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The latest offering from writer Theo Jamieson and director Adam Lenson is a boldly conceived musical that thrusts a turbulent romance into a sci‑fi framework. The story follows a young astronaut, Daniel, who vanishes from his shuttle with barely enough fuel, prompting a quest to uncover the motives behind his reckless flight.Stuart Thompson (as Daniel) and Poppy Gilbert (as Emily) anchor the piece with performances that are both visceral and nuanced. Their chemistry captures the push‑pull of a relationship scarred by childhood bullying, parental betrayal, and a shared history of trauma, delivering songs that soar and hit hard.Visually, the production leans heavily on interstellar projections that transform the stage into a shifting cosmos, while the score oscillates between Sondheim‑style wit and full‑blown symphonic passages. This combination creates an epic sense of strangeness that distinguishes Flyby from more conventional West End fare.However, the narrative’s fragmented structure hampers its emotional payoff. The non‑chronological storytelling leaves critical gaps, and the metaphor of being "stranded in space" feels over‑extended—especially with the protagonist’s surname, Defoe, a thin nod to Robinson Crusoe. The three narrators, played by Simbi Akande, Gina Beck, and Rupert Young, often drift into digressive asides that dilute the central arc.Despite these flaws, moments of brilliance emerge, particularly in the musical’s treatment of mental‑health themes. The show hints at the potential to join the ranks of modern theatre successes like Next to Normal and Dear Evan Hansen, should its structural rough edges be smoothed.The production is currently staged at Southwark Playhouse, Borough, London and will run through 16 May. Audiences seeking a daring blend of emotional intensity and cosmic spectacle will find Flyby a compelling, if imperfect, experience.

Compiling a definitive Top 10 of superhero movies proves as elusive as “herding thunder through a spreadsheet.” Critics must decide whether to prioritize cinematic craftsmanship, cultural influence, or the raw emotional resonance that these films generate.Over the past two decades the genre has diversified dramatically, spanning crime‑driven Batman sagas, family‑friendly adventures like The Incredibles and Guardians of the Galaxy, political allegories such as Captain America: The Winter Soldier and Black Panther, and experimental visual feats exemplified by Spider‑Man: Into the Spider‑Verse. This breadth makes any hierarchical ranking inherently subjective.Influence remains a key metric. Richard Donner’s Superman (1978) demonstrated that audiences would pay to see a man fly, paving the way for half a century of cape‑wearing blockbusters. Similarly, Iron Man reshaped the modern blockbuster formula, launching the Marvel Cinematic Universe and redefining franchise economics.Emotional impact also matters. Logan stands out as a bruised, mournful western that subverts the genre’s usual invincibility myth, presenting a weary Wolverine confronting mortality. Its rawness offers a rare catharsis rarely found in superhero narratives.Event status cannot be ignored. Avengers: Endgame turned its opening weekend into a cultural ritual, with multiplexes resembling revival tents where audiences collectively cheered, gasped, and celebrated. Even a “colder” analysis must acknowledge that the film transformed anticipation into a generational sacrament.Visual innovation is another hallmark. The Oscar‑winning animation Spider‑Man: Into the Spider‑Verse made comic‑book ink feel alive, delivering a sensory overload that redefined what animated superhero storytelling could achieve.Cultural relevance caps the discussion. Black Panther emerged as a modern myth that forced critics to confront race, identity, and heritage within blockbuster fantasy, expanding the perceived centre of the superhero universe beyond the traditional Batman, Superman and Spider‑Man triad.While outliers like Alex Garland’s Dredd and Guillermo del Toro’s Hellboy II: The Golden Army deserve mention, the critic’s final Top 10 list reflects a balance of influence, artistry, and cultural weight:1. The Dark Knight2. Spider‑Man: Into the Spider‑Verse3. Superman (1978)4. The Incredibles5. Spider‑Man 26. Dredd7. Spider‑Man: No Way Home8. Avengers: Endgame9. Spider‑Man10. Logan

The recent threat by the US President to commit genocide against Iran is a stark reminder of the dangers of normalizing violence and aggression. This threat comes on the heels of Israel's continued bombing in Lebanon, which has resulted in the killing of over 200 people in a single day.The connection between these events and the situation in Gaza is clear. The destruction of Gaza, which has been described as a "civilization wiped out", has been normalized by western politicians and media outlets. The killing of thousands of Palestinians, including 20,000 children, has been met with relative silence and inaction.The article highlights the role of lobbying and strategic interests in shaping western policy towards Israel and Palestine. The American Israel Public Affairs Committee (AIPAC) has spent $221m since December 2021, influencing political campaigns and shaping public opinion.The author argues that the normalization of genocide in Gaza has paved the way for the current war with Iran. The use of similar rhetoric and tactics, such as the targeting of critical infrastructure and the dehumanization of enemies, has created a template for violence that is now being applied to Iran.The article concludes that the price of cowardice and complicity in these atrocities will be paid by innocent civilians in the Middle East and beyond. The normalization of genocide and violence has created a world where barbarism is accepted and the line between the permissible and the unthinkable is constantly shifting.

