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The Lead An important Islamic seminary in Kashmir has been declared unlawful under anti-terror laws, prompting backlash from prominent religious and political leaders in the Indian-administered territory. Seminary Under Scrutiny Kashmir Divisional Commissioner Anshul Garg issued the order based on a police dossier that alleged “sustained and covert links” between the seminary, Jamia Siraj-ul-Uloom, and the banned political party Jamaat-e-Islami (JeI), local media reported. The seminary, one of the largest in southern Kashmir, is recognised by the Jammu and Kashmir Board of School Education and has over 800 students. The Data Analysis The seminary has more than 800 students and has “produced doctors, scholars and professionals from homes that could never afford private education”. The move was handed down under the Unlawful Activities Prevention Act (UAPA), a much-criticised law that allows authorities to designate someone a “terrorist” without evidence. The Impact Analysis Leaders in Muslim-majority Kashmir criticised the move as part of an ongoing campaign of overreach by New Delhi. “Declaring Jamia Siraj-ul-Uloom ‘unlawful’ under UAPA is the latest act in a calculated dismantling of Kashmir’s civic life,” wrote Aga Syed Ruhullah Mehdi, a member of Jammu and Kashmir parliament, on X. The Prediction The decision is likely to escalate tensions in the region, where Kashmiri leaders have pushed back against what they describe as a curtailing of religious and other freedoms. Kashmir voters elected local officials in 2024, in the first elections in a decade. However, most powers remain with the New Delhi-appointed lieutenant governor, including control over police, public order and the transfer and posting of officials.

The Lead: From Sheffield Pub to Hollywood Film ScoreLast year, Jim Ghedi was having a chicken dinner at his mother's house in Sheffield when he checked his phone. A director had started following him on Instagram, and as a joke, Ghedi messaged him saying he wanted to do his next film score. To his surprise, the director, Michael Sarnoski, responded immediately, offering him the job to score the forthcoming A24 production "The Death of Robin Hood," starring Hugh Jackman and Jodie Comer.The Breakthrough: A Working-Class Folk Musician's Unexpected Hollywood OpportunityDespite having never scored a film before, Ghedi was given the gig. He bonded instantly with Sarnoski through video calls and a shared love of Steeleye Span, and ended up writing the songs and score. He describes the finished material as "quite doomy, earthy and dark" but also "quite light and orchestrated." Ghedi was invited out to LA to work on the project there, but instead chose to stay rooted in Sheffield. Even so, he had moments of impostor syndrome, acknowledging that "it's very rare for someone like me, and where I'm from, to get those kinds of opportunities."The Musical Journey: From Hip-Hop to Folk with Working-Class RootsGhedi, 35, was given a guitar when he was eight and quickly became a skilled player, but his teenage years were lit up by hip-hop and punk. The lyrical output of hip-hop proved formative for him. "Hearing people talk about being raised by a single mum was like, whoa," he recalls. "Here's someone artistically talking about something that I'm also experiencing in my life." Then came the revelatory discovery of Bert Jansch. "It was the first time I'd heard someone who played an acoustic guitar and it was not pretty," he says. "It was really heavy and aggressive."The Class Divide: Folk Music's Middle-Class DominanceWhile Ghedi favours metaphor and nuance rather than state-of-the-nation-style delivery, class is central to his music and ethos. "When I was younger, I was really naive and I tried to assimilate," he recalls. "But I realised: I need to own where I'm from. I'm not trying to be a spokesperson, but the folk scene is very middle class. The divide and the drop-off is huge, and in some ways, the disparity is worse now than when I started."The Future Outlook: Authenticity Over Commercial SuccessGhedi's trajectory to landing a huge project such as "The Death of Robin Hood" is a rare but heartening one. Despite having a memorable time working on the film, with a team on whom he heaps praise, he appears resolutely unmoved by the idea that he now needs to play any kind of game. "As long as I stick to focusing on creativity, nothing else matters," he says. "Whether I'm playing to 10 people in a room or 1,000, it's the same for me."

