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The Shift in Elon Musk's Energy Strategy Has Elon Musk given up on Tesla’s Master Plans, on the electrified economy, on solar power as we know it? From the SpaceX IPO filing released this week, it sure seems like it. Musk's Changing Approach to Renewable Energy Tesla has released four Master Plans over the years, and while details have varied, the through line has been electrification of the economy. Musk put it best in his first edition: “the overarching purpose of Tesla motors…is to help expedite the move from a mine-and-burn hydrocarbon economy towards a solar electric economy.” The Rise of Fossil Fuels in xAI's Data Centers But recently, one of Musk’s companies, xAI, has embraced the mine-and-burn hydrocarbon economy, using dozens of unregulated natural gas turbines to power its data centers with plans to buy $2.8 billion more, effectively cementing the fossil fuel’s role in the company’s AI operations. Space-Based Solar Power: The Future or a Distraction? Solar power isn’t missing in the SpaceX filing, it’s just all concentrated on space, which the company touts as the future of data center power. Terrestrial solar garners a few mentions — not as a power source for xAI data centers but instead to show how much better SpaceX thinks space-based solar will be. The Challenges of Space-Based Data Centers Even if SpaceX is able to bring down the cost of boosting a data center into orbit, the economics are challenging at best. Power prices for Starlink satellites are multiples higher than what a terrestrial data center typically spends, and protecting chips from the rigors of space won’t be easy or cheap. The Future of AI Compute and Energy Demand It’s likely that Musk considers xAI’s current data centers as stopgaps, that once SpaceX is able to loft gigawatts worth of servers into orbit — probably just a few years away, in his mind — he’ll scrap what’s here on the ground, natural gas turbines included and not have to think about NIMBYs anymore.

The LeadEngland and New Zealand women's cricket teams face off in Canterbury for their second T20 international, continuing their warm-up series ahead of the World Cup. The match follows a series of alternating results between the two teams, with both sides looking to gain momentum before the tournament begins on June 12.The Event DetailsThe match is taking place at Canterbury in sweltering conditions, with reporter Raf Nicholson noting a full stadium and brisk sales of iced coffee. This marks the second T20 encounter between the teams and their fifth overall warm-up match. The match is scheduled to start at 2:30 BST, with team news and toss details expected shortly.The Historical ContextCanterbury holds significance for women's cricket, with Kent's resident women's cricket historian Rosemary Piddock noting that the first women's match at this ground was played in 1959. The current series between England and New Zealand has seen alternating results: England win; NZ win; washout; England win, setting up an intriguing contest as both teams fine-tune their preparations for the World Cup.The Team DynamicsRecent analysis from commentators Ian Ward and Simon Doull has revealed interesting team selection discussions. Sophie Ecclestone, once considered a shoo-in for an England place, now faces competition from Linsey Smith, who is described as undroppable, and Tilly Corteen-Coleman, who is emerging as a strong contender. These selection battles add extra significance to this warm-up match as coaches finalize their World Cup squads.The Tournament OutlookWith the World Cup just weeks away, these warm-up matches take on heightened importance. Both England and New Zealand will be looking to build confidence, test different combinations, and finalize their strategies for the tournament. The competitive nature of these matches suggests fans can expect closely contested cricket as both teams aim to peak at the right time for the World Cup.

