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Alycia Baumgardner entered the Theater at Madison Square Garden on Saturday morning as the defending champion of three junior‑lightweight belts (WBO, IBF, WBA) and delivered a textbook performance against South Korea’s Bo Mi Re Shin. The Ohio‑born fighter, trained by Derrick James, secured a wide‑margin unanimous decision, with judges scoring the bout 98‑92, 98‑92 and 99‑91, confirming her sixth successful defense in the 130‑lb division. The event, staged by Most Valuable Promotions Women—the new women’s‑boxing platform launched by boxer‑influencer Jake Paul—also featured a dramatic co‑main event. New Zealand’s Lani Daniels, a 37‑year‑old former IBF light‑heavyweight and heavyweight champion, defied 4‑to‑1 odds by stopping unified super‑middleweight champion Shadasia Green with a ninth‑round technical knockout. Green was subsequently taken to hospital on a stretcher, though promoters later confirmed she was “awake and talking.” Daniels, nicknamed the “Smiling Assassin,” expressed mixed emotions after the bout, saying, “I’m happy but also concerned for her,” while celebrating her third‑weight‑class world title. The upset added a compelling narrative to a night already highlighted by Baumgardner’s dominance. Baumgardner’s fight unfolded under traditional men’s championship rules—ten three‑minute rounds. From the opening bell she imposed her technical superiority, landing crisp straight punches and a sharp right‑left combination that set the tempo. Shin attempted to disrupt the rhythm, even attempting a brief grapple in round three, but Baumgardner’s disciplined jab and footwork kept her in control. Midway through the contest the challenger found brief success, pressing forward in rounds five and six and even edging a round in the judges’ eyes. However, Baumgardner rebounded in round seven, re‑establishing distance and using angles to neutralize Shin’s pressure. By the ninth round she had reclaimed the fight, delivering clean counters that left Shin visibly shaken. In the final round, rather than coasting on the scorecards, Baumgardner engaged in a high‑energy exchange, finishing the night with a flurry that earned her a standing ovation from the thousands‑strong crowd. She entered the ring accompanied by New York rapper Lil’ Kim, a moment that amplified the event’s star power. Post‑fight, Baumgardner highlighted the physical demands of three‑minute rounds, stating, “Three‑minute rounds, ten rounds, on my period—baby, stop playing with me.” Her comments underscored an ongoing push within women’s boxing for longer rounds, a change she believes suits her aggressive style. Looking ahead, Baumgardner voiced interest in marquee match‑ups, naming Irish champion Katie Taylor as a dream opponent and also mentioning Amanda Serrano as a viable New York showdown. She emphasized that she “deserves the biggest fights and the biggest paydays,” signaling her ambition to elevate the profile—and profitability—of women’s boxing.

The World Snooker Championship at the Crucible in Sheffield began with a poignant tribute to John Virgo, the legendary commentator and former player who passed away in February at the age of 79.A minute's applause was observed to honor Virgo's contributions to the sport. During his career, Virgo won the UK Championship in 1979 and reached the World Championship semi-finals in the same year. However, he is perhaps best known for his work as a commentator for the BBC, where his distinctive voice became synonymous with snooker coverage for over three decades.Virgo's catchphrase, “Where’s the cue ball going?”, became iconic in the world of snooker. A memorial service was held at Sheffield Cathedral on Thursday to celebrate his life and career.The tournament, which spans 17 days, commenced with Zhao Xintong, the defending champion, in action against English qualifier Liam Highfield. Other matches featured Mark Allen against Zhang Anda.

Just a month and a half before the debut of Claudia Winkleman's eponymous BBC One chatshow, industry profiles lauded her as a presenter with a "Midas touch" for television formats. She had recently departed from the flagship Strictly Come Dancing and boasted recent successes such as The Traitors, its celebrity spin‑off, and Channel 4’s The Piano. After six episodes, the new programme is widely regarded as the least glittering entry in her recent résumé. While the format mirrors the familiar sofa‑chat style popularised by Graham Norton, critics note that it lacks the same cultural punch. In terms of viewership, the premiere on 13 March attracted 1.5 million live viewers, with an additional 700,000 watching via catch‑up services – a slight edge over the final episode of the 33rd series of Graham Norton’s show, traditionally the benchmark for the genre. Nevertheless, analysts describe the series as a dubious career move. The shadow of Norton looms large; the BBC’s decision to involve his production company, So Television, makes direct comparison inevitable, even though Winkleman’s set features a different colour scheme and opens with a pre‑credits “cold open”. Winkleman has introduced audience‑participation segments – from a man who talks to birds on social media to twin opera singers and a couple on their first date. Yet the guest roster remains modest, leaning heavily on theatre talent and stand‑up comedians rather than the A‑list film stars that routinely grace Norton’s programme. Timothée Chalamet, a marquee name who appeared on Norton’s show during the awards‑season rush, exemplifies the challenge. His recent controversial remarks about ballet and opera were made at a university event, underscoring how celebrity discourse is shifting toward podcasts and live streams rather than traditional chatshows. Despite the lukewarm reception, the show is expected to secure a second series, largely because the audience numbers, while not spectacular, are sufficient to avoid a damaging cancellation for the BBC. A third series, however, appears far from guaranteed. Critics also point to Winkleman’s on‑screen persona – described as “too nice and modest” – which contrasts with Norton’s sharper, more irreverent style. Coupled with a broader industry trend that sees the talk‑show format losing prominence, the future of the programme remains uncertain.