Lead: Free World Cup Watch Parties to Reach Every New YorkerMayor Zohran Mamdani revealed that New York City will stage complimentary fan events in all five boroughs, ensuring that cost‑conscious supporters can enjoy the tournament without draining their savings.Mayor Mamdani Unveils Free Watch Parties in Every NYC BoroughThe city‑wide series includes:Manhattan – Rockefeller CenterQueens – Billie Jean King National Tennis CenterBrooklyn – Brooklyn Bridge ParkThe Bronx – a shopping centre near Yankee StadiumStaten Island – a minor‑league baseball stadiumEach venue will host live match screenings and related festivities, creating a festive atmosphere across the metropolis.Cost Contrast: Free NYC Events vs $150 MetLife Train FareWhile the borough events are free, fans traveling to the actual matches at MetLife Stadium face a $150 round‑trip train fare—nearly twelve times the regular $12.90 price for the 15‑minute, 14 km ride from Manhattan’s Penn Station.A separate fan gathering at Sports Illustrated Stadium in Harrison, New Jersey, will charge a modest $10 entry fee.Broadening World Cup Access for New Yorkers and Regional FansBy offering no‑cost viewing options, the city addresses the financial barrier that could exclude lower‑income fans. The initiative also alleviates pressure on New Jersey’s transit system, which expects roughly 40,000 fans per match to rely on mass transit due to limited parking.Governor Kathy Hochul co‑announced the plan, underscoring a bipartisan commitment to inclusive sports experiences.Potential Ripple Effects on Future Sports Event Hosting in NYCSuccessful execution could position New York as a model for large‑scale, low‑cost fan engagement, influencing how future international tournaments are integrated into urban settings. It may also encourage other cities to negotiate similar community‑focused initiatives when hosting major sporting events.

Opening of the Queen Elizabeth II Urban Wildlife Garden On 28 April 2026 the newly‑created Queen Elizabeth II Garden in central London welcomed its first visitors. The 30,000 m² site, formerly a surface‑level car park, was redesigned by landscape architects Weston Williamson into a mosaic of native meadows, wetland ponds, and woodland glades. The garden is open daily, free of charge, and features interpretive signage, a visitor centre, and a series of guided tours aimed at families and school groups. Visitor Projections and Biodiversity Metrics Planned planting of 150+ native wildflower and shrub species to attract pollinators. Construction of two shallow ponds designed to support amphibians such as the common frog and newt. Target of 200,000 visitor entries in the first twelve months, based on foot‑traffic modelling from similar urban parks. Estimated creation of habitat for over 30 bird species, including the skylark and green woodpecker. Boost to Urban Biodiversity and Community Engagement The garden represents a strategic effort by the Royal Parks and the Greater London Authority to reverse the city’s biodiversity decline. By re‑wilding a high‑visibility site, the project provides a living laboratory for ecological research and citizen‑science initiatives. Local schools have already signed up for curriculum‑linked programs, and a volunteer “Friends of the Garden” group is coordinating monthly habitat‑monitoring events. Future Role of Green Spaces in London’s Climate Resilience Experts see the Queen Elizabeth II Garden as a template for future climate‑adaptation projects across the capital. The wetland areas are expected to mitigate surface‑runoff during heavy rainstorms, while the dense planting will contribute to urban cooling and carbon sequestration. If the garden meets its biodiversity targets, it could accelerate the city’s ambition to increase green cover by 15% by 2035.

The first resident breeding pair of peregrines in Stevenage – VDT (male, born 2023) and VSR (female, born 2024) – have settled on the concrete cliffs of Vista Tower and are already demonstrating a diverse hunting repertoire, even targeting nocturnal waterbirds.The First Breeding Pair Takes Up Urban TerritoryAndy Day and the author met in an Asda car park and followed the birds to Vista Tower, a 50‑metre‑high block where the falcons nest. Their presence marks the first successful summer territory establishment in the town, although Stevenage hosts wintering peregrines.Feather Evidence Reveals a Broad Prey SpectrumCollected feathers from 46 different species.14 of those were waders, including lapwing, golden plover, jack snipe, whimbrel and oystercatcher.Image documentation shows feathers from 13 wading species found beneath the nest.The raptors are pulling prey from pavement cracks and drain grates, indicating they hunt both pigeons and larger waterbirds, sometimes at night under streetlights.Quantifying the Prey: Species Count and Seasonal TrendsThe high species count underscores a shift in urban predator diet, likely driven by the Stevenage‑Hitchin Gap migration corridor that funnels nocturnal migrants over the town.Urban Raptors Reshaping City EcosystemsThis predation pressure adds a new top‑down dynamic to Stevenage’s urban wildlife, potentially influencing pigeon populations and the survival rates of migrating waders that use the town as a stop‑over.What Lies Ahead for Stevenage’s Skyline PredatorsIf the pair continues to thrive, we can expect a more permanent raptor presence, prompting city planners to consider nesting platforms and mitigation measures for vulnerable migratory birds.

