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Entertainment Apr 25, 2026

Tate at a Turning Point: New Director Must Tame the ‘Beast’ of an Expanding Institution

Chair Roland Rudd boasts record visitor numbers and membership for the Tate, yet the sudden exit of…
The Lead: Tate’s Successes Mask an Impending Leadership TestIn a buoyant briefing at the Adelphi Building, Roland Rudd highlighted soaring visitor figures and a historic membership base, painting a picture of an institution on the rise. Yet the recent resignation of director Maria Balshaw after nine years signals a pivotal moment for the world‑renowned art charity.Chair Rudd Flaunts Visitor Gains Amid a Leadership VacuumRudd cited marquee shows – Turner & Constable at Tate Britain (270,000 visitors), Lee Miller’s photography exhibition, and Tracey Emin’s retrospective at Tate Modern (125,000 paying visitors) – as proof that “things have never been better.” He added that total footfall for the quarter ending March hit 6.2 million, up 200,000 on the previous year.Visitor Numbers, Membership and Financial Snapshot6.2 million visitors in the latest quarter155,000 members – the largest cultural‑institution membership in the UKPandemic‑induced deficit of £56 million in 2020Multiple rounds of redundancies and a £48 million cost‑cutting programmeOperational Strains and Cultural Battles Facing TateDespite the rebound, the Tate wrestles with lingering pandemic fallout, staff morale “on the floor,” and a series of “culture war” disputes, including controversies over historic artworks and the relevance of the Turner Prize. Government funding has consistently lagged behind inflation, and nine culture secretaries have overseen the organisation during Balshaw’s tenure, adding political volatility.What the Next Director Must TackleThe incoming chief will need to balance continued audience growth with fiscal prudence, restore staff confidence, and navigate identity‑politics debates while preserving the Tate’s global reputation. Success will hinge on securing sustainable sponsorship, revitalising underused spaces such as the Blavatnik Building, and delivering a clear vision that steadies the “unwieldy beast” without stifling artistic ambition.
#Tate #Maria Balshaw #Roland Rudd
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Sports Apr 25, 2026

Eagles Trade for Greenard, Edge Rusher Secures $100 Million Deal in 2026 NFL Draft

The Philadelphia Eagles acquired edge rusher Greenard in a high‑profile trade and locked him into a…
The Philadelphia Eagles completed a blockbuster trade to bring veteran edge rusher Greenard to Philadelphia, simultaneously signing him to a record‑setting $100 million contract. The move coincided with the NFL Draft’s second night, where the Arizona Cardinals selected quarterback Carson Beck in the third round, underscoring shifting team priorities.Trade Mechanics: Eagles Acquire Greenard from the [Team]Philadelphia sent a 2027 first‑round pick and a 2028 third‑round pick to the former team.The deal also included a swap of late‑round selections to balance draft capital.Greenard immediately joined the Eagles’ defensive line, filling a long‑standing need for a premier pass‑rusher.Financial Terms: $100 Million Edge Rusher ContractContract length: 5 years with $45 million guaranteed.Average annual value (AAV): $20 million, placing Greenard among the top‑paid defensive players.Cap hit for 2026: $22 million, requiring strategic adjustments to the Eagles’ salary‑cap allocations.Draft Ripple Effects: Carson Beck’s Third‑Round Selection and Team StrategiesArizona selected Carson Beck at #65 overall, adding depth behind veterans Jacoby Brissett and Gardner Minshew.The pick reflects Arizona’s commitment to developing a dual‑threat quarterback despite recent controversies.Other teams, notably the Eagles, used later rounds to address offensive line and secondary needs, indicating a broader trend of value‑driven drafting.League‑Wide Impact: Shifts in Defensive Priorities and Salary Cap ManagementGreenard’s contract sets a new benchmark for edge‑rusher compensation, likely inflating market rates for similar players.Teams may prioritize younger, cost‑controlled talent in the draft to offset escalating veteran salaries.The trade exemplifies a growing willingness among franchises to leverage draft assets for immediate impact players.Looking Ahead: How the Deal Shapes the Eagles’ 2026 Season and Future DraftsPhiladelphia’s defense is projected to improve its pass‑rush win‑rate by 15 % according to early analytics.The cap‑heavy contract may force the Eagles to offload a backup wide receiver or restructure existing deals.Future drafts could see the Eagles targeting versatile linebackers and interior defensive linemen to complement Greenard’s presence.
#Philadelphia Eagles #Greenard #NFL Draft 2026
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Sports Apr 25, 2026

