Breaking AI & Tech News Analyzed

Monica Barbaro, known for her Oscar-nominated portrayal of activist Joan Baez in James Mangold's A Complete Unknown, is now preparing for her stage debut in the National Theatre's revival of Les Liaisons Dangereuses. Barbaro, 35, will play Madame de Tourvel, a role previously taken on by notable actresses such as Juliet Stevenson and Michelle Pfeiffer.During an interview, Barbaro joked about her accent, saying, "I feel like I'm imitating an American accent, but it really is mine." She switches to an English accent for rehearsals, where she is working on the play's 18th-century French aristocracy setting. "I feel it's best to use my own voice," she explained.Barbaro expressed apprehension about speaking aloud in a theater for a large audience, a significant departure from her previous work in film. "Speaking aloud in a theatre for this big of an audience is new for me," she said.Her preparation for A Complete Unknown was intense, involving months of studying Baez's voice and music, learning guitar, and wearing prosthetic teeth to capture the singer's distinctive look. "We filmed it only a year and a half ago, and it was put out within months," she reflected. "It was really intense. It took a long time for me to land afterwards and feel more like myself again."Barbaro also discussed her connection to Baez, citing their shared mixed identity (Barbaro is a quarter Mexican) and Baez's activism. "I'm just like: 'Then she marched with Martin Luther King, are we clear on that? Do people know that?' It was really nice to hear from a lot of people who watched the movie that they were intrigued to find out more about her."She met Baez in person last year and described the experience as "so trippy." "It was so strange to hear in person the voice I'd been obsessing over for so long. There's a worship quality to it; I felt in complete awe of her," Barbaro said.Regarding her Oscar nomination, Barbaro called it "totally surreal" but something she tried to process in advance. "It seemed embarrassing to want it, or celebrate it, and I needed to confront that it was something I'd love to have. Then, when it happened – unbridled joy. It was a big shift for an actor who went into the film fangirling over the rest of the cast and the director."Barbaro is currently rehearsing for Les Liaisons Dangereuses at the National Theatre, where she will work with director Marianne Elliott. The play explores themes of power, corruption, and manipulation among the aristocracy, resonating with modern issues such as the Epstein files. "It was about the corruption of a certain class who could operate with impunity, and fuck over anyone they wanted," she said.Barbaro reflected on the enduring power of the play, saying, "As a modern woman with autonomy and independence, the thing I fear most in the world is dying of heartbreak." She emphasized the relevance of the play's themes, particularly systemic abuse and corruption.

French authorities detained European Parliament member Rima Hassan on Thursday, accusing her of "apology for terrorism" after a social‑media post referenced Kozo Okamoto, a participant in the 1972 Ben Gurion Airport attack. The detention, reported by Le Parisien, marks a rare instance where a sitting MEP’s parliamentary immunity appears to have been set aside. According to the newspaper, Hassan had already removed the contentious post from X, but the investigation continued. Police also reported finding a small quantity of synthetic drugs in her possession during the arrest. Jean‑Luc Mélenchon, founder of the left‑wing La France Insoumise (LFI) party, condemned the move on X, stating, "There is no longer parliamentary immunity in France. Intolerable." He and other LFI colleagues argue the action is designed to silence supporters of Palestine. LFI parliamentarians Sophia Chikirou and Mathilde Panot echoed the criticism, accusing the French police and justice system of being weaponised against activists. Panot warned that President Emmanuel Macron’s France is witnessing a "new level" of criminalisation of political opponents. The controversy follows Hassan’s recent denial of entry to Canada, which she described as censorship, and a prior alert by far‑right National Rally politician Matthias Renault to Paris prosecutors about the same X post. Renault welcomed the detention, calling it "the beginning of the end of impunity for the LFI MP." Hassan, a 33‑year‑old French‑Palestinian lawyer elected to the European Parliament in 2024, is a vocal critic of Israel’s war in Gaza and participated in a Gaza‑bound flotilla intercepted by Israeli forces in October 2025. Her advocacy has repeatedly drawn ire from pro‑Israel groups across Europe. While Hassan and her legal team have not responded to Reuters’ requests for comment, the incident raises broader questions about the balance between anti‑terrorism legislation and political freedoms within the EU, especially as debates over Palestine intensify across the continent.

