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The recent video of McDonald's CEO Chris Kempczinski sampling the chain's new 'Big Arch burger' sparked widespread ridicule. This incident highlights a growing trend: CEOs and corporate leaders increasingly seeking to center themselves in the spotlight. This phenomenon, which can be termed 'CEOism,' raises important questions about the motivations behind it and its impact on consumers.Examples of CEOism abound. During the Super Bowl, the founder of Ring featured in the company's ad, only to face backlash for the dystopian undertones of the doorbell technology being promoted. In the sporting world, Fifa president Gianni Infantino has taken to inserting himself into high-profile events, including interrupting the start of the World Cup to give a welcoming address and unveiling the official sticker album.The reasons behind CEOism are complex and multifaceted. On one hand, companies are seeking to be seen as more relatable and approachable, which may explain why CEOs want to center themselves in advertising. On the other hand, the current cultural and political climate appears to have emboldened corporate leaders, who now seem more willing to express their opinions and insert themselves into public discourse.The article's author, Larry Ryan, expresses skepticism about the trend, suggesting that CEOs are mistaking interest in their products with interest in the people themselves. He longs for a time when CEOs focused on financial performance rather than seeking to be in the spotlight.However, some argue that audiences want to hear from the people behind brands and that 'CEOism' can be an effective marketing strategy. The success of podcasts like 'The Diary of a CEO' and social media influencers suggests that people may indeed be interested in hearing from corporate leaders.

Italy's national team secured a crucial 2-0 victory over Northern Ireland, significantly enhancing their chances of qualifying for the 2026 World Cup. The win sets up a playoff final against Bosnia and Herzegovina on Tuesday, with a victory guaranteeing Italy a spot in the tournament in Canada, Mexico, and the United States.Italy's coach, Gennaro Gattuso, acknowledged the challenges ahead, stating, 'We made life a bit difficult for ourselves, but in the second half we found our rhythm.' He emphasized the importance of the upcoming final, noting that both teams will feel the tension.In other playoff matches, Kosovo will host Turkiye after Kosovo's thrilling 4-3 win over Slovakia and Turkiye's 1-0 victory over Romania. Sweden, Poland, the Czech Republic, and Denmark also won their semifinals, setting up additional playoff matches.The 2026 World Cup, featuring an expanded 48 teams, offers more nations a chance to qualify. Twelve European countries have already secured spots through group stage wins, while the playoffs involve second-placed teams and those who performed well in the Nations League.

Iran has introduced a ban on its sports teams traveling to countries it considers 'hostile', as reported by Iranian state TV. This move comes ahead of Tractor SC's scheduled football match in Saudi Arabia as part of the Asian Champions League. The ban was announced nearly a month after US-Israeli attacks on Iran led to war on February 28. The Iranian Ministry of Sports stated that the presence of national and club teams in countries unable to ensure the security of Iranian athletes is prohibited until further notice. The decision specifically affects Tractor's playoff game against Shabab Al Ahli of Dubai in Saudi Arabia, set to take place next month. The Iranian football federation and clubs are responsible for notifying the Asian Football Confederation to relocate the games. Although the statement did not list countries deemed hostile, it mentioned that the western zone playoffs have been rescheduled for April 13-14 in Jeddah, with the tournament quarterfinals, semifinals, and final set for April 16-25 in the Saudi city. This development is separate from Iran's participation in the World Cup in Canada, Mexico, and the US in June and July, for which Iran has qualified. The Iranian ambassador in Mexico City has been negotiating with FIFA to move Iran's group-stage matches from the US to Mexico due to safety concerns raised by US President Donald Trump. However, FIFA President Gianni Infantino has expressed a desire for the tournament to proceed as scheduled. The Iranian national team is currently training in Turkey ahead of friendly matches against Nigeria and Costa Rica.

Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

Rachel Zegler and Ben Platt have brought their talents together for a 25th-anniversary concert of Jason Robert Brown's two-hander musical, 'The Last Five Years', at the London Palladium. This poignant production explores the complexities of a disintegrating relationship through alternating solos, with one character recounting their story in reverse while the other tells it chronologically. The musical mastermind behind the production, Jason Robert Brown, directs and conducts from the piano, accompanied by a band of eight musicians. The set design by Bretta Gerecke effectively captures the urban spaces where the story unfolds, complete with central staircases and positioned windows. Rachel Zegler shines as Cathy, delivering a powerful performance that conveys the frustration and pain of a partner struggling to cope with the end of the relationship. Meanwhile, Ben Platt brings his signature energy to the role of Jamie, capturing the whirlwind of his character's rising success and its impact on their relationship. The concert format creates a jumble of joy and pain over an interval-free 90 minutes, with the band adding a sparkle to the performance. The chemistry between Zegler and Platt is undeniable, even when they're not sharing the stage, making their characters' bond convincing despite their limited time together. The production runs at the London Palladium until March 29, followed by performances at the Hollywood Bowl on April 3 and Radio City Music Hall on April 6-7.

