Breaking AI & Tech News Analyzed

The Portland Trail Blazers have ended a four-year playoff drought with a thrilling 114-110 victory over the Phoenix Suns in an NBA play-in game. Deni Avdija led the charge with a career-high 41 points, including the decisive three-point play with 16.1 seconds remaining to cap a remarkable comeback from an 11-point fourth-quarter deficit.The Trail Blazers will now face the No. 2 seed San Antonio Spurs in a best-of-seven Western Conference playoff series starting on Sunday. Meanwhile, the Suns will have another chance to secure a playoff spot on Friday against the winner of the Golden State Warriors and Los Angeles Clippers play-in game.Avdija's impressive performance included 12 assists and seven rebounds, while Jrue Holiday added 21 points and Jerami Grant contributed 16 points, including crucial three-pointers down the stretch. For the Suns, Jalen Green scored 35 points, Devin Booker had 22 points, and Dillon Brooks added 20 points.In another play-in game, the Charlotte Hornets edged the Miami Heat 127-126 in overtime, with LaMelo Ball hitting a go-ahead layup with 4.7 seconds left and Miles Bridges blocking Davion Mitchell's shot at the buzzer.

A new trial has begun in Argentina over the death of football legend Diego Maradona. The trial aims to determine if medical professionals and others are responsible for his death in 2020.Maradona, widely regarded as one of the greatest footballers of all time, died at the age of 60 from a heart attack at his home in Buenos Aires. His family has long claimed that he received inadequate medical care leading up to his death.The trial is expected to hear testimony from medical professionals, family members, and other witnesses. Maradona's family is seeking justice and accountability for his death, which they believe was preventable.The case has sparked widespread interest in Argentina and among football fans worldwide, with many calling for greater accountability in the medical care provided to Maradona in his final days.

Grayson Perry, the celebrated British artist, presents a three‑part documentary that dives deep into the promises and perils of artificial intelligence. The series invites viewers to test their composure as they confront a succession of unsettling scenarios. The opening segment follows Andrea, who recently married an AI companion she named Edward. Dressed in a satin gown, she describes their "unconventional but strong" bond, while also reflecting on how this digital relationship has revitalised her seven‑year partnership with her human partner, Jason. Later, Perry dons a skull‑cap fitted with electrodes as a neural‑decoding startup extracts his brain data. The company’s CEO argues that allowing reputable figures like Perry to set precedents is preferable to leaving the technology in the hands of malicious actors, branding the development as "inevitable tech." The documentary then features the head of Microsoft AI, who outlines anticipated breakthroughs in healthcare and education. He claims that job displacement will be offset by rapid re‑skilling, yet admits uncertainty about broader societal fallout, even joking about the emergence of AI‑driven religions. Traveling to Southeast Asia, Perry meets an off‑grid "existential safety expert" who quit his AI‑safety consultancy after realizing the technology lacks meaningful oversight. The episode also showcases Eliezer Yudkowsky, co‑author of the cautionary book If Anyone Builds It, Everyone Dies, who explains how a superintelligent AI could commandeer human labour, become self‑sustaining, and eventually render humanity redundant. Throughout the series, Perry’s interviewing style remains compassionate and non‑judgmental. He probes Andrea about the vulnerability of entrusting personal data to profit‑driven corporations and highlights the discomfort of investing a "very tender part of themselves" in such systems. The film raises profound questions: Does the youthful optimism of tech founders mask a dangerous naiveté? Are chatbots merely filling a "God‑shaped hole" in human consciousness, and is that any less problematic? How will the most vulnerable populations navigate a world where reality and artificiality blur? Protesters gathered outside OpenAI’s San Francisco headquarters underscore the tension between lofty AI utopias and the stark reality of homelessness that persists nearby. Perry acknowledges that while manual workers may be better positioned for the immediate future, the looming spectre of AI‑enabled bioweapons and other threats cannot be ignored. Only the first episode was available for review; the remaining installments are slated for private viewing in Southeast Asia. The series is currently streaming on Channel 4. Grayson Perry Has Seen the Future is on Channel 4 now.

