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The Birth of a Classic The Bluetones' lead singer Mark Morriss and guitarist Adam Devlin share the story of their hit song 'Slight Return', from its humble beginnings to its massive success in the 90s. Mark Morriss' Vocals and the Song's Early Days We were still a three piece: Adam Devlin, my brother Scott and myself. We hadn’t met Eds Chesters yet, so we didn’t have a drummer. We were spending a lot of time writing songs, trying to hone this west coast, mid-60s, Crosby, Stills & Nash sound – even though it was the 90s and we were from Hounslow in London. Slight Return was the fourth or fifth song we wrote. Scott wrote the chord progressions and structure, but didn’t have any words or melody. He recorded guitar into a cassette player, then played that back on a second cassette player so he could record himself playing along to what he’d just recorded, in a very rudimentary way of four-tracking. We liked it, but we weren’t skipping around the room going: “My God, we’re going to be millionaires.” That came later. The Song's Rise to Fame It went down well at our early shows. It was catchy and memorable. We recorded a demo version and sold it on blue 7-inch vinyl at our gigs. When we got signed to A&M, they were keen for it to be a single, but we felt like it would be short-changing our fanbase, which was about 200 people, who had already bought it. We had to be talked around by the label, who said: “We can hear it being played on the radio.” But they wanted us to change the song’s name because Slight Return isn’t actually in the lyrics. The title in part refers to the last line of the song: “I’m coming home but just for a short while.” It’s also a kind of sideways tribute to Jimi Hendrix’s Voodoo Child (Slight Return). When we finally succumbed and let them release it as a single, lo and behold, it went ballistic. Adam Devlin's Perspective on the Band's Journey We thought we could write half-decent songs, so we cobbled together a set that would get us on the London circuit. I remember Scott bringing in a faster, simpler version of Slight Return. I fleshed out the guitar parts and put in a guitar solo. Mark worked out the vocal melodies, and we added a coda – the instrumental that fades out at the end, which originally had a sample from Tom Courtenay in Billy Liar, which was all very 60s. We had very different ideas from the record label and thought Can’t Be Trusted should have been the single. By then, I was living in another shared house in Wimbledon that didn’t have a washing machine. I was in the launderette when our manager phoned and said: “You’ve gone in at No 2.” I don’t think we were ready for it being so successful. The Legacy of Slight Return We've been playing it for 30 years. One tour, we’d got so bored with it, we didn’t even play it, which was a mistake because people thought we’d gone up our own arses. We learned our lesson: it’s the song everyone wants to hear. People get confused because Slight Return isn’t actually in the lyrics. I was at a farmers’ market recently when one of the stallholders said: “You were in that band who sang Where Did You Go?” I said: “Yes, but that’s not what it’s called.”

The Revival of Wing-Back Partnership The United States men's national team has undergone significant changes under Mauricio Pochettino's tenure. However, the recent partnership between Antonee Robinson and Sergiño Dest as wing-backs has brought a new level of excitement and dependability to the team. The Event Details In their 25th game under Pochettino, the USMNT faced Senegal, with Robinson and Dest starting together for the first time. This restored partnership proved crucial in their 3-2 victory. Both players have shown they can adapt to the modern role of wide defenders, with Robinson being more positionally measured and Dest carrying more dynamism. The Data Analysis The benefits of this partnership were evident in the opening goal. A lengthy sequence of possession led to Dest joining the line of attackers, while right center-back Alex Freeman shifted wider. This allowed Dest to stay in the US's most advanced line as Tim Ream prodded the ball to Robinson along the opposite flank. The Impact Analysis The chemistry between the players was key to their success. Christian Pulisic and Ricardo Pepi scampered off the ball to offer Robinson his next option, leading to a well-coordinated move that resulted in a goal. Pepi's hold-up play and vision also played a significant role in the team's performance. The Prediction As the USMNT continues to develop under Pochettino, the partnership between Robinson and Dest could prove to be a crucial factor in their future success. With the 2026 World Cup on the horizon, the team will look to build on this momentum and make a strong impression on the international stage.

