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The Rise of AI-generated History Influencers “I have just arrived in Tudor London, 1536,” a young woman in a green puffer jacket tells the camera. “I’m going to check in at my room in the inn, get into the market. Then, later I am meeting the actual king – yep, Henry VIII – in person.” On YouTube and other social platforms, users are flocking to watch AI-generated “history influencers”, characters that vlog their travels to historical settings. The Popularity of Chloe VS History One of the most popular channels is Chloe VS History, with more than 610,000 Instagram followers and 15m views on YouTube. Viewers can watch Chloe try eel pie at a Tudor market, explore the first-class suites on the Titanic and take a plunge in an ancient Roman bath. The format has been replicated by other channels, such as Janella Through Time, Nova VS History and Esmetimetravels. Popular destinations include ancient Rome, Pompeii, the wild west and England during the Black Death. The Creator's Vision The creator of Chloe VS History, 32-year-old Jonathan Laramy, said the goal was to “get younger people more interested” in different periods of history. “History is a very visual experience, but it’s just not taught that way,” he said. “It’s taught via a textbook. And that is not compatible with lots of students. So why not use the technology we have to bring that to life in a really visceral way? The Impact on History Education Adam Smith, a historian at Oxford University, believes the format could “massively enhance” how history is taught to young people. “What these AI [videos] are doing is connecting with that visceral, tangible sense of: ‘Oh my God, that could have been me, that was an earlier version of me.’ It’s quite a deep-seated psychological need in many people, to understand themselves in time.”

The Art of Provocation T Venkanna's paintings are like a sucker-punch. His first institutional solo show at London's Studio Voltaire features an overbearing altarpiece, modified by two squat side panels, depicting an orgasmic thicket of desire. The artwork is a commentary on the disparity between puritanical religious doctrine and licentious reality. The Intersection of Myth and Reality Venkanna's work is a way to consider many things, including the myth of religions. He draws inspiration from ancient Indian temples, where people touch the breasts of sculptures, making them smooth and shiny over time. His paintings are not about shocking, but about showing things around us. The Impact of Upbringing Venkanna's childhood in a small town in south-central India, where his father was a Hindu priest, had a significant impact on his work. He grew up in a one-room home with five other family members, and village people would come to ask about rituals and expectations of appropriate behavior. However, Venkanna discovered that these rules had a convenient degree of flexibility. The Evolution of Style Venkanna's artistic journey began with painting and drawing naked figures at home. He was sent to train as a drawing teacher and later enrolled in a fine art college, where he learned printmaking, miniature painting, and how to make and work with tempera. His early work was met with criticism, but he has since gained recognition, including a gold medal and support from teachers who donated their spare materials. The Future of Art Venkanna's work continues to push boundaries, exploring themes of intimacy, isolation, consent, and violation. His paintings are a counterpoint to gender inequality and prejudice, foregrounding women's experiences and depicting them as satiating their sexual appetite. As Venkanna says, 'I don't want to shock. What I'm showing are things around us.' T Venkanna: Sculpture Garden is at Studio Voltaire, London, until 23 August

Celebrating Queer Nightlife Through Photography A new photo book titled 'Sex, Clubs, Dissent: Visualising Queer Nightlife' offers a striking defence of the culture-shaping role of snapshots taken inside and after queer clubs. Edited by writer and London dancefloor regular Amelia Abraham, the anthology takes an expansive view of nightlife photography from the 1960s until today. The Book's Diverse Collection The book features contributions from artists such as Wolfgang Tillmans, Sunil Gupta, and Kia LaBeija, showcasing a wide range of nightlife photography. The image selection is cacophonous, ranging from film stills and studio portraits to Grindr screenshots, taking readers on a nonlinear dance through scenes of queer sociality. A Platform for Marginalized Voices The book aims to rebalance the history of queer nightlife, which has often focused on white gay men. The cover features a 1978 photo by Meryl Meisler, 'Two Women Embrace on Floor Next to Jupiter's Legs, Les Mouches, NY', highlighting the intention to include marginalized voices. A Celebration of Queer Expression The book includes a generous selection of images from Del LaGrace Volcano's archive, documenting meetings of leather-clad lesbians in London, as well as never-before-published photos from two trans community archives in Mexico City and Buenos Aires.