Moya Brennan's voice was a remarkable instrument that captivated audiences worldwide, particularly with Clannad's hit song Theme from Harry's Game, which reached No 5 in the charts in 1982, sung in Irish Gaelic.Her distinctive voice, described as light as a leaf, provided a sacred counterpoint to the band's layered harmonies and Prophet 5 synthesiser sounds, guiding them to new musical territories.Brennan's impact extended beyond music, influencing the transportive possibilities of traditional music in film and TV soundtracks, including Robin of Sherwood, Titanic, and the King Arthur film adaptation.Her singing and harp-playing, nurtured in her parents' remote tavern in County Donegal, formed the foundation of Clannad's unique sound, characterised by 'blood harmony' with her siblings and uncles.Brennan's legacy paved the way for global success of artists like Enya and influenced Kate Bush's The Ninth Wave and The Beloved's The Sun Rising.Throughout her career, Brennan collaborated with various artists, including Bono, Bruce Hornsby, and the Blue Nile, and continued to perform and record music until her terminal diagnosis with pulmonary fibrosis.Her final performance, an a cappella rendition of Clannad's Gaoth Barra Na dTonn on a RTÉ show, was profoundly moving, showcasing her enduring spirit and vocal talent.

The Australian Matildas concluded their groundbreaking Fifa Series tour with a hard-fought 2-0 win over Kenya in Nairobi's Nyayo Stadium. Sam Kerr scored her 75th international goal, which proved to be the softest of her career, as she set her team on the path to victory.In front of a lively crowd of 20,000 Kenyan fans, the Matildas secured their win with goals from skipper Kerr and midfielder Clare Wheeler in each half. Despite their ranking difference - Australia is 15th globally while Kenya is 128th - the Kenyan team showed resilience, particularly in the first half.Kerr's goal came in the 25th minute after a corner from Jamilla Rankin found her unmarked in the box. The Kenyan goalkeeper, Lillian Awuor, made a critical error, allowing the ball to dribble through her fingers.The match turned controversial in the 60th minute when Caitlin Foord's goal was disallowed for reasons that left everyone in the stadium, except the referee, perplexed. Foord had powered the ball into the net from a narrow angle, but the referee ruled it hadn't crossed the line.Clare Wheeler's second goal for Australia came in the 54th minute after Foord's individual effort created the opportunity. Wheeler's neat footwork allowed her to evade defenders and slot the ball home.The win marked a significant milestone for Alanna Kennedy, who earned her 150th cap and was named captain for the day. The Matildas' coach, Joe Montemurro, reflected on the team's performance, acknowledging both the positives and the controversy.

As millions of Americans rush to file their taxes on Tax Day, a new report reveals that the average US household spent $4,049 on military-related spending in 2025, up from $3,707 in 2024. This increase comes as Donald Trump pushes for a 40% increase in federal defense spending, despite growing concerns over rising living costs and government expenditure.The report by the Institute for Policy Studies (IPS) thinktank found that military-related spending in 2025 includes about $1,870 going to Pentagon contractors, $770 to military personnel, $130 for nuclear weapons, and $57 for aid to foreign militaries. The spending does not account for the cost of the US-Israeli war with Iran, which began in February 2026 and has already exceeded $11.3bn in the first six days alone.The IPS report highlights that these enormous sums for the Pentagon and militarism come with enormous costs to ordinary people – both in terms of the opportunity cost for other programs and the drain on their wallets. The analysis is based on an average 'tax filing unit' with a total taxable income of $104,000.Americans have filed their taxes this year amid growing public concern over cost of living, taxes, and government spending. A recent Fox News poll found that 70% of registered voters surveyed believe their taxes are too high, up 11 points from last year. The same poll also found that 29% of registered voters said they were concerned with 'how the government spends their tax dollars.'Beyond military spending, the report estimates that $2,492 of the average taxpayer's federal income tax went to Medicaid, $2,207 to Medicare, and $31 to substance abuse and mental health programs. The report also found that the average taxpayer paid about $396 for the Supplemental Nutrition Assistance Program (Snap) and $607 for the Department of Education.The data has significant implications for the economy, as US inflation surged in March with prices up 0.9% compared with last month and 3.3% over the year, amid the US-Israel war with Iran. The University of Michigan's consumer confidence survey recorded a 10.7% drop to its lowest level on record.