The Shift in England's Tactical IdentityEngland enters the 2026 World Cup under new German manager Thomas Tuchel, aiming to end a 60-year trophy drought. While the Three Lions qualified with a perfect record, the squad announcement has sparked intense debate regarding the balance between individual talent and team cohesion.Qualifying Dominance and Recent StrugglesEngland secured their place in the tournament with two games to spare, winning their group with a 100% record. They conceded zero goals during the qualifying campaign, a testament to a solid defensive structure. However, recent friendly defeats to Senegal and Japan have drawn boos from a frustrated Wembley crowd, raising questions about the team's readiness.Qualifying Record: 8 wins from 8 matchesGroup Stage Fixtures: Croatia (June 17), Ghana (June 23), Panama (June 27)Kane's Record: Needs 2 goals to tie Gary Lineker's World Cup record of 10The Chemistry vs. Talent DebateTuchel's squad selection has been controversial, with Chelsea's Cole Palmer and Man City's Phil Foden omitted despite strong club seasons. Similarly, Real Madrid's Trent Alexander-Arnold and Man United's Harry Maguire were left out. In their place, Saudi Pro League striker Ivan Toney and Jordan Henderson were included. Tuchel defended this by prioritizing "team chemistry" over collecting the 26 most talented players, a gamble that leaves the team's best XI still unclear.Quarterfinals or the Holy Grail?England faces a challenging Group L, opening against Croatia, the team that eliminated them in the 2018 semifinals. While the squad includes young talents like Nico O'Reilly at left-back and Jude Bellingham in midfield, the lack of a clear starting lineup under Tuchel is a concern. Al Jazeera predicts a quarterfinal finish, suggesting that while expectations remain high, the path to ending the 60-year wait remains difficult.

The Philosophy of ConfrontationFor the author, feeling good is not about escapism, but about confrontation: staring at what one truly cares about and embracing it. This perspective defines the enduring appeal of Billy Elliot, a film that resonates deeply as a coming-of-age story about striving to become the person you want to be, regardless of circumstances.The 1984 Miners' Strike and Billy's JourneySet in County Durham during the 1984 miners' strike, the film follows Billy Elliot, an 11-year-old boy who discovers a passion for ballet while his community is torn apart by political and social upheaval. Initially a reluctant boxer, Billy is drawn to dance classes held in the boxing gym. With the support of his dance teacher, Sandra (played by Julie Walters), and his brother Tony, Billy auditions for the prestigious Royal Ballet School in London, defying the expectations of his working-class environment.Breaking Class and Gender NormsThe film serves as a powerful commentary on the courage required to break free from societal convention. The author highlights that the story is not merely about queerness, but about the broader struggle of expressing one's true self against class expectations. Drawing from their own background in South Wales, the author reflects on how artistic inclinations were often viewed as a form of non-conformity or 'queerness' in their community. The narrative validates the experience of those who have faced ridicule for their choices, emphasizing that support from family, even when hesitant, ultimately outweighs criticism.A Lasting Legacy of ValidationUltimately, *Billy Elliot* offers a profound sense of optimism and belonging. The author describes the film as a source of comfort during times of life change, providing a 'hug' from the world. It serves as a reminder that one is loved and allowed to live life on their own terms, ensuring the film remains a vital source of inspiration for future generations.