Executive Summary: Miliband’s Call for a Broad‑Based EU DebateOn BBC Radio 4’s Today programme, David Miliband – former foreign secretary and president of the International Rescue Committee – argued that the United Kingdom must achieve a “national consensus” before pursuing any formal re‑entry into the European Union.Milestone Remarks on the Government’s Single‑Market PitchMiliband responded to recent revelations that the UK government has been pitching a single market for goods with the EU as part of a broader trade‑reintegration strategy. He described the current “reset” as insufficient, calling for a “much higher dosage” of engagement.Financial Snapshot: £9bn Reset vs. £3tn Economy£9bn – projected value of the government’s trade‑reset by 2040.£3tn – approximate size of the UK economy.Gap highlighted: the reset represents only about 0.3% of GDP, underscoring Miliband’s criticism of its scale.Strategic Implications for Britain and EuropeThe former minister stressed that security and prosperity hinge on an “institutionalised, deep and strong relationship” with Europe. He noted that the EU’s focus is shifting toward Ukraine’s potential membership, which could reshape the bloc’s dynamics and affect any future UK accession talks.He also warned that the pre‑2016 UK‑EU deal is no longer attainable, implying that any new agreement would need to reflect contemporary geopolitical realities.Looking Ahead: Pathways to Consensus and Possible Policy ShiftsMiliband suggested that the UK must engage in a nationwide debate on wealth creation, generational investment, and the role of government. He hinted that a shift in public opinion could eventually pressure policymakers to negotiate a more ambitious EU relationship, though no specific timeline was offered.

The Lead A nine-year-old girl, Ottoline, had a remarkable encounter with a large white butterfly in her garden. The butterfly had just emerged from its chrysalis and needed help to get rid of the remaining chrysalis and gain energy to fly. Aiding the Butterfly's Emergence Ottoline found the butterfly flapping in her wildflower patch on Sunday morning. She noticed that part of the chrysalis was still attached to the butterfly's wing, while the other wing was dry and ready to fly. The butterfly was struggling to remove the chrysalis but had exhausted its energy. Ottoline gently tugged on the chrysalis, and it came off, freeing the butterfly. Nourishing the Butterfly Although the butterfly was now free from the chrysalis, it still lacked energy. Ottoline went to her kitchen and fetched a banana, cutting a slice and placing it in front of the butterfly. The butterfly fed on the banana using its long proboscis and eventually gained enough strength to fly away. The Butterfly's Origin Ottoline wondered how the butterfly ended up in her garden, as large white butterflies typically lay their eggs on cabbages. Her garden does not have cabbages, but it does have an old kale plant that was infested with caterpillars the previous year. This might have been the butterfly's origin. The butterfly was fortunate to have escaped the threat of parasitic wasps that often lay their eggs inside the caterpillars.