The Review’s Core VerdictThe Guardian concludes that Kae Tempest’s Having Spent Life Seeking is an intensely earnest work that oscillates between lyrical beauty and exhausting melodrama. The novel’s raw honesty about trauma and gender transition is commendable, but its relentless intensity and occasional verse‑like prose leave many readers yearning for more nuanced interiority.Tempest’s Narrative Choices and Prose StyleSet in the stark seaside town of Edgecliff, the story follows Rothko Taylor, a recently released prisoner navigating homelessness, addiction, and a gender transition. Tempest structures the narrative around a long flashback that interweaves past abuse, a teenage romance with Dionne, and present‑day struggles. The prose is deliberately lyrical, often bordering on verse, which the reviewer argues can feel both beautiful and glib, especially when describing gritty realities such as jail life or self‑harm.Flashback‑driven structure links past trauma to present identity.Lyrical language aims to “wrest beauty from the jaws of gritty realism”.Critique: the verse‑like style sometimes undermines emotional depth.Pricing, Publication, and Market PositionThe novel is published by Jonathan Cape and retails at £18.99. Positioned as a “heart‑breaking, soul‑building” debut, the book targets both literary‑fiction readers and those seeking authentic trans narratives. Its price places it within the mid‑range of contemporary literary releases, suggesting a modest commercial expectation rather than a bestseller push.Implications for Trans Representation in Contemporary FictionTempest’s work adds to a growing, though still limited, catalogue of trans‑authored novels that foreground gender transition as a central theme. By foregrounding Rothko’s struggle for bodily autonomy and emotional connection, the novel challenges mainstream publishing’s often tokenistic treatment of trans stories. However, the review notes that the reliance on trauma tropes risks reinforcing a narrow view of trans lives as primarily defined by suffering.What Readers Can Expect from Future Trans NarrativesThe review suggests that while Having Spent Life Seeking may not be a flawless literary achievement, it signals a demand for more nuanced, varied trans perspectives. Future works are likely to move beyond trauma‑centric plots toward richer character development, diverse genre experimentation, and deeper explorations of everyday trans experiences.

The Verdict on ITV's Latest Espionage OfferingITV's latest spy drama, 'Secret Service,' arrives in an already crowded genre with high ambitions but little originality. The five-part series, adapted by ITV news anchor Tom Bradby and writer Jemma Kennedy from Bradby's 2019 novel, follows MI6 agent Kate Henderson (Gemma Arterton) as she juggles family life with her secret job investigating potential Russian influence within the British government. Despite its glossy production and strong performances, the review suggests the show fails to distinguish itself from the numerous spy dramas that have come before it.A Familiar Formula in Espionage Clothing'Secret Service' relies heavily on well-worn spy drama tropes: a protagonist with a dual life, exotic locations (in this case, Malta), scenes of characters striding purposefully past government buildings, and political intrigue involving a Russian oligarch. The plot centers on Henderson infiltrating a Malta-based Russian oligarch's operation to discover that a cabinet member may be a Russian asset, all while a leadership contest unfolds following the Prime Minister's resignation. The show attempts to differentiate itself with a family-focused protagonist but ultimately falls back on generic thriller elements that fail to generate excitement or innovation.Critical Reception and Performance AnalysisWhile the review is largely critical of the show's lack of originality, it does acknowledge several positive elements. Roger Allam's performance as MI6 boss Sir Alan Brabazon is praised, with the reviewer noting that "there is no programme on Earth that wouldn't benefit from his presence." Other strong performances include Rafe Spall as Henderson's put-upon husband and Rochenda Sandall as a Downing Street aide caught in a web of political corruption. The series is also noted for its confident pacing and slick direction by Oscar-winner James Marsh, though these technical merits can't compensate for the narrative's lack of fresh ideas.The Spy Drama Landscape and 'Secret Service's' PlaceThe review places 'Secret Service' within the context of an increasingly crowded spy drama genre, suggesting that it fails to stand out among competitors. Unlike shows that offer either genuine thrills or self-aware humor, 'Secret Service' takes itself too seriously without providing the tension or intellectual stimulation that serious spy dramas require. The show's stiff approach to geopolitical intrigue and its lack of either genuine excitement or clever satire leaves it in an uncomfortable middle ground, neither thrilling enough for action fans nor substantive enough for political thriller enthusiasts.The Future of Spy Dramas on British TelevisionAs the review concludes, 'Secret Service' represents a missed opportunity in a genre that continues to dominate British television. With spy dramas becoming increasingly commonplace, the pressure to innovate grows stronger. The success of shows that either reinvent the genre with fresh perspectives or embrace it with self-aware humor suggests that audiences are becoming more discerning. For ITV and other broadcasters, the lesson from 'Secret Service' may be that simply producing a glossy, well-acted spy drama is no longer sufficient—originality and a clear point of view have become essential ingredients for standing out in this competitive landscape.

