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The Art Revolution That Started in a Car Park It's hard to imagine now, but there was a time when rooftop bars weren't really a thing. A time before pop-ups and contemporary outdoor sculpture parks. A time even, if you can bear to think of it, before immersive art. Way back in 2007, there was none of that – the UK was an experiential art wasteland. And then Bold Tendencies showed up, chucked a whole load of sculptures in a multi-storey Peckham car park, painted a staircase bright pink, built a cocktail bar on the roof, and changed everything. Two Decades of Transformative Art Now going into its 20th summer season, Bold Tendencies is celebrating two decades of sometimes sun-drenched, often windswept and drizzly arts programming. In that time, it has welcomed more than 3 million visitors into its concrete edifice behind Peckhamplex cinema, commissioned dozens of new artworks, hosted countless recitals and performances, built an auditorium and a concert hall, and drawn the roadmap for countless art experiences that have come in its wake. The Artistic Legacy And the art's not been too bad, either. Anthea Hamilton built a doorway to heaven through a man's splayed legs in 2010. Jess Flood-Paddock parked Del Boy's three-wheeled van on the roof in 2011. James Bridle flew a black balloon filled with wifi routers from the roof in 2014. Adam Farah-Saad installed a decorative retro water fountain in 2024. There have been piles of raw pigment, fluttering flags, wobbly walkways, heads on spikes. Almost all newly commissioned, and all free to see. Transforming the Cultural Landscape You can't overstate just how different, not only Peckham was in 2007, but the whole cultural landscape of the country. This was years before the likes of The Vinyl Factory or Frameless, and long before the Hayward and Tate were racing to the bottom to find the most TikTok-ready, Instagram-friendly exhibitions possible. The only large-scale sculptural commissions around back then were the fourth plinth and the Tate's annual Turbine Hall and Duveen projects. There wasn't really anywhere else to see new sculptural work by young artists. The Peckham Effect There also wasn't a lot going on in Peckham at the time. But what the area did have was a handful of project spaces, a single dive bar called Bar Story, seriously cheap rents and – thanks to being squeezed between Camberwell College of Arts and Goldsmiths – a lot of artists. Combined with a relative sense of isolation in the days before the London Overground, it boasted a fairly unique set of circumstances. "I found it to be a place of great possibility," says Barry. "And it still feels like that." The Visionary Behind the Movement Barry had been putting on exhibitions in a semi-derelict house on nearby Lyndhurst Way, and struck up a relationship with the people responsible for property in Southwark council. The council realised that artists could act as caretakers of empty, derelict buildings awaiting redevelopment, and Barry figured that those buildings could be used for art exhibitions. It's a model still followed today by other cultural charities, one that some consider the forward battalion in a wave of gentrification that has engulfed the city ever since. The Future of Public Art "Part of our responsibility in doing a project like this is to offer up the joy of feeling welcome to as many people as possible," says Hannah Barry, the driving force behind Bold Tendencies and owner of Peckham's longstanding Hannah Barry Gallery. "People come here for all sorts of different reasons and they may stay for a short time or stay for a long time. What matters is that they're curious enough to come." As Bold Tendencies enters its third decade, it continues to push boundaries and redefine what public art can be, proving that sometimes the most revolutionary ideas come from the most unexpected places.