The Wigmore Hall's 125th Anniversary Celebration Wigmore Hall, a renowned venue for classical music, marked its 125th anniversary with a special gala concert. The event was a partial recreation of the hall's inaugural concert in May 1901, which featured a starry lineup including Ferruccio Busoni and Eugène Ysaÿe. A Tribute to the Past The concert began with a performance of the national anthem, 'God Save the King,' followed by a new piano version of Thomas Adès' 2023 guitar piece 'Vesper (for Henry Purcell).' Adès also performed Beethoven's Op. 109 piano sonata, which showcased his dramatic and polished style. Musical Highlights Thomas Adès performed a new piano version of his 2023 guitar piece 'Vesper (for Henry Purcell)' and Beethoven's Op. 109 piano sonata. Louise Alder and pianist Joseph Middleton performed three Schubert songs, ending with 'Erlkönig,' which was almost like a mini-opera. Alina Ibragimova played the second half of Bach's first Partita for solo violin, in B minor, with freshness, precision, and elegance. Cédric Tiberghien joined Ibragimova for Beethoven's Romance in G and performed Brahms's Paganini Variations. The Venue's Legacy Wigmore Hall has a rich history dating back to 1901 when it was built by Bechstein, a piano manufacturer. The hall has continued to host concerts through the years, including performances by notable artists like David Bowie. Despite facing economic challenges, the venue remains a London home for solo recitals, chamber music, and song. Looking to the Future The Wigmore Hall's 125th anniversary festival continues until June 7, with all concerts being broadcast on BBC Radio 3 and available on BBC Sounds for 30 days. This celebration is a testament to the venue's enduring legacy and its commitment to showcasing classical music.

Creating an Inclusive Space Robyn Steward, a 39-year-old autistic trumpeter, had never been to a nightclub before discovering Fabric in London. Inspired by its accessibility features, she decided to host her space-themed experimental music night, Robyn's Rocket, at the venue. The Event Details Robyn's Rocket aims to create a space where people with and without learning disabilities and autism can come together without any power dynamic. The event features detailed visual storyboards, tech and access riders, and a sensory dancefloor that transforms sound into tactile vibrations. The Data Analysis Steward's experience with autism and multiple disabilities, including cerebral palsy, informs her approach to creating an inclusive space. Robyn's Rocket has been running since 2017, booking noise bands, DJs, and improv groups in various London venues. The Impact Analysis The event's focus on integration and accessibility has a significant impact on the community. Steward's approach helps to break down barriers and create a sense of equality among attendees. The Prediction As Robyn's Rocket continues to grow and expand, it is likely to inspire more inclusive and accessible events in the future, promoting a culture of acceptance and understanding.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Enduring Appeal of Sherlock Holmes In 1893, Sherlock Holmes' older brother, Mycroft, was introduced in The Adventure of the Greek Interpreter by Arthur Conan Doyle. Over a century later, Sherlock Holmes has achieved near-ubiquity, spawning numerous adaptations that stretch his life in various directions. The Recent Surge in Remakes This year alone has seen the release of Prime Video's Young Sherlock and an Enola Holmes threequel. Work has begun on a second series of Sherlock & Daughter, starring David Thewlis, and there are rumors of Robert Downey Jr reprising his role for a third big-screen adventure. The Data Analysis More than 100 years of Sherlock Holmes adaptations have shown no signs of slowing down. Recent adaptations include Sherlock Holmes films by Guy Ritchie, Benedict Cumberbatch's modern-day Sherlock, and Ian McKellen's Mr Holmes. The Impact Analysis The article questions whether the world has reached a Sherlock saturation point, given the numerous adaptations. However, Steven Moffat believes there's always been adaptations of Sherlock Holmes and no loss of appetite for them. The Prediction Despite concerns about saturation, the iconic detective's enduring appeal and the rich characters created by Conan Doyle ensure that Sherlock Holmes will continue to inspire original work. The Sherlock Holmes Society of London welcomes reinterpretations that respect the original texts, suggesting that Sherlock will remain a beloved character for years to come.