A recent genealogical study has uncovered a fascinating connection between Nintendo's beloved characters, Super Mario and Luigi, and their real-life namesake, Mario Arnold Segale. Mario Segale's father was named Luigi, a fact that may have inadvertently influenced Nintendo's choice of names for the iconic video game brothers.Mario Arnold Segale, a Washington state businessman, was Nintendo of America's landlord in the 1980s. The company based Super Mario's moniker off Segale – along with aspects of his appearance – before the character went on to sell hundreds of millions of copies across various platforms.Elisabeth Zetland, a senior researcher with the genealogy service MyHeritage, made the discovery while exploring Segale's ancestral background. She found that Luigi Maria Segale, Mario's father, was born in 1886 in Favale di Malvaro, Italy, and immigrated to the US with his brother Giuseppe in 1909.Luigi Segale, who adopted the anglicized first name Louis, served in the US armed forces during World War I and later worked as an independent farmer. By 1940, he and his wife Rina had a six-year-old son named Mario, who would one day inspire the iconic video game character.The study highlights the legacy of Italian dreams and American opportunity that defined Luigi Segale's life and, indirectly, the lives of his son Mario and the fictional characters that bear their names.Mario Segale's connection to Super Mario has been well-documented, but the discovery of his father's name adds a new layer of depth to the story. Nintendo did not comment on whether they were aware of the coincidence between Luigi Segale and the fictional character.

Fans traveling to World Cup matches at MetLife Stadium in New Jersey from New York City will be charged a $150 round-trip train fare, transport officials confirmed. This fare is nearly 12 times the regular $12.90 fare for the 15-minute, 14km ride from Manhattan's Penn Station to the stadium in East Rutherford, New Jersey.The home stadium for both the NFL's New York Giants and New York Jets is set to host eight World Cup matches, including the tournament final on July 19. About 40,000 fans are expected to use mass transit for each match, as on-site parking will not be available for most fans.New Jersey Governor Mikie Sherrill suggested the upcharge was necessary to ensure that her state's commuters were not stuck with a 'tab for years to come' for hosting the World Cup. NJ Transit officials stated it would cost $62m to transport fans to and from the stadium over the duration of the tournament, with outside grants covering only $14m of those anticipated expenses.FIFA has disputed the fare increase, noting that agreements signed with World Cup host cities in 2018 called for free transport for fans to all matches. The organization argued that no other major event held at MetLife has been required to pay for fan transport.The fare increase has drawn objections from New York Governor Kathy Hochul, who stated that 'charging over $100 for a short train ride sounds awfully high to me.' Alternatives to taking the train, such as parking at the nearby American Dream Mall, will be priced at $225.

FIFA President Gianni Infantino has come under fire for the high ticket prices for this year's World Cup in North America. In response, Infantino defended the pricing, stating that the event is the organization's only source of income every four years. Speaking at Semafor's annual world economy summit in New York, Infantino emphasized that FIFA is a nonprofit organization with 211 member nations. 'The main, and so far the only, revenue-generating event for FIFA is the World Cup,' he said. 'The World Cup takes place one month every four years, so we generate money in one month. The 47 months until the next World Cup, we spend that money.' Infantino highlighted that three-quarters of FIFA's member countries rely on grants from the organization to support their football programs. He also noted that the World Cup is a global event that captivates a massive audience, justifying the high ticket prices. A check on the secondary market showed that tickets for the US opener against Paraguay were listed as high as $1,359, while tickets for the final could go for as much as $25,000. In an effort to address complaints about ticket affordability, FIFA introduced a $60 ticket option for a limited number of seats in each venue. Infantino described North America as 'a very special market' and mentioned that he has been living in the US for the past two to three years to better understand the market. This year's World Cup will feature a record 48 teams, organized into 12 groups of four, with games hosted in the US, Canada, and Mexico. The tournament will consist of a record 104 matches.

