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Live Announcement from Manhattan Sets the StageOn Tuesday afternoon, Mauricio Pochettino revealed the United States’ 26‑man squad for the 2026 World Cup during a live broadcast from Pier 17 in Manhattan. The roster mirrors the Guardian’s exclusive leak from the previous Saturday, confirming the final selections ahead of the tournament.Roster Composition: Experience, Age, and Club Distribution13 players with prior World Cup experience13 debutants making their first tournament appearancePlayers drawn from 16 different leagues across 12 countriesThe squad includes the core from the 2022 Qatar campaign: Christian Pulisic, Weston McKennie, Tyler Adams, Chris Richards and Tim WeahSurprise Omissions and Their Tactical ImplicationsThe most striking exclusion is Diego Luna (Real Salt Lake), who logged the second‑most attacking minutes under Pochettino. Central midfielders Tanner Tessmann and Aidan Morris were also left out, raising questions about depth in the midfield engine room. In contrast, Alejandro Zendejas (Club América) earned a spot despite only 139 minutes of playing time during the coach’s tenure, suggesting a strategic gamble on his upside.What the Squad Means for US Prospects at the 2026 World CupPochettino expressed confidence, stating the group is “the best” to achieve success. The team will train at the new National Training Center in Fayetteville, Georgia, before warm‑up friendlies against Senegal (31 May, Charlotte) and Germany (6 June, Chicago). The United States open the tournament on 12 June against Paraguay in Inglewood, followed by matches versus Australia (19 June, Seattle) and Turkey (25 June, Inglewood). The blend of seasoned internationals and fresh talent will be tested against a competitive Group C, and the early schedule offers both challenges and opportunities for the newcomers to make an impact.

Coco Gauff told reporters at the French Open that she never received an apology or direct response from the Australian Open after a broadcast showed her breaking a racket in a private corridor following her Melbourne quarter‑final loss. The incident has resurfaced discussions about camera placement and player privacy across the sport's biggest tournaments. Gauff’s Call for an Apology Over Australian Open Broadcast Gauff said she received no email apology; the WTA sent a generic statement instead. She highlighted the difference between the WTA’s approach and the Grand Slams’ handling of private‑area footage. The comment came after her 6‑4, 6‑0 first‑round win over Taylor Townsend at Roland Garros. Absence of Financial Data The article does not provide monetary figures, sponsorship impacts, or revenue estimates related to the broadcast controversy. Privacy Concerns Prompt Policy Review Across Grand Slams The Australian Open is noted for having the highest concentration of cameras in player‑only zones, including transport and media areas. Another incident involved Carlos Alcaraz, whose phone screen was captured by a hidden camera and streamed live. French Open director Amélie Mauresmo affirmed no new cameras will be added to private spaces for the upcoming tournament. Wimbledon announced it will continue to keep private areas camera‑free, with any footage reviewed internally before release. Future of Camera Policies at Major Tournaments Players are likely to push for clearer boundaries on broadcast equipment, potentially leading to formal agreements between the ATP/WTA and Grand Slam organizers. If pressure mounts, we may see a standardized “camera‑free zone” policy that balances fan engagement with athlete privacy.

The Lead Oliver Glasner has urged Crystal Palace to win the Conference League final so they can take up the Europa League place denied them this season after they fell foul of Uefa's multi-club ownership rules. The Austrian manager, who is leaving at the end of the season, wants his players to secure European football for next year by defeating Rayo Vallecano in Leipzig. The Final Showdown Crystal Palace will face Rayo Vallecano in Leipzig on Wednesday night at the end of their first European campaign in Glasner's last match. The south London club, last year's FA Cup winners and Community Shield holders, were demoted to the Conference League after Uefa deemed John Textor had a controlling interest in both Palace and Lyon, who had also qualified for the secondary competition. Manager's Final Message Glasner, who previously won the Europa League with Eintracht Frankfurt in 2022, confirmed in January that he would leave at the end of the season. The manager revealed that Palace players had held a farewell party for him on Monday, when he backed them to win a third trophy in 12 months and secure a Europa League spot. "The best thing would be of course winning tomorrow because then the players would be in the Europa League next year and then we get what we should have got this year," he said. Transition Period Palace are hopeful of appointing Andoni Iraola as Glasner's replacement, although it is understood that the outgoing Bournemouth manager also has interest from Milan and Bayer Leverkusen. Pierre Sage, who led Lens to second place in Ligue 1 this season, is understood to be a contender if Iraola turns them down. The Palace captain, Dean Henderson, said losing Glasner would be "a huge miss" and noted that players had created a send-off video expressing their feelings. Fan Support More than 15,000 Palace supporters are expected in Leipzig, where a replica trophy has been on display at the city's Marketplatz. The team captain emphasized the special connection between the players and supporters that has developed under Glasner's management. "The team's got a special connection with the supporters and when I joined the football club I felt like that was distant," Henderson said. "It's good to see since the manager has come in we've built that rapport with the supporters because I think it's important. They can really help us tomorrow night." Opponent's Perspective Rayo Vallecano, managed by Iñigo Pérez (Iraola's former assistant), operate on a fifth of Palace's budget. Pérez acknowledged the financial disparity but emphasized his team's shared football traits with Palace. "I think we share football traits with Crystal Palace," he said. "The effort, the collective … For me, Crystal Palace is a dream rival. I think that beyond the money comparisons, we must represent the Vallecas neighbourhood. Maintaining our identity will be the right approach."