Live Overview: Day Nine Kicks Off at Roland‑GarrosThe ninth day of the 2026 French Open unfolded with a mix of promising talent and high‑stakes matches across both courts. French‑speaking fans were greeted with a lively introduction and a promise of “another banger absolu,” setting the tone for a day where the absence of several top‑seeded men opened the field for new contenders.Cobolli’s Clay Mastery and Early Men’s ShowdownsFlavio Cobolli opened on Court Chatrier against Zach Svajda, showcasing the aggressive‑defensive style that suits the Parisian clay. On Court Lenglen, Anastasia Potapova faced Anna Kalinskaya after her upset over defending champion Coco Gauff. Later, Madison Keys (2025 Australian Open champion) took on Diana Shnaider, with a potential semi‑final clash against Naomi Osaka or Aryna Sabalenka. In the men’s draw, Matteo Berrettini, Félix Auger‑Aliassime and Frances Tiafoe each began their quarter‑final quests against Juan Manuel Cerundolo, Alejandro Tabilo and Matteo Arnaldi respectively.Key match‑ups: Cobolli vs Svajda, Potapova vs Kalinskaya, Keys vs Shnaider.Men’s quarter‑final prospects: Berrettini, Auger‑Aliassime, Tiafoe.Ranking Stakes and Prize Money ImplicationsAdvancing to the quarter‑finals at Roland‑Garros brings a substantial boost in both ATP/WTA ranking points and prize money, intensifying the pressure on players seeking to climb the year‑end rankings. For emerging talents like Cobolli and Potapova, a deep run could translate into a breakthrough in the top‑50, while established stars such as Keys and Auger‑Aliassime aim to solidify their positions in the top‑10.How the Absence of Djokovic, Alcaraz and Sinner Reshapes the TournamentThe draw’s notable void—missing Novak Djokovic, Carlos Alcaraz and Jannik Sinner—has turned the French Open into a rare open‑field Grand Slam. This vacuum reduces the barrier for lower‑seeded players, turning every match into a potential upset and increasing the tournament’s unpredictability.Opportunity for first‑time Grand Slam semi‑finalists.Higher motivation for mid‑rank players to capitalize on the open draw.What the Day’s Results Mean for the Rest of the French OpenIf Cobolli, Potapova and Keys secure victories, they will likely become the faces of the second week, attracting media attention and sponsor interest. A win for Félix Auger‑Aliassime would position him as a favorite for the title, while the outcomes of the men’s quarter‑finals will set the stage for a possible new champion emerging from a field without the usual dominant trio.Overall, day nine has reinforced the narrative of a transitional French Open, where the next generation is poised to seize the moment.

The Unplanned Performance La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments. On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score – and saved a concert from derailment. The Keyboardist's Sudden Illness Sterling Nasa was in the audience at La La Land in Concert, a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronisation with the film. The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience. The Call for a Pianist The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house? And one with exceptional sight-reading skills? Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out. The Impromptu Performance Nasa told the ABC he was thinking the same thing when he saw the complex score. “I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,” he said. Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts. The Audience's Reaction The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. “He saw it coming up … and he just improvised,” Hurwitz said. “That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.” The Future Performance While the production team is now scrambling to rehearse new keyboardists for the upcoming Melbourne and Brisbane legs of the tour, Nasa will be heading back to his regular university lectures. La La Land in Concert will play at the ICC Sydney on Monday, at the Brisbane Convention & Exhibition Centre on Wednesday and at the Hamer Hall in Melbourne from Friday 6 to 8 June.

How Norway’s Children’s Books Are Redefining TabooSwedish‑born author Anna Fiske and fellow illustrators are publishing picture books that openly discuss subjects traditionally considered off‑limits for young readers, from assisted reproduction to sexual abuse. The approach has earned them awards, strong sales, and, in some markets, fierce opposition.Anna Fiske’s ‘How Do You Make a Baby?’ Triggers International ControversyFiske’s 2019 title Hvordan Lager Man en Baby? (How Do You Make a Baby) illustrates IVF, insemination and the mechanics of intercourse. Distributed in English‑speaking territories by a New Zealand publisher, the book attracted death threats in Canada, was labeled pornographic in the US and banned from several school libraries, yet it also sparked vital conversations about sexual education.Sales Milestones and Awards Highlight Market Reception100,000+ copies sold of Fiske’s “How to” series in Norway.2025: Fiske receives the Honorary Brage award, one of Norway’s top literary honors.Norwegian festival of literature in Lillehammer showcases dozens of titles on exclusion, bullying, queer literature, climate, mental health and forced migration.State Support and Cultural Attitudes Fuel Literary FreedomNorway’s publishing model purchases a large stock of every new title for national libraries, insulating authors from pure market pressure. Government grants further enable writers to experiment without fearing commercial failure. Culturally, Scandinavian views treat children as autonomous individuals, encouraging open dialogue about risk and hardship.Global Publishers May Follow Norway’s ModelAs controversy in North America highlights the limits of censorship, the Norwegian example suggests a viable path for other markets: combine public funding with a cultural ethos that respects children’s capacity to engage with difficult topics. If other countries adopt similar policies, we could see a surge in globally distributed children’s literature that tackles previously taboo subjects.

