approached Morby to collaborate on the album. Dessner has shared Morby's music "with everyone I've ever worked with," indicating high regard for the artist's craft. The album features an impressive supporting cast, including Justin Vernon of Bon Iver imitating a tornado siren with his voice and alt-country star Lucinda Williams delivering a monologue on "Natural Disaster." Additional contributors come from Muna, Sylvan Esso, Florence + the Machine, and Perfume Genius, creating a rich tapestry of sounds that reinforces Morby's Americana foundation. Themes of Vulnerability and Transition Morby has described "Little Wide Open" as his "most personal and vulnerable album," created as he approaches fatherhood with his partner Katie Crutchfield of Waxahatchee. The album captures the doubts and uncertainties that accompany this life transition, as evidenced in "Javelin" where he questions, "Am I a has-been? Am I a husband?" The album explores the push and pull of one's hometown, balancing comfort and nostalgia with feelings of not quite fitting in. Morby captures this tension in "Cowtown" with the line, "Where no one ever makes a sound except me on this guitar," a bluesy acoustic punctuating the austere sound. Similarly, "Natural Disaster" examines mood swings as either something to be managed through medication or meditation, or simply as natural occurrences like landslides that fuel his songwriting. The Art of Introspective Songwriting "Little Wide Open" demonstrates Morby's mastery of introspective songwriting that embraces uncertainty rather than providing definitive answers. The album creates a "welcome safe space for admitting you're not sure; that things are complicated," particularly valuable in a climate that tends to extremes. Key tracks showcase this approach: the lovely melancholy exhalation of the title track's chorus, the banjo-assisted closer "Field Guide for the Butterflies" that gradually builds from fragility to something tougher, and the beautiful piano and clarinet motif running through "Junebug." Even the more climactic moments, like the maelstrom of noisy guitar in "100,000," serve the album's overall theme of emotional complexity. Legacy and Future Directions While Morby has never achieved massive commercial success or written a breakout crossover hit, "Little Wide Open" reinforces his status as a respected artist within the indie and Americana scenes. The album's critical reception and high-profile collaborators suggest that Morby's thoughtful, introspective approach continues to resonate with both musicians and listeners. As Morby navigates fatherhood and continues to explore life's complexities through his music, "Little Wide Open" stands as a testament to his growth as an artist unafraid to embrace vulnerability and uncertainty. The album's blend of midwestern storytelling, musical craftsmanship, and emotional honesty positions Morby as a distinctive voice in contemporary Americana.

The Unexpected Growth The UK economy unexpectedly grew during the first full month of the Iran war, according to official figures, suggesting the Middle East conflict has not yet affected growth as much as feared. March GDP Growth Figures from the Office for National Statistics (ONS) showed growth of 0.3% in gross domestic product (GDP) in March, from a revised 0.4% rise in February and 0% growth in January. Economists had forecast GDP would shrink by 0.2%. Over the first three months of 2026, GDP rose 0.6%, up sharply from growth of 0.1% in the final three months of last year. The Impact of the Iran War The March figure is one of the first official signs that the Iran war – which broke out on the final day of February – is not affecting activity for businesses and consumers as badly as expected, despite soaring oil and gas prices due to the closure of the strait of Hormuz. Business Surveys and Future Outlook The GDP reading ties in with some business surveys that suggest the economy has managed to maintain momentum despite the Middle East conflict. The closely watched purchasing managers index (PMI) for the UK showed business activity rising in April due to upturns in manufacturing production and output from the services sector. Retail sales also rose in March, even when excluding the increased cost of fuel, according to the ONS. The Future Economic Landscape However, the Bank of England warned last month that the UK may also need to brace for higher interest rates in the coming months as “higher inflation is unavoidable” because of the war in the Middle East. Inflation rose to 3.3% in March from 3% in February, after the Iran war triggered the biggest jump in fuel prices for more than three years.

U.S. President Donald Trump is confronting a shrinking set of diplomatic and military choices as the fragile cease‑fire with Iran shows signs of unraveling.Escalating Tensions as the US‑Iran Ceasefire StallsOptimism for a new peace proposal evaporated this week, with both sides digging in and demanding the other concede first. Trump has described the April 8 cease‑fire as being on “life support,” while senior officials hint at a possible resumption of hostilities. Tehran’s demands – an end to fighting on all fronts, lifted sanctions, and recognition of its control over the Strait of Hormuz – have been dismissed by Trump as “garbage.”Polls and Market Numbers Reveal Growing Domestic PressureTwo‑thirds of Americans surveyed by Reuters/Ipsos say Trump has not provided a clear rationale for the war.Gas, oil and fertilizer prices are climbing, amplifying public discontent.Trump’s approval rating sits at 36%, down from 47% a year ago.The cease‑fire, in place since April 8, remains fragile, with recent missile and drone attacks on the UAE testing its limits.Strategic Consequences for the Middle East and US Global PostureA renewed US‑Israel bombing campaign could strain Washington’s ammunition stockpiles and divert attention from the Indo‑Pacific, where China remains a primary concern. The Center for Strategic and International Studies warns that the Iran conflict has already eroded US readiness for other confrontations. Moreover, Iran’s hardened stance and resilient military posture suggest that further escalation may not force the concessions Washington seeks.What Path Might Trump Take Next?Analysts argue Trump will have to prioritize either a nuclear‑deal concession or control of the Strait of Hormuz, likely favoring the former to protect energy markets. Any escalation risks a broader regional war and could become a decisive liability in the upcoming mid‑term elections. The most plausible scenario is a negotiated settlement that limits Iran’s nuclear program while leaving the Hormuz issue unresolved, allowing Trump to claim a diplomatic win while managing domestic political fallout.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

