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The Lead The World Health Organization (WHO) chief has embarked on a critical visit to the Democratic Republic of Congo (DRC) as the region grapples with an ongoing Ebola crisis. WHO's Response to the Ebola Outbreak The WHO Director-General's visit underscores the organization's commitment to supporting the DRC in its fight against the Ebola outbreak. The WHO has been working closely with local health authorities to contain the spread of the disease. The Current Situation in DRC The Ebola outbreak in the DRC has presented significant challenges, including insecurity in the affected areas and the risk of the virus spreading to neighboring countries. The WHO's visit aims to bolster the response efforts and ensure a coordinated approach to tackling the crisis. The Impact on Global Health The Ebola crisis in the DRC has implications for global health security, highlighting the need for continued vigilance and cooperation among nations to prevent the spread of infectious diseases. Future Outlook The WHO's efforts, in collaboration with local and international partners, are crucial in controlling the outbreak and preventing future health crises. The organization's visit to the DRC is a significant step towards achieving this goal.

The Film’s Core Concept: Turning Internet Liminality into CinemaThe Guardian review details how *Backrooms* follows architect‑turned‑store‑owner Clark (played by Chiwetel Ejiofor) as he discovers a portal to an endless maze of fluorescent‑lit, drop‑ceiling rooms. The film expands the viral “backrooms” meme—originally a series of YouTube shorts made with Blender and After Effects—into a feature‑length narrative while retaining its minimalist visual language.Production Insight: A 20‑Year‑Old Director’s Low‑Budget MasteryDirector Kane Parsons, the youngest ever to helm an A24 feature, built the original series using free software, demonstrating how low‑cost tools can generate high‑impact horror aesthetics. The movie’s production emphasizes practical set design—repeating office‑style corridors, yellow lighting, and drop ceilings—to evoke the “junkspace” described by architects like Rem Koolhaas.Financial Snapshot: A24’s Continued Investment in Indie HorrorBudget details were not disclosed, but A24’s recent horror slate averages $5‑10 million per film.Box‑office expectations align with the studio’s strategy of modest budgets paired with strong niche appeal.Why It Matters: Architecture as a New Horror FrontierThe film taps into academic concepts such as Mark Augé’s “non‑places” and Juhani Pallasmaa’s idea of architecture as mental space, positioning the built environment itself as the antagonist. By visualising bureaucratic infinity, *Backrooms* expands horror beyond monsters to the sterile, endless corridors of modern capitalism.Looking Ahead: The Future of Liminal‑Space HorrorParsons’ success suggests a growing appetite for horror that interrogates everyday environments. Expect more studios to mine internet subcultures and architectural theory, blending low‑budget VFX with philosophical storytelling to attract both genre fans and critical audiences.

The Rise of Cancoillotte: From Niche Product to Social Media SensationIn the village of Franois, eastern France, a stream of what looks like runny, beige gloop is being potted, packaged and dispatched for delivery as fast as it can be made. The freezer room, normally piled high with pallets of the product, is almost empty. This is cancoillotte - a cheese product that until recently was little known outside the eastern Franche-Comté region - and it's experiencing unprecedented demand.The Health Food Breakthrough: Why Cancoillotte Captured Influencers' AttentionUnlike most cheeses, cancoillotte is low in fat, high in protein, cheap and until recently something of a niche product outside the Franche-Comté, the region flanking France's border with Switzerland. This unique nutritional profile has made it a favorite among health and fitness influencers who want to enjoy cheese without compromising their dietary goals.Julie Morin, director of the Poitrey la Belle Étoile fromagerie near Besançon, and president of the Association for the Promotion of Cancoillotte, said the sudden demand had taken her and the region's 22 cancoillotte producers by surprise. "There's been a slow progression in sales of cancoillotte over the last seven years, but the influencers have produced a big boom, which we didn't expect," said Morin during a tour of the fromagerie established almost 150 years ago.The Economic Impact: Shortages and Production ChallengesThe boom in sales has resulted in what producers call a "rupture" in supplies - an unprecedented shortage of the product. "What with all the new enthusiasm for the cheese and the May bank holidays we couldn't produce as much as usual so we had a bit of a shortfall, but we're making it up," explained Morin. The sudden surge in demand has caught local producers off guard, with many struggling to scale up production quickly enough to meet the new market demand.Content creator Johan Papz, with 1.5 million followers on TikTok, called it "the best day" of his life when he tasted cancoillotte, adding: "My eating has changed forever." Influencer Itscindyoff has made 178 TikTok videos lauding cancoillotte and traveled 500km to the Franche-Comté to buy as many different flavors as possible.Regional Transformation: How Cancoillotte is Changing Franche-Comté's Food LandscapeFrance may be what Charles de Gaulle described as an ungovernable country of 246 kinds of cheese, but only one of them can claim to have won the hearts of fitness fanatics and social media influencers. This sudden popularity is transforming the local food industry in Franche-Comté, where cancoillotte has been produced for centuries.The cheese even has its own eating competition. Last year's winner, Maximilien Reverchon, put away 1.75kg at Larians-et-Munans in the Franche-Comté without the help of bread or biscuits. Such cultural recognition, combined with the social media buzz, is elevating cancoillotte from a regional specialty to a national phenomenon.The Future of Cancoillotte: Sustaining the MomentumUntil now, cancoillotte has been a product that was difficult to advertise. So we are surprised and happy it's become something of a craze and hoping it will last," said Morin. Local producers are now exploring ways to capitalize on this unexpected popularity while maintaining the traditional methods that give the cheese its unique character.Nicknamed "the glue" by some local people because of its sticky consistency, the history of cancoillotte is said to date from the middle ages in the Jura mountains. It went into production around the first world war when it became popular with soldiers on the frontline. This rich heritage, combined with its modern health credentials, positions cancoillotte for potential long-term success beyond its current social media moment.