The Concept of 'On the Edge'The garden, named 'On the Edge', is a celebration of the often-overlooked urban edgelands, those unprotected and modest places that exist on the fringes of towns and cities. Designed by Sarah Eberle, it marks the centenary of the Campaign to Protect Rural England and the launch of the first interactive map of England's countryside edges.The Design and FeaturesThe garden features a naturalistic design with a variety of plants, including herb robert, plantain, bramble, and nettle. A drystone wall is woven with dog roses and willow, representing the hair of Gaia, a giant sleeping figure carved from fallen redwoods. The garden also includes a concrete farm trough, which has been transformed into a beautiful and serene feature with leaf shadows moving over its surface.The Significance of the GardenThe garden's design and features are meant to evoke a sense of wildness and neglect, highlighting the beauty of these often-overlooked areas. The garden's creator, Sarah Eberle, aims to raise awareness about the importance of preserving these urban edgelands and the role they play in supporting local wildlife. The garden's success is evident in its gold and best in show awards at the Chelsea Flower Show.The Future of Urban EdgelandsThe 'On the Edge' garden serves as a reminder of the importance of preserving and protecting urban edgelands. As urban areas continue to grow and expand, these areas are often threatened with development, making it crucial to raise awareness about their value and significance. The garden's message is clear: these areas are not just neglected spaces, but vibrant and beautiful parts of our urban landscapes that deserve our attention and protection.

The Heatwave Prompt and a Glimpse into Everett’s PastDuring a scorching London heatwave, Rupert Everett—now 67—sits in a Bloomsbury café and admits the weather triggers memories of the summer of 1976, when he was a lanky teenager dreaming of stardom. The interview opens with his self‑deprecating humor about weight and age, setting the tone for a raw, introspective conversation. The 1997 Hollywood Resurgence: “My Best Friend’s Wedding”Everett’s most notable comeback arrived in 1997 when he played Julia Roberts’ gay best friend in My Best Friend’s Wedding. This role vaulted him into the position of the coveted “camp bestie” for leading ladies, briefly turning him into a box‑office draw.1997 – Cast as the gay confidant in My Best Friend’s Wedding1998‑2002 – Frequent supporting roles alongside A‑list actresses2006 – Publishes first memoir, Red Carpets and Other Banana Skins Memoir Revelations: Sex, Drugs, and Unflinching GossipEverett’s two memoirs—Red Carpets and Other Banana Skins (2006) and Vanished Years (2012)—expose a life of heroin use, cocaine experimentation, and selling himself for sex during lean periods. He spares no one: calling Madonna “vaguely sweaty,” describing Julia Roberts as “beautiful and tinged with madness,” and lampooning public figures like Alastair Campbell and Alan Sugar. The memoirs positioned Everett as a modern‑day Hedda Hopper, wielding ruthless, barbed gossip as a form of self‑critique. Personal Reckoning: Body, Identity, and the Weight of MemoryEverett confronts the physical and psychological toll of his past. He acknowledges his current “chubby” physique, the lingering “punk upper‑class attitude,” and the paradox of heroin as an “upper‑class version of punk.” The actor admits he often sabotaged his own performances—disrupting shows, sending bizarre gifts to critics, and indulging in drug‑induced escapism—behaviours he now finds “horrifying.” Looking Ahead: Redemption, Legacy, and the Role of Truth‑tellingDespite the self‑destructive legacy, Everett hints at a desire for redemption through honesty. By laying bare his flaws, he hopes to reshape public perception and perhaps inspire a new generation of actors to confront their own demons. The interview ends with a quiet acknowledgment that the heatwave, while uncomfortable, may finally force him to “smash his past up through sex” and move toward a more authentic future.