The Enhanced Games: A Doping-Filled Spectacle in Las Vegas I woke up in Las Vegas on Monday to an avalanche of messages from people across elite sport asking about the Enhanced Games. Some wanted to know what it was really like. Most, though, wanted to dance on its grave. So much for the organisers' promises that we would witness multiple world records. So much for their ridiculous claim to be the "Super Bowl of athletics, swimming and weightlifting!" Hubris meet nemesis. The Reality of Performance-Enhanced Competition Perhaps the most farcical moment came just before the women's 100m final. Only one athlete in the modest field had ever broken 11 seconds. But that didn't stop the announcer floating the idea that Florence Griffith Joyner's world record of 10.49sec might be under threat. "Are we going to witness history?" she asked. "Let's hope so." Of course we weren't. Tristan Evelyn, who was competing as a drug-free athlete, won in 11.26sec – a time that would have barely made it out of the first round of the 2024 Olympics. The Financial Temptation: Why Athletes Are Being Lured When I spoke to its chair, Christian Angermayer, on Sunday night he revealed the plan for next year was to invite fitness influencers to race alongside elite athletes. A legends section may also follow, he reckoned. Shortly afterwards, the Australian swim coach Brett Hawke revealed that his phone had been buzzing with elite stars wanting to sign up. Can you blame them? Hunter Armstrong competed clean and walked away with $250,000 (£186,000). That's 12½ times what gold at the World Aquatics championships pays. While World Athletics offers significantly more – the winner of each event in its Ultimate Championships will get $150,000 – Angermayer believes he can also lure big track stars over. The Cultural Divide: Puritans in Babylon Most of the time I felt like a puritan in Babylon. I didn't see the Michael Jackson lookalike, who has had plastic surgery to look uncannily like him and turned up at the aftershow party. But I did see dozens of fitness influencers going round filming each other, showing off their abs, and asking each other which protocol they were on. And hear predictions that there would be a pill that would give you all the benefits of easy exercise in zone 2. It felt like a trip to the Upside Down. The Marketing Machine: More Than Just a Sports Event Before I arrived in Vegas, I thought the Enhanced Games people were grifters. Now I think it is more accurate to say they are evangelicals. They truly believe these drugs have changed their lives. And they want others to enjoy them, albeit while burning a few hundred dollars a month. Some also believe that the Enhanced Games is a Trojan horse to sell drugs such as testosterone and human growth hormone. I don't quite agree. Because organisers are not exactly being shy here. The horse is rolling towards Troy draped in a large advert for testosterone cream and peptides. The Inevitable Collapse: Why the Enhanced Games Will Fail Ultimately, though, I believe the Enhanced Games will fail. Not next year. But probably over the next five. Why? Because while its movers and shakers are rich and smart, they don't come across as caring deeply about sport. They don't seem to understand its whims and irrationalities, its rivalries and narratives, its traditions and its heart. You can't pay a mortgage with morals, but you also can't build a lasting sporting movement on money alone.

