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The Supernatural Musical Romance The origins of this supernatural musical are in ancient British folklore but it plays out as a teen love story in small-town America. Young, spirited – and human – Barbara Allen (Lauren Jones) falls in love with John the Witch Boy (Glenn Adamson), from a community of Witches and Conjur People. The Plot and Its Roots She is willing to incur the wrath of parents and neighbours in her Appalachian town to be with this mysterious man who has drifted in from the Smoky Mountains and is rumoured to have diabolical powers. He is willing to abjure his immortality to spend the rest of his life with her. Both are rebels, determined to be together despite social censure. The Musical Elements The generation that grew up with Twilight would be forgiven for thinking the setup rather derivative but, in fact, Dark of the Moon got there first. Originally written by Howard Richardson and William Berney as a play, it was first performed in 1942 and then turned into a musical. The themes are all there, from the fierceness of a young love that crosses all social – and mortal – boundaries, to the undertones around the fear of sex and importance of fidelity. The Performances and Production Jones brings an edge of punk with a look not far removed from Kristen Stewart’s while Adamson seems to be channelling emo pop star energy (jeans, plaited hair and eyeliner). It’s all rather weird, but proves its own eternal life through the power and personality of the songs by Lindy Robbins, Dave Bassett and Steve Robson. There are vocally pure performances across the cast, however amped up and cheesy the production as a whole. The Verdict The production is rather too ridiculous to become the tear-jerker it could be but it’s enjoyable nevertheless. At Charing Cross theatre, London, until 8 August.

Early Reading Memories Virginia Evans shares her earliest reading memory, reading either 'The Velveteen Rabbit' by Margery Williams or poems from 'Where the Sidewalk Ends' by Shel Silverstein with her sister. Favorite Books Growing Up Evans loved mysteries and fantasy worlds, reading many Nancy Drew books, 'The Boxcar Children' by Gertrude Chandler Warner, and 'The Wind in the Willows'. She enjoyed books about things that can't exist, calling it escapism. The Book That Changed Her as a Teenager At 15, Evans read John Steinbeck's 'The Grapes of Wrath', which gave her a new understanding of what fiction can do and how words can portray complex living. The Writer Who Changed Her Mind Evans praises Joan Didion, saying every time she reads Didion's work, she is changed in some way, seeing the world, people, and politics differently. The Book That Made Her Want to Be a Writer In college, Evans read Jhumpa Lahiri's 'Interpreter of Maladies', which inspired her to write, making her think: 'I have to do this, I can do this, I will do this'. The Author She Came Back To Evans tried Jane Austen's 'Pride and Prejudice' too young, but when she came back to it in her late 20s, she enjoyed it tremendously. Books She Rereads Daphne du Maurier's 'Rebecca' Steinbeck's 'East of Eden' The Book She Could Never Read Again Evans devoured the Millennium series by Stieg Larsson but was too disturbed to read it again. The Book She Discovered Later in Life Evans didn't read 'Little Women' by Louisa May Alcott until her adult life, relating to the mother character and identifying with Jo's struggles as an author. Current and Comfort Reads Currently reading: 'While I Was Gone' by Sue Miller Comfort reads: 'The Uncommon Reader' by Alan Bennett, 'Beautiful Ruins' by Jess Walter, 'I Capture the Castle' by Dodie Smith

The Lead Kane Parsons' feature directing debut, Backrooms, is a horror film that has been making waves in the industry with its unique blend of psychological terror and conceptual storytelling. Based on Parsons' web series and scripted by Will Soodik, the film stars Chiwetel Ejiofor and Renate Reinsve. The Event Details The film revolves around Clark (Chiwetel Ejiofor), a failed architect and alcoholic who manages a vast discount furniture store called Cap'n Clark's Ottoman Empire. Clark's life takes a dark turn when he discovers a supernaturally porous section of wall in the store's basement, leading him to a vast network of 'backrooms' - strange, installation-style areas that show snapshots of different versions of reality. The Data Analysis The film features a blend of genuine constructions and digital fabrication in its production design by Danny Vermette. The cinematography by Jeremy Cox creates an oppressive, crepuscular kind of dead yellowish light, adding to the film's eerie atmosphere. The Impact Analysis Backrooms draws inspiration from various sources, including J-horror, the V/H/S found footage franchise, Dan Erickson's Severance, and Nathan Fielder's The Rehearsal. The film's unique approach to horror has been praised for its originality and ability to progressively raise the stakes towards a thrilling conclusion. The Prediction With its release scheduled for May 28 in Australia and May 29 in the UK and US, Backrooms is expected to make a significant impact on the horror film genre. Fans of psychological terror and conceptual storytelling are eagerly anticipating the film's release, which promises to deliver a fascinating exploration of memories, past traumas, and alternate realities.