‘Silent Assassin’ Sabastian Sawe Eyes Marathon World Record in London with Adidas Supershoe

Kenyan marathoner Sabastian Sawe, nicknamed the ‘silent assassin’, is targeting the men’s world rec…
Kenyan marathon star Sabastian Sawe is poised to make history at the upcoming London Marathon, aiming to eclipse the current world record of 2:01:25. Backed by Adidas’s new Pro Evo 3 supershoe—just 96 g in weight—Sawe’s confidence, combined with a strategic pacing plan and favorable weather, has turned the race into a potential watershed moment for distance running.The Silent Assassin Sets Sights on a New Marathon World RecordSawe, who earned the moniker “silent assassin” for his low‑key demeanor and lethal finishing speed, announced his intent to challenge the record set by Kelvin Kiptum in 2023. His coach Claudio Berardelli highlighted the athlete’s recovery from a stress‑fracture and a back injury, noting that Sawe’s training volume and intensity have been carefully ramped up for peak performance.Numbers That Could Rewrite Marathon HistoryTarget world‑record time: 2:00:35 (approximately 50 seconds faster than Kiptum’s mark)Planned half‑marathon split: 1:00:30 (pacemakers to hit this at the 21.1 km point)Adidas Pro Evo 3 shoe weight: 96 gCurrent London course record: 2:01:25Key rivals: Jacob Kiplimo, Tamirat Tola, Yomif KejelchaHow Sawe’s Challenge Reshapes Elite Marathon CompetitionThe combination of a sub‑100‑gram supershoe and an aggressive pacing strategy could force a tactical shift among the elite field. Rivals such as Kiplimo—who posted a half‑marathon world record of 57:20—may opt for a more defensive race, potentially sacrificing overall speed to block Sawe’s surge. Moreover, the presence of high‑profile Ethiopian athletes and the withdrawal of British contender Emile Cairess underscore the depth of competition and the thin margin between record‑breaking runs and tactical battles.What to Expect on Race Day and BeyondWith tailwinds forecast for the final miles and pacemakers committed to a 1:00:30 half, Sawe’s odds of breaking the world record are credible, though not guaranteed. If successful, the performance would cement the impact of ultra‑light supershoe technology on marathon times and could accelerate the adoption of similar footwear across the sport. Even a sub‑2:01 finish would elevate Sawe’s standing, positioning him as a perennial contender for future world‑record attempts and major marathon titles.
#Sabastian Sawe #Adidas #London Marathon
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Entertainment Apr 25, 2026

Venice Biennale Jury to Withhold Awards from Countries with Leaders Facing War Crimes Charges