The Passing of a Jazz Colossus: Sonny Rollins at 95Legendary saxophonist Sonny Rollins has died at the age of 95, leaving behind a legacy that redefined the boundaries of jazz improvisation. Often hailed as the "greatest living improviser," Rollins was not merely a musician who played songs, but a visionary who transformed them into spontaneous, ever-evolving masterpieces.The Art of the Spontaneous MasterpieceRollins's genius lay in his ability to treat familiar standards—such as St Thomas and Mack the Knife—as mere triggers for his extraordinary imagination. His performances were characterized by a unique blend of dissonance and melodic recall, described as a "conjuror spinning plates" that kept the familiar melody in motion while exploring abstract variations.Technical Mastery: His "inner metronome" was so strong that he often pulled bands along rather than following them.Physicality: His stage presence was iconic, marked by a lurching, shambling figure and a characteristic emphatic shoulder shrug on accents.Iconic Albums: Landmark recordings like Saxophone Colossus (1956) and Way Out West (1957) remain essential listening for jazz enthusiasts.A Legacy of Enduring Record Sales and Cultural RecognitionRollins's career spanned over seven decades, a rarity in the music industry. His influence is quantified not just by sales, but by the profound respect he garnered from peers and institutions alike.Historical Impact: He was a pivotal figure in the hard-bop movement, working alongside Clifford Brown and Max Roach.Civic Honors: In 2010, he was awarded the National Medal of Arts by Barack Obama at the White House.Longevity: He continued to perform solo sets into his 80s, maintaining a rigorous touring schedule without a support act.Redefining Jazz Improvisation and PerformanceRollins's approach to music was revolutionary. He pioneered the use of the Williamsburg Bridge in New York as a practice space, leading to the creation of his 1962 album The Bridge. His later work, influenced by trips to India and Japan, incorporated elements of funk, soul, and calypso, expanding the genre's reach beyond traditional jazz circles.The Lasting Resonance of the "Saxophone Colossus"While Rollins battled self-doubt and took significant sabbaticals to refine his craft, his return to the stage always brought a renewed intensity. His death marks the end of an era for jazz, but his recordings ensure that his unique voice—blending lyrical storytelling with aggressive, freewheeling spontaneity—will continue to inspire musicians for generations to come.

The University of Manchester's New Initiative The University of Manchester is promising work placements to all undergraduates – regardless of their degree – to better equip them for the challenges of the current job market. This move appears to be a first for a large Russell Group institution. Details of the Placement Program Manchester’s vice-chancellor, Duncan Ivison, emphasized that no student should graduate having done three years of just academic study. Instead, “every single student [should] have a chance to put their learning into context – an internship, a placement, a joint project or an exchange”. The program aims to provide “meaningful real-world experience” to all students, from classics to chemical engineering. The initiative includes placements, short internships, live employer projects, or work with public or community organizations. The Data Analysis The plan comes as graduates increasingly struggle to find work after leaving university, some with debts of more than £50,000. Those who do get work are often in low-paid roles in hospitality or retail, rather than traditional graduate jobs. 32,000 undergraduates are currently enrolled at Manchester University. In 2024-25, almost a quarter of undergraduate courses gave students the option of a placement of at least a year. The Impact Analysis Nick Hillman, the director of the Higher Education Policy Institute, welcomed the initiative but raised feasibility concerns due to the large number of students and employers involved. He noted that some universities, such as Aston and Loughborough, have always embedded employment into their courses. The Prediction Vivienne Stern, chief executive of Universities UK, welcomed the initiative, stating that the jobs market is changing rapidly and universities have an important role to play in preparing students for the world of work. Libby Hackett, the chief executive of the Russell Group, also supported the move, highlighting its significance in equipping graduates to navigate the changing workplace.

Jonas Vingegaard underlined his dominance on uphill finishes at the Giro d’Italia, launching a solo attack on the climb to Carì to claim victory on stage 16. It was the Dane’s fourth stage win of the race and further tightened his hold on the leader’s jersey, with overall honours now looking increasingly assured.Vingegaard’s Solo Attack on Carì Secures Fourth Stage WinAfter a rest day in which Vingegaard vowed to win a stage while wearing the pink jersey, he attacked less than 7 km from the summit of the 113‑km Bellinzona‑to‑Carì route. The move left his main rivals scrambling, and he crossed the line alone, extending his lead to over four minutes.Time Gaps Highlight Growing Gap in the General ClassificationJonas Vingegaard (Visma‑Lease a Bike) – stage winner, now > 4 min ahead of second place.Felix Gall (Decathlon CMA CGM) – finished second, lost just under a minute to Vingegaard.Jai Hindley (Red Bull‑Bora‑Hansgrohe) – third place, the 2022 Giro champion.Afonso Eulálio (Bahrain Victorious) – fell to fourth overall, more than three minutes behind Vingegaard.Strategic Implications for the Giro d’Italia Title RaceThe enlarged margin puts Vingegaard in a commanding position heading into the final mountain stages. Rivals will need to win time on the upcoming high‑altitude finishes or hope for a mishap in the leader’s peloton to close the gap.Looking Ahead: What the Remaining Stages May HoldWith three weeks of racing left, the next key challenges include the iconic Stelvio and Passo di Gavia climbs. If Vingegaard can stay healthy and maintain his climbing form, a Giro victory appears highly probable, while teams of Hindley, Gall and Eulálio will be forced into aggressive tactics to keep their hopes alive.