The Selection Challenge AheadIn exactly two weeks, Mauricio Pochettino will determine which 26 players will represent the United States at this summer's World Cup. The decision may be even harder than you'd expect, as across 24 games as US boss, Pochettino has deployed 61 different players for first-hand assessment, and his tenure so far has provided scant evidence of a crystalized core.Only six USMNT players have logged even a thousand minutes under the Argentinian's watch; a staggering 34 have played fewer than 250. Tim Ream has been the most-trusted charge, with 1,557 minutes, while Cade Cowell saw the briefest deployment in a single 12-minute cameo. Fifteen players have made at least 10 appearances under Pochettino. Perhaps most interesting: of the 29 players who have made no more than five appearances, four seem like certain bets to be involved when the World Cup group stage starts in June.Goalkeeper DilemmaWhat's more important for a national team goalkeeper: club form or chemistry? Turner opened the Pochettino era as the incumbent and first choice, but Freese's run during last summer's Gold Cup kicked off a 14-starts-from-15 stretch. While Turner was hardly at fault in March's 5-2 loss to Beligum (his lone recent start), giving up five goals never leaves a reassuring impression.And yet, it's the New England keeper who has fared better in the first three months of the MLS season. Turner is second among all MLS goalkeepers with 5.6 goals prevented (comparing goals conceded against post-shot xG faced). While Freese is narrowly ahead of expectations, at 0.7 goals prevented, that ranks 15th among regular starters across the 30-team league.Still, Freese's shootout heroics against Keylor Navas and Costa Rica last summer made clear he can handle pressure. As for the rest: Schulte is maintaining a 0.8 goals prevented clip, 14th in MLS, while Steffen has been MLS's fourth-poorest goal preventer at -3.2. Whoever is starting, Schulte is near-certain to be the emergency option.Left-Back CompetitionRobinson and Sergiño Dest are still the assumed starters at the two full-back spots. However, injuries have kept both from regular involvement, opening the door for alternatives.One of three players to appear in at least two-thirds of Pochettino's matches in charge, Arfsten brings considerable progressive instincts that make him a dangerous option as a left wing-back with three center-backs behind him. The problems come when he's asked to play on the edge of a back four, as his upfield scampers cede golden opportunities for opponents to counter. He's an excellent option off the bench, but it's likely Robinson's spot to hold. The United States' best moments at the start of both March friendlies often came at his feet, from his progression and line-breaking distribution to his positional dependency when the opponents took over.Right-Back OptionsThe right-back position presents different challenges for Pochettino's selection process. While the article content appears truncated at this point, it's clear that the coach has been evaluating multiple options for this critical defensive position.Midfield and Attack AnalysisFurther analysis of the midfield and attacking options would typically follow in a complete article, examining which players have impressed Pochettino with their performances, versatility, and ability to contribute to the team's tactical approach.Final Squad PredictionsAs the May 26 deadline approaches, Pochettino's final selections will be closely scrutinized by fans and analysts alike. The coach's emphasis on versatility and tactical flexibility suggests that players who can adapt to multiple roles may hold an advantage in the selection process. The World Cup roster will likely balance experience with emerging talent, reflecting Pochettino's experimental approach during his tenure so far.

The Title Race UpendedUntil the recent weekend, it was widely assumed that Northampton and Bath, the two frontrunners in the English Premiership, were all but guaranteed home semi-finals and would almost certainly meet in the grand final. However, significant defeats have suddenly opened the door for other teams to enter the championship conversation.Weekend Shocks Reshape the LandscapeNot only did Northampton and Bath lose at the weekend but both were well beaten, with Northampton going down 41-17 to Leicester and Bath suffering a 35-12 defeat to Exeter. Bath's loss comes after they have now lost three games on the trot, including their Champions Cup semi-final in Bordeaux. Northampton's performance was particularly concerning as they were not just beaten but 'unceremoniously flattened' by their rivals.Historical Context and Statistical AnomaliesHistorical stats reveal interesting patterns. The last time Bath lost two consecutive league games under Johann van Graan was in October 2023, when several players were at the World Cup in France. Northampton, meanwhile, have never conceded as many points away against their East Midlands rivals' ground in the league as they did in their recent defeat.Psychological Shift in the Final RoundsThese weekend results have slightly tweaked the psychology around the run-in. While Northampton may have the league's slickest attack, injuries have