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Yemen's Houthi rebels have announced that they, along with their backers Iran and Lebanon's Hezbollah, have launched a coordinated attack on Israel. The assault involved a barrage of cruise missiles and drones aimed at several vital and military sites belonging to Israel. The attack was confirmed by Houthi military spokesman Yahya Saree, who stated that the operation was a show of solidarity with the Palestinians. This development marks a significant escalation in the Middle East conflict, drawing in multiple actors from the region. The Houthis, who control much of northern Yemen, have been involved in the conflict since March 28, when they officially joined the war in support of Iran. They have previously targeted Israel and disrupted shipping in the Red Sea and Gulf of Aden as a show of solidarity with the Palestinians during the Israeli war on Gaza. In related developments, Israeli officials reported that the bodies of four people killed in an Iranian strike on a residential building in Haifa had been recovered. This comes as Israel continues to target Hezbollah in Lebanon, with recent strikes hitting Beirut's southern suburbs and other areas in the country's south. The Israeli military has been pounding Lebanon, saying it is targeting Hezbollah terror targets. On Sunday, Israel struck two Amana petrol stations controlled by Hezbollah, which served as significant financial infrastructure for the group. In south Lebanon, four people were killed in a raid on a car in Kfar Rumman. Lebanon's Health Ministry reported that an Israeli attack killed a paramedic from the Hezbollah-allied Risala Scout Association on Monday. Two paramedics from the Islamic Health Committee were also killed in an Israeli strike a day earlier. The World Health Organization (WHO) has verified 92 attacks on health facilities, medical vehicles, personnel, and warehouses in the region. The conflict has resulted in significant casualties, with Lebanon reporting 1,497 people killed since the war erupted, including 57 health workers. The situation remains volatile, with ongoing strikes and counter-strikes threatening to expand the conflict further.

The quest to find Australia's oldest playable musical instrument has led to the discovery of several remarkable pieces. A 16th-century double bass crafted by Gasparo da Salò, a renowned luthier, has been found to be one of the oldest playable instruments in the country. Currently on loan to Max Bibeau, principal double bass for the Australian Chamber Orchestra (ACO), this instrument was made around 1580 in Brescia, Italy. Only a handful of such instruments exist globally, and Bibeau's relationship with the double bass was not immediate. He notes that it took considerable time and effort to 'wake it up' and make it playable again. The instrument had been stored in an abbey in northern Italy for centuries before being discovered by German bass player Prof Günter Klaus in the late 1960s. Culturally, the yidaki (didgeridoo), a sacred instrument to the Yolŋgu people, is likely Australia's oldest instrument, with a history spanning thousands of years. For an exhibition in 2017, curators at the South Australian Museum worked with Yolŋgu community members to restore a selection of the oldest and most unique yidaki to playing condition. The oldest restored yidaki was made around 1890. Another contender for the oldest instrument is a piano from the First Fleet, a 'square' piano made by Frederick Beck in 1780. This instrument, now housed at the Western Australian Academy of Performing Arts, has a softer and smaller sound compared to modern pianos. The oldest instrument found in Australia is an ocarina from Colombia, estimated to have been made around AD 1200. This ancient vessel flute is part of a collection of 830 musical instruments donated to the Queensland Museum. While it can produce a sound, its original sound and playability are uncertain due to its fragility and age. The wood used for the front of Bibeau's da Salò bass has been dated to a tree growing as early as 1266. According to Bibeau, age can enhance an instrument's sound, but it requires careful preservation and play to maintain its quality. He notes that 'instruments need to be played' and that 'the more it vibrates, the better it vibrates.'

President Donald Trump opened the traditional Easter Egg Roll on the White House South Lawn alongside a child dressed in a giant bunny costume, before turning the event into a platform for a stark Iran warning to a room of reporters. Hours later, the president entered a packed briefing room flanked by Defence Secretary Pete Hegseth. The press conference highlighted the recent rescue of a U.S. airman whose jet was downed by Iran, a mission Trump praised as "genius" and likened to a Hollywood production. Amid the celebration, Trump shifted focus to a $1.5 trillion Pentagon budget request he had submitted the previous week, emphasizing military spending while domestic programs face cuts. In a chilling turn, the president warned that the United States could "take out the entire country in one night" by targeting Iran’s bridges and power plants, a threat he framed as a potential path to freedom for the Iranian people. He claimed, without evidence, that Iranians would accept such suffering to topple their regime. When a reporter cited the Geneva Conventions, Trump dismissed the concern, questioning the journalist’s affiliation and mocking the New York Times for its declining circulation. Trump also hinted at personal profit, stating, "I'm a businessman first" when asked about seizing Iranian oil, and invoked a quasi‑religious narrative, saying, "God was watching us" during the Easter festivities. Defence Secretary Hegseth, known for his ties to Christian nationalism, likened the rescue to a resurrection, describing the timeline from the aircraft’s downing on Good Friday to its recovery on Easter Sunday as a "pilot reborn". Critics on social media and within Congress have labeled Trump’s rhetoric as "insane" and "dangerous," urging the cabinet to consider the 25th Amendment to assess his fitness for office. The president brushed off mental‑health concerns, suggesting that if his condition were an issue, "you’ll need more people like me." Recent weeks have seen Trump make contradictory statements: first denying the strategic importance of the Strait of Hormuz, then threatening escalation; first boasting of air superiority after a U.S. fighter was shot down, then claiming the war is already won. These erratic pronouncements have heightened worries that the nation’s nuclear launch authority may be in the hands of a leader whose public behavior resembles the "Mad Hatter" of Lewis Carroll’s classic.