Ali Ahmed experienced goose bumps watching Canada walk out at the last World Cup, a surreal moment for the winger who had never witnessed his nation compete on football's biggest stage. This time around, he'll not only be at home but at the heart of the action in two cities that hold special significance for him.Jesse Marsch's Canadian side faces Qatar and Switzerland in Vancouver after an opener against a potential European playoff winner in Toronto. An encounter with Italy in Ahmed's hometown would carry particular weight, given the city's substantial Italian population and his parents' Ethiopian heritage with their love for Italian football. Football has been ingrained in his family since childhood, a passion that has guided his remarkable journey.On the outskirts of Toronto, a teenage Ahmed used to sneak onto Toronto FC's training pitches before dawn for kickabouts with friends. His persistence and determination eventually led him to professional football, though not through the conventional path. At 17, he turned down a Toronto FC academy spot to pursue opportunities in Portugal, Spain, and the Netherlands, facing numerous challenges along the way.Now at Norwich City since January, the 25-year-old has established himself as a key player on the left wing, contributing significantly to the team's improved form in the Championship. Ahmed started all seven Norwich matches during Ramadan, waking before 4am for Suhoor, the pre-dawn meal. His experience fasting during a crucial period of the English season has been a learning curve, though he's noted the exceptional support he's received in England.Ahmed candidly discusses his upbringing in Toronto's Lawrence Heights neighborhood, an area experiencing significant gun violence. Despite the challenges, he describes a close-knit community where people supported each other. Football provided an escape route, leading him to opportunities he never anticipated.His career has seen remarkable highs, including playing against Lionel Messi's Argentina at the Copa América and scoring in the MLS Cup final defeat to Inter Miami. After being knocked unconscious during a Canadian Championship match in 2023, Ahmed's determination only grew.As Canada prepares to host the World Cup, Ahmed sets ambitious goals: "I want to win our group. And then from there, into the knockout rounds. It's important to have that belief that we can play with anybody. Why not?" With home advantage in two cities that mean the world to him, Ahmed sees the perfect setup for both himself and the Canadian team.

North Korean leader Kim Jong Un and Belarusian President Alexander Lukashenko have signed a friendship treaty aimed at deepening ties between their countries. Both leaders are close allies of Russian President Vladimir Putin.The treaty was signed on Thursday during Lukashenko's two-day trip to Pyongyang. He told Kim that relations between their countries were entering a 'fundamentally new stage', according to the Belarusian state news agency Belta.Lukashenko emphasized the need for independent countries to cooperate closely in today's global transformation, where global powers often ignore and violate international law. Kim expressed opposition to undue pressure on Belarus from the West.The North Korean leader gave Lukashenko a lavish welcome, including a white-horsed cavalry, flag-waving children, and a 21-cannon salute. Both nations have backed Russia's war in Ukraine.Kim has reportedly provided Moscow with ammunition and sent soldiers to help Russia expel Ukrainian forces from its western region of Kursk in 2024. Lukashenko allowed Belarus to be used as a launchpad for Russia's invasion in February 2022 and has agreed to allow Russian tactical nuclear missiles on its territory.The Belarusian leader, in power since 1994, is politically and economically dependent on Putin. North Korea and Belarus conduct a small volume of trade but share long experience of surviving under international sanctions. North Korea has been sanctioned due to its nuclear and ballistic missile programs, and Belarus over its human rights record and backing for Putin in Ukraine.

As its title suggests, this musical about Claude Monet is full of reflections – fittingly so given the artist's preoccupation with light. In 1916, while struggling to complete The Water Lilies with cataracts, the ageing painter (Jeff Shankley) retreats into memories of his early career. His single-minded younger self (Dean John-Wilson) may be about to change art forever, but looking back, all Monet sees is the personal cost of his drive, particularly his mistreatment of his first wife, muse and mother of his children, Camille (Brooke Bazarian).For a man usually defined by his success, this alternative reflection is refreshing. Also bouncing back at Monet are his peers' struggles, the artistic establishment's dismissal of impressionism, and art's relationship to war and women. So abundant are these reflections, in fact, that Carmel Owen's ambitious book at times becomes a house of mirrors – enticing but with a distractingly split focus.There are certainly strengths, though, not least Libby Todd's set: a floor-to-ceiling jumble of empty canvases, which fill with huge impressionist paintings, vivid washes of coloured light and animated backdrops rendered in flickering brushstrokes. It's an invitation to step inside the artistic movement that favoured feeling over realism.Director Christian Durham has an accomplished cast on his hands. Shankley brings moving introspection (and a brilliant turn as a sniffy Paris salon clerk), while Bazarian and John-Wilson deliver standout singing on a stage full of mighty voices. Their connection, however, is outshone by those between young Monet and his fellow impressionist upstarts Bazille (a lovable Ritesh Manugula) and Renoir (a breezy Sam Peggs), whose moments together are the show's strongest. They fizz with the impatience of young rebellion, and their bickering, which provides much-needed moments of gentle humour, gives way to genuine devotion.An excellent eight-piece orchestra takes on Owen's songs, which lead us aptly through the story's tonal beats – lush strings for young love; jaunty woodwind for bantering artists. But none are distinctive enough to reach the heights of "hum it all the way home".Like Monet's, this musical's ambition sometimes comes at a cost, but it still lands in a place of beauty and deep feeling.

Poland staged a comeback to defeat Albania 2-1, with Robert Lewandowski scoring his 89th goal for his country. This win sets up a playoff final against Sweden for a spot in the World Cup.Denmark dominated North Macedonia 4-0, with Mikkel Damsgaard, Gustav Isaksen, and Christian Nørgaard scoring in the second half. They will now face the Czech Republic in their playoff final.Kosovo is on the brink of their first major tournament appearance after a thrilling 4-3 win over Slovakia. They will host Turkey in their playoff final.Turkey secured a 1-0 win over Romania, with Ferdi Kadioglu scoring the decisive goal following a superb pass from Arda Guler. This victory brings them closer to ending their long World Cup absence.