Scientists have shed new light on the mating habits of octopuses, revealing that male octopuses use a specialized arm to detect female hormones and mate without visual contact.The arm, called the hectocotylus, is used to place a package of sperm inside the female's reproductive system. Researchers at Harvard University have found that this arm is a sensory organ, similar to a tongue, that can detect the female hormone progesterone.This allows the male to seek out and fertilize a mate, even if it cannot see its sexual partner. The study, published in the journal Science, shows that the arm is both a sensor and a mating organ, and that it plays a crucial role in the mating process.The researchers, led by Prof Nicholas Bellono, found that the arm can detect progesterone through receptors on its tip, and that this sensitivity is specific to progesterone and not other hormones.The study provides new insights into the evolution of sensory systems and the importance of chemical cues in mating behavior. It also highlights the complex and fascinating world of octopus biology, and the importance of continued research into the natural world.

The creator of the AI actor Tilly Norwood, Eline van der Velden, has revealed that she received death threats following a global backlash against her project. Van der Velden developed Tilly Norwood to spark conversation about the role of AI in the entertainment industry.Van der Velden's AI creation, Tilly Norwood, gained significant attention last year when she announced that talent agents were interested in signing the AI actor. This led to widespread condemnation from prominent actors and acting unions, including Melissa Barrera, Mara Wilson, and Ralph Ineson, as well as Sag-Aftra and Equity.In an interview with the Guardian, Van der Velden expressed her surprise at the intensity of the backlash, stating, “The death threats and the hate … my goodness, loads,” she said. Despite the negative reaction, Van der Velden remains committed to her vision of integrating AI into the entertainment industry.Van der Velden founded Particle6 and its AI arm, Xicoia, and debuted Norwood in a short comedy sketch called AI Commissioner last autumn. Norwood has gained a significant following, with 141,000 followers on Instagram.Van der Velden believes that AI actors like Norwood could be beneficial for some performers, allowing them to maintain anonymity while still engaging in acting. She noted, “I think it’s great for some actors, it might actually be a blessing that they can have a digital twin,” emphasizing that fame can be burdensome.Van der Velden continues to advocate for the use of AI in entertainment, highlighting its potential to offer actors more creative freedom. She has now featured Norwood in a new music video, with lyrics written by an AI chatbot, and controls Norwood’s avatar using motion capture techniques.

The Arm AGI CPU: A New Era of In-House SiliconFor the first time in its 35-year history, Arm Holdings is stepping out from behind the licensing model to manufacture its own silicon. The company revealed the Arm AGI CPU at an event in San Francisco, a production-ready processor designed specifically for AI inference in data centers. Unlike its traditional business model of licensing designs to giants like Nvidia and Apple, Arm has developed this chip using its own Arm Neoverse family of CPU IP cores.This strategic pivot is backed by a robust ecosystem of launch partners, including Meta, which is the chip's first customer. Other key partners include OpenAI, Cerebras, and Cloudflare. The chip is already ready for order, signaling that Arm is moving aggressively to capture value in the booming AI infrastructure market.The Critical Role of CPUs in AI InfrastructureWhile GPUs have dominated headlines for training large language models, Arm is highlighting the often-overlooked importance of the central processing unit (CPU) in modern AI racks. Arm argues that the CPU is the pacing element of modern infrastructure, responsible for managing thousands of distributed tasks, including memory allocation, storage scheduling, and data movement across systems.Infrastructure Management: CPUs ensure that distributed AI systems operate efficiently at scale.Market Constraints: The demand for high-performance computing is exacerbating global supply chain issues, with Intel and AMD recently informing Chinese customers of extended wait times due to CPU shortages.Cost Implications: These supply constraints are contributing to rising prices for computer hardware.Breaking the Licensing Model: A Strategic Bet on CompetitionThe release of the Arm AGI CPU represents a historic deviation from the company's founding principles. For decades, Arm has operated as a pure-play design licensor, allowing partners to manufacture chips based on its architecture. However, the company is now poised to compete directly with many of its biggest customers.Majority-owned by the Japanese conglomerate SoftBank Group, Arm's move suggests a desire to capture more of the value chain. By building its own silicon, Arm can offer a more integrated solution for AI workloads, potentially undercutting or complementing the offerings of its licensees. This shift challenges the traditional semiconductor ecosystem and sets a precedent for other IP licensor to consider building their own hardware.The Future of Chip Architecture in the AI RaceArm's entry into manufacturing signals a new phase in the AI chip wars. As the industry moves toward specialized silicon for inference, the line between design houses and manufacturers is blurring. We can expect to see more IP licensor developing their own chips to ensure they have control over the performance and efficiency of the hardware powering the next generation of AI models.