The recent commentary on Donald Trump's presidency has highlighted a critical concern: the world cannot afford to wait for him to leave office. Trump's administration has effectively eroded central tenets of the US legal and civic structure, rendering the traditional checks and balances on political power ineffective.Waiting for the downfall of one individual raises two crucial questions. Firstly, will others with similar politics simply take his place? Secondly, if the country and the world wish to move in a different direction, when can we expect to see a plan?It is essential to remember that changes brought about by Trump's presidency cannot always be easily abolished or replaced. The implications of his actions, and those of his administration, are far-reaching and have significant consequences for global stability.Some argue that faith in the November midterm elections may be too optimistic, as Trump and his administration are already preparing to undermine them. The concern is that he will not allow himself to lose.Others suggest that the media and public have a role to play in puncturing Trump's pride and casting doubt on his legacy. Keeping a running count of the death toll of civilians, children, aid workers, and journalists killed since his presidency began could be one way to hold him accountable.The situation has drawn comparisons to the fall of the Roman Empire, with some warning that the current instability could lead to a similar collapse of political structures. As such, there is an urgent need for a plan to address the consequences of Trump's actions and to work towards a more stable future.

Iran’s nationwide internet outage, which started on 28 February following the first US‑Israel strikes, has now stretched beyond 38 days, making it the most prolonged country‑wide shutdown since the Arab‑spring era. Authorities ordered a total cut‑off of global internet services on the day the conflict began, after a brief shutdown in January amid nationwide protests. More than five weeks without external connectivity has left most Iranians dependent on state‑run television and a single satellite channel for news. According to Amir Rashidi, director of the Iran‑focused human‑rights group Miaan, many citizens are unaware of the full scale of the war because “their only sources are Iranian state television and one satellite channel.” This limited media environment means Iranians receive information filtered through government agendas. Doug Madory, director of internet analysis at Kentik, noted that while sub‑national outages have occurred in places like Myanmar, Ukraine and Gaza, Iran’s shutdown is the longest and most severe at the national level since Libya’s six‑month blackout during the Arab Spring. Sudan’s 37‑day shutdown in 2019 is the only comparable recent case. In response, the regime has pushed users onto the National Information Network (NIN), a domestic intranet under development for 16 years. The NIN provides parallel services—local search engines, an Iranian‑styled streaming platform, and messaging apps—but operates under strict government monitoring. Platforms are known to hand over user data to authorities. A Miaan Group report highlighted that domestic search engines censor key terms. For example, searches for “war” or “ceasefire” on Gerdoo, Iran’s home‑grown Google alternative, return no results, while another local engine frames the conflict as a decisive Iranian victory. Circumventing the blackout is costly and risky. Some Iranians travel overland to Turkey to regain connectivity, while others purchase VPNs or special SIM cards on a hidden market at prices ranging from $6 to $24 per gigabyte—five to twenty times the global average—effectively turning internet access into a luxury commodity. Despite the human and economic toll, Miaan Group warns that the shutdown is likely to persist as the government continues to promote the NIN, even though many of its services remain unreliable or non‑functional. There is no clear indication that unrestricted internet access will be restored in the near future.