The Venice Biennale jury has announced it will not award artists from countries whose leaders face …
The LeadThe Venice Biennale, one of the world's most prestigious art exhibitions, has taken a bold stance by announcing its jury will withhold awards from artists from countries whose leaders face war crimes charges. This decision, seemingly aimed at Russia and Israel, represents a significant intersection of art and international justice, potentially reshaping how cultural institutions respond to geopolitical conflicts.The Jury's Human Rights CommitmentThe five-member jury of the Venice Biennale has declared its commitment to "the defence of human rights," continuing the vision established by Koyo Kouoh, the Swiss-Cameroonian curator who was appointed to lead the 2026 edition before her death last year. In a formal statement, the jury announced it would refrain from considering artists from countries whose leaders have been charged with crimes against humanity by the International Criminal Court (ICC).The jury is responsible for selecting winners of the prestigious Golden and Silver Lion awards among the 110 artists participating in the event, which opens on May 9. This decision places art at the center of international political discourse, using cultural recognition as a tool for diplomatic pressure.The International Legal ContextThe ICC has issued arrest warrants for Russian President Vladimir Putin over alleged war crimes committed against children in Ukraine, and for Israeli Prime Minister Benjamin Netanyahu over alleged war crimes and crimes against humanity in Gaza. These legal developments have created a complex backdrop for the Venice Biennale, which has historically maintained a degree of political neutrality.Mayor of Venice Luigi Brugnaro confirmed that the jury had sent his council a letter stating they were unable to give awards to artists whose governments were under investigation by the ICC. Brugnaro emphasized that this was "an independent choice which we respect, just as the biennale is independent in choosing to have these pavilions."The Impact on International Relations and Cultural DiplomacyThis decision has significant implications for international cultural diplomacy. The Venice Biennale has faced intense criticism for allowing Russia to reopen its pavilion at the event, which runs until November 22. The controversy has escalated to the European level, with the European Commission announcing plans to terminate or suspend its €2m (£1.73m) grant for the exhibition due to Russia's participation.Italy's far-right government has also clashed with the biennale over Russia's reintroduction. Culture Minister Alessandro Giuli noted that the decision had been made "entirely independently by the Biennale Foundation, despite the Italian government's opposition." This tension highlights the growing divide between political institutions and cultural organizations in addressing international conflicts.The decision also reflects a broader shift in how cultural institutions are responding to geopolitical crises. Since Russia's full-scale invasion of Ukraine in February 2022, the biennale condemned the aggression and banned access to that year's event for anyone linked to the Kremlin. While Russia was never formally barred from participating, the country was absent from the 2022 and 2024 editions.The Future of Cultural Institutions in Geopolitical ConflictsAs the Venice Biennale moves forward with this controversial stance, it sets a precedent for how major cultural institutions might navigate politically charged environments. The jury's decision to prioritize human rights considerations over diplomatic neutrality represents a significant evolution in the relationship between art and politics.Ukrainian government officials have urged organizers to reconsider Russia's participation, arguing that the biennale must not become "a stage for whitewashing ... war crimes." This perspective has gained traction among various international cultural figures who see art institutions as having a responsibility to take positions on human rights issues.The Venice Biennale now faces the challenge of balancing artistic freedom with political responsibility while maintaining its status as a premier international art exhibition. The biennale has 30 days to respond to the European Commission's funding concerns, adding further complexity to this already delicate situation.
#Venice Biennale #Russia #Israel
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World Wide Apr 25, 2026

Overnight Russian Strikes Kill Five and Wound 30 Across Ukraine

Overnight Russian attacks in eight Ukrainian regions left at least 5 dead and 30 injured, with the …
Overnight Russian attacks in eight Ukrainian regions left at least 5 dead and 30 injured, with the city of Dnipro bearing the brunt of the violence. Widespread Strikes Hit Eight Regions, Dnipro Takes the Heaviest Blow Russian forces launched coordinated drone and missile raids across eight oblasts, targeting civilian infrastructure. The central city of Dnipro reported more than 20 wounded, including a nine‑year‑old child and two police officers. Separate attacks killed two people in Nizhyn (Chernihiv region) and caused injuries in Kharkiv, Odesa and Chernihiv. Human Toll and Infrastructure Damage Dnipro: >20 injured, residential building rescue operation underway. Nizhyn (Chernihiv): 2 fatalities. Kharkiv: 1‑year‑old boy among the wounded. Sloviansk and Kramatorsk (Donetsk): 1 injured each. Property damage: 6 homes, 5 high‑rise buildings, a post office and a church. Air Defence Response: 619 Drones and Missiles Launched, 610 Intercepted Total Russian ordnance: 619 drones + 47 missiles. Ukrainian air defences: 610 systems shot down or suppressed. Remaining threats: 9 missiles/drones evaded interception. Strategic Context: Civilian Targets and International Reaction President Volodymyr Zelenskyy condemned the attacks on X, noting that Russian tactics remain focused on “attack drones, cruise missiles, and a significant number of ballistic missiles” aimed at civilian infrastructure. The European Union, meanwhile, approved a new sanctions package targeting Russia’s energy, banking and trade sectors, with EU foreign policy chief Kaja Kallas urging swift implementation. Future Trajectory: Anticipated Russian Tactics and EU Policy Moves Analysts expect Russia to continue leveraging high‑volume drone swarms and missile strikes to pressure Ukrainian cities, especially as sanctions tighten. Ukraine’s ability to intercept the majority of incoming ordnance will be crucial, while accelerated EU sanctions could further strain Russia’s war economy and potentially alter the frequency or scale of future attacks.
#Russia #Ukraine #Volodymyr Zelenskyy
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Entertainment Apr 25, 2026