been affecting their squad depth and their defense has become increasingly porous, with Saints shipping an average of more than 35 points in their past three league games. Leicester, having just put six tries past a Saints side containing numerous England players, will not be apprehensive about facing their old rivals again.Exeter's Momentum and Bath's FatigueExeter's victory over Bath was particularly telling. With a strong wind at their backs, their famed 'Bomb Squad' rumbling on for the last half hour and trailing by only six points entering the final quarter, everything was set up for Bath to pull the trigger. Instead, the Chiefs, playing into the elements, won the last 20 minutes by a margin of 17-0. The simplest explanation appears to be that Bath were mentally and physically exhausted after their European exertions, while Exeter showed greater resilience despite their own recent challenges.Playoff Picture and Potential ScenariosIt still seems most likely that Saints, Bath, Leicester and Exeter will occupy the playoff berths, unless either Bristol Bears or Saracens, finishing strongly, can force their way into contention. The potential matchups are fascinating: a weary, slightly depleted Northampton against a determined Exeter with Leicester hosting Bath rather than vice versa in the other semi-final. There may yet be a significant twist in this season's Premiership tale.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

Social media platforms have become a lucrative hunting ground for fraudsters in Jordan, luring buyers with promises of cheap gold that turn out to be counterfeit or nonexistent.Rise of Gold Scams on Jordanian Social MediaTwo recent cases illustrate how the scheme operates:Mohammed Nassar was offered gold at a price lower than local market rates by an “online store” claiming exemption from manufacturing fees and licences. After transferring the funds, the website vanished.Tala Al‑Habashneh purchased gold through a social‑media platform, only to discover the metal was mixed with cheaper alloys and lacked official stamps or invoices.Both victims filed complaints with Jordan’s Cybercrime Directorate, which has logged multiple similar reports.Financial Toll on Victims and Market DistortionsWhile exact loss figures have not been disclosed, the scams undermine consumer confidence and can depress legitimate gold prices by creating a perception of abundant cheap supply. Key consequences include:Direct monetary loss for individuals who transfer funds to untraceable accounts.Potential devaluation of certified gold due to market saturation with counterfeit pieces.Increased scrutiny on online marketplaces, which may limit legitimate e‑commerce growth.Regulatory Response and Enforcement GapsJordan’s primary oversight body, the Jordan Standards and Metrology Organisation (JSMO), inspects all imported jewellery and requires local workshops to submit items for verification. The agency has reported complaints about unlicensed sellers promoting “broken gold” on social media.The Cybercrime Directorate of the Public Security Directorate is coordinating with JSMO to monitor fraudulent accounts and has warned citizens to purchase gold only from licensed shops. Colonel Amer Al‑Sartawi emphasized that fraud cases range from vanished sellers to delivery of counterfeit metal.Outlook: Strengthening Oversight and Consumer VigilanceExperts predict a multi‑pronged approach:Enhanced digital monitoring by JSMO and security agencies to identify and shut down fraudulent pages quickly.Public awareness campaigns highlighting the risks of unverified online gold offers.Potential legislative amendments imposing stricter penalties on unlicensed jewellery sales.Until these measures take effect, consumers are advised to verify seller credentials, demand official invoices, and transact exclusively with accredited jewellery retailers.

The Film's Unique Narrative Structure Directed by Patrick Leung, Ciao UFO is a Hong Kong drama that employs a non-linear narrative, jumping between different time frames. The film follows a group of childhood friends as they grow up in a working-class Hong Kong housing estate. The Story of Friendship and Growth The story centers around four kids: Kin, Heem, Hoyi, and Little Brother, who share a life-changing experience in 1985 when they see a UFO in the sky. As they grow up, their paths diverge, with each character pursuing different goals and facing various challenges. The Impact of Hong Kong's Changing Landscape The film is set against the backdrop of Hong Kong's transformation, particularly the 1997 handover to China. This significant event serves as a pivotal moment in the characters' lives, influencing their decisions and futures. A Blend of Realism and Melodrama Ciao UFO is not a sci-fi film, but rather a multi-stranded realist drama that explores the complexities of human relationships and the city's evolution. The film features a cast of colorful characters, including a spaced-out uncle and a superstitious grandfather. A Long-Awaited Release Despite being made in 2019, Ciao UFO is only now receiving an international release due to distribution issues. The film still feels fresh and relevant, particularly in today's volatile economic climate.