The Rise of a New Spanish Tennis StarSpain is at it again. Just when tennis enthusiasts thought the Spanish dominance in men's tennis might be waning after Rafael Nadal's retirement, a new sensation has emerged. Rafael Jodar, the 19-year-old from Madrid, has completed a meteoric rise from being ranked around No. 700 in the world to becoming a seeded player at the French Open in just over a year. This unprecedented ascent has thrust him into the grand slam-winning conversation, adding to Spain's embarrassment of riches in men's tennis.The Jodar Phenomenon: From College Courts to Grand Slam ContenderJodar's journey is remarkable. A year ago, he was completing his freshman year at the University of Virginia, ranked outside the top 700. After winning several ATP Challenger titles, he decided to turn pro and forgo his final three years of college eligibility. He won his first main-level ATP match at this year's Australian Open, and now, after an almost unprecedented rise up the rankings, the 19-year-old will be among the 32 seeds when the French Open commences.Ironically, Jodar has stolen the mantle of the "next future champion" hype away from Brazilian João Fonseca, also 19, who was committed to play college tennis at Virginia with Jodar but instead decided to turn pro. One can only wonder if that college team, had it materialized, would have been among the best ever.Spain's Tennis Dynasty: Three Decades of DominanceTo have yet another player thrust into the grand slam-winning conversation adds to the utter embarrassment of riches Spain has enjoyed for more than three decades. Starting with Sergi Bruguera's back-to-back French Open titles in 1993 and 1994, Spanish men have enjoyed a nearly uninterrupted run of dominance with six different players winning grand slams.Consider this timeline of Spanish tennis excellence:1993-1994: Sergi Bruguera wins back-to-back French Open titles1998-2003: Carlos Moya wins French Open (1998) and reaches multiple other finals2003-2014: Rafael Nadal wins 14 French Open titles and 22 major championships overall2022-Present: Carlos Alcaraz wins 7 major titles, including his first at the 2022 US Open2026: Rafael Jodar becomes the latest Spanish player to be seeded at a grand slamThe only Open-era analog that comes to mind is Sweden's moment in the sport in the 1970s and 80s, with Björn Borg, Mats Wilander, and Stefan Edberg dominating men's tennis.The Spanish Method: Beyond Clay Court SpecialistsWith his ferocious hitting and aggressive posture constructing points, Jodar continues to put a nail in the coffin of the notion that Spanish players are primarily clay-court specialists. Nadal was unfairly burdened with the "he's great but only on clay" label very early, but his Wimbledon triumph in 2008 proved he could play on all surfaces. Alcaraz burst onto the scene as a fully formed all-court player, and now Jodar appears to be following in their footsteps.So how did Spain become such a powerhouse in the men's game? Many trace the origin story back to the early 1970s. The country's dictator Francisco Franco, inspired by Manolo Santana, the first Spaniard to win a grand slam, ordered the construction of thousands of red clay courts throughout Spain, literally building the infrastructure that laid the groundwork for what was to come.The Six Tenets of Spanish Tennis ExcellenceThough it took a generation, the coaching techniques and training regimens put in place 50 years ago in Spain have now become standard practice for players from around the world. The two coaches who were most instrumental in developing the Spanish brand of men's tennis in the 1980s and early 1990s were Pato Alvarez (now deceased), and Lluis Bruguera (the father of the aforementioned Sergi), who is in his 80s and still coaching.Both based in Barcelona, they developed a style of coaching that Chris Lewit, author of the book "The Secrets of Spanish Tennis," narrowed down to six tenets:Movement, footwork and balanceRacket speed and weapon buildingConsistencyDefensePhysical conditioningThe importance of sufferingThe Philosophy of Suffering: The Spanish Mental EdgeIt is this act of suffering, of fighting through and retaining a positive mental outlook in the midst of the mini-crises that exist in every match, that is the most significant throughline among all the recent Spanish champions. Nadal famously said that "you have to learn how to live with these kind of moments, and also to enjoy this suffering". Alcaraz echoed that with his view that "you have to find the joy in suffering".While Nadal was coached at home in Mallorca with his Uncle Toni and Alcaraz in an academy setting under his former coach Juan Carlos Ferrero, the hallmarks of Spanish tennis seamlessly moved from one generation to the next. This focus on the "suffering" and on the point construction has allowed the transition away from the clay-only successes of Bruguera to the all-court prowess that Alcaraz and now Jodar possess.It is this generational hand-off of not just the physical attributes and strategies necessary for triumph but the mental fortitude that is apparent with Jodar. Speaking of Nadal, Jodar said, "He was, I think, the best mentality wise. He never gave up in a match. He stayed there for every moment that the match was bringing him and tried to play his best tennis with the things he was doing throughout those days. I think watching him inspired me when I was younger."Global Influence and the Changing Nature of TennisIf the Spanish method has been such an incredible success then why haven't more countries followed their lead? Many countries and players already have tried. A teenaged Andy Murray became so inspired by the Spanish style that he spent significant time training in Barcelona under the tutelage of Alvarez, and he has spoken of how huge an impact those years in Spain had on his development into a three-time grand slam champion.Jose Higueras, a former Spanish pro who was one of the first players to emerge under the new Spanish system in the 1970s, imported much of the program to the United States when he started working with US pros in the 1990s. He wanted to bring that clay-court attitude to the American style of play, which was usually focused on a big serve and forehand. And it yielded immediate results. Higueras coached Michael Chang to his sole grand slam title at the 1989 French Open and then worked with Jim Courier as the coach played a pivotal role in the last golden era of American tennis.One can implement all the correct protocols and latest methods, but it's all for naught if the attitude and, more importantly, talent isn't there. Some is ingrained; some is just luck. Spain has been blessed with Nadal and Alcaraz, two extraordinary athletic specimens with an unusual combination of strength and reflexes. And in addition to Jodar, 20-year-old Martin Landaluce is another Spaniard on the rise making significant noise.The sport – much to the chagrin of the old-school traditionalists who prefer a serve-and-volley style – has also changed over the last few decades into a slower game with the more homogenous court speeds. Gone are the fast grass courts of years past. Most hard courts have been slowed down, creating the perfect conditions for the Spanish style to thrive.The Future of Spanish Tennis: A Conveyor Belt of ChampionsWhatever the reasons for their dominance, the Spanish conveyor belt of champions shows no sign of slowing down. With Jodar joining the ranks of Nadal and Alcaraz, and with Landaluce also making noise, Spain's tennis dynasty appears set to continue. The Spanish method – emphasizing movement, consistency, defense, physical conditioning, and most importantly, finding joy in suffering – has proven to be a winning formula that has produced multiple generations of champions.As Jodar prepares for his French Open debut as a seeded player, tennis fans around the world will be watching to see if he can continue the Spanish tradition of excellence. One thing is certain: Spain's school of suffering has forged yet another star, and the tennis world will be better for it.