Juba, South Sudan – Growing up, Khloe Nyanda was taught to stay small and avoid taking up space. Defying that lesson, the 21‑year‑old law student at the University of Juba pursued modeling after being inspired by South Sudanese supermodel Adut Akech, whose refugee‑to‑runway story she describes as a "crown".Nyanda’s ambition mirrors that of a new generation of South Sudanese talent, with 95% of models from the country naming Akech as their spark. She began modeling in 2023, but her family remained skeptical, fearing the clash between academic responsibilities and a fashion career.Her personal journey has been marked by familial estrangement after she rejected an arranged marriage and a modelling coach’s advances, leading to loss of support from her stepbrother and other relatives.Beyond social pressures, Nyanda faces systemic obstacles. Since 2023 she has endured multiple visa rejections despite contracts with agencies in London, Paris, and Italy. An attempt to attend Milan Fashion Week was denied by the Italian embassy in Nairobi over bank‑statement issues, while two separate applications to the French embassy in Kampala were also turned down. The absence of South Sudanese embassies in France and Italy forces hopeful models to obtain travel documents from neighboring countries, inflating costs and delays.Another emerging model, 20‑year‑old Alek Mayen Garang, balances her senior‑year studies with runway aspirations. Born in Greater Jonglei and raised in Renk, she spent part of her childhood in Kampala before returning to South Sudan amid the 2016 conflict. Garang draws inspiration from Anok Yai, the American‑South Sudanese model named Model of the Year at the 2025 British Fashion Awards.Unlike Nyanda, Garang found an ally in her elder sister, who accompanied her to her first runway show and helped negotiate parental approval. Her early challenges were technical—learning to walk in heels, maintaining strict diet and skincare regimens—and the lingering fear of rejection at auditions.Both women are part of a broader South Sudanese surge in global fashion. Nine of the world’s top 50 models on models.com hail from South Sudan, underscoring the country’s deep talent pool. Former models have transitioned to design and entrepreneurship, founding South Sudan Fashion Week and creating bespoke wedding gowns.Industry veterans now coach new talent, urging them to prioritize education alongside modeling. Yet a new anxiety looms: the potential rise of AI‑generated Black models, which could further destabilize already precarious careers.Within South Sudan, the Ministry of Culture, Museums and National Heritage has been criticized for its limited engagement with the modeling sector. Advocates argue that official endorsement could shift parental attitudes and legitimize modeling as a respectable profession.Garang recently won the “creativity” award at the national Miss Junub beauty pageant, expanding her vision from personal success to mentoring emerging designers and models. Nyanda, meanwhile, envisions a future beyond the runway: she plans to invest her earnings in establishing a credible mother agency, as well as a school and hospital for orphans, aiming to reinvest in her homeland.“South Sudan is not a place I am running from; it is the place I am running for,” Nyanda declares, embodying a resolve to reshape societal expectations and create pathways for the next generation of South Sudanese talent.

World-renowned tennis player Novak Djokovic has announced that he will not participate in the upcoming Madrid Open, citing ongoing injury concerns and a need for continued recovery.The 38-year-old Serb has struggled with fitness issues this year, playing only two tournaments: the Australian Open in February, where he lost to Carlos Alcaraz, and the Indian Wells in March. His shoulder injury has been a significant setback, forcing him to skip several tournaments, including the Doha Open, Miami Open, and Monte Carlo Masters.Djokovic expressed his disappointment at missing the Madrid Open, a tournament where he is a three-time champion, stating: 'Madrid, unfortunately, I won’t be able to compete this year. I’m continuing my recovery in order to be back soon.'Despite these challenges, Djokovic remains focused on his goal of competing at the French Open, which begins on May 24. He is next scheduled to compete at the Italian Open in Rome from May 6-17, where he will aim to regain his form ahead of the Grand Slam event.The withdrawal from the Madrid Open raises concerns about Djokovic's fitness levels and his ability to perform at his best in the French Open. As the 24-time Grand Slam champion prepares for the next major tournament, his fans and fellow competitors will be closely watching his progress.

Two men have been disqualified from one of South Africa's premier marathon events, the Two Oceans Marathon in Cape Town, after finishing in the top 10 of the women's race. Luke Jacobs and Nic Bradfield were found to have swapped bibs with female runners, Larissa Parekh and Tegan Garvey, to compete in the women's category.The annual Two Oceans race, which includes a 56km ultramarathon and a 21.1km half-marathon, attracted over 16,000 participants. Finishing among the top 10 is a significant achievement for most runners. Jacobs and Bradfield finished seventh and 10th respectively, before being disqualified.The deception was uncovered by a marathon board member, Stuart Mann, after Jacobs posted pictures of himself at the race on social media with a bib displaying the name 'Larissa'. Further investigation revealed that Jacobs had competed using Parekh's bib, while Bradfield had used Garvey's bib after she suffered a hip problem and was unable to run.Swapping bibs is considered unethical and risky, as it can lead to incorrect medical treatment in case of an emergency. The practice can also be used to obtain a faster time for qualifying in future races. Mann warned that such actions carry far-reaching consequences and can result in disciplinary action, including bans from future events.Both Jacobs and Bradfield have apologized for their actions and will face disciplinary processes by the marathon's disciplinary subcommittee. The women they swapped bibs with, Parekh and Garvey, have also apologized and face two-year bans from the Two Oceans Marathon.