The conflict between the US and Iran has taken a critical turn with mediators from Pakistan, Egypt, and Turkey circulating proposals for an immediate ceasefire to both Washington and Tehran. The goal is to halt the five-week-old war and prevent further escalation, particularly in light of Donald Trump's threat to bomb Iran's power plants if the Strait of Hormuz is not opened.The mediators are pushing for both sides to agree to suspend hostilities and reopen the strategic Strait of Hormuz, a critical waterway for global oil shipments. This temporary ceasefire would be followed by a period of detailed negotiations aimed at reaching a more comprehensive peace agreement.Iranian officials have indicated that they would not agree to open the Strait of Hormuz as part of a temporary ceasefire. Additionally, reports suggest that Iran is wary of entering into an agreement that could be violated by periodic attacks from the US and Israel.Trump's ultimatum has been met with strong resistance from Iran. The country's foreign ministry spokesperson, Esmaeil Baghaei, stated that peace negotiations are incompatible with ultimatums and threats of war crimes. Iran's central military command has warned of a 'much more devastating' retaliation should the US and Israel escalate their actions.Lawyers and experts have condemned the potential bombing of power plants and bridges as a likely war crime due to the disproportionate impact on civilians. The international community remains on high alert as the situation continues to deteriorate.Oil prices have fluctuated in response to the developments, with Brent crude futures initially falling by $1.92 to $107.11 a barrel on hopes of de-escalation before rising again. The conflict has already led to significant increases in oil prices, which were at $70 a barrel before the US and Israel attacked Iran at the end of February.The situation on the ground remains volatile, with Israel claiming responsibility for strikes on Iranian petrochemical facilities and Iran's Revolutionary Guards. There have been reports of casualties on both sides, including a missile strike in Haifa, northern Israel, and bombings in Beirut's southern suburbs.

UK Education Secretary Bridget Phillipson has publicly denounced Kanye West's antisemitic remarks, emphasizing that there is 'no place for that kind of hatred, bigotry or antisemitism' in the UK. Her comments come after West was announced as the headline act for all three nights of the Wireless festival in London's Finsbury Park.West has faced intense criticism for his antisemitic remarks, including voicing admiration for Adolf Hitler and releasing a song titled 'Heil Hitler.' These actions have led to calls from various UK ministers, organizations, and Jewish groups to ban him from performing at the festival and even from entering the country.Keir Starmer, the leader of the Labour Party, has expressed deep concern over West's booking at the festival, citing his previous antisemitic remarks and celebration of Nazism. The Campaign Against Antisemitism has also urged the government to take action, highlighting West's track titled 'Heil Hitler' and his history of antisemitic behavior.In response to the backlash, several sponsors, including Pepsi and Diageo, have withdrawn their sponsorship from the festival. Additionally, PayPal will not appear in any future promotional materials for the event.The controversy surrounding West's performance has sparked a broader conversation about antisemitism in the UK. Recent incidents, such as the firebombing of Jewish community-run ambulances in Golders Green and an attack on a synagogue in Manchester, have raised concerns about growing antisemitism in the country.

The US war on Iran has now entered its sixth week, with the conflict showing no signs of abating. What was initially touted as a 'precise, overwhelming military campaign' to eliminate 'an imminent nuclear threat' has instead become a protracted and costly endeavor. The war has resulted in rising costs for the US in military equipment and personnel, and has had a significant impact on energy markets, with forecasts of a potential global economic recession in the event of a prolonged conflict.The conflict has also highlighted the Iranian regime's capacity for asymmetric warfare, with the country deploying cheap drones and missiles to disrupt energy facilities and compromise economies in the Gulf region. The closure of the Strait of Hormuz, a critical waterway for global oil shipments, has also had a significant impact on the war effort, with the US and its allies struggling to reopen it.The US's failure to understand the Iranian regime's subjective complex dynamics has been a significant factor in the conflict's prolongation. The regime's ability to withstand pain and prolonged escalation without a clear scenario of military victory against a superpower has been underestimated, and its proxy groups, such as Hezbollah and the Houthis, have proven to be effective in advancing its interests and preventing outcomes that weaken or isolate it further.The conflict has also highlighted the diverging definitions of victory between the US and Iran, with the US seeking a swift and decisive victory, while Iran is focused on maintaining its viability on its own terms in the face of American hegemony. As the war continues, the question remains: how will this conflict end?

Romanian director Radu Jude is known for his wildly improvised and low-budget filmmaking style, often incorporating elements of TV ads, AI-generated content, and amateur dramatics into his movies. His latest film, 'Dracula', continues this trend, presenting a satirical take on Romania's dark past and the country's most reliable export: the legend of Dracula. The film is a meta-cinematic experiment, featuring a smug and supercilious film-maker, Adonis Tanta, who introduces the audience to his cheapo film about Dracula, created on his iPad using unbearable AI. The story is interspersed with set-piece mini-films-within-a-film on Dracula-adjacent themes, including a communist-era tale of a truck driver who falls in love with a local woman. Jude's film is a scathing critique of Romania's persistent strains of fascism, antisemitism, clerical arrogance, exploitative service economy, and stakeholder capitalism. Specifically, it relates to a proposal for a Dracula theme park in the late 1990s, in which thousands of Romanian citizens invested money that they would never see again. While the film may test the audience's patience at times, it features moments of startling insanity and is a testament to Jude's innovative filmmaking style. As the reviewer notes, 'one day, I predict, Jude will make a biopic of political vampirism about the most pressing Romanian subject of all: Nicolae and Elena Ceaușescu.' 'Dracula' is set to premiere at the ICA in London on April 10.