The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.

The Chancellor's Tax Cut Rachel Reeves, the chancellor, announced a temporary reduction in VAT on the children’s menu in restaurants from 20% to 5% between June and September, in order to help families with the cost of living crisis and offer a boost to the hospitality sector. Restaurateurs' Skepticism Restaurateurs have questioned the impact of the tax cut, with Will Murray, the owner of London restaurant Fallow, saying it's a 'small soundbite that won't make any difference.' Murray noted that most kids' food is already discounted at the cost of the restaurant anyway, and the VAT cut wouldn’t even make up that shortfall. The Data Analysis The UK's VAT rate for restaurants is 20%, one of the highest in Europe, with the European average being around 12%. In Italy, for example, VAT on food sold in restaurants is set at 10%. Some restaurateurs, like Tim Martin, the founder and chair of the Wetherspoons pub chain, plan to cut the cost of kids' meals during the summer, while others see the measure as merely 'symbolic.' The Impact Analysis The hospitality sector has long called for VAT rates on food and drink to be cut in line with other European countries. UKHospitality, the lobbying group for the industry, said it was likely that restaurants would cut costs on the menu for children after direction from government but that it was 'up to individual operators.' The Prediction Kate Nicholls, the chair of UKHospitality, urged the government to be bold and cut VAT for the entire hospitality sector, stating that VAT is the single biggest lever it can pull to lower prices, tackle inflation, drive demand, boost spending, generate growth, and create new jobs.

The Lead 'Ponies' is a weirdly joyful and bizarrely endearing espionage thriller cum female buddy caper set in 1970s Moscow. The series, starring Emilia Clarke and Haley Lu Richardson as two widows turned spies, has been praised for its unique blend of modern feminist sensibility and 70s movie aesthetics. The Event Details The show's setup is almost embarrassingly absurd: the wives of two dead CIA agents persuade their husbands' boss to take them on as spies, on the grounds that the KGB will never suspect that women have been recruited. The series follows their adventures as they navigate the world of espionage, using their unique skills and personalities to overcome challenges. The Character Dynamics Clarke and Richardson play Bea, a Wellesley-educated daughter of Belarussian emigrants who speaks fluent Russian, and Twila, a brash, blue-collar American. Their chemistry makes them greater than the sum of their parts, and their odd couple dynamic is a highlight of the show. The Impact Analysis 'Ponies' is a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that. The show's blend of humor, action, and heart makes it a standout in the espionage thriller genre. The Prediction With its unique blend of style, humor, and heart, 'Ponies' is likely to appeal to fans of espionage thrillers and female buddy comedies alike. The show's success could pave the way for more innovative and genre-bending series in the future.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.