Maria Semple's latest novel, 'Go Gentle', is a joyfully clever romantic comedy that explores the application of Stoic philosophy to modern life. The story follows Adora Hazzard, a Stoic philosopher and divorcee living on New York City's Upper West Side, as she navigates her life and encounters a handsome stranger.Semple, best known for her bestselling novel 'Where'd You Go, Bernadette', presents a unique blend of humor, philosophy, and romance. The book is a zany high-wire act that seamlessly weaves together elements of comedy, art heist, thriller, and romantic comedy.At its core, 'Go Gentle' is a paean to the virtuous joys of Stoic philosophy. Semple makes Stoicism feel fresh and exciting through Adora's enthusiasm, which is contagious and inspiring. The book fizzes with funny lines, and Semple's writing is full of charm and wit.However, the book's merry chaos sometimes tips over into disjointedness, particularly in the section charting Adora's marriage deterioration through time-stamped nuggets. Despite this, the book's main plot is ingeniously wrapped up at the end, leaving readers feeling both cleverer and sillier.'Go Gentle' by Maria Semple is published on 16 April by W&N (£20). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Thousands of Iranians have gathered nationwide to honour the memory of former Supreme Leader Ali Khamenei, who governed the nation for nearly 40 years until his death in recent US-Israeli strikes that sparked the latest Middle East conflict.The national tribute commenced at 9:40am (06:10 GMT), the exact time Ali Khamenei was killed on February 28 at his Tehran residence, along with several other senior Iranian officials.State television broadcast footage showing thousands participating in memorial rallies across Iran on Thursday, with many carrying portraits of the late leader in cities including Urmia in the northwest, Gorgan in the northeast, and the capital Tehran.His successor, son Mojtaba Khamenei, has remained out of public view since before the war began, and was not expected to attend the nationwide commemorative events held Thursday.The attack initiated the Middle East conflict that has since engulfed the region, with Iran responding by targeting US assets and allies across the Gulf and launching strikes against Israel.Due to the ongoing war, a formal state funeral for the late supreme leader has yet to be held.

In a stunning display at the BCA Kalahari Women’s T20 International Tournament in Botswana, the Brazil women’s cricket side secured a 189‑run win over Lesotho, highlighted by a historic bowling performance.After winning the toss, Brazil posted a formidable 202‑8, propelled by wicket‑keeper Monnike Machado’s 69 runs off just 41 balls. Lesotho’s reply collapsed to a mere 13 runs, the lowest total recorded in a women’s T20I since Mali’s six‑run innings in 2019.The centerpiece of the match was 21‑year‑old right‑arm seamer Laura Cardoso, who captured nine wickets—the best haul ever in any men’s or women’s T20 International. Her spell began with a hat‑trick on the last three balls of her first over, followed by a streak of five consecutive dismissals spanning the first two balls of her second over and the next three deliveries.Cardoso’s final figures read 3‑2‑4‑9, a performance that propelled her to the top of the Women’s T20 best‑bowling rankings, overtaking Indonesia’s Rohmalia Rohmalia. The previous record for wickets in consecutive deliveries stood at four, set by West Indies’ Shakera Selman in 2018.While Brazil’s margin of victory dwarfs many, it falls short of Argentina’s 364‑run triumph over Chile in 2023, when the South Americans posted a staggering 427‑1. Nonetheless, Brazil’s dominance in the six‑team tournament is clear—they sit unbeaten with five straight wins and face Mozambique in their next fixture.

The Al‑Aqsa Mosque compound in occupied East Jerusalem reopened after a 40‑day closure imposed by Israeli authorities.Verified video footage released by Al Jazeera shows crowds streaming through the gates early Thursday, with approximately 3,000 worshippers attending the morning prayers.The ban had been total—or limited to a few dozen faithful—at Christian, Jewish and Muslim sites since the US‑Israeli war on Iran began on February 28. Israel frequently imposes restrictions, especially on Palestinian worshippers.The Islamic Waqf Department in occupied Jerusalem confirmed that the doors of Al‑Aqsa would be opened to all worshippers from dawn; the Jordanian‑affiliated authority managing the site offered no further details.Volunteers and caretakers were seen preparing courtyards and prayer areas to receive the faithful, while Israeli officials announced the simultaneous opening of the Church of the Holy Sepulchre on Wednesday evening.Israeli police attributed the decision to “updated instructions from the Israeli Home Front Command” and highlighted a massive security deployment, with hundreds of police officers and border guards stationed throughout the Old City and surrounding roads to “secure visitors.”Jerusalem’s holy sites have endured strict security measures and repeated closures during the six‑week regional war, curtailing celebrations of Lent, Passover, Ramadan and, for the first time since Israel’s 1967 occupation, Eid al‑Fitr prayers at Al‑Aqsa.The lifting of the ban arrives just in time for Orthodox Christians, who observe Easter on Sunday, a week after Catholic and Protestant celebrations.Continued Raids in the Occupied West BankIsraeli forces continued operations across the occupied West Bank. In Nablus, a woman was detained and a man assaulted during an early‑morning raid, according to the Palestinian news agency Wafa.The Ramallah‑based Palestinian Health Ministry reported that Israeli forces fatally shot 28‑year‑old Alaa Khaled Mohammed Sbeih near the village of Tayasir on Wednesday night; the Israeli military said an off‑duty soldier fired at a stone‑thrower.Wafa added that six young men were detained in Tayasir, while troops stormed homes in Ya’bad, south of Jenin, destroying the contents of three houses. Additional raids hit the villages of Qusra and Awarta, though no arrests were reported there.The United Nations Office for the Coordination of Humanitarian Affairs (OCHA) estimates that more than 1,100 Palestinians have been killed by Israeli forces and settlers in the West Bank since 2023, with at least 10,000 people forcibly displaced.