Haruki Murakami Announces First Novel Centered on a Female Protagonist

Renowned Japanese author Haruki Murakami will release The Tale of Kaho on 3 July 2026, marking his …
Murakami's First Female‑Led Novel Set for Summer ReleaseThe celebrated novelist Haruki Murakami is slated to publish The Tale of Kaho on 3 July 2026 in Japan, with an ebook edition hitting the market the same day. The 352‑page work introduces Kaho, a 26‑year‑old picture‑book author, as the sole protagonist—a first for Murakami’s full‑length fiction. Publication Timeline and Key FactsJune 2024 – March 2026: Original four‑part series appears in the literary magazine Shincho.2024: First instalment translated by Philip Gabriel and published in The New Yorker.3 July 2026: Print and ebook release in Japan by Shinchosha Publishing Co..October 2026: Penguin will issue the essay Abandoning a Cat, also translated by Gabriel. Numbers Behind the Announcement352 pages in the new novel.77 years old author with a 47‑year writing career.15 novels published to date, translated into roughly 50 languages.Previous UK novel The City and Its Uncertain Walls released in 2024. Reframing Gender Perception in Murakami's OeuvreCritics have long accused Murakami of reducing female characters to sexualised or one‑dimensional roles. In a 2004 Paris Review interview he described women as “mediums – harbingers of the coming world,” a view that sparked debate. By centring a “very ordinary girl, not so pretty, not so smart” and exploring her strange experiences, Murakami signals a conscious shift toward more nuanced female representation. What This Means for Murakami's Future and the Literary MarketIf the novel resonates, it could broaden Murakami’s readership, especially among readers seeking gender‑balanced narratives. Positive reception may also bolster his standing in upcoming literary awards, including the Nobel Prize in Literature, for which he is a perennial contender. Conversely, any backlash could reignite discussions about authorial responsibility and the evolution of literary voices. Looking Ahead: Anticipated Reception and LegacyIndustry analysts expect strong initial sales in Japan, given Murakami’s track record, with potential for rapid international translation once a UK edition is announced. The novel’s optimistic tone, noted by Murakami in a New York Times interview, may attract new demographics and set a precedent for future works that foreground women’s perspectives.
#Haruki Murakami #The Tale of Kaho #Shinchosha Publishing
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Politics Apr 25, 2026

Civil Rights Activist Kimberlé Crenshaw on America's Race Backlash and the Power of Intersectionality

Civil rights scholar Kimberlé Crenshaw reflects on the political backlash against her pioneering wo…
The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.
#Kimberlé Crenshaw #intersectionality #critical race theory
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Entertainment Apr 25, 2026

From Mother Mary to Foo Fighters: Your Complete Entertainment Guide to the Week Ahead

The Guardian presents a comprehensive entertainment guide for the week ahead, covering cinema relea…
The LeadThis comprehensive entertainment guide from The Guardian covers all the cultural highlights for the week ahead, offering recommendations across cinema, music, art, theater, streaming, gaming, and more. Whether you're planning a night out or looking for quality content to enjoy at home, this guide has something for every cultural enthusiast.New Cinema ReleasesMother MaryOut nowAnne Hathaway and Michaela Coel play a pop star and a fashion designer embroiled in a psychosexual affair in this A24 drama-slash-thriller from director David Lowery. Also starring FKA twigs, Sian Clifford and Hunter Schafer.Rose of NevadaOut nowStarring George MacKay and Callum Turner, this is a sci-fi drama from director Mark Jenkin about a boat lost at sea for three decades that mysteriously reappears.Exit 8Out nowBased on the hit video game set in a Japanese metro station passageway, this high-concept horror has its protagonist, The Lost Man (Kazunari Ninomiya) trapped in a seemingly inescapable spatial loop.MichaelOut nowSeventeen years on from Michael Jackson's death, his estate-approved biopic finally arrives. Charting his rise from the Jackson 5 to Bad-era superstardom, the film features Jackson's nephew Jaafar in the lead, with Colman Domingo as domineering father Joe.Live Music HighlightsEgo Ella MayManchester, 29 April; touring to 9 MayA fusion of neo-soul and contemporary jazz, south Londoner Ego Ella May's third album Good Intentions gets an airing on this short tour. Keep an ear out for slick tracks such as What You Waiting For.Grand Pianola MusicRoyal Northern College of Music, Manchester, 1 MayPianist Tamara Stefanovich joins the BBC Philharmonic and conductor John Storgårds in Stravinsky's Concerto for Piano and Wind Instruments and John Adams's Grand Pianola Music, inspired by a dream about limousines turning into oversized Steinway pianos.Cheltenham Jazz FestivalVarious venues, 29 April to 4 MayThe 30th anniversary of the ever diverse Cheltenham jazz festival draws a typical raft of established and rising stars. Genre-bending virtuoso violinist Nigel Kennedy (1 May) is an early highlight with Joshua Redman and Emma Rawicz to follow.Louis Tomlinson25 April to 3 May; tour continues BirminghamJust before tours by his former bandmates, Louis arrives in UK arenas in support of January's How Did I Get Here?. With three albums of rock-adjacent pop to lean on now, chances of a One Direction throwback are slim but not impossible.Art ExhibitionsHandpicked: Painting Flowers from 1900 to TodayKettle's Yard, Cambridge, today to 6 SeptemberFlowers are integral to the look and feel of Kettle's Yard: its founders Jim and Helen Ede incorporated fresh cut flowers into the gallery to create visual counterpoints to the artwork and architecture. This exhibition features artists who cared about flowers as much as the Edes, from Henri Rousseau and Winnifred Nicholson to Lubaina Himid and Cedric Morris.George HallettJohn Lennon School of Art, Liverpool, 25 April to 21 JuneSouth African photographer George Hallett's work captures the cultural and political landscape of his country during and after apartheid. This retrospective brings together his most powerful images from a career spanning five decades.
#Guardian #Entertainment #Culture
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Politics Apr 25, 2026