Good morning, football. Saturday will see the Champions League final in Budapest, while transfer rumors swirl around Liverpool and the Los Angeles World Cup fixture faces political uncertainty. Below we break down the main storylines and what they could mean for the sport. Champions League Final Set for Budapest Date: Saturday, 30 May 2026 Venue: Budapest, Hungary Teams: Arsenal vs Paris Saint-Germain Key Quote: "We were the underdogs on that day, for sure," says Kai Havertz about Arsenal’s previous upset against Chelsea. The final marks the first time the capital cities of England and France travel to Hungary for the showdown. Arsenal’s midfield star Kai Havertz highlighted the contrast with his experience of the 2024 underdog victory over Chelsea, underscoring the belief that this match could be a turning point for the Gunners. Transfer Market Shockwaves: Konaté and Liverpool Player: Ibrahima Konaté (Liverpool centre‑back) Situation: Contract expires; potential free transfer Precedent: Trent Alexander‑Arnold left for Real Madrid on a £10m deal after contract termination Impact: Loss of a first‑choice defender without fee; defensive recruits Jérémy Jacquet and Giovanni Leoni still recovering from injuries If Konaté departs, Liverpool will face a defensive gap at a crucial stage of the season, putting additional pressure on sporting director Richard Hughes and the club’s recruitment strategy. Geopolitical Tensions Cast Shadow Over LA World Cup Match Match: United States vs Iran (Los Angeles) Context: US and Israel attacked Iran on 28 February 2026, raising doubts about Iran’s participation Potential Risks: Protests from the Iranian diaspora in “Tehrangeles”, possible player defiance Current Status: FIFA indicates the game will proceed as scheduled The fixture has become more than a football story, reflecting broader diplomatic strains. Security concerns and public sentiment could influence the atmosphere and even the outcome on the pitch. What the Weekend Could Mean for Clubs and Nations Arsenal: A win would secure their first Champions League trophy and boost morale ahead of the domestic season. Liverpool: Losing Konaté may accelerate a summer overhaul, affecting their defensive stability. World Cup: A smooth execution of the US‑Iran match could signal resilience amid geopolitical pressure, while any disruption would reverberate across the tournament. Stakeholders—from club executives to national federations—will be watching closely. The outcomes this weekend could reshape transfer strategies, fan expectations, and even the political narrative surrounding sport.

Ibrahima Konaté appears set to depart Liverpool FC after the club and his representatives failed to reach a new contract agreement, meaning the 27‑year‑old defender could leave on a free transfer at the end of his current deal.Contract Stalemate Sends Konaté Toward Free AgencyNegotiations over a fresh deal for Konaté, who has been at Anfield for five seasons, have broken down despite “extensive talks” between his camp and the club. The defender hinted in April that an agreement was close, but no formal offer materialised.Financial Implications of Losing a First‑Choice Centre‑BackAge: 27Contract length remaining: 0 (expires summer 2026)Potential fee: None – free transferRecent precedent: Trent Alexander‑Arnold left for £10 million after his contract ran downStrategic Blow to Liverpool’s Defensive RebuildingThe club’s sporting director Richard Hughes now faces a depleted back‑line, with new signing Jérémy Jacquet and Giovanni Leoni still recovering from injuries and uncertainty surrounding Joe Gomez. The loss compounds the departure of Mohamed Salah and Andy Robertson, marking a significant turnover from the Jürgen Klopp era.What Lies Ahead for Konaté and LiverpoolReports link the Paris‑born centre‑back with a possible move to Paris Saint‑Germain, while Chelsea are also mentioned as suitors. Liverpool will need to rely on emerging talents and the market to fill the void, and the free‑transfer exit could free up wage budget for new acquisitions.