The Family's Mission to Save the Glutinous Snail Ian Hughes and his son, Ben, are driving through the hills of north Wales with an array of homemade animal artefacts. They finally reach Llyn Tegid – Bala Lake, where, knee-deep in the water, Ian brandishes two glutinous snails. The snails have been driven to extinction in England by poor water quality. Pollutants from agriculture and industry have ruined their habitats in ponds, ditches, lakes, and streams. The lake in Gwynedd hosts the last remaining wild population of glutinous snails in Britain. The Conservation Efforts Hughes has dedicated more than a decade to conserving the tiny mollusc and other rare species. This year, the Department for Environment, Food and Rural Affairs (Defra) has listed the snail as one of the threatened species that will benefit from a £60m government funding boost. With the funding, the British and Irish Association of Zoos and Aquariums will receive support to build ark populations of the glutinous snail, while the Freshwater Habitats Trust hopes to use new resources to find locations suited to wild reintroductions. The Impact of Conservation Hughes's passion for invertebrates extends to convincing other people to care about them. He writes children's books, which Ben illustrates, about the species he has studied, and the pair sell T-shirts showcasing their wildlife drawings. Ben says, 'Well, why do we matter? We're part of a huge living system. If you take a cog out of a machine, it doesn't work any more.' The Future of the Glutinous Snail Now, Hughes hopes the Defra funding will help the conservation efforts he has long championed. The goal is to keep the snails moving and preserve their population. By continually moving snails from one container to another, Hughes and his family aim to prevent the water from becoming polluted and ensure the survival of the species.

The LeadSéamas O'Reilly's debut novel "Prestige Drama" presents a brilliant wry comedy set in Derry, where a Hollywood actor disappears while filming a TV series about the Troubles. The novel transcends its intriguing premise to explore how places become defined by historical moments, and how stories about such places often fall into predictable formulas.Multiple Perspectives on Historical TraumaO'Reilly uses the TV series "Dead City" as a starting point to weave through different characters connected to the production. From a stressed scriptwriter to a local historian questioning how to talk about the past while still living it, the novel creates a patchwork portrait of the city. This approach echoes Tommy Orange's "There, There," which used multiple voices to explore Native American lives. Each character speaks directly to the reader, revealing their complex relationship with Derry's history and the Hollywood production that has descended upon the city.Commodification of MemoryThe novel masterfully examines how historical trauma becomes marketable. O'Reilly has a keen eye for absurdities: the artist who once painted Bogside murals now doing lecture tours with a "wee moustache and crucifix earring like a plastic Provo"; the ex-IRA hitman offering services as a "consultant." Those once bound by silence now demonstrate how to make a bottle bomb for the cameras. The locals, facing economic necessity, take work that perpetuates clichés—local painters recreate old murals for film sets, while aspiring actors see the production as their only chance to escape.The Haunting of HistoryThis recreation and commodification of the past creates a kind of haunting. The novel is permeated by different ways in which the dead remain inescapable. Ann-Marie, whose son was shot by a British soldier and whose image now appears on book covers and "bloody tea-towels," delivers one of the novel's most powerful voices: "My heart is small and hard, wind-bleached like seaside beach seats." Her reflection on those who came home safely after her son was killed—"It wasn't their fault and I'll never forgive them"—captures the unfixable contradictions of grief.A New Voice in Irish LiteratureBuilding on his previous memoir "Did Ye Hear Mammy Died?"—described as "heartbreakingly funny"—O'Reilly demonstrates a rare gift for moving between opposing tones. The humor in "Prestige Drama" is skillfully weaponized, allowing him to address subjects we often tiptoe around. His language is gloriously vivid, as when a hungover man wakes up "slowly, like a column of dog food muscling its way out of a tin." While some readers may wish the missing actor thread had more prominence, the novel's true focus is on the ordinary people behind the televised version of events, offering a polyphonic exploration of how history continues to shape the present.