A Novel of Female Defiance"Yes, you will leave this place," the chorus of child protagonists in a community of sex workers say at the start of Tahmima Anam's incantatory and fiery new novel of female defiance, Uprising. "This story will save your life," we were told three times in Deepa Anappara's 2020 debut, also featuring precarious children dwelling in the margins. What is the distance between imagination and action, lived realities and dreams? How can solidarities be forged in such circumstances? Uprising holds within its pages some answers and a deep conviction – for a better life, a more just world – and then reaches out and fights for it.The Island Community and Its OppressionAs a journalist, Anam visited the infamous "floating brothel" Banishanta in Bangladesh; her new novel, set on an isolated island "at the end of the country, in the middle of a river that emptied into the sea", fictionalises the island's community and ecological precarity. Here, a generation of daughters grow up watching their mothers trapped in sex work – "we knew that the work was something that was paid for in money, and also in bodies" – and wish a different life for themselves. The women are controlled by the cruel Amma, who was once herself sold into sex trafficking. The victim becomes the perpetrator – and the children are discerning enough to know that their mothers are "not here because they had done something bad, but because something bad had been done to them". The first lesson of the island? No one is coming to save you – and living here changes you, as inexorably as the rising tides.The island is a prison. The mothers are ghosts of their former selves. The children, witnessing the "sexing", are all too grown up, stripped of their innocence. By the time they are born, their mothers' memories have faded "like paint in the sun"; they live on the island "tied to" their daughters. What, or who, will it take to break free from these chains?Feminism and Climate Crisis in LiteratureWhen the waters rise, customers stay away. The mothers speculate: "the swirling river was keeping the smaller boats from making the journey"; "the land was cursed". In a last-ditch attempt to lure men back for business, Amma sends for a new girl. Little does she know that Kusum Khan's arrival will signal the beginning of the end. A girl from the city with a history of participating in protests against the Dictator, she doesn't acquiesce to the island's rules, as the others have been conditioned to; instead, she sows the seeds for what will grow into a life-altering act of resistance. The children start to believe that she is their saviour – maybe even Bon Bibi, a legendary guardian of the forest. A different life seems graspable, just beyond the island's shore. When the titular uprising at last arrives, it summons an all-consuming storm, washing over the island. And the reader, too, is ready to join the revolution – their fist in the open air.Uprising is a feminist novel ("here they were: a wall of women") and a protest novel ("The moment Kusum entered the protest, she felt as if she was becoming a small organ in a living, breathing thing"). It is a coming-of-age novel, and a response to the climate crisis; a story of sisterhood protecting, and failing to protect; of structural inequality and the rotten core of patriarchal corruption; of unlucky women in an unfair world. "When the men came to reclaim the island, we stood rooted in place with our eyes closed, unable to watch. We stood rooted in place with our eyes open, unable to stop watching." While the mothers and daughters in Anam's fictional world are victims of specific generational violence, this observation can be applied to humanity at large: we are all watching – frozen, complicit – as injustices rise the world over.The Power of Rage and Radical HopeThrough her unwaveringly political and unflinchingly forthright novel, Anam shows the power of rage and radical hope. A new world can burn bright from the fires of injustice – and here, it's the mothers that hold the match.

The US-Pakistan-Iran Diplomatic Dynamic Donald Trump has reasserted his support for Pakistan to serve as a mediator between Iran and the United States after Senator Lindsey Graham, a close ally of the US president, disparaged Islamabad’s diplomacy. Trump's Public Endorsement In remarks on Tuesday, the US president lauded Pakistan’s Prime Minister Shehbaz Sharif and its army chief Asim Munir, who helped negotiate a fragile ceasefire in Iran that came into effect last month. “They’re great. I think the Pakistanis have been great. The field marshal and the prime minister of Pakistan have been absolutely great,” Trump told reporters. The Impact of Lindsey Graham's Criticism Hours earlier, Graham had pressed Pentagon chief Pete Hegseth and top US general Dan Caine about a CBS News report claiming that Pakistan is allowing Iran to park military assets on its airfields, in order to shield them from potential US and Israeli attacks. Graham expressed distrust in Pakistan's ability to act as a fair mediator, saying, “I don’t trust Pakistan as far as I can throw them. If they actually have Iranian aircraft parked in Pakistan bases to protect Iranian military assets, that tells me maybe we should be looking for somebody else to mediate. No wonder this damn thing is going nowhere.” The Future of US-Iran Diplomacy Pakistan has been pushing to revive the stalled diplomacy between Iran and the US, following the April 8 ceasefire agreement. On Sunday, Trump said Tehran’s latest proposal to end the war was “unacceptable”. In late April, the US president announced he was sending his envoys to Pakistan to meet Iranian officials, but he called off the trip after Iran pushed the US to lift the naval blockade against its ports as a condition for resuming the talks.