The LeadSam Campbell's new Channel 4 mockumentary, Make That Movie, has been crowned the funniest TV show of the year. The series, which follows a former big-shot director helping ordinary people create bizarre, low-budget films, is a chaotic celebration of 'outsider art' and unhinged creativity.The Surreal Premise of 'Make That Movie'At the heart of the show is a high-concept premise that defies logic. Campbell plays a version of himself who was once a successful director but now spends his time driving around in a van with a giant model film camera on top. His mission is to help people in need by producing bizarre low-budget productions based on their outlandish ideas.Snake Transformation Thriller: A Da Vinci Code-style story where a couple changes into snakes (but not simultaneously).Cyber-Thriller for Pensioners: A Lawnmower Man-style plot where seniors physically enter computers by singing songs and inserting USB cables into their mouths.Animated Feet: A project designed to cheer up a couple trapped in a cave.A Refreshing Pivot from Trauma to AbsurdityThe show arrives at a critical cultural moment. The review highlights a 'decade-long tailspin' where television was dominated by trauma-focused narratives. Had *Make That Movie* been attempted a few years ago, executives would likely have forced a subplot about dissociating from an abusive childhood. Instead, the show offers pure, unadulterated silliness.Celebrating the 'Outsider Art' of Bad CinemaSam Campbell is described as having an 'alien' quality, a stark contrast to the typical 'everyman' comedian. His stock in trade is looking like a frozen Paul McCartney, and this unique persona drives the show's success. By worshipping films like Birdemic: Shock and Terror, Campbell validates 'bad' cinema as a form of glorious outsider art.The Future of Sam Campbell's Comedy EmpireWhile the format is packed with content—23 minutes to meet characters, hear ideas, and watch the finished product—the sprinting pace is by design. The review suggests that nothing will kill the show faster than lapsing into formula. As long as Campbell and his uncomprehending face remain fixtures on television, the show is poised to become a lasting cult classic.

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Lead 'Fairyland' offers a glorious wallow in nostalgia for those familiar with the Bay Area in the 1970s and 80s, with grainy archive footage of San Francisco Gay Freedom parades and sushi at a book launch. But at its core, the film tells the story of a new kind of family. Queer Parenting in 1970s San Francisco The film centers around Steve (Scoot McNairy), a gay father raising his young daughter Alysia (Nessa Dougherty, then Coda's Emilia Jones as a teen) in San Francisco. After his wife, Alysia's mother, is killed in a car accident, Steve is faced with the challenge of parenting alone. He turns down an offer from his ultra-straight mother-in-law (Geena Davis) to raise the little girl. Parenting Techniques and Resilience Steve's parenting techniques are sometimes selfish and neglectful, but he loves Alysia deeply. He encourages her independence, teaching her to navigate the city and take care of herself. The film draws comparisons to Marielle Heller's adaptation of The Diary of a Teenage Girl, but Alysia turns out to be more resilient and independent. The Impact of the AIDS Epidemic The film's second half covers the later 80s, as the AIDS epidemic takes a devastating toll on the community. The cast, including McNairy and Jones, deliver excellent performances. Writer-director Andrew Durham adapts Alysia Abbott's memoir with sensitivity and discretion. The Future of Queer Representation 'Fairyland' is a significant contribution to queer representation in film. With its release in UK cinemas on May 29, it promises to resonate with audiences and spark important conversations about family, love, and identity.

EU Announces New Sanctions Targeting Extremist Israeli SettlersThe European Union announced on Thursday, 28 May 2026 that it is sanctioning four entities and three individuals it deems “extremist Israeli settlers” for “serious” human‑rights violations against Palestinians in the occupied West Bank.Specific Entities and Individuals Added to the Sanctions ListThe newly listed parties include:Nachala Settlement Movement and its director Daniella Weiss, accused of encouraging forced displacement of Palestinians.Israeli NGO Regavim and its director Meir Deutsch, cited for lobbying the demolition of Palestinian property and an EU‑funded primary school.NGO Hashomer Yosh and its president Avichai Suissa, linked to at least 28 violent outposts and settlements and the recruitment of armed volunteers.The Amana cooperative of the Gush Emunim settler movement, said to have played a key role in initiating, financing, and facilitating at least 30 violent outposts and settlements.Sanctions Scale: Cumulative Figures and Recent AdditionsWith these additions, the EU now sanctions 136 persons and 41 entities under its Global Human Rights Sanctions Regime, which was created in 2020. The regime covers acts such as genocide, crimes against humanity, and other serious violations.The latest round brings the total of newly sanctioned settlers to four entities and three individuals, following an earlier package announced earlier in May that also targeted Israeli settlers and Hamas leaders.Implications for the West Bank Conflict and EU Foreign PolicyThe sanctions mark a long‑awaited shift after a previous veto by Hungary’s illiberal government was lifted following the appointment of Prime Minister Peter Magyar. By targeting settler groups, the EU signals a stronger stance on settlement‑related violence, which has escalated since the start of Israel’s war in Gaza.Israel has condemned the measures, asserting a right to settle in the West Bank despite international‑law violations. The West Bank has seen the highest settlement expansion since 2017, and more than 1,000 Palestinians have been killed there according to UN figures.What May Follow: Potential Shifts in Regional DynamicsAnalysts expect the EU’s action could pressure the Israeli government to curb settler violence and reconsider expansion policies, especially as international scrutiny intensifies. Future EU steps may include further sanctions or diplomatic initiatives aimed at protecting Palestinian rights and stabilising the region.