Review Overview: A Grounded Portrait of Emily BrontëThe Guardian’s review highlights how Lutz’s biography replaces the long‑standing image of a "deranged" Brontë with a steady, sensible woman whose craft was honed in the texture of everyday life.Lutz’s Narrative Technique: Objects, Tactile Writing, and Everyday LifeLutz anchors her story in concrete details—a too‑short bed, pocket‑full of pencils, and a peat‑fire‑lit kitchen—showing how Emily wrote while baking, walking, or stitching. By treating early samplers and one‑page diaries as precursors to modernist stream‑of‑consciousness, Lutz argues that Brontë’s creativity was both methodical and avant‑garde.Publication Facts and PricingThis Dark Night: The Life of Emily Brontë published by BloomsburyRelease price: £20Available through the Guardian Bookshop linkReassessing Brontë’s Legacy in Contemporary CultureBy situating Emily within the “texture of her everyday,” Lutz invites readers to view Wuthering Heights not as a wild gothic outburst but as a meticulously crafted debut. The biography also challenges sensationalist biographical myths—rabid‑dog bites, secret affairs—favoring evidence‑based interpretation.Future Interest: Potential Discoveries and Ongoing ScholarshipLutz speculates that Brontë may have been working on a second novel, possibly hidden in a wall or buried on the moors, sparking renewed scholarly hunts. The book’s fresh perspective is likely to inspire further academic and popular explorations of Brontë’s life and work.

The Devastating Impact of Cartel-Driven Deforestation Decades ago, the children of Rochéachi village in the Sierra Tarahumara – pine-covered mountains of north-west Mexico’s Chihuahua state – would run through the forest by night. In the rainy season, they would collect fireflies whose glimmering light would flicker through the hollows of the pine trees. “We had peace. We used to walk and play and be together,” says one mother of three, who asked to remain anonymous, about the forest she once knew. “Now, children can’t go out to play. We don’t know what might happen.” The Rise of Illegal Logging and Cartel Control Since the mid-2010s, criminal groups, including factions of the Sinaloa cartel, have intensified illegal deforestation, seizing control of communal land known as ejidos through intimidation, extortion, and murder. The ecological toll has also been severe. According to the environmental organisation Water and Forests for Life, 9,000 hectares (22,400 acres) of forest in the Sierra Tarahumara have been lost to illegal logging since 2001. The Economic and Environmental Consequences Sawmills linked to the cartels falsify documents to launder timber estimated by one academic to be worth up to $270m (£200m) annually, while the US government puts the figure at $342m to $978m. Deforestation has disrupted the region’s hydrological system, causing droughts, crop failures, and food insecurity. The Human Cost and Fear Rochéachi, about 20 miles from the town of Guachochi, is home to several groups of Indigenous people, including the Rarámuri and Ódami. Along the Sierra Tarahumara’s nearly 745-mile (1,200km) length, individuals and organisations have reported a sharp rise in illegal deforestation. “Everyone is afraid,” says the woman from Rochéachi, a member of the Rarámuri Indigenous community. “I’m worried that illegal logging is destroying everything.” The Need for Effective Action Local people condemn the lack of an effective means of reporting forest-related crimes anonymously. Some claim that the groups responsible for illegal logging in the Sierra Tarahumara have informants within Mexico’s environment ministry and the office of the federal attorney for environmental protection.