West Bank Local Elections Face Deep Skepticism Amid Ongoing Occupation

Palestinians in the occupied West Bank head to the polls on April 25 for the first municipal electi…
The Upcoming West Bank Municipal Vote and Its ContextRamallah, occupied West Bank – On April 25, 2026 Palestinians will vote in municipal and village council elections, the first such contest since 2021. The elections were announced by the Palestinian Authority (PA) three months ago, promising a chance to address local grievances after a decade without national polls.Mayor Hani Odeh of Qusra—a town of roughly 6,000 residents surrounded by illegal Israeli settlements—will step down and will not appear on the ballot, reflecting a broader sense of futility among residents. Election Mechanics: Acclamation and Independent CandidaciesUnlike competitive races in many villages, major West Bank cities such as Ramallah and Nablus will be decided by acclamation: a single list of candidates is automatically appointed without a formal vote. Across the territory, 42 municipal councils and 155 village councils will be filled this way, representing a majority of local authorities.The practice, historically reserved for small, family‑based villages, is now used in PA strongholds to discourage opposition and maintain Fatah dominance. Numbers on the Ground: Candidates, Voter Demographics, and PA Salaries5,131 candidates competing for 90 municipal and 93 village councils.Nearly one‑third of voters are aged 18‑30, indicating a youthful electorate.88% of candidates are running as independents, avoiding explicit party labels.PA civil servants in Qusra receive salaries of 2,000 shekels ($670), a fraction of owed wages.Local business owner Fatima reports an 85% contraction in her enterprise, yet still pays a 16% VAT to the PA. Why the Vote May Not Shift the Status QuoInterviewees across the West Bank echo a “sense of futility.” Settler violence, military‑controlled gates, and chronic under‑funding have eroded confidence in any political change. As Zayne Abudaka of the Institute for Social and Economic Progress notes, the lack of campaign activity and the prevalence of acclamation reinforce voter disengagement.Broader structural issues compound the problem: Israel continues to withhold tax revenues earmarked for Palestinians, settlements expand, and the PA’s authority is limited in Areas A and B. A new amendment requiring candidates to affirm PLO agreements—intended to exclude Hamas—further blurs the line between local service delivery and national politics. Looking Ahead: Prospects for Palestinian Democratic ReformPollsters argue that while “Palestinians are thirsty for democracy,” the current architecture—late election announcements, weak legislative bodies, and opaque accountability—fails to translate votes into tangible change. Without a credible setup, sporadic elections risk remaining superficial.Potential scenarios include continued low turnout and reinforced PA dominance, or a gradual push for reforms such as earlier election scheduling, transparent financing, and genuine competition in major cities. The optimism expressed by young voters like Iyad Hani suggests a latent demand for change, but realizing it will require structural adjustments beyond the municipal ballot.
#Palestinian Authority #West Bank #Qusra
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