Israeli officials intensified actions that threaten any prospect of a Palestinian state, from uprooting thousands of trees to legislative moves aimed at dismantling the Oslo framework, while settler violence escalated across the West Bank and Gaza. Smotrich’s Declaration and the Tree‑Uprooting Campaign Bezalel Smotrich warned, “We are building the Land of Israel and destroying the idea of a Palestinian state,” after Israeli forces removed 3,000 Palestinian‑planted trees in the occupied West Bank to make room for illegal settlements. Knesset’s Oslo‑Accords Repeal Bill Gains Momentum The Israeli Knesset Ministerial Committee backed a bill to formally repeal the 1993 Oslo Accords, the cornerstone that created the Palestinian Authority and divided the West Bank into Areas A, B and C. Far‑right MP Limor Son Har‑Melech framed the legislation as a step to “prevent the establishment of a Palestinian state” and to encourage settlement expansion in Areas A and B. Prime Minister Benjamin Netanyahu asked parliament to postpone debate, while Justice Minister Yariv Levin signaled future support, echoing rhetoric about returning to former settlement sites. Human Cost: Casualties in Gaza and the West Bank Amid Intensified Operations 13 Palestinians killed in Gaza this week, including Azzam al‑Hayya, son of Hamas negotiator Khalil al‑Hayya. Total Gaza deaths since the October “ceasefire”: 854, cumulative since October 2023: 72,740. West Bank deaths in 2026: 44 Palestinians, of which 13 were killed by settlers. Documented settler attacks in 2026: over 760 incidents (average six per day). Displacements in 2026: about 2,000 Palestinians, including 900 children. EU Sanctions Targeting Violent Settlers and Israeli Government’s Rejection The European Union approved sanctions aimed at violent Israeli settlers and Hamas officials. Israel’s foreign minister Gideon Saar dismissed the measures as “without any basis,” rejecting the EU’s attempt to curb settler aggression. Outlook: Prospects for Negotiations and International Pressure With the Oslo‑Accords repeal bill advancing and settler violence unabated, diplomatic pathways appear increasingly constrained. International actors, notably the EU, may intensify economic or political pressure, but Israel’s current stance suggests a continued hardening of policy, reducing the likelihood of renewed peace talks in the near term.

The Tech Diplomacy Mission to BeijingPresident Donald Trump is embarking on a high-stakes visit to China this week, accompanied by an impressive delegation of American tech industry leaders. The guest list reads like a who's who of Silicon Valley and corporate America, suggesting that technology will be a central focus of discussions with Chinese President Xi Jinping, though potentially following any developments regarding the situation in Iran.A-List of Tech Titans Joining the Presidential DelegationThe presidential delegation includes some of the most influential figures in American technology. Outgoing Apple CEO Tim Cook, SpaceX and Tesla CEO Elon Musk, Meta's recently appointed president Dina Powell McCormick, Micron CEO Sanjay Mehrotra, Cisco CEO Chuck Robbins, and Qualcomm CEO Cristiano Amon are all confirmed to join the president.The Notable Absence of Jensen HuangSurprisingly absent from the delegation is Jensen Huang, CEO of Nvidia - the world's most important chip manufacturer. Huang, who has close ties to Trump, previously criticized US limitations on chip sales to China in an April interview, expressing concern that a "loser mentality" could cost America its edge in AI. His absence suggests that a major semiconductor deal may be less likely, though an announcement from Micron remains possible.Cook's Diplomatic Role and Apple's China SuccessTrump's inclusion of Tim Cook likely reflects a desire for a familiar face in high-stakes negotiations. Apple's iPhone 17 has proven enormously successful in China, driving the company's quarterly earnings to record highs. Despite moving some manufacturing to India and Vietnam, Apple still produces most of its products in China. In announcing his retirement, Apple highlighted Cook's diplomatic skills, noting that his future responsibilities would include dealing with world leaders, suggesting such diplomatic visits may become a regular feature of his post-Apple career.Following the Middle East Model for Tech DealsWhether Trump's China visit will replicate the flurry of tech deals that emerged from his May 2025 Middle East trip