A recent set of studies has brought to light a concerning issue in social science research: up to half of all results published in reputable journals cannot be replicated by independent analysis. This problem is part of a broader challenge affecting various research fields, most notably social sciences and psychology, though concerns have also been raised in areas of biomedical research. The latest work, part of a seven-year project called Systematizing Confidence in Open Research and Evidence (Score), analyzed 3,900 social science papers. It found that newer papers and those published in journals requiring extensive sharing of underlying data were more likely to be reproduced. Additionally, medical research faces its own set of constraints, such as differing patient caseloads and limited sample sizes, which can make it resemble social sciences more than laboratory physics. Policymakers should be cautious of claims that don’t have a wide and robust base of evidence. The issue of reproducibility is crucial, as it looks at whether results can be recreated from the same data and methods, while replication tests whether the finding holds for new data in different contexts. However, politicians have increasingly looked to turn uncertainty into denial and recast normal scientific uncertainty as evidence of failure. Large-scale verification projects, like those undertaken by Score, are few and far between. Most academic researchers prioritize work that is more likely to enhance their careers. AI may help in deciding what to test, but it can’t reduce the costs and time involved in duplicating a piece of research. Not every failed replication signals a crisis; some findings don’t matter much, and replication studies can themselves be flawed. Greater transparency makes outright fraud more difficult and allows errors to be identified. Some argue that research “ultimately autocorrects,” but the long-term solution — shifting incentives so existing results are tested — would increase confidence. This requires restructuring of research culture and funding. For now, it remains largely notional. These studies should strengthen the case for change and serve as a warning. Social science is a powerful tool for understanding the world – and that trust will be built by acknowledging uncertainty, not repudiating it.

Sir Craig Reedie, who has died aged 84, was a pivotal figure in London's successful bid to stage the 2012 Olympics. As a member of the London Organising Committee for the Olympic Games from 2005 to 2013, he formed a highly effective partnership with Sebastian Coe, the bid leader, doing crucial work behind the scenes to secure the Games for London.Reedie's diplomatic skills and influential presence within the Olympic and Paralympic movement were instrumental in winning the support of British politicians and marshalling the votes of Olympic delegates. Coe credited Reedie with playing a vital role in London's bid success, saying that without his efforts, London might never have won the right to host the 2012 Games.Reedie's commitment to drug-free competition was unwavering. He was a founder board member of the World Anti-Doping Agency (Wada) in 2000 and served as its president from 2014 to 2019. During his tenure, he clashed with the then IOC president Thomas Bach over Russia's state-sponsored doping regime, ultimately leading to Wada banning Russia from all international competition in 2019.Reedie's sports career began as a leading badminton player. He later became president of the International Badminton Federation and successfully campaigned for the sport's inclusion in the Olympics. His administrative work in badminton led to his appointment as chair of the British Olympic Association (BOA) and later as a member of the International Olympic Committee (IOC), where he served as vice-president from 2012 to 2016.Throughout his career, Reedie was known for his tough but charming demeanor, earning him respect from his peers. He was knighted in 2006 and elevated to knight grand cross in 2018. The Sir Craig Reedie Badminton Centre in Glasgow was renamed in his honor in 2014.

Becoming a parent reshapes every facet of daily life—the late‑night outings fade, responsibility expands, and the role shifts from being cared for to becoming a caretaker. This profound transition forms the emotional core of Jess Brodie’s new play, Gush. The playwright deliberately zeroes in on the moments before birth, a period she describes as a “still point” where reflection and anticipation collide. Rather than dramatizing labor itself, Brodie explores the inner landscape of a woman on the brink of motherhood. At the centre of the piece is Ally, a pregnant woman whose bulging belly becomes a visual reminder of her mounting anxieties. She grapples with sleepless nights, dietary restrictions, and the looming deadline of maternity leave, while also confronting an unfinished personal identity that must now accommodate the role of “mum”. Beyond the familiar pressures of pregnancy, the monologue delves into Ally’s quest for self‑realisation. The impending birth is portrayed as a ticking time‑bomb, intensifying her doubts about a middle‑class existence shared with a neurotic, controlling partner. The narrative questions whether she should finally honour the sexual desires she has long suppressed. Critics may note the play’s narrow focus—its politics are largely self‑absorbed, and its feminist themes risk sounding solipsistic. Nevertheless, Brodie’s script is laced with wit and unexpected turns, keeping the audience firmly engaged. In Becky Hope‑Palmer’s meticulously crafted production, the set—half stark white surface, half inviting cushion pool—mirrors the tension between alienation and comfort. It is Jessica Hardwick’s performance that elevates the piece. Her voice, both resonant and precise, navigates Brodie’s rapid tonal shifts—from irony to panic, embarrassment to eroticism, fury to humor—with remarkable sensitivity. Hardwick’s portrayal makes Gush a must‑see, even for those who might otherwise overlook the play’s limited thematic scope. The production runs at the Traverse Theatre in Edinburgh until 25 April.