The Safety Concerns A giant statue of football superstar Lionel Messi erected in India to mark his visit last year is “swaying in the wind” and will be removed, a lawmaker has said. Workers have scrambled up the 21-metre (70ft) golden-coloured statue in the eastern city of Kolkata in West Bengal, throwing ropes around its shoulders to secure it. The Statue's Construction and Purpose The sculpture showing the 38-year-old Argentina and Inter Miami player raising the World Cup trophy was unveiled during Messi’s GOAT Tour (Greatest of all Time Tour) of India in December. The Removal Process But West Bengal state legislator Sharadwat Mukherjee said it was no longer safe. “The statue of the Argentine football legend in the city of Kolkata was found unsafe by engineers of the West Bengal government,” he told the AFP news agency. “We have noticed that the statue is swaying in the wind.” Workers on Wednesday used ropes to attempt to secure the statue, which looms over a busy road. Mukherjee said it was not clear when it would be brought down. “Removal has proved easier said than done,” he said. “We are planning to remove the statue at the earliest opportunity.” He did not say whether the statue would be re-erected at another site. The Context of Football in India India – a nation of 1.4 billion – is a cricket powerhouse, but struggles on the football pitch and is 142nd on the FIFA rankings. Football, however, is the country’s second favourite sport, according to research by data company Nielsen released on Wednesday.

Judge Halts Implementation of Trump's Controversial FundA United States federal judge has temporarily blocked President Donald Trump's nearly $1.8 billion "anti-weaponisation fund" to compensate victims of alleged government "lawfare." On Friday, US District Judge Leonie Brinkema of the Eastern District of Virginia blocked the Trump administration from "taking any further action" to set up or operate the fund while she hears legal arguments. The judge, who was nominated to the bench by President Bill Clinton, scheduled a June 12 hearing about whether to extend the order blocking payouts.The Legal Battle Over the Fund's CreationThe Department of Justice announced the fund last week as part of an agreement to settle a lawsuit brought on behalf of Donald Trump, in his personal capacity, against the Internal Revenue Service (IRS). He had initially sought $10 billion in damages, stemming from allegations that Charles Edward Littlejohn, a former government contractor, leaked his private tax records to journalists. Though Littlejohn was not an IRS employee, Trump had argued that the tax agency should nevertheless be held accountable for the contractor's actions.The lawsuit and its settlement have raised concerns about conflicts of interest within Trump's government, as the president was suing an agency under his oversight, represented by lawyers in his administration.Financial Implications of the Blocked FundThe proposed $1.8 billion fund would have been overseen by a five-member commission which would release money to applicants who can show that they were victims of "lawfare" and "weaponisation," terms Trump and his allies have used to describe investigations and criminal cases against them. The Justice Department has yet to form the commission, so there has been no money paid out yet or claims accepted.Partisan Concerns and Multiple Legal ChallengesFriday's ruling came in response to a lawsuit filed by Democracy Forward, an advocacy group representing those who believe they would be perceived "by the Trump-Vance administration as ideological or political opponents." Among the group is a former assistant US attorney, Andrew Floyd, who served as a prosecutor on cases related to the riots on January 6, 2021, when Trump supporters stormed the Capitol.The suit claimed that the fund is a partisan tool designed to award payouts to Trump supporters and not those who are seen as adversarial to the president. Floyd's lawsuit is not the only legal challenge to the "anti-weaponisation fund". There are at least two other complaints. One was brought by former Capitol Police officer Harry Dunn and Metropolitan Police Department officer Daniel Hodges, who alleged that Trump created a "taxpayer-funded slush fund to finance the insurrectionists and paramilitary groups that commit violence in his name." Meanwhile, the watchdog group Citizens for Responsibility and Ethics (CREW) also filed a lawsuit in Washington to block the fund. Both cases are being processed in federal courts in Washington, DC.Political Fallout and Eligibility QuestionsThe fund spurred a backlash, even from some lawmakers in Trump's Republican Party. Many expressed anger that rioters who attacked the Capitol on January 6, 2021, would receive taxpayer-funded payouts. During a congressional hearing earlier this month, acting Attorney General Todd Blanche did not rule out the possibility that January 6 participants could be eligible, even if they attacked police.Nearly 1,600 people were charged with federal crimes after the January 6 riot. More than 1,200 were convicted and sentenced before Trump handed out pardons, commuted prison sentences, and ordered the dismissal of every pending January 6 criminal case last year. Questions have also arisen over whether public figures Trump targeted with investigations and criminal charges might also be eligible for payouts under the "anti-weaponisation" fund.Future Outlook for the Anti-Weaponisation FundThe fund comes amid reports this week that the Department of Justice is launching an investigation into E Jean Carroll, the writer who accused Trump of sexual assault. The Justice Department has also launched investigations into Trump's perceived political opponents, in some cases seemingly at the president's request. Last September, for instance, Trump posted on social media a message directed at then-Attorney General Pam Bondi, appearing to pressure her to file criminal charges against critics like former FBI director James Comey and New York Attorney General Letitia James.Comey was subsequently charged with lying to Congress, while James faced an indictment on mortgage fraud. Both cases were ultimately dismissed, but the Justice Department has since filed new charges against Comey, alleging he threatened the president with a message written in seashells. Comey and James have denied the charges against them, arguing that the cases are evidence of Trump using the power of the government for personal aims. In addition, the Justice Department launched an investigation into former Federal Reserve Chairman Jerome Powell, as Trump pressured the then-head of the central bank to lower interest rates. That investigation was ultimately dropped as well.