Djibouti, a one‑million‑strong nation perched on the Bab al‑Mandeb Strait, is set to hold its presidential election on April 10. All signs point to incumbent Ismail Omar Guelleh securing a sixth term with little genuine opposition. The country’s strategic location—linking the Red Sea to the Gulf of Aden—makes it a linchpin for global trade and a magnet for foreign military installations. The United States, France, China, Italy and Japan all maintain bases there, earning Djibouti the reputation of hosting the highest concentration of overseas military sites. Officially, Djibouti recognizes French and Arabic, while Somali and Afar are widely spoken among the two main ethnic groups, which together comprise roughly 95% of the population. Islam is practiced by about 94% of residents, and the Djiboutian franc remains the national currency. According to the International Foundation for Electoral Systems, 243,471 citizens—about a quarter of the population—are registered to vote, up from roughly 215,000 in the 2021 poll. Historical turnout averages around 67%. IGAD’s eight‑nation bloc has dispatched 17 observers from Ethiopia, Kenya, Somalia, South Sudan and Uganda to monitor the process, with a post‑vote statement slated for April 12. Ismail Omar Guelleh, 78, leads the ruling People’s Rally for Progress. After parliament lifted the 75‑year age ceiling in November and abolished term limits back in 2010, Guelleh is now eligible for another term. Critics label his rule as authoritarian, yet they also acknowledge the relative stability he has maintained in a volatile region. Guelleh’s administration has turned Djibouti’s lack of natural resources into a revenue engine by signing infrastructure deals with China and leasing military facilities to Western powers. In 2017, Finance Minister Ilyas Dawaleh estimated that the bases generate roughly $125 million annually, with the United States contributing nearly half of that sum. The U.S. installation, Camp Lemonnier, remains the only permanent American base on the continent. The sole challenger, Mohamed Farah Samatar, runs under the Unified Democratic Centre after breaking away from the ruling party. His campaign slogan—“another Djibouti is possible”—has resonated only modestly, and observers such as Horn‑of‑Africa expert Sonia le Gouriellec describe the contest as a “token competition”. Human‑rights advocates echo this sentiment, calling the election a “masquerade” and a foregone conclusion. Key issues dominate the discourse. Democratic freedoms have eroded; opposition parties have boycotted elections since 2016, and Guelleh captured over 90% of the vote in 2021. The country ranks 168th out of 180 in the 2025 Reporters Without Borders press‑freedom index, and allegations of corruption and nepotism persist, including speculation that Guelleh’s stepson, Naguib Abdallah Kamil, is being groomed for succession. Economically, Djibouti’s reliance on Chinese financing is creating fiscal strain. By 2026 the nation owed China roughly $1.2 billion in loans, prompting the IMF to label its debt profile “in distress and unsustainable”. Massive infrastructure projects—most notably a railway to Ethiopia—have failed to curb poverty, with 73% of the youth unemployed. The country’s lifeline is its port system, which handles virtually all of Ethiopia’s maritime trade, amounting to about $2 billion in annual revenue. Ethiopia’s recent flirtation with a Somaliland port deal threatened Djibouti’s monopoly, though a Turkey‑mediated agreement in late 2024 redirected Ethiopia toward a “reliable and sustainable” sea corridor with Somalia. In sum, the upcoming election is less about a competitive political showdown and more about reaffirming a status quo that intertwines Djibouti’s geopolitical leverage, foreign‑military income, and mounting debt challenges.

A Turkish diplomatic convoy issued a strong statement condemning what it described as “lawless aggression” by the United States and Israel. The condemnation underscores growing tensions in the region and reflects Ankara’s opposition to recent policies pursued by the two countries.In its remarks, the convoy emphasized that such actions undermine international law and threaten regional stability. While specific incidents were not detailed, the language used signals a heightened diplomatic rift between Turkey and its Western allies.The declaration arrives amid broader geopolitical strains, with Turkey increasingly vocal about perceived unilateral moves by the US and Israel. Analysts note that this rhetoric could influence future diplomatic engagements and affect cooperation on security and economic matters.