Dario Fo, born 100 years ago, was a multifaceted genius who seamlessly blended politics and comedy in his works. As a dramatist, actor, director, and designer, he brought satire to the masses, achieving a global reach with plays like Accidental Death of an Anarchist and Can't Pay? Won't Pay!, which justly earned him the Nobel Prize in Literature in 1997.Fo's background was marked by his involvement in wartime resistance against the Nazis in northern Italy, where he helped smuggle Allied soldiers across the border to Switzerland. His career in entertainment began with a weekly TV variety show that attracted huge audiences, but was abruptly ended due to his refusal to accept censorship.Fo's theatre company, Nuova Scena, gave the first performance of Mistero Buffo, his one-man show that satirized the Catholic Church. The show was condemned by the Vatican as 'the most blasphemous show in the history of television.'Fo's plays injected new life into political theatre, with Accidental Death of an Anarchist being a notable example. The play derived from a real-life case of a railway worker falsely accused of planting bombs and who 'fell' out of a police HQ window. The play's 2023 revival at the Sheffield Crucible, which transferred to the West End, showcased its timeless relevance, with Daniel Rigby's performance being 'breathlessly funny.'Fo's works provided actors with memorable roles, such as Griff Rhys Jones' virtuoso performance in Trumpets and Raspberries. His approach to comedy was rooted in tragedy, using laughter as a means to make audiences confront problems like cruelty, injustice, and oppression.Throughout his career, Fo faced significant harassment, including 45 prosecutions from the Italian police, and physical intimidation from both the Catholic Church and the Communist Party. Despite this, his legacy as a master of merging politics and comedy endures.

Iran has reportedly claimed to have downed a US F-35 fighter jet during a combat mission, a development that could challenge the aircraft's reputation as 'unkillable'. According to sources familiar with the matter, the incident occurred last week when the F-35 made an emergency landing at an airbase in the Middle East. The Iranian Islamic Revolutionary Guard Corps issued a statement saying it had targeted a US aircraft, and Iran's semiofficial Tasnim news agency released military footage purporting to show Tehran's air defence systems hitting a US F-35 stealth fighter. The F-35, manufactured by Lockheed Martin, is considered the cornerstone of Washington's aerial firepower, boasting advanced stealth technology, sensors, and high-speed computing. Its ability to gather and share data from a 360-degree camera suite and other sensors makes it a formidable asset in modern warfare. If confirmed, this would be the first time an F-35 has been struck by Iran during the ongoing conflict. Defence experts emphasize that even if the claims are true, it does not necessarily mean stealth technology is becoming obsolete, but rather that even advanced aircraft like the F-35 are not invulnerable in a dense, adaptive air-defence environment. The incident is under investigation, with the US military's Central Command stating that the pilot was in stable condition after the emergency landing. The US has not yet confirmed that the F-35 was hit by Iranian fire, with President Donald Trump stating, “We’re flying wherever we want. Nobody is even shooting at us.” This development comes amid heightened tensions between the US and Iran, with at least 13 US service members killed and roughly 200 wounded during combat operations against Iran. In Iran, at least 1,444 people have been killed and 18,551 injured since the start of the conflict.