remains to be seen. The president is showcasing America's top business leaders - products of his hands-off approach to fostering technological innovation - while his administration simultaneously appears to be taking cues from China's more stringent approach to AI governance.US Embracing China's AI Regulatory FrameworkChina's AI laws require companies to submit their models to Beijing for review on both security and political sensitivity grounds, prohibiting content that the government finds objectionable. In a similar move, the White House is increasing its involvement with American frontier AI labs. Trump is reportedly considering an executive order that would require AI companies to submit their newest models for White House review. The administration has already announced deals with major players including Google DeepMind, Microsoft, and xAI for national security reviews of their latest releases through the Center for AI Standards and Innovation (CAISI) at the Department of Commerce.Pentagon's Standoff with AnthropicThe relationship between the Pentagon and AI startup Anthropic continues to face challenges in court, as the startup expresses concerns about military applications of its technology while the Pentagon has designated the company as a supply chain risk. Vice President JD Vance has requested that Anthropic not expand access to its powerful cybersecurity-focused model Mythos beyond its initial list of partners, according to the Wall Street Journal, highlighting the growing tensions between AI innovation and national security concerns.

The Lead Cal Flyn's book, The Savage Landscape, is a wondrous personal journey to locate and understand wilderness. It's a work of extraordinary physical and narrative movement that takes us from the depths of the ocean to volcanoes and icebergs, but is also a journey into our own psyches, and the stories we tell ourselves about “wild” landscapes. Exploring the Human Connection to Wilderness Off the coast of California, two miles down, there exist geothermal nurseries: gatherings of tens of thousands of small violet octopuses, each the size of a grapefruit. Known as pearl octopuses (Muusoctopus robustus), they congregate around hydrothermal springs which warm their eggs, allowing them to hatch in less than two years (in cold water it can take 10 years). When I want to calm my mind, I think of these gatherings, this factory of octopuses powered by the Earth’s energy that exists quietly away from our gaze, and might easily never have been discovered. How many more such worlds exist? The Fiction of Untouched Wilderness The notion of untouched wilderness is a fiction, and Flyn continually pulls the rug from under our assumptions about purity, wildness and isolation. At the Monastery of Saint Paul the Anchorite, in Egypt’s eastern desert, she talks with a coptic monk who has dedicated himself to a life of isolation and prayer, and yet continually checks his smartphone. Aboard a cruise ship in the Southern Ocean, Flyn admires icebergs crashing down, “a silent display of staggering sublimity”, only to reflect on the clutter left behind by tourists and scientific researchers on the Antarctic landmass; according to one group of researchers, only 31% of Antarctica can now be considered “inviolate”. The Impact of Human Activity on Wilderness In Transylvania, home to the largest population of brown bears in Europe, she explores painful stories of people and wildlife in conflict. Bears and wolves fared well in Europe until the destruction of their habitat in the middle ages brought them into direct contact with local populations. These creatures can be savage, and Flyn spares little detail in her evocation of the damage they can wreak to human flesh, but the most terrifying creature in the chapter is not ursine or lupine: it is a local’s sheepdog, a domesticated animal whose snarl is “a white noise of pure violence”. The Future of Wilderness and Conservation Flyn sees in the Bon a kind of inspiration: “Sacred landscapes of the kind found in Dolpo,” she writes, “effectively comprise the world’s oldest conservation projects, and there is a lot that we can learn from their longevity.” I don’t know how the beliefs and practices of the Dolpo might be applied at the bottom of the sea, but surely Flyn is right: if we are to escape the course of ecological destruction, we will need more stories, like hers, that can reignite a sense of awe and respect for the worlds we know, and others yet undiscovered.