Jonas Vingegaard sealed his Giro d’Italia win on a celebratory finish in Rome, completing the first leg of a rare Grand Tour double and joining an elite group of cyclists who have captured all three major three‑week races.Vingegaard Clinches Giro d’Italia in a Roman FinaleThe Danish rider of Visma‑Lease a Bike entered the final flat stage needing only to stay upright to secure overall victory. He crossed the line after a dominant mountain stage win the previous day, while home favorite Jonathan Milan took the stage win.Numbers Behind the VictoryOverall time gap: 5 minutes 22 seconds ahead of Felix GallStage wins in the Giro: 1 (mountain stage)Tour de France titles prior to Giro: 2Age: 29What This Means for the Cycling WorldThe win makes Vingegaard only the eighth rider to claim the Giro, Tour de France and Vuelta a España in a career, joining legends such as Bernard Hinault, Eddy Merckx and Vincenzo Nibali. With Tadej Pogacar absent from the Giro, the victory intensifies the narrative for a high‑stakes clash at the upcoming Tour de France.Looking Ahead to the Tour de France ShowdownVingegaard will now turn his focus to July’s Tour, where a head‑to‑head with Pogacar is expected to define the season’s biggest rivalry. Analysts predict a tactical battle, with Vingegaard’s confidence boosted by his recent triumph.

The Rise of a New Clay Court ForceTeenager Rafael Jódar has firmly established himself as a defining story of the 2026 French Open. After a week of extreme weather conditions, Jódar delivered a performance of immense psychological and technical fortitude, defeating veteran Pablo Carreño Busta in a grueling five-set match. This victory is not just a win on the scoreboard; it signals the arrival of a player who is rapidly rewriting the narrative of his own career trajectory.A Historic Comeback on the Paris ClayThe match was a rollercoaster of emotions, characterized by a dramatic shift in momentum. Jódar, the 27th seed, found himself in a precarious position early on, losing nine consecutive games to drop the first two sets 4-6. However, he displayed remarkable composure to overhaul the deficit completely, winning the final three sets 6-1, 6-2, 6-2. This marks the first time in his professional career that he has recovered from being two sets down, showcasing a mental toughness that belies his age.Meteoric Climb in the ATP RankingsRecord on Clay: Jódar boasts an impressive 19-3 record in his first full clay-court season.Recent Results: He has reached the quarter-finals at every clay-court event this season, including titles in Marrakech and semi-finals in Barcelona.Ranking Jump: Having been ranked No. 707 a year ago, he is projected to ascend to approximately No. 22 in the ATP rankings.Shifting Dynamics in the Men's DrawThe landscape of the men's tournament has been significantly altered by the early exits of top contenders like Jannik Sinner. With the draw opening up, the remaining players face the challenge of maintaining focus amidst the changing conditions and the psychological toll of the tournament. Jódar’s ability to perform under pressure, despite being visibly tense early on, highlights a growing maturity that could disrupt the established hierarchy of the sport.The Ultimate Test: Jódar vs. ZverevJódar’s journey now leads to a monumental quarter-final showdown against Alexander Zverev, the second seed and prohibitive favorite. While Zverev enters the match as the heavy favorite, having defeated Jesper de Jong, Jódar may find solace in the role of the underdog. The pressure will likely weigh heavily on Zverev, whereas Jódar, having already conquered the mental hurdle of a two-set deficit, may be swinging freely and without fear against one of the world's elite players.