The Orange Tree theatre in London is currently hosting a captivating production of Nicholas Wright's 2002 play, Vincent in Brixton. This poignant piece imagines a lesser-known chapter in the life of Vincent van Gogh, who spent a year in south London pursuing a career as an art dealer and possibly had a romantic relationship with his landlady or her daughter.In Georgia Green's tender production, the play blossoms into more than just a footnote in art history. The story revolves around Vincent, portrayed by Jeroen Frank Kales, and his landlady Ursula, played by Niamh Cusack. Their characters share a deep mental perturbation, uncovering a kinship in misery that eventually blossoms into romance.The setting, designed by Charlotte Henery, is a cozy kitchen on the Orange Tree stage, perfect for quiet confidences. The sound design by Donato Wharton adds a sensory layer with birdsong, the sound of pans on the stove, and the rush of Vincent's blood during his first kiss. The chemistry between the leads is palpable, with Cusack's rich-layered voice conveying Ursula's distraught emotions.The play is remarkable for its non-judgmental writing, allowing the characters to express their feelings in personal and poetic ways. The cast delivers full-hearted performances, including Rawaed Asde as the other lodger and Ayesha Ostler as Ursula's vigilant daughter. The relationship between Vincent and Ursula is portrayed as a brief, radiant interlude, offering a glimpse into Van Gogh's life before he found his vocation as an artist.This production of Vincent in Brixton runs at the Orange Tree theatre, London, until 18 April, offering audiences a chance to experience a unique and emotional exploration of restless souls.

In rural Northern Ireland, the unmistakable sight of heating oil tankers making deliveries has become a double-edged sword. While these deliveries provide essential warmth, they also inadvertently mark homes as targets for criminals who monitor these visible supply routes.The decades-long issue of heating oil theft has intensified dramatically following the conflict in the Middle East, which has driven up the price of what locals now call 'liquid gold' to unprecedented levels. 62% of households across Northern Ireland depend on oil for heating, with rural reliance reaching 80%, making the region particularly vulnerable to both price shocks and related criminal activity.Since the US and Israel began attacking Iran on February 28, the cost of heating oil has almost doubled to approximately £1,000 for 900 litres. This price surge has transformed what was once a nuisance crime into a serious financial threat for many families.'Rural homes and farms are increasingly being targeted by opportunistic thieves,' said Gary McCartney, regional director of Countryside Alliance Ireland. 'A tank can be drained in minutes.'The consequences extend beyond financial loss. Gareth Kelly and Aimee Leigh Brolly, a couple in Limavady, County Derry, recently woke to choking fumes from an oil line severed by thieves, forcing them to vacate their home with their newborn son due to safety concerns.Police have issued security recommendations, including high-quality padlocks, motion-sensor lighting, and oil-level detection alarms. 'Long term, use fencing or prickly hedging to keep your tank out of sight from the road,' authorities suggest.Experts describe the phenomenon as opportunistic rather than organized crime. 'To call it organised crime is a stretch. This is low level,' said Jonny Byrne, a criminology lecturer at Ulster University. A former police officer agreed, noting that while organized crime groups might eventually become involved, 'it is more opportunistic than organised' at present.The Rural Community Network believes theft is significantly underreported, especially in isolated areas. 'Theft is more noticeable when prices are high,' said CEO Kate Clifford. 'Oil is like liquid gold. It's highly valuable and easy to steal.'This pattern mirrors similar spikes during Russia's invasion of Ukraine in 2022, when the Rural Community Network itself lost £1,700 worth of fuel to thieves who went undetected for an extended period.