The Historic VictoryIn a remarkable display of composure and talent, 17-year-old French tennis player Moïse Kouamé delivered one of the statement wins of the French Open tournament by defeating former US Open champion Marin Cilic 7-6 (4), 6-2, 6-1. The victory came in front of a 5,000-strong audience that responded with an impromptu rendition of La Marseillaise as Kouamé secured his first grand slam main draw victory.Kouamé's triumph makes him the youngest player to win a men's singles grand slam match since 2009 and the youngest at Roland Garros since 1991. The French teenager expertly handled the pressure and high expectations to begin his first French Open main draw match on the front foot, demonstrating his enormous promise with total self-assurance.The Rising StarThis result had been building for some time. A finalist at the prestigious Orange Bowl junior tournament in 2024, Kouamé first truly caught the public's attention at the beginning of this year when he qualified for his first ATP main draw in Montpellier in February, a month before his 17th birthday. He then reached the semi-final of a Challenger in Lille.Those early successes and Kouamé's affiliation with the agency IMG opened him up to a world of opportunities, with wildcards at the Masters 1000 events in Miami, Monte Carlo and Madrid over the past few months setting the stage for his first time competing in front of a home crowd in Paris.French Tennis HopeNo nation is as desperate for its next great male player as France, a tennis-mad country still searching for Yannick Noah's successor 43 years after his French Open triumph. The enormous hype that has surrounded Kouamé since the start of the year has led to conversations about the role fans and the media play in the development of an athlete.The spotlight on Kouamé has already been intense, but this victory plainly underlined why it exists. The teenager's serve is enormous for his age, scaling 139mph (223km/h) on Tuesday as, adrenaline driving him on, he furiously consolidated his decisive break in set two.The Performance BreakdownWhile Kouamé brilliantly narrowed the court with his defensive skills and smartly chose the right moments to attack, this result was also possible thanks to a dire performance from Cilic, the 2014 US open champion, who wilted in the searing heat and could barely find the court in the final two sets, striking 25 winners and 57 unforced errors.Still, the most impressive quality was Kouamé's composure. He may have plenty of time to develop physically, but Kouamé is already a supreme athlete – incredibly fast around the court and capable of a sliding open stance off both wings. His two-handed backhand is incredibly solid and he barely missed a forehand against Cilic.Tournament ImpactElsewhere at the French Open, the sixth seed, Daniil Medvedev, became the biggest first-round casualty in Paris as he lost 6-2, 1-6, 6-1, 1-6, 6-4 to Adam Walton of Australia. Cameron Norrie, the British No 1, was forced to retire injured from his first round match while trailing Adolfo Vallejo 7-6 (7), 2-0.

The Return of a Horror LegendHammer Films' iconic 1958 horror masterpiece Dracula is set to return to UK cinemas this October in a groundbreaking 4K restoration that includes footage lost for over six decades. The long-lost scenes, deemed too gruesome for original audiences, were discovered in a Warner Bros warehouse and will be making their UK and US debut for the first time.Rediscovered Horror TreasuresThe restoration process has reinstated footage that was previously seen only by audiences at the film's original Japanese theatrical release in 1958. According to Hammer Films' chief executive John Gore, this represents "the recovery of a piece of British film history that audiences believed had been lost for ever."The recovered material was discovered in a Warner Bros warehouse near Los Angeles, where the director's cut of the original 1958 Dracula was found among countless other film treasures. Gore explained that censors and distributors had cut the footage after audiences fainted during screenings when Lee's vampire lunged at the neck of his victims, with his fangs dripping with blood.The Legacy of Hammer's Horror VisionDracula (1958) fundamentally changed the landscape of horror cinema, introducing Christopher Lee's iconic portrayal of Count Dracula that redefined the on-screen vampire for generations. The film features Lee's now-famous bloodshot eyes, predatory fangs, and visceral physicality, while Peter Cushing delivers what is widely regarded as the definitive screen portrayal of Van Helsing, the fearless vampire hunter."Think of every Halloween and you see all those fangs – that's a Hammer and Christopher Lee invention," Gore noted. "It all started when Christopher Lee said 'I want more teeth with this', so they came up with something that had some bite."Cultural Impact and Restoration SignificanceThe restoration of Dracula represents more than just a cinematic re-release; it marks a significant moment in film preservation history. The fact that this footage remained unseen for over 60 years highlights how cultural sensitivities and censorship practices have evolved over time.The film was the second on-screen pairing of Lee and Cushing after they starred in the 1957 film The Curse of Frankenstein, going on to become one of the most celebrated rivalries in cinema history. The announcement of the restoration was made on World Dracula Day, May 26, coinciding with what would have been Peter Cushing's birthday.The Future of Classic Horror RestorationsThis restoration sets a precedent for other classic films that may have lost footage or altered versions due to past censorship practices. As Gore noted, Hammer's business was historically "based on the censor," with getting an X-rated certificate crucial to marketing, but limited by what censors would allow.The rerelease of Dracula with its complete footage not only honors Hammer's horror legacy but also provides contemporary audiences with the opportunity to experience the film as its creators originally intended. The restored version will also be made available on home entertainment platforms, ensuring wider accessibility for horror enthusiasts worldwide.